Panel Of Experts (feat. B.Dot)
Joe Budden Podcast Episode 907, “Panel Of Experts (feat. B.Dot),” released March 6, 2026. B.Dot joins the cast in the latest episode from the JBP as the crew starts with T.I. and family continuing to diss 50 Cent (12:43) including Domani’s ‘Ms. Jackson’ (31:58). In new music, CyHi shoots at J. Cole (46:40) and Bruno Mars drops ‘The Romantic’ (56:39). The 2026 Rock & Roll Hall of Fame Nominees (1:16:14), Lil Yachty’s interview with Bootleg Kev (1:21:06), Joe phones N.O.R.E. after his comments about rappers with podcasts (1:35:50), the room reacts to comments from Aiysha Diaz on ‘Earn Your Leisure’ (1:47:29), and much more! Full transcript and searchable timestamps below.

In this episode
- 12:43B.Dot joins the cast in the latest episode from the JBP as the crew starts with T.I. and family continuing to…
- 31:58Including Domani’s ‘Ms. Jackson’
- 46:40In new music, CyHi shoots at J. Cole
- 56:39Bruno Mars drops ‘The Romantic’
- 1:16:14The 2026 Rock & Roll Hall of Fame Nominees
- 1:21:06Lil Yachty’s interview with Bootleg Kev
- 1:35:50Joe phones N.O.R.E. after his comments about rappers with podcasts
- 1:47:29The room reacts to comments from Aiysha Diaz on ‘Earn Your Leisure’
Joe Budden Podcast Ep. 907 Transcript
Full transcript of Panel Of Experts (feat. B.Dot) (1:00:14 long). Search it, or click any timestamp to jump to that moment.
- 0:01
The thoughts, views, and opinions
- 0:02
expressed by this podcast whose bullets
- 0:04
hosts are for entertainment purposes
- 0:06
only. I repeat, it is not serious. It is
- 0:09
not real. No one is exposing, revealing,
- 0:13
indicting or telling you anything about
- 0:14
themselves. Also, we do not encourage
- 0:16
you to try this at home. We are trained
- 0:18
professionals who do not have your best
- 0:20
interest at heart or our own. Enjoy the
- 0:22
show.
- 0:31
Microphone check. What is this?
- 0:37
Back to business.
- 0:41
I guess right now we should start the
- 0:42
show.
- 0:45
Mic check. Mic check. One, two, one,
- 0:46
two. Wake it up in here. You mean?
- 0:50
>> Hey, I just looked over on the couch.
- 0:52
Couch.
- 0:54
Broke in. Right. Feeling good. Feeling
- 0:57
great. I'm
- 0:58
>> confused.
- 0:59
>> Today is a good day to be grateful for
- 1:02
everything.
- 1:03
>> Sure.
- 1:03
>> How about that for today?
- 1:05
>> Every day awake.
- 1:06
>> Start the day loving the Lord.
- 1:09
>> Amen to that.
- 1:10
>> A higher power.
- 1:11
>> I see what you going I SEE.
- 1:13
>> LOVING GOD.
- 1:14
>> I SEE WHAT'S happening today.
- 1:15
>> WHATEVER YOU THINK IS GOING ON IN YOUR
- 1:17
LIFE,
- 1:19
let's try out today just being grateful
- 1:21
for it all, man.
- 1:23
The real grateful not that civic
- 1:28
leave people alone
- 1:32
like poking at
- 1:33
>> I don't give a n the cook of the burgers
- 1:35
thing was over the top for me. I'm with
- 1:37
you now buddy.
- 1:38
>> I'm with you now.
- 1:39
>> You see him right.
- 1:40
>> I like the Civic. I think that's fly.
- 1:43
>> Let my man roll out the burgers is
- 1:45
crazy.
- 1:47
>> Like why is he flipping burgers?
- 1:48
>> He don't need to be flipping burgers.
- 1:49
>> Yeah, it's too much. He's not wearing a
- 1:50
hair like it's unsanitary.
- 1:53
>> He touching base with his fans. That's
- 1:54
what you do.
- 1:55
>> His fans aren't in the kitchen.
- 1:57
>> His fans are vegan.
- 1:59
>> His fans don't even eat beef.
- 2:02
>> We saw that last year. Oh [ __ ] See what
- 2:05
you did there.
- 2:06
>> Mark, I'm here today, buddy. I'm here
- 2:08
today, BUDDY. WHAT'S POPPING THOUGH? GOT
- 2:11
MY MAN B in the building.
- 2:12
>> Yo,
- 2:13
>> beat. How you doing, man? Feeling great,
- 2:15
man. Scratching and surviving. Happy to
- 2:16
receive the invitation.
- 2:18
>> Come through. I'm glad. I'm glad you
- 2:19
could be here with us.
- 2:20
>> Scratching and surviving.
- 2:21
>> Scratching and surviving.
- 2:23
>> That's what he said when I called him
- 2:25
last week, too. Scratching and
- 2:26
surviving. I was like, "Oh, now's a good
- 2:27
time."
- 2:30
>> Oh, God always God always looks out,
- 2:33
ain't he?
- 2:35
>> Hey, you free for a call.
- 2:37
>> Let me check my schedule.
- 2:40
>> Well, I'm glad you I'm glad you're here
- 2:41
with us, especially with all this
- 2:43
hip-hop [ __ ] that came out that I have
- 2:44
no idea about that you'll inform me
- 2:45
about later.
- 2:46
>> Absolutely. Uh, Parks, what's up with
- 2:48
you?
- 2:49
>> Chilling, man. Feeling good. Feeling
- 2:50
good. Feeling great.
- 2:51
>> Good. I absolutely love that. I know
- 2:53
Mark is on pure [ __ ] so I'll skip
- 2:55
him.
- 2:56
>> Uh, we can get right into the
- 2:57
proceedings.
- 2:58
>> Why you say money? How's it feel to be
- 2:59
on the main
- 3:00
>> money here in the morning?
- 3:01
>> Yeah,
- 3:02
>> look at the money.
- 3:03
>> Ami, how's it feel to be on the main
- 3:04
pot?
- 3:04
>> Looking good. You look good in the
- 3:05
mornings.
- 3:06
>> Interesting.
- 3:09
>> It's interesting.
- 3:10
>> Oh, we need more words than that.
- 3:12
>> It's going to be his last.
- 3:14
>> Is it like a two-way contract situation?
- 3:16
Come beat. Here come beat now. Here come
- 3:18
beat. Here come.
- 3:20
>> Hey, we brought him up from the G
- 3:23
League.
- 3:24
>> Yeah, Ammani is one of our star star
- 3:26
players from our farm system
- 3:30
>> and he's been hitting some home runs.
- 3:33
So, so we we brought him up. See how he
- 3:35
does in the big leagues. I mean, hit
- 3:37
hidden behind or in front of
- 3:39
>> big Aaron Judge. God body.
- 3:41
>> God body. Say it. Say it. Right. Say it.
- 3:44
>> What's up?
- 3:44
>> You Aaron, right? Don't none of these
- 3:46
want to smoke with me. Ammani, I don't
- 3:48
care how many beats you try to start.
- 3:49
Look, I get in front of it. I get in
- 3:51
front of it. What's up,
- 3:52
>> Joe? I think is testing you at this
- 3:54
point.
- 3:55
>> I think I think feel like you're like
- 3:56
there's a little [ __ ] in.
- 3:57
>> Oh, I didn't get a pencil.
- 3:58
>> Oh, wait. Testing.
- 4:00
>> They tested me. I didn't get a pencil.
- 4:01
>> We going to get into it. Some testing
- 4:03
happened.
- 4:04
>> I missed the test.
- 4:05
>> Same. Same.
- 4:06
>> Yeah.
- 4:07
>> Same. We'll tell you what.
- 4:08
>> Me and M was talking about it this
- 4:09
morning.
- 4:09
>> It must be two landscapes out there.
- 4:11
>> No, it's not.
- 4:12
>> Are we looking at the same things? 100%.
- 4:14
>> Rarified air, buddy. And you know it,
- 4:16
too. You're my real friend. Rarified
- 4:18
air, buddy. Like, what what these
- 4:19
internet? Nothing [ __ ] say or do.
- 4:21
>> You remember you asked for this last
- 4:22
year.
- 4:23
>> Ask for what
- 4:23
>> you say. I'm just I need somebody to
- 4:25
shoot at. Like, it ain't really nobody.
- 4:27
There's people to shoot at.
- 4:28
>> Oh, shouted uh homeboy Cory Hulcom.
- 4:31
>> We ain't
- 4:32
>> I got a list. Faison love is on my list
- 4:34
in a few months.
- 4:34
>> Damn. In a few months, I'll get him. I
- 4:36
don't feel like it right now.
- 4:37
>> You talking about people in the in the
- 4:38
podcasting space that's actually doing
- 4:40
some [ __ ]
- 4:40
>> Oh, I love everybody. What's not to
- 4:42
love? We all family. My son's out there.
- 4:44
That's peace.
- 4:44
>> I look out there and see nothing but
- 4:46
sons. Family reunion.
- 4:48
>> A theme of this show. A theme of this
- 4:50
show. When family sticks together. You
- 4:52
can't You can't divide us. You can't
- 4:54
divide us, man. Man,
- 4:56
>> you acting real unusual ever since that
- 4:58
article came out. Joe,
- 5:00
>> I'm just saying.
- 5:00
>> See, you feel me?
- 5:02
>> V. You catch on too fast for my liking.
- 5:06
>> He's all [ __ ] I've been I've been
- 5:07
more laidback since that argument. Okay.
- 5:09
>> I've been chilling. I've been chilling,
- 5:11
focused on every I'm just grateful for
- 5:14
it all, man. Yeah, man. I'm just
- 5:15
grateful for everything.
- 5:16
>> As you should be, Paul, what's up, man?
- 5:18
You all right? You all right over there?
- 5:19
I heard you was in a sauna this morning,
- 5:22
>> huh? I heard you was in a sauna sweating
- 5:24
scoop.
- 5:24
>> Sweating with other another male.
- 5:27
>> Started started your day off, right?
- 5:29
Started your day off bright and early
- 5:30
with some male sweat in the vicinity.
- 5:32
>> Nasty Friday.
- 5:33
>> Yeah, that's that's what he felt like at
- 5:35
9:00 a.m., man. You got to do whatever
- 5:37
is in your bag, whatever's in your
- 5:38
wheelhouse.
- 5:39
>> Sure. Sir, that's the bag he wanted to
- 5:41
be in, man. I ain't mad it. All right,
- 5:44
mic. Check. Mic. M. Mic. Let me make
- 5:45
sure this thing is on. Do me fo. All
- 5:48
right, we good. Come on, man. Wake it up
- 5:50
here. It's the weekend. Wake it up here.
- 5:52
It's the weekend and my girl is gone.
- 5:53
Wake it up. Wake it up. Make some noise.
- 5:58
Make some noise up here.
- 6:00
>> It's the weekend. I'm baby free.
- 6:03
>> He's with his mom.
- 6:07
>> YEAH.
- 6:10
YEAH. Co-parent dad. Y'all know the
- 6:12
vibes out there. They know the vibes.
- 6:15
>> You know what I mean? Mark going home to
- 6:17
talk Arabic with his son. Not me.
- 6:21
Not me.
- 6:30
>> Who is that?
- 6:32
>> MY
- 6:33
>> YES, SIR. YES, SIR. LET'S GO. WHAT
- 6:36
EPISODE IS THIS?
