Heaven Sent
Joe Budden Podcast Episode 912, “Heaven Sent,” released March 23, 2026. The latest episode from the JBP kicks off with a recap of the 2026 Oscars including Michael B. Jordan taking home best actor (16:19). The crew also discusses Ava Duvernay publicly unveiling her relationship on the red carpet (47:14), Joe shares his thoughts on the recent exchange between N.O.R.E. and Peter Rosenberg (57:50), plus the internet jokes on Jack Harlow (1:08:34). LaRussell receives backlash for his latest song (1:27:48), The Roots Picnic (1:39:32), and Marc Lamont Hill pays respects to Kiki Shepard (2:11:30). Also, **SPOILER ALERT** the room discusses DTF St. Louis on HBO (2:18:12), Ice asks the room a question about personal happiness (2:30:51), Marc and Ish discuss the New York tax proposal from Mamdani (2:50:07), and more. Full transcript and searchable timestamps below.

In this episode
- 16:19The latest episode from the JBP kicks off with a recap of the 2026 Oscars including Michael B. Jordan taking h…
- 47:14The crew also discusses Ava Duvernay publicly unveiling her relationship on the red carpet
- 57:50Joe shares his thoughts on the recent exchange between N.O.R.E. and Peter Rosenberg
- 1:08:34The internet jokes on Jack Harlow
- 1:27:48LaRussell receives backlash for his latest song
- 1:39:32The Roots Picnic
- 2:11:30Marc Lamont Hill pays respects to Kiki Shepard
- 2:18:12**SPOILER ALERT** the room discusses DTF St. Louis on HBO
- 2:30:51Ice asks the room a question about personal happiness
- 2:50:07Marc and Ish discuss the New York tax proposal from Mamdani
Joe Budden Podcast Ep. 912 Transcript
Full transcript of Heaven Sent (1:00:51 long). Search it, or click any timestamp to jump to that moment.
- 0:01
The thoughts, views, and opinions
- 0:02
expressed by this podcast whose bullets
- 0:04
hosts are for entertainment purposes
- 0:06
only. I repeat, it is not serious. It is
- 0:09
not real. No one is exposing, revealing,
- 0:13
indicting or telling you anything about
- 0:14
themselves. Also, we do not encourage
- 0:16
you to try this at home. We are trained
- 0:18
professionals who do not have your best
- 0:20
interest at heart or our own. Enjoy the
- 0:22
show.
- 0:31
Microphone check. What is this?
- 0:37
Back to business.
- 0:41
I guess right now we should start the
- 0:42
show.
- 0:45
La
- 0:49
the level. The level the level the level
- 0:51
the level the level the level the level.
- 0:52
The levels the levels. Mic check. Mic
- 0:53
mic.
- 0:55
All right. I'm good. Y'all good?
- 0:58
>> Great.
- 0:58
>> All right, we are good. Hit the button.
- 1:00
Let's go.
- 1:00
>> Button is on.
- 1:01
>> Oh, come on, man. We here already.
- 1:03
What's going on? What's popping?
- 1:04
>> Chilling. How you feeling?
- 1:06
>> Real good. Well, that's not true. That's
- 1:08
not true. I can't even lie.
- 1:10
>> So, you're not real good.
- 1:11
>> Uh, celebrating my dad's 70th birthday.
- 1:16
>> Yes, sir. Ski. Happy birthday, Pop 70.
- 1:19
Good to know how old your parents are.
- 1:21
Thought he was a couple years older. I
- 1:23
don't know. Once the cane comes out,
- 1:25
[ __ ] I put you at 75 minimum. Uh
- 1:28
>> went to an Italian restaurant.
- 1:30
>> Okay.
- 1:32
>> I can't eat Italian anymore. It's over.
- 1:34
>> Was it uh bougie Italian or kind of like
- 1:36
regular Italian?
- 1:36
>> No, it was real good Italian food right
- 1:38
there in Harlem, but I can't do it
- 1:39
anymore.
- 1:40
>> Oh, yeah.
- 1:40
>> I can't. That Rat Tony had me hugging a
- 1:42
smart toilet all night long.
- 1:44
>> All night long. Throwing up, man.
- 1:46
>> Oh, it was bad. It was bad. I'm just now
- 1:49
gathering myself, getting myself
- 1:50
together. So happy to be here with you
- 1:52
brothers.