- 6:36
>> 907. Welcome to episode 97 of the Joe
- 6:40
Button podcast. I'm Joe Button. Hi.
- 6:44
Hey. This [ __ ] happy. Hey you guys.
- 6:48
Brought to you by powered by fueled by
- 6:50
prize pics Friday price gang. I'm your
- 6:52
humble gracious grateful extremely happy
- 6:54
to be here. Very humble, very humble
- 6:57
host Joe Button here with some really
- 6:59
amazing people to my right. If you've
- 7:01
been around Philadelphia, you know the
- 7:02
vibes. You know what I mean? If you ever
- 7:04
watched one of them reunion shows on
- 7:05
VH1, you already know what time it is.
- 7:07
If you seen him out there in Atlanta
- 7:09
when the Cole [ __ ] was popping, building
- 7:10
the Sphinx, you know what time it is. If
- 7:12
you seen him on CNN repping, you know
- 7:14
what time it is. If you seen him on
- 7:15
Pierce Broman, what's his name? What's
- 7:18
his name? Morgan. If you seen him on
- 7:20
Pierce Morgan or Pierce Broman, you
- 7:22
already know what time it is. Our good
- 7:24
brother, Dr. Mark Lamont Hill in the
- 7:26
building. Mark, how you doing, bro?
- 7:27
>> I'm good. I'm good. I'm good. Real
- 7:28
quick, uh, happy birthday to MY
- 7:30
DAUGHTER. 22.
- 7:32
Happy birthday.
- 7:33
>> Hey, happy birthday.
- 7:36
>> So, what'd you get her? You did the
- 7:37
whole 22 grand of
- 7:38
>> again.
- 7:39
>> Yeah, last year was 21.
- 7:40
>> I got to get this guy an accountant.
- 7:42
>> I got it. IT
- 7:43
>> WAS YOUR IDEA.
- 7:44
>> WAIT, GRAND every year.
- 7:46
>> Well,
- 7:46
>> like 21 was a big deal.
- 7:49
>> I should have talked to you yesterday.
- 7:50
>> Oh my god. Jesus, man.
- 7:52
>> Uh, anyway, we got our good brother list
- 7:56
king list extraordinaire,
- 7:58
none other than B dot in the building,
- 8:00
man. It's probably good to be here under
- 8:02
different circumstances, man.
- 8:05
>> You remember?
- 8:06
>> I I do got it.
- 8:08
>> What are the different circumstances?
- 8:09
What happened?
- 8:10
>> Remember I was here last time and had
- 8:11
to, you know, explain the departure
- 8:13
between me and Mr. Wilson.
- 8:15
>> Oh, shout out to Elliot.
- 8:16
>> Elliot Wilson who is in our prayers. I
- 8:19
saw a post about some open heart surgery
- 8:21
stuff that he had, some staples in him.
- 8:24
It looked really important. Elliot, we
- 8:26
love you, good brother. You are always
- 8:28
always in our prayers and don't you ever
- 8:30
forget that. So yeah, get well soon.
- 8:32
>> Yeah, get well soon. We we done no mess.
- 8:35
No mess today, B.
- 8:36
>> It's all good. We We
- 8:37
>> You said get well soon, right?
- 8:38
>> We said,
- 8:39
>> we all said get well soon.
- 8:40
>> Yeah, I I sent him a text. We're We're
- 8:42
all good.
- 8:42
>> Did you say Mr. Wilson in the text?
- 8:45
>> Did you say Elliot? That's part of the
- 8:46
problem. You know,
- 8:47
>> I told him just take it easy.
- 8:50
>> All right.
- 8:50
>> Mad Lion voice. It's all good. It's all
- 8:53
love.
- 8:53
>> This guy. This guy.
- 8:54
>> The mad lion reference.
- 8:56
>> I like it. I like it. I love it. I love
- 8:58
it. I love it. H next to him. HEY,
- 9:02
HE'S HERE IN THE MORNING.
- 9:05
Stop playing with him. He look different
- 9:07
in the morning. It's my man right here.
- 9:09
Our good brother Ammani is in the
- 9:11
building. How you doing, man?
- 9:13
>> Great. Great energy. I like it. Got a
- 9:16
lot of energy today.
- 9:17
>> Are you a shady [ __ ] too?
- 9:18
>> Yeah.
- 9:19
>> I see it. I see it. I see it. I like it,
- 9:22
though. Next to him, King Elmyra, our
- 9:25
good brother. What's popping? What's
- 9:26
popping?
- 9:26
>> Parks is in the building. Parks, how you
- 9:28
doing man?
- 9:28
>> Feeling great, man. Feeling great. It's
- 9:29
nice out. You got my car back.
- 9:31
>> You drove? Good. I drove. Yeah. Life's
- 9:32
back to normal.
- 9:33
>> You got the chain hanging out. I mean,
- 9:35
you me too. Me, too.
- 9:37
>> Last time I saw parks, we was on the
- 9:38
billboard in Time Square.
- 9:39
>> Oh, yeah. That's true.
- 9:41
>> Is my partner in there? Some Levis's uh
- 9:44
America's Top Models over here.
- 9:45
>> That's right.
- 9:46
>> No, I I really support that. Almost
- 9:48
enough to have drove to 34th Street or
- 9:50
wherever it was to take a look at it.
- 9:52
But
- 9:53
>> second, man.
- 9:53
>> Oh, 42nd. Still another dirty New York
- 9:56
block. Another dirty New York street.
- 9:58
But shout out to Levis's. You guys look
- 10:00
great on it.
- 10:00
>> Thank you. Thank you.
- 10:01
>> Uh Po is here. Cory is here. Erikson is
- 10:03
here. Savon and Tanner are here by
- 10:05
remote. Last but certainly not least,
- 10:08
you guys are here. Don't you ever forget
- 10:10
that. If you're not subscribed to
- 10:11
Patreon, now would be a good time to
- 10:13
sign up to mine. That's the most
- 10:14
important. If you have some extra money
- 10:16
than Marks, if you have some extra money
- 10:18
than Ammani's and whatever B do has
- 10:20
going on, subscribe. Subscribe to it
- 10:23
all. Subscribe to it all. Shout out to
- 10:25
the Patronis. Shout out to the subgroups
- 10:26
out there. Shout out to the hate
- 10:28
listeners out there. We appreciate each
- 10:29
and every one of you. Don't you forget
- 10:31
that, fellas. What's popping?
- 10:32
>> Yo, man. I like your energy. It's a good
- 10:35
day.
- 10:35
>> Back to y'all.
- 10:36
>> I see. I see. I see. What's up?
- 10:39
>> I got a good night's sleep. I see.
- 10:41
>> Mhm.
- 10:41
>> Watch the little Memory of a Killer.
- 10:43
>> Is that good?
- 10:44
>> Yeah. Okay.
- 10:45
>> Memory of a Killer is good. Check it
- 10:46
out. It's on episode five.
- 10:48
>> Uh, it's a hitman with Amnesia. He's
- 10:50
[ __ ] everything. He's [ __ ]
- 10:51
everything up. Oh, he's [ __ ] amazing.
- 10:53
Yeah, he's [ __ ] everything.
- 10:54
>> That sound guy.
- 10:55
>> No, it's a good show. Memory killer.
- 10:56
This is not an ad. Pay me Hulu.
- 10:59
>> Got to start looking up who owns what to
- 11:01
see if we get paid now.
- 11:02
>> Ain't nothing but
- 11:04
>> Yeah, them right-wingers got it all.
- 11:07
>> They got I don't know how we going to
- 11:09
get this ad money now. You got to really
- 11:11
be likeminded.
- 11:13
>> Nah, dead ass. You got to be aligned.
- 11:16
You got to be aligned with some [ __ ] to
- 11:18
get a ad dollar now. I see why [ __ ] is
- 11:20
taking Netflix deals. [ __ ] just
- 11:23
moving, getting out the way, leaving me
- 11:25
on these mean streets. It's horrible.
- 11:28
Anyh who, uh,
- 11:30
>> where do we begin?
- 11:31
>> It's a lot of music. Listen, we got no
- 11:34
We got a I have I have a room full of
- 11:37
experts for the topics that we have here
- 11:40
today.
- 11:40
>> That's true.
- 11:41
>> Yeah.
- 11:41
>> I have Ammani here who is an expert in
- 11:45
one of these topics. I don't know if I
- 11:47
>> say, are you? Yes.
- 11:50
The funny [ __ ] you ain't even talking
- 11:51
about the music part neither.
- 11:52
>> No, no, not at all. Not at all. Not at
- 11:54
all.
- 11:54
>> Consider that you're saying harmonies
- 11:58
different harmonies like
- 12:01
>> Yeah. We got We got Bey here who's going
- 12:03
to tell me all about the new stove god
- 12:06
cooks.
- 12:08
You know, he collab collaborated with
- 12:10
Swiss Beats. He'll tell me all about it.
- 12:12
I'm sure him and Parks will have some
- 12:13
type of [ __ ] backpack.
- 12:15
>> Keeping it real.
- 12:16
>> Oh god.
- 12:18
Yeah, you did not just
- 12:23
>> uh and Mark is expert on so many things.
- 12:25
So, which one do y'all want to start
- 12:26
with? We got to start with Bruno Mars.
- 12:28
>> Do we do we [ __ ] MAN? NEW MUSIC.
- 12:31
>> MARK, WE ALL THESE MUSIC NOT HAS NOT
- 12:34
EVEN HEARD the new Bruno Mars.
- 12:36
>> I thought we would kick little yachties
- 12:37
back in first, but
- 12:38
>> we are not kicking
- 12:41
FAMILY BUSINESS.
- 12:43
>> WE'RE STARTING WITH FAMILY BUSINESS. YOU
- 12:45
KNOW WHAT WE START? THIS show is rooted
- 12:47
in beef
- 12:48
>> and families.
- 12:49
>> That's true.
- 12:50
>> Yeah.
- 12:51
>> It's a family. It's a family show.
- 12:52
>> It's a family show. I'm saying
- 12:54
>> and we really enjoy
- 12:57
>> beef. When there's a beef to pause when
- 13:00
there's a beef to enjoy for me,
- 13:02
>> this has been a really enjoyable
- 13:05
beef now. Finally.
- 13:07
>> Yes.
- 13:08
>> Now.
- 13:08
>> Yeah.
- 13:09
>> I didn't feel like that until last
- 13:10
night.
- 13:12
>> Yeah.
- 13:12
>> Two nights ago by the time this
- 13:13
recording is released.
- 13:14
>> Yeah, I agree. By the time I heard TI
- 13:18
firing off again
- 13:19
>> and again
- 13:21
>> and again
- 13:23
>> and again. Well, this week again and
- 13:25
again. Well, no, this week it did.
- 13:26
>> Since the last time again.
- 13:27
>> Since the last time you heard me again
- 13:29
and again. If you are new to this
- 13:31
broadcast or Joe Button, I am a huge fan
- 13:34
of firing at somebody consistently when
- 13:37
they're not firing back.
- 13:39
>> This is this is your MO for sure. I
- 13:41
absolutely love that. So, the fact that
- 13:44
TI found the time to do that
- 13:45
>> in a roll out, too. This is all your
- 13:47
bag.
- 13:48
>> Yeah, this is fully
- 13:50
>> so changed my mind about about not
- 13:52
wanting him not wanting his roll out to
- 13:54
just be engulfed in beef. I take it
- 13:58
back.
- 13:58
>> He's got a big enough record that Yeah,
- 14:00
>> he don't matter. Yeah,
- 14:02
>> the record is climbing up the charts.
- 14:03
Ew. I said climbing up the charts.