- 1:53
chunky riatoni with the pork Italian
- 1:55
sausages.
- 1:55
>> That's what it is. Told you.
- 1:56
>> I knew you were going to say that.
- 1:57
>> Told you. Leave that oink alone.
- 1:59
>> And I ordered some brandino.
- 2:02
>> Had the crab cake and calamari for the
- 2:04
appetizer.
- 2:05
>> You off the way, right? Sound good. Full
- 2:10
time.
- 2:10
>> Yo, you mix all that oink seafood. All
- 2:13
the fish.
- 2:14
>> Yeah. No wonder you talking about
- 2:16
>> all the different types of fishes you've
- 2:18
mixed in your life.
- 2:20
>> Yeah. I didn't have a boat. LET ME JUST
- 2:23
BRING IT.
- 2:24
>> Have you mixed a lot of fish? I did.
- 2:25
>> Yeah. You know, you know what that life
- 2:26
comes with.
- 2:27
>> But I But I don't eat them with the oink
- 2:29
and all that.
- 2:30
>> Regular, right? Yo, pass that for
- 2:31
breeze, man. You going to be on the
- 2:32
toilet [ __ ]
- 2:34
>> And on God, the smart toilet is the
- 2:37
absolute worst to. I think I said that
- 2:38
up here.
- 2:41
>> Toilet to throw up in.
- 2:43
>> Toilets don't need to be [ __ ] Keep
- 2:44
coming down.
- 2:45
>> Yeah.
- 2:47
>> You ain't that smart toilet, Parker?
- 2:48
>> I I don't own a smart toilet. I don't I
- 2:50
have I don't have smart anything
- 2:52
>> except for like phones.
- 2:53
>> Smart toilets are the except for when
- 2:54
you need the Earl or you got the the
- 2:56
bubble gut.
- 2:57
>> You got smart toilets though.
- 2:58
>> I got I I use one upstairs. I don't use
- 3:00
one downstairs. The toilet I use isn't
- 3:01
cuz I'm basic, but I keep one upstairs.
- 3:03
>> It's good for like cleansing and
- 3:05
>> Yeah.
- 3:08
>> Anyway, but I am feeling good now. Happy
- 3:10
to be here with you guys. Good to see
- 3:12
y'all.
- 3:13
>> Good to see you. Good to be seeing you.
- 3:14
>> How y'all doing?
- 3:15
>> Good, man.
- 3:15
>> Good. Great.
- 3:16
>> Feel good.
- 3:16
>> Good, man.
- 3:17
>> How was your weekend?
- 3:18
>> Good. A little lit.
- 3:20
>> Sleepy.
- 3:20
>> Friday. Friday was a little lit for me.
- 3:22
I was outside Newark. Actually,
- 3:25
>> around Newark.
- 3:26
>> You ain't call me for permission slip.
- 3:27
>> You're right.
- 3:28
>> I felt safe.
- 3:29
>> They knew though. They knew. They knew
- 3:31
you was my man. They knew that was my
- 3:32
man.
- 3:33
>> They did actually. They killed me. I
- 3:34
know. There's a lot of that.
- 3:37
A lot of that. I was just here the other
- 3:39
day.
- 3:41
>> It was too [ __ ] your ass. He coo.
- 3:47
Yo, you stupid dog. He cop too.
- 3:50
>> But other than that, uneventful weekend.
- 3:52
>> Yeah, I slept.
- 3:54
>> I didn't wake up on Saturday till like 4
- 3:56
or 5:00 in the morning. I didn't get out
- 3:57
to bed.
- 3:58
>> I mean 4 or 5:00 in the daytime. I was
- 4:00
just tired.
- 4:00
>> Afternoon. You mean afternoon?
- 4:02
>> Yeah, in the daytime running. I was just
- 4:03
running around. My body was like, "Yo,
- 4:04
chill out."
- 4:06
>> That was Saturday. What happened Friday?
- 4:09
>> Friday at work.
- 4:12
>> Okay, I got it. You
- 4:13
>> trying to say from here from this work?
- 4:16
I work here.
- 4:17
>> So that [ __ ] was so stressful. You slept
- 4:19
through the whole afternoon.
- 4:20
>> We got off at 5.
- 4:22
>> Oh,
- 4:23
>> we got off at 5.