- 14:05
>> Climbing up the
- 14:08
change that dial, Joe.
- 14:11
>> Oh my god. I'm Sound like Mero.
- 14:13
No,
- 14:15
>> sound like Mero and Cass up here. Jesus.
- 14:17
His record is doing extremely well and
- 14:19
it's it's not even climbing. It's
- 14:21
jumping
- 14:22
>> like a bunch of spots on the charts.
- 14:24
When you have something that's doing
- 14:25
that, beef away.
- 14:27
>> Yeah. Diss whoever you want to diss. I
- 14:29
really enjoyed the two TI diss tracks. I
- 14:31
told y'all last part that I like the
- 14:33
family flex.
- 14:34
>> Yes.
- 14:35
>> I love that. Especially when it's rich
- 14:37
[ __ ] versus rich [ __ ] You gotta find
- 14:39
any way you could stunt. And your family
- 14:41
is a stunt. These dudes that's in the
- 14:43
house, been in the house all 18 years,
- 14:46
19 years with these little [ __ ]
- 14:48
Rugrats.
- 14:48
>> Yeah, you love them.
- 14:49
>> Raising them, feeding them, listening to
- 14:52
them, their thoughts and opinions. These
- 14:53
new kids got opinions and [ __ ] now.
- 14:56
>> Like you raised these kids and they
- 14:58
downstairs writing raps.
- 15:00
>> And they talented. Yeah.
- 15:01
>> Wait. And they repping for mom
- 15:05
and you ain't even have to go say, "Yo,
- 15:07
pin something down." Damn, they probably
- 15:08
came right to dad. Yo, check this out
- 15:10
real quick. Let me see if you think this
- 15:12
is good for release. What a family
- 15:14
bombing. Yeah, sorry. Bruno can wait.
- 15:16
Stove god can wait. And who you say
- 15:19
again? The Bush administration. Who you
- 15:21
want to start with?
- 15:22
>> Something stupid. The Russell again,
- 15:24
right? You want to start with Lar
- 15:26
Russell again?
- 15:27
>> No, no, no. We going to get to him
- 15:28
though.
- 15:28
>> Uh, what I do ask Parks cuz I'm such in
- 15:32
a good mood and I'm so excited. Can I
- 15:35
get a DJ voice? Boy, boy.
- 15:38
>> Oh, that guy's fast.
- 15:40
>> Sound like a clue tape, man.
- 15:43
>> Go ahead.
- 15:44
>> That [ __ ]
- 15:44
>> I know you want to get your clue.
- 15:46
>> That [ __ ] heart is beating.
- 15:47
>> I got to get the records first.
- 15:49
>> Too fast.
- 15:49
>> Y'all talk. I didn't I didn't think he'd
- 15:51
be that fast.
- 15:53
>> Yo, I'm with you though, Joe. That [ __ ]
- 15:55
had me proud, man. I love watch I love
- 15:57
listening to T. I know we about to hear
- 15:59
that. And then
- 16:00
>> I like seeing the kids the kids get
- 16:02
involved. And I like the fact that even
- 16:04
on the trolling side, they good at the
- 16:05
trolling [ __ ] too.
- 16:06
>> Oh, that's how this [ __ ] started.
- 16:07
>> King is good.
- 16:08
>> King came out with the trolling. He came
- 16:09
out with a track that Demi came out with
- 16:11
what I think is the best one of the
- 16:12
whole beef.
- 16:13
>> Yeah.
- 16:13
>> And and then T, you know, and Tip came
- 16:15
back with two more. And and and then um
- 16:18
you know, Mama's up there with the with
- 16:20
the with the photo, the burning house,
- 16:22
>> you know what I mean? Like and saying
- 16:24
how proud she is, man. That's that's how
- 16:25
you do it. It's like family.
- 16:27
>> Family jump.
- 16:28
>> Yeah.
- 16:28
>> I've never seen
- 16:29
>> Yeah. Does that ever happen in rap? No.
- 16:30
>> No.
- 16:32
>> I've never seen it. No,
- 16:33
>> I think that's a big part of why I'm
- 16:34
enjoying it so much. I've I've never
- 16:36
seen nothing like this.
- 16:37
>> You think it might get a tiny release?
- 16:38
>> No. That's the part that I think is so
- 16:41
fire about this.
- 16:42
>> Yeah, they're protecting
- 16:42
>> is that Mom Dukes just gets to not say a
- 16:46
word.
- 16:47
>> Not tweet, not Insta story, not an
- 16:49
emoji. She get to just do whatever the
- 16:51
[ __ ] she was doing and ignore all this
- 16:52
[ __ ] while my entire family bombs away
- 16:55
on some. She might not even know. She
- 16:57
might be getting a manicure.
- 16:59
>> She might see the [ __ ] just dropping on
- 17:01
the timeline like us. But I think that's
- 17:02
super fly. Super fly. Trust me, I was
- 17:05
with a girl and tried to write a diss
- 17:07
track for her before. They don't really
- 17:08
>> work. Not at all. Not at all.
- 17:11
>> Uh, let me see. Y'all can go.
- 17:13
>> Who Who thought Tiny would be the person
- 17:15
to potentially take out
- 17:17
>> 50 Cent? Yo, that's crazy.
- 17:19
>> You couldn't see that. Come on. You
- 17:21
couldn't see that coming. But I'm glad
- 17:23
I'm glad people like I the other day I
- 17:24
was saying like this is bully [ __ ] and
- 17:26
somebody got to stand up to the bully
- 17:28
and this is what happens.
- 17:29
>> But people aren't afraid of 50 Cent
- 17:31
anymore. It's not like 2003.
- 17:33
>> No, they're afraid to get put on that
- 17:34
Instagram [ __ ] meme regimen.
- 17:37
>> No, but 50 has had a hit list of people
- 17:38
that, you know, aren't backing down, you
- 17:40
know, from Rick Ross to now like TI.
- 17:42
Like, history has shown that people
- 17:44
aren't afraid to, you know, step up to
- 17:46
50 like it used to be.
- 17:47
>> Let let's let's be clear, though. If 50
- 17:50
really decide to dedicate some real time
- 17:53
to this beef, let's not make it seem
- 17:55
like it won't actually be something that
- 17:56
he can win.
- 17:57
>> Like, don't get me wrong,
- 17:59
>> hold up. Yeah. Yeah. Yeah. Hold up. Just
- 18:01
hear me out.
- 18:02
>> Media wise, yeah, he could.
- 18:04
>> Winning the beef
- 18:05
>> doesn't always have to be on the music
- 18:07
side itself. It has to be a combination
- 18:08
of multiple. Like, I think he can still
- 18:10
get in there and make some good music.
- 18:12
>> Mhm.
- 18:12
>> I think so, too.
- 18:13
>> On top of the trolling [ __ ] that he's
- 18:14
good at doing,
- 18:16
>> if decide to dedicate his time to this,
- 18:18
it it'll be a different thing.
- 18:19
>> I mean, 50 made it clear on his post
- 18:21
though. Like, look, just y'all think I
- 18:22
he talked about middle-aged rappers
- 18:25
rapping and making rap still want to do
- 18:26
rap beef or he called it battle rap,
- 18:27
which is not exactly
- 18:29
>> It's not the same. Yeah,
- 18:29
>> it's not the same. But he tried to make
- 18:30
a joke out of it, which I understand. He
- 18:32
was like, "Just cuz y'all want me to rap
- 18:33
don't mean I got to rap." Which is what
- 18:34
you were saying earlier. The 50 is not
- 18:36
going to rap and doesn't feel compelled
- 18:37
to. I think you're right. I I thought
- 18:39
that TI coming out with some with some
- 18:42
songs would make him come out with some
- 18:43
50 like [ __ ] that you going to get these
- 18:45
memes.
- 18:46
>> And I think the fans aren't responding
- 18:48
the way he thought they would.
- 18:49
>> Yeah. No,
- 18:50
>> it's a new day. Well, I don't even
- 18:52
really see the memes have stopped too
- 18:54
now though.
- 18:54
>> Yeah.
- 18:55
>> I don't think any music is coming. Like
- 18:57
I said, he's not in he's not compelled
- 19:00
to make any music.
- 19:01
>> If music were to come, I'm not sure how
- 19:05
uh the a 50 C disc record sounds
- 19:08
>> in 2026.
- 19:09
>> In 2026, I would have to hear that.
- 19:12
>> This beef is also my other one of my
- 19:15
problems with Uncle Murder and this
- 19:17
wrap-up [ __ ] at the end of the year cuz
- 19:19
now what? I'm going have to wait.
- 19:20
Anybody that raps that's on that side
- 19:23
>> should rap.
- 19:24
>> It's rap time.
- 19:25
>> Yeah.
- 19:27
uh not wait till the end of the year.
- 19:30
>> If there was a game involved in this,
- 19:33
six, seven tracks in already.
- 19:35
>> If there were banks involved, then we
- 19:37
already know that can't happen. But if
- 19:38
if if these type of MC's were involved,
- 19:42
>> you know, they got memes saying that Yo
- 19:43
going to do a Vlad, that's just funny
- 19:45
because
- 19:47
>> be on Vlad.
- 19:49
>> Uncle Uncle Murder's not going to rap.
- 19:51
50's not going to rap. Nobody's gonna
- 19:53
Nobody's going to rap. And when you know
- 19:55
that
- 19:56
>> you get to bomb away and I'm get my
- 19:58
sons,
- 19:59
>> right?
- 20:00
>> When you know that you could bomb away,
- 20:01
it's like you playing with the house
- 20:03
money now. There's no there's nothing
- 20:05
that's going to go wrong with this. Uh,
- 20:07
all right. Turn me on. Give me my delay.
- 20:09
>> Let's do it.
- 20:10
>> Yeah. Yeah. Yeah.
- 20:13
>> World famous. World famous. World
- 20:15
famous.
- 20:16
>> DJ verified. DJ verified.
- 20:21
>> You attack the family. It's a family.
- 20:23
It's a family. It's a family. It's a
- 20:25
family. It's a family. The family
- 20:27
returns. Family returns. Family returns.
- 20:28
FAMILY RETURNS. RETURN. SHOUT OUT TO
- 20:30
BENNY ON THE BENNY ON THE
- 20:33
PARTIES.
- 20:34
>> Rest in peace to THE COLISEUM. COME ON.
- 20:36
YOU BEAT
- 20:44
UP.
- 20:45
>> All right. Thoughts? Thoughts so far?
- 20:47
Thoughts so far? Any thoughts on verse
- 20:48
one? I like it. I [ __ ] with it. I like
- 20:51
the energy. Throwback. Nostalgic
- 20:54
>> and you don't want No. It's a good hook,
- 20:55
too. Good hook, too.
- 20:57
>> That hook is it
- 20:58
>> good hooks on this records. Big fan of
- 21:00
that.
- 21:01
>> I can't tell.
- 21:02
>> Yo, that [ __ ] cut his hair off and just
- 21:04
went back to a different mode.
- 21:07
>> He I don't know.
- 21:07
>> Something happened in T's life.
- 21:09
>> Yeah. Yeah. He got that Forel beat. It
- 21:10
was like
- 21:11
>> I'm saying that, but his last album that
- 21:14
nobody paid attention to at all was I
- 21:17
>> actually I've really been enjoying the
- 21:19
TI albums that nobody been [ __ ] with
- 21:20
at all. And Demani had a good verse on
- 21:22
there too.
- 21:22
>> Huh?
- 21:23
>> On that album that you're talking about,
- 21:24
Demani had a good verse on there, too.
- 21:26
They had a
- 21:26
>> collab
- 21:27
can rap. He's really He's really good.
- 21:29
>> I like that joint, though. They got the
- 21:30
little uh 21 Savage influence dad live
- 21:33
with the [ __ ]
- 21:34
>> Yeah. Yeah.
- 21:35
>> It's a nice touch.
- 21:36
>> And it's a good What is this? Disc four.
- 21:40
>> Three. This was three, I think.
- 21:41
>> This was disc three.
- 21:42
>> Yeah. Lessons was the four.
- 21:43
>> It's a good disc three. It just allows
- 21:45
you to just
- 21:46
>> This just sounds good.
- 21:48
>> Yeah.
- 21:49
>> He's picking beats. He's picking beats
- 21:51
where he and that just bop. The bop
- 21:53
wins.
- 21:53
>> Yeah, the bop wins.
- 21:55
>> Uh,
- 21:56
it's tricky because
- 22:00
like I said, rapping seems to be the
- 22:02
blueprint
- 22:03
for how you handle the 50 social media
- 22:08
blitz.
- 22:08
>> Yeah.
- 22:09
>> Because, you know, he's not going to
- 22:10
step in that
- 22:12
>> in that arena. So people have people
- 22:14
have discovered a good way to counter
- 22:16
and now it takes a lot of the oomph off
- 22:19
of any meme that comes after it.
- 22:20
>> It does.
- 22:21
>> Yeah.
- 22:21
>> Yeah. Music always wins. History has
- 22:24
shown that, you know, like Rick Rick
- 22:26
Ross, him and 50, he out music 50.
- 22:29
>> He did. So
- 22:30
>> not just with good raps though, like
- 22:32
good song. Like you said, the hook is
- 22:34
important. The hooks to me are just as
- 22:36
important as the verses that he's doing
- 22:38
on these records.
- 22:38
>> Of course. And the best music Rick Ross
- 22:40
ever made in his life was coming
- 22:42
directly after. That always that always
- 22:45
helps. It just feels like when 50 does
- 22:47
the meme the meme [ __ ] it feels like a
- 22:49
guy who's ultra rich, don't really care
- 22:53
about rap, and I'm bored, so I'm going
- 22:55
just have some fun with you and go on
- 22:56
about my life. When rap music get
- 22:59
involved,
- 23:00
it doesn't come off like that. Like, it
- 23:03
seems like there needs to be immediacy.
- 23:06
And when there's not, when all the posts
- 23:09
then become about business and your TV
- 23:12
shows right?
- 23:13
>> See,
- 23:13
>> post retaliation
- 23:14
>> for for me. Yeah, exactly. For me, for
- 23:17
normal people, 50 is not normal, but for
- 23:19
normal people, yeah, that's one of the
- 23:21
reasons that you maybe don't engage when
- 23:24
there's [ __ ] on your jacket because now
- 23:26
you just got somebody that's going to
- 23:28
continuously highlight all of these
- 23:30
things that people that are in highlevel
- 23:32
business, they just don't want
- 23:34
highlighted right now.
- 23:35
>> Yeah, true. I don't want any of my
- 23:37
business partners to see a tweet. And
- 23:39
trust me, all of the businesses is
- 23:41
looking at they looking online.
- 23:42
>> Yeah. So, who wants that? Who wants that
- 23:45
when you're ultra up?
- 23:46
>> But if your business is good, then you
- 23:47
it Go ahead.
- 23:49
>> What was 50 supposed to do, though?
- 23:51
>> Cuz if we take the timeline of how this
- 23:52
even transpired, I don't think he looked
- 23:56
for this to happen. I don't think he was
- 23:57
going out his way to go back and forth
- 23:59
for
- 24:00
>> He poked the bear. You know what he
- 24:01
should have did? He should have just He
- 24:03
should have just said, "I don't want to
- 24:03
do the verses." He should have did the
- 24:05
VERSES
- 24:05
>> OR OR WHY NOT? IT'S a good conversation.
- 24:09
>> 50 is not trying to be a competitive
- 24:12
rapper.
- 24:13
>> That's why he's a TV exist.
- 24:15
>> But didn't he just tour a couple years
- 24:16
ago? 50 still likes money,
- 24:18
>> but would be a soda versus
- 24:21
>> Oh, please.
- 24:21
>> You're a rapper, Joe.
- 24:23
>> I'm a competitive rapper.
- 24:24
>> I think all rappers are competitive.
- 24:25
>> That's not true. At least the good ones
- 24:27
are.
- 24:27
>> I think 50 is competitive.
- 24:28
>> I think he's competitive. I think that's
- 24:29
why he's not doing it cuz he can't win.
- 24:31
>> No, he could win. No, I don't think he
- 24:34
could win. I don't think he could win.
- 24:35
I'm with you.
- 24:35
>> I mean, that mix was good by Joe, but at
- 24:37
the end of the day, 50, let's not get
- 24:39
crazy.
- 24:39
>> I got like Come on.
- 24:40
>> I love 50. He just hasn't wrapped in 20
- 24:41
years. So, like,
- 24:42
>> no.
- 24:42
>> 50 got records. Like, let's not get
- 24:44
>> But you, you know, versus now is about
- 24:45
record versus.
- 24:46
>> I'm talking about versus.
- 24:47
>> Oh, I thought you talking about battle.
- 24:48
>> Battle. He can't He can't win the
- 24:49
battle.
- 24:50
>> He can definitely win a versus I think
- 24:52
Ti wins the versus too, but I think it's
- 24:54
closer.
- 24:54
>> Why you keep counting him out in the
- 24:55
battle?
- 24:56
>> I just think he's out of rap. Because
- 24:57
every time we heard 50 rap like like on
- 24:59
magic with not this song he did with Nas
- 25:01
which could have been an epic record.
- 25:03
>> It was it wasn't good.
- 25:05
>> The last few times I heard 50 rap it
- 25:06
hasn't been good.
- 25:07
>> Okay.
- 25:07
>> I also don't think that he would have
- 25:09
much more to say to TI that is
- 25:12
compelling.
- 25:13
>> There's that.
- 25:14
>> Yo, they caught you in Walmart. They
- 25:15
arrested you. You a rat. You did the
- 25:17
commercial. Look at your wife. like and
- 25:20
that ain't even it's it's a
- 25:23
effectiveness of these things I think is
- 25:25
worn off for a lot of people
- 25:27
>> or they're good in meme format but not
- 25:28
necessarily in rap format right
- 25:30
>> yeah think y'all counting homie out I
- 25:33
mean don't get me wrong
- 25:33
>> I love I just
- 25:34
>> the [ __ ] that TI putting out is amazing
- 25:36
the [ __ ] Demani put out is amaz I get
- 25:37
all that that's cool but I think
- 25:39
sometimes when you get sometimes a
- 25:42
person that have to really step up to
- 25:44
the plate when there's something worth
- 25:45
fighting for and I think a comp like a
- 25:48
competition like this he he'll step to
- 25:49
the plate Yo, turn my delay back on real
- 25:51
quick.
- 25:51
>> Got you, Lord.
- 25:52
>> Yeah, yeah, yeah, yeah.
- 25:56
>> Shut up, Ammani.
- 25:57
>> Shut up, Ammani.
- 26:00
>> I hear you over there talking over there
- 26:01
talking
- 26:04
>> stupid out of here, [ __ ]
- 26:09
We got more new ti more new ti.
- 26:24
>> Also, I'm starting this over. Also, when
- 26:26
any rapper shows the ability to produce
- 26:29
quickly in a beef, I'm a huge fan of
- 26:31
that as well.
- 26:32
>> Like, he's turning these around
- 26:34
>> and they're good.
- 26:35
>> He's turning them around and they're
- 26:36
good. like he's writing quickly. He has
- 26:39
a lot of thoughts stored in his head
- 26:42
>> to get out
- 26:43
>> throughout this process. I I honestly
- 26:45
think he could go on for another week
- 26:47
and a half.
- 26:47
>> I agree.
- 26:47
>> I don't think he will
- 26:49
>> cuz there's no need,
- 26:50
>> right?
- 26:50
>> But yeah, I think he could go on. And
- 26:53
and suddenly I began to remember who Ti
- 26:56
was.
- 26:58
>> Honestly. Honestly, I I that I had that
- 27:00
entire thought pro. I'm like, yo,
- 27:03
>> I was there for TI and Flip.
- 27:06
>> Yeah. Like I remember how that went.
- 27:09
Flip bring a [ __ ] ass.
- 27:10
>> Yeah.
- 27:12
>> Him and shorty low.
- 27:13
>> Yeah. Yeah. Rolling in.
- 27:15
>> Him and Luda. Chris. Yeah.
- 27:17
>> Oh, that was good.
- 27:18
>> Yeah,
- 27:18
>> that was good.
- 27:19
>> That was a tough one.
- 27:21
>> That was a tough one.
- 27:22
>> Shortlived, but good.
- 27:25
>> That was a great
- 27:26
>> It was
- 27:26
>> back and forth on a song
- 27:30
>> on one song. I love that. That's that
- 27:32
their version of 4 321 for me. That's
- 27:34
cannabis and hell.
- 27:35
>> Yeah. So, I'm just saying I maybe forgot
- 27:38
that TI was so battle tested.
- 27:40
>> Yeah.
- 27:41
>> Because I'm used to, you know, the
- 27:43
family and the family show and reality
- 27:46
and just the the the cartoon [ __ ] that
- 27:49
he got 80 mil for. Like, I'm
- 27:53
>> But he's battle tested. Back to this.
- 27:56
>> Yeah.
- 27:58
>> See, some [ __ ] do the talking in the
- 28:00
front of the song to make it seem like
- 28:01
something to make it seem like they cool
- 28:03
and calm during this. I believe him.
- 28:08
>> I believe he's just as calm as he
- 28:10
sounds.
- 28:11
>> You don't need it.
- 28:12
>> Yeah.
- 28:13
>> You don't need it.
- 28:13
>> Talk to me. Talk to me. Distinguished
- 28:15
panel
- 28:16
>> panel of experts.
- 28:17
>> Sounds like a Jeezy record. I I'm trying
- 28:19
to think. Is it from like
- 28:20
>> I had the same thought.
- 28:20
>> The Trap of Die era or like TM 101. It
- 28:23
sounds like one of them records, but I
- 28:24
like it. Sounds menacing.
- 28:25
>> Yeah.
- 28:26
>> Yeah. It's a good word for it.
- 28:27
>> And I like the bars.
- 28:28
>> Yeah.
- 28:28
>> Yeah.
- 28:28
>> And the beat allows the bars to be heard
- 28:30
clearly on it
- 28:31
>> and the flow.
- 28:32
>> Yeah. He's Do y'all think he stops now?
- 28:35
>> No,
- 28:36
>> I want him to I don't think he is.
- 28:38
>> I want him to I want the album. Where's
- 28:39
the album? You know, I think we're ready
- 28:41
for it.
- 28:42
>> He's still rolling out. No, I don't
- 28:43
think he stops.
- 28:44
>> See, I think you're right. I don't think
- 28:46
he stops. I just want him to I feel like
- 28:48
you won. Yeah.
- 28:49
>> Fight's over and all you can do is
- 28:51
overplay. Remember when Remy killed with
- 28:53
Shether and then came with that that
- 28:55
track afterward? And I just don't want
- 28:56
to slip up.
- 28:57
>> This is different.
- 28:58
>> I I know, but I'm scared. I just want
- 28:59
It's like this is perfect. Your whole
- 29:00
family rolled and y'all won. Every track
- 29:02
is good.