- 4:25
>> Look how you can get Look how fast Look
- 4:27
how fast you can jam me up.
- 4:30
>> Yeah, we got off at around
- 4:34
We got off.
- 4:35
>> Yo, that's that's scary. That [ __ ]
- 4:37
will work.
- 4:38
>> Yeah. To have you answering a question.
- 4:40
Why people believe me? I I want
- 4:45
a million dollar. Well, at least up
- 4:46
here. Nobody should believe nothing I
- 4:48
say up here. Anyway, glad you're well
- 4:49
rested. Glad you're well rested. What's
- 4:51
up with you?
- 4:52
>> Nothing. Chilling. Um went out Saturday.
- 4:54
That's it. I don't do [ __ ] else. Quiet
- 4:57
weekend.
- 4:59
>> I was y'all's quiet weekend does involve
- 5:02
going out once.
- 5:03
>> Yeah. Yeah.
- 5:05
>> Yeah. Um sometimes most out sometimes.
- 5:08
>> Well, what happens at our I'll speak for
- 5:10
me at my age. One night, the rest of the
- 5:13
weekend is about to be quiet. Like,
- 5:16
>> I learned that this weekend.
- 5:17
>> You don't got two nights in a row no
- 5:18
more? No. And I ain't got two spots in a
- 5:20
row no more either.
- 5:21
>> Yeah. [ __ ] be partying.
- 5:22
>> And you drink.
- 5:23
>> Yeah.
- 5:23
>> Yeah. So, yeah.
- 5:24
>> That's what doesn't have two nights
- 5:26
draining you. Yeah. You just go out.
- 5:27
>> I went out and left early. Normally, we
- 5:29
be in the spot till 2 something. Yo,
- 5:31
what time is it? 1:05. All right. I'm
- 5:33
out. I'm out.
- 5:35
>> I did two spots this weekend. My wife uh
- 5:37
is is out of town. She's in Puerto Rico,
- 5:40
actually. So
- 5:41
>> it was up.
- 5:42
>> Yeah. Like we
- 5:45
>> So it's been great, man. I mean, y'all
- 5:47
miss her. That's
- 5:48
>> Oh, that's why you Oh, you worked out
- 5:51
like your shoulders as
- 5:53
look at your chest. See how wives leave
- 5:56
for one little minute. They hit the
- 5:58
basement. They hit the basement gym to
- 6:01
get buff.
- 6:02
>> Yeah. Nah, man. It's good though.
- 6:03
Sometimes you need a little break. You
- 6:04
know,
- 6:04
>> I'm trying to read what your t-shirt
- 6:06
says. Oh,
- 6:09
>> make pot of the month great again.
- 6:11
>> Yo, you in this campaign and my
- 6:13
campaign.
- 6:14
>> Oh my god.
- 6:14
>> I I didn't even, you know, I didn't read
- 6:15
the show. It just was on a
- 6:17
>> Is it not great now? I mean, tell that
- 6:20
to my neck. Feels pretty awesome. And
- 6:23
pause.
- 6:24
>> Say that was crazy.
- 6:24
>> Yeah, that was that was absolutely nuts.
- 6:27
What's up, bro? Yeah.
- 6:30
>> Yeah, I was with BJ.
- 6:31
>> Boom.
- 6:34
Yeah.
- 6:34
>> Careful. No.
- 6:37
Oh, I up.
- 6:39
>> They got rid of her glasses.
- 6:40
>> And you said the word.
- 6:41
>> Yeah, you said the word.
- 6:42
>> You got to edit that out. Edit that out.
- 6:44
>> No, it it was I had a dope weekend, man.
- 6:46
Hanging out, man. And running around the
- 6:48
city, just learning some things and
- 6:50
learning about the Rosafarian movement.
- 6:52
And it was just a dope a dope
- 6:53
experience, man. I I had a lot of fun
- 6:55
this weekend. Yeah. Had a lot of fun
- 6:57
this weekend.
- 6:58
>> Chilling, man.
- 6:59
>> How do you recover? Cuz you seem to be
- 7:00
able to get out, work, do things, and
- 7:02
still come in like looking refreshed. I
- 7:05
I sleep in the car.
- 7:08
>> You should know about that, right, boy?
- 7:09
You know about that.