- 29:03
>> It's over.
- 29:03
>> You got to know when to lead a party.
- 29:05
Boom. I think this is the case.
- 29:08
>> As long as these [ __ ] keep
- 29:10
being fired, I'm not wrong.
- 29:12
>> I'm here for it.
- 29:13
>> I'm just scared.
- 29:14
>> What I will say is in this track I've in
- 29:17
in the recent track I just played, I've
- 29:18
heard a lot of the talking points that
- 29:20
he's already expressed.
- 29:22
>> I think he did better on this one.
- 29:23
>> Huh?
- 29:24
>> I think he did better on this one.
- 29:25
>> Oh, yeah. Yeah. Yeah. This is one of my
- 29:27
favorites.
- 29:27
>> Yeah. You stop. You stop. And if 50
- 29:30
decides to go ahead and do something
- 29:31
else, then you know, you continue. But
- 29:33
you you prove your point. It ain't too
- 29:35
many [ __ ] that should [ __ ] with TI at
- 29:37
the when we had that conversation about
- 29:39
him with the the versus [ __ ] Dwayne
- 29:40
[ __ ]
- 29:41
>> All this [ __ ] just let me know that we
- 29:42
was kind of bugging on our take. But who
- 29:45
was bugging? I never said TI could be 50
- 29:47
in a versus.
- 29:48
>> Well, no. No. We had a a conversation
- 29:50
about TI and Lil Wayne. That was the the
- 29:52
conversation.
- 29:52
>> I never said TI could be Lil Wayne.
- 29:54
There were people.
- 29:55
>> These [ __ ] be high in here talking.
- 29:57
They were these [ __ ] the Listen, don't
- 29:59
get no comment. No comment about some of
- 30:02
the things that are said in this room as
- 30:03
it pertains to hip-hop takes.
- 30:05
>> They were people who did.
- 30:06
>> Well, Mark be saying that [ __ ]
- 30:08
>> I was AGREE WITH YOU, [ __ ] I SAID
- 30:09
WAYNE WOULD BEAT TI. I think TI beats 50
- 30:11
though.
- 30:11
>> I don't think that's how you feel about
- 30:13
TI versus Wayne.
- 30:14
>> Ti versus Wayne. Uh, it'll be close. I
- 30:17
think Tia might TI might win
- 30:20
>> by like I love TI, but I don't think
- 30:22
he's needed. I don't think it's a crazy
- 30:25
take, but I would take it. I think Wayne
- 30:26
wins. See, I was thinking about Wayne,
- 30:28
>> but after I had I need a little
- 30:30
reminder.
- 30:31
>> These [ __ ] need a No, they need a
- 30:32
reminder of what Little Wayne does.
- 30:33
>> And Little Wayne is great. He's top 10
- 30:35
of all time, but I'm thinking about like
- 30:37
later discoraphy.
- 30:39
>> It don't matter. It's not going to come
- 30:40
off.
- 30:40
>> There's only 20 songs.
- 30:42
>> You're never going to hear you're never
- 30:43
going to hear my later discoraphy.
- 30:45
>> Both of them 20 50 and Wayne 20.
- 30:48
>> You ain't hear nothing past 2013.
- 30:51
>> Don't you don't need to.
- 30:53
>> Yeah, I got to think about that one.
- 30:56
I'm glad that TI is getting his props
- 30:58
and and the respect to to to your point.
- 31:00
I think a lot of people forgot
- 31:02
>> a few things about TI's rapping ability.
- 31:05
He's not just relying on flow and
- 31:08
production.
- 31:09
>> I think they would both be great
- 31:10
battles. By the way, I just think that
- 31:12
>> those two are some of the they have a
- 31:15
[ __ ] hits.
- 31:17
>> Tia is battle tested.
- 31:19
>> I mean, that's what a hit record does,
- 31:20
right? A hit record is amnesia and an
- 31:22
alarm clock at the same time. Like
- 31:24
people forget
- 31:26
>> and then here's a reminder.
- 31:27
>> Yeah.
- 31:28
>> Like Tia's level, skill level still been
- 31:30
high for a long time, but you know,
- 31:32
sometimes you just got to remind people.
- 31:34
>> Put my delay on.
- 31:36
>> Track three.
- 31:38
>> Yeah. Yeah.
- 31:41
>> Belt the ass
- 31:43
volume.
- 31:44
>> BELT THE ASS ONE.
- 31:50
Everybody in Connecticut.
- 31:54
>> Yo yo a lot of mix.
- 32:00
>> We got a new entry on THE ASS. The ass.
- 32:05
>> New Dmani. New Dmani. Newmani. Newmani.
- 32:08
>> The one.
- 32:09
>> Damn. Now you can't even be a man no
- 32:10
more. No more. [ __ ]
- 32:13
[ __ ] took my money.
- 32:15
>> Took your money. Took your money. Took
- 32:16
your money.
- 32:17
>> You can turn my delay off. This is uh
- 32:19
this this is my favorite track out of
- 32:21
this beef.
- 32:22
>> Me, too.
- 32:23
>> This track that I'm about to play is my
- 32:25
favorite track out of all that's been
- 32:27
done.
- 32:28
>> Mhm.
- 32:28
>> Uh the the brother put something out
- 32:30
too King.
- 32:31
>> Yeah,
- 32:32
>> I actually liked it. The video was bad
- 32:33
cuz he wasn't hitting the words, right?
- 32:35
And on beat. He's smoking a joint.
- 32:38
>> Smoking joint doing push-ups. All right,
- 32:39
you got
- 32:40
>> the push-ups. I was done.
- 32:41
>> You got them, my
- 32:42
>> See, I like the push-ups.
- 32:44
>> I like the push-ups because you got to
- 32:46
find something to do. You gotta get hype
- 32:48
while you writing and thinking some of
- 32:50
this stuff. So, I didn't mind the
- 32:51
push-ups, but I like King more as the
- 32:53
crash out brother.
- 32:55
>> Yeah,
- 32:55
>> I think he fits that role to a tea of
- 32:58
the brother that will really take it to
- 33:01
hell.
- 33:01
>> Dig your mom up, [ __ ]
- 33:03
>> Yeah, you kind of need somebody. I
- 33:05
changed my mind on that, too. Like,
- 33:08
>> last part I was like, yeah, I don't like
- 33:10
being anybody to my family and yada. And
- 33:12
I while I don't personally
- 33:15
in hip-hop beef like I can't hear what
- 33:18
Push A T said about 40. I can't hear
- 33:21
some of the things that [ __ ] like
- 33:23
I've heard too much in hip-hop beefs to
- 33:25
draw the line this or if you're going to
- 33:26
do it fine.
- 33:27
>> Yeah. The problem for me is if you bring
- 33:29
family if it's same thing with the
- 33:30
Kendrick Drake [ __ ] You bring dirt in
- 33:32
now it's dirt time.
- 33:33
>> To 50y the the 50 don't have no
- 33:36
>> like he go to hell.
- 33:38
>> So yeah that's the exact person I want
- 33:40
to do all this [ __ ] with. I hate it. But
- 33:41
I once you started is all
- 33:44
>> I absolutely hate it. But if they're
- 33:46
gonna do it,
- 33:48
>> I guess I'll watch. But but I love an in
- 33:50
introspective
- 33:53
diss track. I love somebody that's
- 33:54
watching the war
- 33:56
>> but just has thoughts that are past the
- 34:00
violence and the surface level just
- 34:03
lowhanging fruit. Hey, this is where I
- 34:05
think the root of some of these problems
- 34:07
stem from. This was very uh meet the
- 34:09
grams coded, but he executed it well.
- 34:11
>> This was done before too though.
- 34:14
>> No, no, no. Joe, not meet the Grams.
- 34:18
>> The style of going at 50.
- 34:19
>> You ain't talking to the Grams.
- 34:21
>> I hate you.
- 34:22
>> Kiss JD Kiss did the same concept at
- 34:24
some point when he was dissing 50. So,
- 34:26
it feels like he just took that concept
- 34:28
to a whole another level.
- 34:29
>> Yeah.
- 34:29
>> I forgot you were signed to so raspy.
- 34:31
>> Yeah.
- 34:33
>> Not raspy at all either.
- 34:34
>> Yeah. Were clear clear ass voice. Um,
- 34:37
let's get into it. Domani, this record
- 34:39
is called Miss Jackson.
- 34:40
>> Great beat.
- 34:41
>> I love the beat. I love the outcast Miss
- 34:44
Jackson flip.
- 34:45
>> Yeah.
- 34:47
>> Yeah, he nice. Yeah,
- 34:48
>> I'm starting that over.
- 34:50
>> That [ __ ] nice.
- 34:51
>> He is nice and smart.
- 34:53
>> Shout out to all of us who had no idea
- 34:56
this guy was this nice. Like I'm hearing
- 35:01
>> cold three stack about to say that sound
- 35:03
like Andre De.
- 35:05
>> Yeah.
- 35:08
[ __ ] he sound like that and [ __ ] T
- 35:11
just been [ __ ] if you don't go up to
- 35:13
your kids room.
- 35:16
>> I appreciate it TI even more for that.
- 35:18
You still in the booth rapping and you
- 35:21
got cold 3000
- 35:23
>> upstairs
- 35:24
>> upstairs
- 35:26
on PlayStation or some [ __ ] on Twitch.
- 35:29
Boy, if you come help me defend the
- 35:31
family.
- 35:33
Oh my god. This is a hype right here.
- 35:36
And I don't know why in a track if you
- 35:38
are talking to somebody deceased, it's
- 35:40
just a different aura around it. It is.
- 35:42
>> It is.
- 35:43
>> And someone's parent.
- 35:44
>> Yeah.
- 35:46
>> That's the smoothest d I' ever heard.
- 35:50
>> Started as a Now we see something off
- 35:52
with him.
- 35:53
>> That [ __ ] came from the heart. So,
- 35:55
>> no, for real.
- 35:55
>> I like a diss track where you love the
- 35:57
guy like you love the you care you care
- 36:00
about the person you're speaking to
- 36:02
somewhat. Right. But I'm going to
- 36:03
threaten him.
- 36:03
>> Right. But I will send him to you.
- 36:05
>> It's a much younger person talking to
- 36:07
this man, too.
- 36:08
>> Word.
- 36:08
>> Right.
- 36:09
>> That's what that's what's [ __ ] me up
- 36:10
a little bit. Like
- 36:11
>> Right. He's in
- 36:12
>> How old How old is the He's
- 36:14
>> He's in his 20s.
- 36:16
>> He talking He talking like he older than
- 36:18
everybody in this battle.
- 36:19
>> Right.
- 36:20
>> Yeah.
- 36:21
>> Like that that means a lot. Like
- 36:24
>> this is tough.
- 36:25
>> 24.
- 36:26
>> 24. Wow. Come on. Half 50.
- 36:29
>> Come on,
- 36:29
>> man. Don't bring up my family name in a
- 36:31
beef neither.
- 36:35
>> I'm turning off. Distinguished panel.
- 36:36
Distinguished panel of experts. God.
- 36:39
Panel of experts.
- 36:40
>> Yo, when you start psycho analyzing your
- 36:42
[ __ ] I know you don't know about
- 36:43
parents and [ __ ]
- 36:45
>> Light skin [ __ ] is back, man.
- 36:48
>> Don't go too far.
- 36:49
>> We're not back. We not back.
- 36:54
>> Yeah, that was uh you're gone too far.