- 7:10
>> I don't sleep in the car. [ __ ] was just
- 7:11
talking about that, though. I know we
- 7:13
ain't going to start with that, but you
- 7:14
saying the the the guy got got caught
- 7:16
with his wife
- 7:17
>> cuz he was be sleeping in the car before
- 7:18
he come in the house.
- 7:19
>> [ __ ] said that's how you decompress.
- 7:21
>> We need our decompressing moments.
- 7:23
>> We do.
- 7:23
>> We do. And I didn't realize how
- 7:25
important that was.
- 7:25
>> So, y'all heard that and didn't think
- 7:27
that he's
- 7:29
>> wait for going outside and sitting in
- 7:31
the car for a little bit. like get into
- 7:32
the house and sit
- 7:33
>> said the guy is sleeping in his car.
- 7:35
>> No, he s no he pull up he he sits in the
- 7:38
car sleeping in his car.
- 7:41
>> You're taking us too far now, buddy.
- 7:42
>> Yeah. No. Hell no. I used to sleep in
- 7:44
the car a lot. We know
- 7:46
>> when this [ __ ] walk is crazy.
- 7:48
>> I just I you see me sleep everywhere,
- 7:50
right? Like
- 7:51
>> postnut clarity.
- 7:56
>> Oh [ __ ]
- 7:59
What kind of day we having? She got the
- 8:00
wipes in the car, too. Let it dry. Put
- 8:03
the heat on. Let it dry.
- 8:05
>> LET IT DRY. I DON'T WANT TO GO INSIDE
- 8:08
THE HOUSE WITH A SMILE.
- 8:09
>> He got the gun compartment for the wife.
- 8:12
>> He got this [ __ ] from the wire in his
- 8:14
car.
- 8:17
>> 108.7.
- 8:19
>> Why you sleep?
- 8:20
>> This was years ago. Like when I was
- 8:21
younger. Um like 21
- 8:23
>> actually when I was living in Atlanta.
- 8:25
That's when it started. I did it till I
- 8:27
was in my 30s. I couldn't get I couldn't
- 8:29
get up. Like if I could get home, as
- 8:30
soon as I pulled up, I was I just
- 8:31
couldn't get out the car and I would
- 8:32
sometimes sleep at 3:4 in the morning.
- 8:34
>> Even when I lived alone.
- 8:35
>> Did you drink?
- 8:36
>> No, not necessarily. Sometimes, but it
- 8:37
wasn't like drunk. It was just tired.
- 8:39
Like I couldn't fight that.
- 8:40
>> But now I sit out front sometime just
- 8:42
cuz I need a minute.
- 8:43
>> Yeah.
- 8:44
>> Just going to come. It's going to
- 8:46
happen. Joe,
- 8:48
stop making a face. You making a face.
- 8:49
>> Please don't insert me. And y'all, I
- 8:52
don't relate to this. I haven't I
- 8:54
haven't experienced it yet, so I'm
- 8:56
muting up. Please don't throw
- 8:59
that. You didn't mute up.
- 9:02
Hold on. He going to have two entrances.
- 9:03
He have a big ass.
- 9:07
Nobody have a bat cave in there,
- 9:08
[ __ ] Mad,
- 9:11
[ __ ] It a lack of space. This is like
- 9:13
if I had a bat cave, [ __ ] go under.
- 9:16
>> Guess who come in the back? Guess what?
- 9:17
>> Nobody bats.
- 9:20
You talking about stupid ass. You're
- 9:22
right. Crazy [ __ ] All right.
- 9:25
>> Right down there. That the man caves are
- 9:27
important.
- 9:27
>> But y'all partner See, keep making a
- 9:29
face.
- 9:29
>> Go ahead. What do you think? Come on.
- 9:32
>> Our partners is what?
- 9:33
>> Y'all partners work, right?
- 9:35
>> Yeah.
- 9:35
>> What that guy doing?
- 9:36
>> Is that not enough of a break?
- 9:37
>> See, that's why you
- 9:38
>> I'm asking I'm I'm ask I don't feel like
- 9:40
I have no feelings. I've never lived
- 9:42
this. I've never had experienced this. I
- 9:44
I've never proposed. I never nothing. I
- 9:47
never know. I don't know nothing.
- 9:48
>> We work too.
- 9:52
So when my girl at work, I'm at work.
- 9:56
>> So when you go home, you seeing each
- 9:57
other.