- 36:56
Briggs, man. Like he's going in. He's
- 36:59
going in. It's impressive. You know, I
- 37:01
knew Demani could rap, but I ain't know
- 37:03
he could rap this well.
- 37:05
>> I'm happy about it.
- 37:06
>> Beef bring the best out of some [ __ ]
- 37:08
boy.
- 37:08
>> Yeah,
- 37:08
>> cuz he rapping rapping and he's saying
- 37:10
some [ __ ] like it's not just the flex of
- 37:12
like the skill, it's the [ __ ] he's
- 37:13
actually saying.
- 37:14
>> And the tonality and pocket, all that
- 37:16
[ __ ] is
- 37:17
>> a A+.
- 37:20
>> And it's just the perfect way to respond
- 37:23
to someone.
- 37:25
>> It's everything about it is perfect.
- 37:28
This is my child that I raised who
- 37:31
turned out good, is a man and observes
- 37:34
the world differently, who puts uh stock
- 37:38
in some of the things that you rappers
- 37:41
and you materialistic [ __ ] are not not
- 37:43
seeing. This is not just surface level
- 37:46
Gucci Louis Prada. This is not kill
- 37:49
murder destroy. This is
- 37:52
conscious beef.
- 37:54
>> Yeah.
- 37:54
>> Yeah. I [ __ ] love it. Let's keep
- 37:56
going.
- 37:58
This part right here.
- 37:59
>> Now you talking about that cover.
- 38:02
>> Firebug.
- 38:03
>> Yo.
- 38:04
>> Yeah.
- 38:04
>> Tying it back to the cover. Tying it
- 38:07
back to the alleged arson. Repeatedly
- 38:11
calling him Firebug.
- 38:14
Going from Firebug to the chant. This
- 38:17
kid is so advanced. He knew to put some
- 38:21
type of pre chorus chant and yo, throw
- 38:23
your lighters up. You ever been abused?
- 38:25
Throw your lighters up. like like he's
- 38:26
in a diss record doing this.
- 38:29
>> This is so impressive.
- 38:32
>> God damn.
- 38:35
>> Yo, [ __ ]
- 38:36
>> This is one of the most more impressive
- 38:38
diss tracks I've heard in a long time.
- 38:40
>> Yeah, it is.
- 38:41
>> Like, it's really [ __ ] good. Yo,
- 38:43
>> should have had you in a fetal position
- 38:45
crying.
- 38:45
>> This whole 50 Cent verse Curtis, you
- 38:49
know him better. You don't drink, but
- 38:50
this what you doing
- 38:51
>> with the song titles.
- 38:53
>> Yeah. Yeah. black people you serving up
- 38:56
and you never when you [ __ ] never say
- 38:58
nothing bad about the white. He just
- 38:59
This is loaded. This is loaded. This is
- 39:01
loaded. Let's keep going.
- 39:04
>> Yo, stop.
- 39:07
>> Nah, dog. Firebug. I could still smell
- 39:11
the gasoline.
- 39:14
>> You know, I got a bunch of texts from
- 39:15
rappers last night.
- 39:16
>> You had I bet. Yeah.
- 39:17
>> I got a bunch of texts from rappers.
- 39:19
>> What was the sentiment?
- 39:20
>> Domani.
- 39:21
>> Wow.
- 39:22
>> Yeah,
- 39:22
>> that's it. Yo, Domani fire. Yo, did you
- 39:27
hear Domani? Yo, beef over.
- 39:30
>> Holy [ __ ] Domani. Like that was it.
- 39:33
>> He different
- 39:34
>> cuz you can't respond.
- 39:35
>> We all just in unison kind of had this
- 39:37
the same.
- 39:39
>> [ __ ] was like, "Oh, I listen to this
- 39:40
seven times." [ __ ] I'm on 11. I'm on
- 39:42
I'm on 11. I was laid up in the bed.
- 39:45
Winnie the poof.
- 39:48
>> That's how I listen to Beef now.
- 39:50
>> I'm sorry. Beefed out.
- 39:55
crazy.
- 39:56
>> No, I was in bed snuggled up.
- 39:59
>> But anyway, yeah. No,
- 40:01
>> sorry. That's
- 40:05
>> Oh my god. No. God. No. God. God. God.
- 40:10
>> This kid.
- 40:11
>> I'm glazing. Now,
- 40:13
>> now I'm glazing.
- 40:14
>> Now it's a glaze off.
- 40:17
>> If my son would have came in here with
- 40:18
this track, I wouldn't have dropped
- 40:19
[ __ ] I wouldn't have rapped at all.
- 40:21
Yeah,
- 40:22
>> I have told, "Hey, go do that four more
- 40:23
times. Bring it back upstairs,
- 40:25
>> right?"
- 40:28
>> Yeah. 50. There's no response for this.
- 40:29
You might be able to go back and forth
- 40:31
with Tia on cuz I don't think Tia tapped
- 40:33
into that level of
- 40:34
>> No.
- 40:35
>> No. No. No. This one.
- 40:37
>> Lead us alone.
- 40:38
>> Th This family is is this this one is
- 40:41
over.
- 40:42
>> And you know it's over cuz now you see
- 40:43
people on the internet saying [ __ ] like,
- 40:44
"All right, if you get one of them kids
- 40:46
touched, y'all going to be mad."
- 40:50
Yo, cuz that's the only place you can
- 40:52
go.
- 40:52
>> I I saw that a few times and was like,
- 40:54
"Nah,
- 40:58
>> don't count 50 out, man. Just
- 41:00
>> he better have a nephew.
- 41:03
He better have a nephew somewhere
- 41:05
>> cuz then this kid is so [ __ ]
- 41:07
introspective that he dropped this disc
- 41:09
and then reached out to Fifth Son to
- 41:12
have like a peace talk."
- 41:14
>> No, that was that was King. That was
- 41:15
King that did
- 41:18
>> whoever, right?
- 41:18
>> Who cares? Same family.
- 41:20
>> Yeah.
- 41:21
>> Oh my god.
- 41:24
>> Yeah. I didn't need to hear anymore.
- 41:26
This this beef is officially over for
- 41:28
for me.
- 41:31
>> I'm not I'm not counting them out. But
- 41:33
>> but at this moment,
- 41:34
>> count them out. How you talking about
- 41:35
rapping?
- 41:35
>> Listen, 50 might come back with a bang.
- 41:37
>> Let me say this.
- 41:38
>> There's nothing 50 can rap that better
- 41:39
than that.
- 41:40
>> I feel comfortable saying that in 2026.
- 41:43
>> I agree with you. But I don't think just
- 41:46
the music alone will get the the battle
- 41:49
won. I do. So I think they think that
- 41:51
will
- 41:52
>> I mean if 50 reaches out in the vault,
- 41:54
maybe get a dusty Dr. Dre record beat.
- 41:57
>> No, you need a clean dust
- 41:58
>> or something like that.
- 41:59
>> Dre busy, man.
- 42:00
>> I'm just saying he might have something.
- 42:02
You never know with
- 42:03
>> I'm with beat out on that. I'm I will I
- 42:05
will never bet totally against 50 in a
- 42:08
beef.
- 42:09
>> Part of why I'm saying what I'm saying
- 42:10
is I I just think he's not motivated.
- 42:13
Best ability is availability. And I
- 42:15
don't think he's available for this.
- 42:17
>> That's fair.
- 42:18
>> And he's saying it basically. Oh, you
- 42:20
think I got time to [ __ ] beef with
- 42:21
you old ass rappers? No, I didn't think
- 42:24
that. But that's why we should not meme
- 42:26
sometimes.
- 42:28
>> That part.
- 42:29
>> He might not care about the L today. So,
- 42:31
I can see him not even want to.
- 42:32
>> He's not going to process it as a L. He
- 42:33
like, I never write back. I could win
- 42:35
this beat battle. I don't want to.
- 42:36
>> It's beneath me.
- 42:37
>> I don't think he he looks at TI on the
- 42:41
same plane.
- 42:43
He should.
- 42:46
>> Yeah, he should.
- 42:47
>> He should, but he don't.
- 42:48
>> He does not.
- 42:50
>> And why should he?
- 42:51
>> Why should Yeah. Why?
- 42:52
>> Why should he?
- 42:53
>> Well, if we talking talent,
- 42:55
>> we never talking talent. We're never
- 42:57
talking talent.
- 42:58
>> Fair. I mean, Tia's a formidable.
- 43:00
>> There's plenty of people less talented
- 43:01
than each of y'all that are way more
- 43:04
arrogant. And there's people with less
- 43:07
talent that feel like they are
- 43:10
>> them. But TI is an accomplished rapper.
- 43:12
You know, he's got hits, too. It's not
- 43:14
just rap. It's not like
- 43:15
>> That's a different dog park than the the
- 43:17
diamond dog park.
- 43:18
>> Yeah.
- 43:19
>> I mean,
- 43:20
>> his goals gym and his diamond gym.
- 43:23
>> You ever been to F1?
- 43:24
>> No.
- 43:24
>> You ever been to F1? Me either. You ever
- 43:26
been?
- 43:27
>> No.
- 43:27
>> Parks. You ever been?
- 43:28
>> No. No.
- 43:28
>> Anybody ever stopped to think about why
- 43:33
>> do Let me ask y'all. Do y'all think it's
- 43:35
just cuz y'all just didn't get around?
- 43:39
>> Did they have time to get there? busy.
- 43:40
>> Yeah. Y'all don't think that, right?
- 43:42
>> Please say no.
- 43:44
>> Okay.
- 43:46
>> And I want to go to one, too.
- 43:49
>> Huh?
- 43:50
>> Nah. Not your little hookup going.
- 43:53
>> I want to go under the right. I know a
- 43:55
guy. I know a guy, too. They told me how
- 43:58
much everybody got to make to go.
- 44:00
>> What?
- 44:00
>> Really? What is it?
- 44:01
>> I'm not going to say I'm not going to
- 44:02
say it on air.
- 44:04
>> Ballpark.
- 44:05
>> It's nine of them.
- 44:07
>> Wow.
- 44:09
Oh,
- 44:09
>> entry level.
- 44:10
>> That settles that.
- 44:11
>> Feels good to go in a club where
- 44:13
everybody got nine figures, right?
- 44:15
>> You get a plus one.
- 44:19
>> If they got eight figures,
- 44:20
>> man, when you when you have nine
- 44:21
figures, you never You'll never even ask
- 44:23
that question again.
- 44:23
>> Yeah,
- 44:24
>> it's fact.
- 44:25
>> Do I get a plus one? Like, that's broke
- 44:27
[ __ ] Like, we
- 44:28
>> No, Nick, we broke. I'm We are broke. We
- 44:30
talking about nine. Well, y'all,
- 44:34
>> [ __ ] you.
- 44:39
Yo, I'mma rob on you, [ __ ] No, for
- 44:42
real. I'm rob. That's the only answer.
- 44:44
That's the only answer.
- 44:46
>> Um,
- 44:48
final words. Final words on uh TI and
- 44:52
the Harris family.
- 44:54
>> Family
- 44:54
>> versus 50 Cent
- 44:55
>> family. That's my final takeway.
- 44:57
>> That's the best family.
- 44:58
>> Yeah.
- 44:58
>> And they all executed.
- 44:59
>> That's why it feels good.
- 45:00
>> Even the King [ __ ] was hot. Like I said,
- 45:02
parts. If they if he would have got the
- 45:04
words right in the video, it would have
- 45:05
been a little more impactful. But
- 45:07
>> in the future, maybe we'll get to the
- 45:09
the king slap on this broadcast. I'm
- 45:11
taking your word for it. I heard a
- 45:12
little bit. It wasn't bad.