- 9:58
>> Yeah.
- 9:59
>> Right. Sometime you want some home.
- 10:01
>> Ideal is home alone.
- 10:02
>> Yes.
- 10:03
>> But since you can't get home, you need
- 10:05
some car loan.
- 10:06
>> Mhm.
- 10:06
>> That like makes that's like the best you
- 10:08
could get.
- 10:09
>> Y'all let y'all partners have the same
- 10:10
work schedule as y'all.
- 10:13
>> Yeah. Unfort
- 10:19
nothing. I'm listening to my married
- 10:22
brothers and that's the end. Audience,
- 10:24
I'm not bringing up marriage no more.
- 10:27
Forever now. Forever now in this part.
- 10:29
It's over. So please, we have experts
- 10:32
here. Please, if you have questions,
- 10:34
direct the questions toward these
- 10:35
brothers.
- 10:36
>> That's fair.
- 10:37
>> Did something happen to make you change
- 10:39
course?
- 10:41
>> Seems like such an abrupt shift from the
- 10:43
previous episode. Hard pivot.
- 10:45
>> Yeah, hard pivot. [ __ ] Kevin McKe.
- 10:52
>> What the [ __ ] he did last time, son? He
- 10:54
say I got to go watch it. Tell me what
- 10:56
he said.
- 10:57
>> No, nothing.
- 10:58
>> Cuz you know what he tried to cater that
- 11:00
to them [ __ ] So, you know what I'm
- 11:01
saying? That's what he doing now. He
- 11:02
says some Now you try to clean it up.
- 11:05
>> No, I don't think that's it. That
- 11:06
doesn't seem like it.
- 11:07
>> See, then he get a mop out for another
- 11:10
reason.
- 11:14
You put
- 11:18
I'm put I'm put on all you
- 11:21
agree. I see all y'all [ __ ]
- 11:23
>> Are you good?
- 11:24
>> I'm great. Flip. You got
- 11:26
>> I'm awesome. I'm wonderful and the
- 11:28
family and listen to it.
- 11:29
>> It was just Rick Tony. I'm getting back
- 11:31
together. Like if Do y'all have any more
- 11:33
advice for the people out there?
- 11:35
>> Like all right. So you're going to stand
- 11:37
outside of your house for an hour every
- 11:39
night. What? Every day? What else?
- 11:41
>> I don't know. I
- 11:42
>> What other keys can you brothers help
- 11:44
the men out there with with adapting and
- 11:47
getting ready for such an adjustment?
- 11:50
>> Just get your own space, brothers.
- 11:51
That's all.
- 11:52
>> Yeah. Just carve your own space.
- 11:53
>> That's Mark. What about you, Ish? What
- 11:54
advice you got for these brothers?
- 11:56
>> I'll second it.
- 11:56
>> All right. He's seconded. Mark, he's
- 11:58
seconded. Freeze. How about you, man?
- 12:00
>> Third.
- 12:03
Third. A mile away.
- 12:06
>> I would love to break it up, but the man
- 12:07
cave is very important.
- 12:09
>> All right. All right. Four. Four to
- 12:11
nothing.
- 12:13
What are you talking about?
- 12:14
>> Uh, don't you guys worry, man. We going
- 12:17
to have some fun today. I see it. I can
- 12:18
see it. I feel it in the air.
- 12:45
white girl shine.
- 12:48
I didn't know that.
- 12:50
>> You know that [ __ ] feel good when it
- 12:52
come
- 12:56
dirty Air Force Ones get the move. Hell
- 12:58
yeah. Oh, WIGGLING.
- 13:04
>> Get these drops out the way right quick.
- 13:15
>> Sparks.
- 13:23
>> You icy fish.
- 13:26
>> Who was that?
- 13:28
Who is that? Who is who is that? Marking
- 13:32
pizzing.
- 13:34
>> And I reneged on my promise uh for the
- 13:38
flip drop.
- 13:39
>> Sure.
- 13:39
>> It's coming.
- 13:40
>> It's coming.
- 13:41
>> Working progress.
- 13:42
>> It's just harder than I thought. Pause.
- 13:45
>> Tougher than I thought. I got to go find
- 13:46
you. I mean, but we in the building,
- 13:48
man. Stop playing with us. What is this?
- 13:49
>> 912.