- 45:13
>> But sandwiched between what dad did and
- 45:16
what
- 45:16
>> the money did.
- 45:17
>> Domani did.
- 45:18
>> Yeah. Don't let Buddy Ray get on that
- 45:20
guitar.
- 45:21
>> That's what they said. Do some jazz
- 45:23
[ __ ]
- 45:24
>> Do some jazz [ __ ] They went They went
- 45:25
right this story. He was in the studio.
- 45:28
Curtis
- 45:32
[ __ ] buddy red he talented [ __ ]
- 45:35
family talented
- 45:36
>> flute this [ __ ] do it
- 45:38
>> I'm down here all of that [ __ ]
- 45:40
>> word after after this little week of of
- 45:42
of bangers let's hear it all [ __ ] it
- 45:44
>> honestly I bet you that I could if
- 45:46
somebody did a flute disc I would be
- 45:49
able to tell that this these are
- 45:50
aggressive flutes
- 45:52
>> you can tell an aggressive flute
- 45:53
>> I think so see I knew somebody was going
- 45:55
to laugh I'm serious I'm with you
- 45:57
>> oh Okay,
- 45:59
>> no more words. We're done with this,
- 46:01
right? We're done with this, right?
- 46:02
>> Until further notice.
- 46:03
>> Yeah.
- 46:05
>> I know it's prize fix time, but put my
- 46:06
delay on.
- 46:07
>> Oh, go ahead.
- 46:10
>> Yeah. Yeah. Yeah.
- 46:13
>> Back once again. Back once again. Once
- 46:15
again. The JBP. JBP. JBP.
- 46:17
>> DJ verified. DJ verified. Verified.
- 46:20
Verified.
- 46:21
>> Whole Jersey City. WHOLE JERSEY CITY.
- 46:22
JERSEY CITY. ICE IS WHAT I
- 46:26
FLIP. FLIP, FLIP, FLIP, FLIP, FLIP.
- 46:29
>> We have a world premiere. World
- 46:31
premiere. World premiere. World
- 46:32
premiere.
- 46:35
>> NEW [ __ ] NEW [ __ ] NEW [ __ ] NEW [ __ ]
- 46:37
NEW [ __ ]
- 46:39
>> Side to prince. Prince got some [ __ ]
- 46:44
>> Uh, I didn't hear this.
- 46:46
>> Send me a DM. DM.
- 46:51
>> Should I got something? You might
- 46:54
want to debut. Want to debut. Want to
- 46:56
debut a debut.
- 46:58
>> Okay.
- 46:58
>> Okay.
- 47:00
>> Exclusive.
- 47:00
>> And I seen what he was saying on
- 47:01
Twitter. On Twitter. On Twitter. On
- 47:03
Twitter. On Twitter. Twitter.
- 47:05
>> And it all start to make sense. Start to
- 47:07
make sense. START TO MAKE SENSE. WITHOUT
- 47:09
FURTHER ADO, NO FURTHER ADO. Look at so
- 47:11
proud. He's a proud backpack.
- 47:14
>> He love being around for these hip-hop
- 47:16
moment. Hip-hop moment.
- 47:18
>> Let me tighten my uh Kofi.
- 47:23
>> Uhoh. Hold on. Let me put my headphones
- 47:25
on. Yo,
- 47:27
>> NO.
- 47:32
>> Why you fired uncle?
- 47:34
>> I don't know. It just didn't have to
- 47:37
happen. It don't matter.
- 47:40
>> THAT'S WHY YOU
- 47:42
HAVE NO IDEA WHY HE'S FIRING on Cole.
- 47:46
>> Let's hear it though. I saw the tweet
- 47:48
about you [ __ ] that went to college
- 47:51
and dropped out and you think you nice
- 47:53
and blah blah blah blah blah blah blah.
- 47:54
>> Oh, he did he did have a little
- 47:56
>> I saw all of that and I saw him say that
- 47:59
he didn't like some things that Cole had
- 48:01
to say on one of them songs. I'll find
- 48:04
it in a minute. And we know that he's
- 48:07
still Kanye and I don't know how Kanye
- 48:09
feels about. It's just all
- 48:12
>> okay
- 48:12
>> a muk. But one thing we know is this boy
- 48:15
with a pin pad and some time boy
- 48:19
>> is a different level. And
- 48:22
this is this is kind of that I'm
- 48:24
starting this from the top, man. Stop
- 48:26
playing with him.
- 48:26
>> Yeah.
- 48:29
>> Yo, he's going crazy.
- 48:32
>> He's going absolutely [ __ ] crazy.
- 48:34
>> You walked in here knowing you had this
- 48:38
>> God.
- 48:39
>> What the [ __ ] is wrong with this [ __ ]
- 48:41
>> I'm so glad I didn't beef with him.
- 48:45
HEY, I TELL YOU THAT ONE.
- 48:47
>> I was listening to this [ __ ] trying to
- 48:49
rhyme a little Cat in the HAT
- 48:55
was over
- 48:58
>> that that he yamaka bar mitzvah
- 49:02
acupuncture.
- 49:04
>> Why is he doing a drive by on the Honda
- 49:05
for man?
- 49:06
>> I don't care.
- 49:07
>> We don't know. [ __ ] that Honda.
- 49:09
>> No, man. I saw what you said about Cole,
- 49:11
man. Not JCole, who I love and don't
- 49:14
want I don't want anything I say to
- 49:15
affect our non-existent relationship.
- 49:18
>> This is another non-existent
- 49:19
relationship. Say hi to J.Cole. Like
- 49:21
what?
- 49:21
>> [ __ ] that Honda. I'm with Cole. I'm with
- 49:25
him.
- 49:25
>> Okay.
- 49:26
>> But the Honda
- 49:26
>> I love the Honda.
- 49:28
>> Please.
- 49:36
>> It's just
- 49:40
GOT IT.
- 49:42
>> THAT was some That's That was some
- 49:44
amazing
- 49:44
>> glass break in this [ __ ]
- 49:47
>> Exorcist is in this [ __ ] man.
- 49:49
>> That was some great [ __ ] rapping.
- 49:50
Good rap, man. That was absolutely
- 49:53
incredible.
- 49:54
>> Yeah.
- 49:55
>> Wow. Wow. Shut man. Wow. He bodied that
- 49:58
[ __ ]
- 49:58
>> Wow.
- 49:59
>> It's just rap, but it's like false
- 50:00
prophets was even about you, man.
- 50:01
>> Don't matter.
- 50:02
>> He didn't like it, though.
- 50:03
>> Don't matter. I didn't like I didn't
- 50:04
like I didn't like it.
- 50:05
>> Some of you said I
- 50:06
>> He didn't like it. I like
- 50:07
>> So what? I like that, you know. [ __ ] it.
- 50:10
Just step out, right? It's about rap,
- 50:12
right? So, if you don't like something,
- 50:13
just
- 50:14
>> That's what I'm saying. I respect that
- 50:16
then. Okay. And for side bands, like, oh
- 50:20
my god, that was crazy.
- 50:21
>> Word size, man.
- 50:22
>> I was so mad when it went off when I was
- 50:24
in my email list. I'm like, [ __ ] it
- 50:27
ended.
- 50:27
>> That [ __ ] was incredible.
- 50:29
>> He smoked that.
- 50:30
>> This aside, that's just great lyricism.
- 50:32
Like,
- 50:33
>> yeah, that's that's all I cared about.
- 50:34
>> Yeah. Couple couple drivebys in there.
- 50:37
>> Yeah. Yeah, a few.
- 50:39
>> Yeah,
- 50:39
>> a few salad.
- 50:40
>> I was like, "Oh, same." Oh,
- 50:42
>> [ __ ] is rapping again, man.
- 50:44
>> I like it. I like it.
- 50:45
>> I'm here for it.
- 50:46
>> Word.
- 50:47
>> A lot of [ __ ] is rapping again.
- 50:49
>> Yeah, we got Sar Russell. Uh, it's a new
- 50:52
yachti freestyle. I'mma play.
- 50:53
>> No, you're not.
- 50:54
>> New Y.
- 50:57
>> Look at that. [ __ ]
- 50:58
>> No reverb. Parks.
- 51:01
Turn. Go drive.
- 51:03
Hey,
- 51:05
>> the world famous
- 51:11
side new side. I'm sure he'll put that
- 51:13
out at some point after this drops, but
- 51:16
absolutely amazing.
- 51:16
>> For now, hit the rewind button on that
- 51:18
side. Salute, boy.
- 51:20
>> Absolutely.
- 51:20
>> Wow.
- 51:21
>> You had a fire emoji.
- 51:22
>> You had a long day with that boy. I
- 51:24
>> Yeah. Yeah. That's a headache.
- 51:25
>> He's really clever.
- 51:26
>> That That's a headache.
- 51:27
>> You beef well. You can't go outside for
- 51:29
like a month. You got to You got to stay
- 51:30
in
- 51:31
>> read some books.
- 51:32
>> Yes. Yeah, I would have did it just
- 51:34
because I know no fear, but it wouldn't
- 51:36
have been
- 51:37
>> that would have been a long day.
- 51:38
>> A week, month.
- 51:39
>> Yeah, for sure.
- 51:40
>> 6 months.
- 51:41
>> You think Cole responds?
- 51:42
>> No.
- 51:43
>> No. No.
- 51:44
>> Well, maybe like down the line
- 51:45
somewhere.
- 51:45
>> Okay. When he gets time.
- 51:47
>> Yeah. He ain't got no track coming.
- 51:48
>> Better question. Should he?
- 51:49
>> There's no Mike in that.
- 51:50
>> I think so.
- 51:51
>> Yes. Yeah.
- 51:52
>> Yes.
- 51:53
>> I think he should.
- 51:53
>> No, he shouldn't.
- 51:54
>> You know,
- 51:55
>> I'm tired of him.
- 51:56
>> I feel like he's forfeited I might even
- 51:58
minority. I feel like he's forfeited the
- 51:59
right to be responded in the diss tracks
- 52:00
at this point, man. Fall back. just make
- 52:03
>> make albums. Excuse me.
- 52:04
>> Uh-uh.
- 52:05
>> I think I think
- 52:06
>> it would look away, but
- 52:08
>> that's all I'm saying.
- 52:09
>> In the in the spirit of rap competition,
- 52:11
I think he could.
- 52:12
>> Yeah, he won't cuz he got a good spirit.
- 52:15
>> You got a good soul. I think we're done
- 52:17
hearing Cole beef with [ __ ]
- 52:18
>> I don't think that he wants this one
- 52:20
also.
- 52:21
>> Yeah, I think Cole
- 52:22
>> I love Cole. He don't want this one.
- 52:24
>> We got plenty of colleges to drive to in
- 52:26
that Civic.
- 52:27
>> Yeah. Yeah.
- 52:28
>> He going You need to pull over at a
- 52:30
truck stop.
- 52:30
>> Yeah. This it's something.
- 52:32
>> Spend the night. You need a uh what
- 52:34
what's the name of the [ __ ] A
- 52:35
rudabagga. What's the name of the [ __ ]
- 52:37
>> Rudagel.
- 52:37
>> What's the house that they travel?
- 52:39
>> Wnebago. Rudelago.
- 52:40
>> You said a rudabel.
- 52:41
>> Rudagel.
- 52:43
>> What the [ __ ]
- 52:44
>> A wnebago. A wnebagger.
- 52:46
>> Sah not going to get a response only
- 52:47
because of Tommy.
- 52:49
>> No, I think they ain't just Tommy.
- 52:50
>> Yeah, it ain't just Tommy.
- 52:51
>> Yo, I don't like that we can [ __ ] All
- 52:53
right, come on. A [ __ ]
- 52:55
>> JCole can [ __ ] rap. Let's get that
- 52:58
clear. Let's not even play like that.
- 52:59
He's on an album run right now. He's
- 53:01
promoting his [ __ ]
- 53:02
>> Flipping burgers.
- 53:03
>> Cool. Whatever. It's a part of my roll
- 53:05
out.
- 53:06
>> I don't have time to go ahead and
- 53:07
address this. But I don't think everyone
- 53:09
should get comfortable just saying
- 53:10
>> I think that's smart,
- 53:12
>> right? But I think somewhere down the
- 53:13
line you get some response. And I don't
- 53:15
think [ __ ] should just get comfortable
- 53:16
thinking Cole ain't going to respond to
- 53:18
somebody at some point. I think we
- 53:20
comfortable in that.
- 53:21
>> I think No, I think he'll throw a little
- 53:22
couple jabs his way somewhere.
- 53:24
>> No time soon. It ain't going to be
- 53:26
>> 279 bars in return and return fire.
- 53:29
>> Yeah. I don't think he wants
- 53:29
>> Messiah has too much time on his hands
- 53:32
>> and he looking for a reason clearly.
- 53:35
>> I was I was I was so intrigued because
- 53:37
he sent me this and nobody knew it
- 53:38
existed.
- 53:41
>> And then I'm seeing him on X like
- 53:44
>> stirring [ __ ] up. Yeah.
- 53:45
>> Stirring [ __ ] up and people are like
- 53:47
what the [ __ ] is he up to? Like what is
- 53:48
he on? Why is he even on this JCole?
- 53:51
Then I seen him say something about
- 53:52
JCole.
- 53:53
>> Timing is what he's on.
- 53:54
>> Yeah. So it's like you could tell when
- 53:57
somebody is looking for a problem. Same
- 53:59
thing we said about TI and 50. Like you
- 54:01
could tell TI was looking for you.
- 54:03
>> Mhm.
- 54:05
>> Sound like he got a list. He's checking
- 54:06
it twice. He's not one of the people
- 54:07
that I would rush to just this.
- 54:10
>> Take your time.
- 54:10
>> I would I would say you a no. You a
- 54:12
loser. You're a nobody. You a sell no
- 54:13
records. You got no Grammys, [ __ ] I
- 54:14
would I would You broke. I would all of
- 54:17
that. You ain't got
- 54:18
>> Okay, then take that off the list. Yo,
- 54:20
you broke. You live with your mom. You
- 54:21
in the basement, [ __ ] Nobody want to
- 54:22
be you. Look at your drip. Look at your
- 54:24
like you know all the [ __ ] you get to
- 54:26
when it ain't about rap. You have to
- 54:27
throw some of that in there.
- 54:29
>> If it's just rap,
- 54:31
>> he's one of the best.
- 54:31
>> You're going to have to have a lot of
- 54:32
little ghost bars.
- 54:34
>> Yeah.
- 54:34
>> That's that's the only thing you can get
- 54:36
off.
- 54:36
>> Yeah. Cole will respond when like you
- 54:37
said on his own time. You know, he's
- 54:39
going to drop like a thief in the night.
- 54:40
>> Like a be a feature or some [ __ ]
- 54:42
>> Yeah. Yeah.
- 54:42
>> He'll address it at some point. He
- 54:44
should.
- 54:46
>> I just want to hear him say that the
- 54:47
Grand National is going to collide with
- 54:49
the Civic again and then I'm done. Then
- 54:52
I'm done.
- 54:54
I love that this d this track with not
- 54:57
even a disc. It's just like
- 54:58
>> No, it's a disc. Yeah, it's a
- 55:02
>> I know. I like it. It sounds like
- 55:04
Blueprint Too a little bit.
- 55:06
>> Yes.
- 55:06
>> How's the flutes on them, Guru?
- 55:08
>> Yes.
- 55:08
>> Yeah.
- 55:10
>> Yeah. Same fool.
- 55:11
>> Yeah. You good at this music [ __ ] man?
- 55:12
>> I've been around for a while, Joe.
- 55:13
>> Yeah, I know. I see. How old are you,
- 55:15
Be?
- 55:15
>> Uh 41.
- 55:16
>> Oh, yeah. You've been around.
- 55:17
>> Yeah. Ra.
- 55:20
>> Yeah. Uh, and now it's time for my
- 55:23
favorite part of the show, Prize Pick.
- 55:28
>> All right, the big game is over. There's
- 55:31
plenty of sports out there, and Prize
- 55:33
Pick is still counting money because
- 55:34
they have not sent me a February read.
- 55:38
So, leave it up to me to let you know
- 55:40
what Prize Pix is. It's the best [ __ ]
- 55:42
app out there. The best place if you
- 55:44
want big game. Big time game. Uh, Prize
- 55:48
Picks is the best daily fantasy sports
- 55:51
app out there. It's in your phone right
- 55:53
there for you to use. Plenty of sports
- 55:55
out there for you to try your knowledge
- 55:56
your sports knowledge on. It's really
- 55:58
easy and simple to play. All you have to
- 56:00
do is select, open up the app, select
- 56:02
two to six players, look at their
- 56:04
projected statline, and pick more or
- 56:06
less for your chance to win big. Prize
- 56:09
picks is also now available in all 50
- 56:12
states. And that's that on that.
- 56:15
>> Yeah, that's peace. Hey, open it up.
- 56:18
Find something good.
- 56:19
>> Use that promo code, though.
- 56:20
>> Good luck. Oh, that's a fact. That part
- 56:22
is a fact. Uh, don't forget to use promo
- 56:25
code JB and download the app to get $50
- 56:29
instantly when you play your first $5
- 56:31
lineup. Only on Prize Picks, where it's
- 56:34
good to be right.
- 56:35
>> Mhm.
- 56:36
>> All right, speaking of feeling good to
- 56:38
be right, I think I was right on the
- 56:40
money with this Bruno Mars here, but I I
- 56:42
I'll toss it to y'all. Bruno Mar's album
- 56:45
outright this second quick concise
- 56:47
listen.
- 56:48
>> The romantic.
- 56:49
>> Nine songs.
- 56:50
>> Nine songs.
- 56:50
>> Nine songs. So he's
- 56:51
>> he usually does short albums. This is
- 56:53
this is on par for him.
- 56:54
>> Okay.
- 56:55
>> I didn't hate it.
- 56:56
>> I didn't love it.
- 56:57
>> I didn't hear it.
- 56:59
>> Oh [ __ ]
- 57:02
>> I expected to hate I came expecting to
- 57:04
hate it.
- 57:04
>> I
- 57:05
>> I didn't like the roll out so far. I
- 57:06
didn't like the the the performance.
- 57:08
>> Everything felt like we
- 57:10
>> like cosplay. Everything felt like a
- 57:12
character. That's how it felt the whole
- 57:14
time. So, I wasn't expecting much. First
- 57:15
couple tracks got me, though.
- 57:17
>> I think that Bruno Mars needs to turn
- 57:20
the Delorean off. It's time to to or put
- 57:23
it to a different decade or or
- 57:26
something. The production's great. The
- 57:28
the it musicality. He's got live
- 57:30
strings, live horns, songwriting is
- 57:33
great. Fonttoroy's on there. A bunch of,
- 57:35
you know, bunch of very very talented
- 57:36
people on this album.
- 57:38
>> Uh the overall vibe just didn't do it
- 57:40
for me. Did it feel stale to you or did
- 57:42
you
- 57:42
>> It felt like lounge music.
- 57:45
>> I'm going to play track two which is uh
- 57:47
Cha Cha Cha is one of the tracks that I
- 57:50
really do enjoy on here. Track one.
- 57:52
Track two. I'm vibing.
- 57:54
>> Those are my favorites.
- 57:54
>> I liked one.
- 57:55
>> Yeah, I like one and I like [ __ ] to me.
- 57:57
Cha track one is where he's Puerto
- 57:59
Rican right?
- 58:00
>> Uh it's got a little bit of a
- 58:02
>> Mexican Oh, he's track one. Got it.
- 58:04
>> Yeah, it's got all the people mixing
- 58:06
them all up.
- 58:08
I feel I feel you though already from
- 58:09
the rip.
- 58:10
>> And this is one of my biggest problems
- 58:12
with this album is it's like he teased
- 58:13
the Spanish influence but didn't go all
- 58:16
the way in a way that he could.
- 58:18
>> Yeah.
- 58:19
>> Like there's a lot of Spanish rhythms.
- 58:20
He's got the Santana flip on here. Uh
- 58:23
once the I think the second song starts
- 58:25
uno like he's teasing the Spanish
- 58:27
influence but it doesn't commit to it at
- 58:29
all.
- 58:31
>> To me this is one of them ones. Yeah.
- 58:33
This is dope.
- 58:35
>> This is dope. Every problem I have with
- 58:37
Bruno Mars also exists here. But it's
- 58:40
dope.
- 58:41
>> Like don't Spanish fly me to death.
- 58:43
>> No, Spanish fly me to death. But do it
- 58:45
right.
- 58:46
>> This This to me sounds like Lady Lady
- 58:48
Gaga over at the Super Bowl over the
- 58:51
Spanish.
- 58:52
>> That's That's what's getting me tight
- 58:53
about what it sounds like.
- 58:54
>> Cuz if you were going to roll this out,
- 58:56
then you could have did it so many
- 58:57
different ways where it could have been
- 58:58
a little bit more respected.
- 59:00
>> If you would have committed to the
- 59:01
Spanish vibe, it would have been perfect
- 59:02
for the Super Bowl. Like it would all
- 59:05
flow in.
- 59:07
Go ahead.
- 59:09
>> It's a good song, but if the whole album
- 59:11
were like this, I would have
- 59:12
>> It's a weird way to start the album.
- 59:13
>> It's It's without soul.
- 59:14
>> It set a tone for me that I thought the
- 59:16
whole album was going to be.
- 59:16
>> It wasn't.
- 59:17
>> Which is why I say I don't I don't hate
- 59:19
the I I wasn't mad at this album. I
- 59:21
didn't It wasn't a top It wasn't an
- 59:23
A-level album to me, but it was solid.
- 59:24
And songs like this, I would say the
- 59:25
first half in particular, this Cha Cha
- 59:27
Cha. I don't like the single. But
- 59:28
shouldn't you but shouldn't your
- 59:30
expectation be of a al-level act who
- 59:33
just took nine years between projects
- 59:37
who's a premier artist with all the
- 59:39
budget and everything in the world at
- 59:41
his hand. Shouldn't our expectation be a
- 59:44
level?
- 59:44
>> It should be. I think when the single
- 59:46
came out and I watched the performance
- 59:47
at the award show I was just like it
- 59:48
lowered the bar so much for me that this
- 59:50
actually was a pleasant surprise. I like
- 59:51
the single, but now in context of the
- 59:54
album, it's weird because, like I said,
- 59:55
it's bouncing back and forth between
- 59:57
Spanish music and like some 70s soul
- 1:00:00
[ __ ] and it's a weird collaboration.
- 1:00:02
>> That's a perfect description.
- 1:00:04
>> This [ __ ] is at the karaoke bar.
- 1:00:07
>> I'm not going to do that.
- 1:00:08
>> I'm just saying. He's the house band.
- 1:00:11
>> It feels like you're just pressing play
Showing 2,000 of 5,234 lines