- 13:50
>> Welcome to episode 912 of the JBP. Uh
- 13:54
brought to you by fueled by powered by
- 13:56
prize pix prize pix gang I'm your humble
- 13:59
gracious super happy to be here super
- 14:01
happy to not be throwing up over the
- 14:02
smart toilet anymore host Joe button
- 14:04
here with some really amazing people
- 14:05
best crew in the world to my right
- 14:07
queens get the money queens flip in the
- 14:10
building next to him we got to deal with
- 14:12
this roots picnic all day our good
- 14:15
brother Dr. Mark Lamont Hill in the
- 14:18
building next to him Mr. thousand doors
- 14:21
and up wherever you need it. Newark, be
- 14:23
more in Cleveland. Well, if you need it
- 14:25
in those three places, he can get it.
- 14:26
>> Irishman.
- 14:27
>> Anywhere else outside of that, it may be
- 14:29
some trouble. The Irish man. I like that
- 14:31
name for I like that name. Our good
- 14:33
brother Ish is in the building, man.
- 14:35
That's what Ish is short for.
- 14:36
>> What? Irish. Irish man. That's funny.
- 14:39
That's a
- 14:41
>> That's a good next to him. You know what
- 14:43
time it is, man. Ramadan almost over.
- 14:47
Yeah, I had pork bacon this morning.
- 14:49
Ramen.
- 14:50
>> Oh, please. Come on. The swiniest
- 14:54
person.
- 14:55
>> But rely on the nation for protection.
- 14:57
That's crazy. That That's the crazy
- 14:59
part. I thought you would at least
- 15:01
respect what the street [ __ ] want to
- 15:02
do.
- 15:02
>> Rely on the nation.
- 15:03
>> I don't see you outside without the
- 15:05
nation.
- 15:06
>> You going to be outside?
- 15:07
>> I'll be outside.
- 15:08
>> You going to be outside where I be?
- 15:09
>> Every time I see you outside, you got a
- 15:10
nation with you.
- 15:10
>> No, that's not true.
- 15:11
>> Salute. Nothing wrong with it.
- 15:12
>> I was just outside this weekend.
- 15:13
>> It's too what?
- 15:16
>> And Mark Anyway, our good
- 15:20
our good brother Freeze in the building.
- 15:24
Next to him, Elmus finest. Our good
- 15:26
brother Parsons is in the building. Next
- 15:28
to him, White Po is here. Black Cory is
- 15:30
here. What's Erikson?
- 15:33
>> Spanish.
- 15:34
>> He's black.
- 15:35
>> Which one?
- 15:36
>> Black.
- 15:38
>> Oh, all right. We got nobody knows
- 15:42
like that.
- 15:43
>> Ericson is in the building. say Von and
- 15:45
Tan are here by remote. Tanner is white
- 15:47
if you're wondering at home. Uh if you
- 15:49
couldn't tell.
- 15:50
And last but certainly not least, each
- 15:52
and every one of you guys out there are
- 15:54
here. Let's get right to it, man.
- 15:56
Tossing it to the new couch. Y'all know
- 15:58
what time it is today.
- 16:00
>> Oscars.
- 16:01
>> Damn right.
- 16:01
>> Yeah. Newworks only.
- 16:04
>> Right. New Jerseys only.
- 16:07
>> Stop playing with the round of applause,
- 16:09
man. God damn it.
- 16:10
>> Round of applause.
- 16:13
That's right, Michael B. Jordan.
- 16:15
>> It is a celebratory day up here at the
- 16:18
JBP.
- 16:20
>> It was beautiful. Michael B. Jordan. It
- 16:22
was
- 16:23
>> I got his speech queued up in a hot
- 16:24
second. But I will say one of my
- 16:26
favorite things about the Oscars was not
- 16:28
watching them.
- 16:29
>> You didn't watch.
- 16:29
>> I didn't watch the Oscars at all. Nick
- 16:32
game. I told y'all.
- 16:33
>> You didn't really miss.
- 16:34
>> That Sunday game was 8:00 against the
- 16:36
Warriors. The Oscars were on. So I
- 16:39
missed the whole Oscars. My mom was
- 16:41
giving me real time updates, but I
- 16:43
watched it afterward. I just skipped all
- 16:45
the white people except for the people
- 16:47
that worked on Frankenstein
- 16:49
>> and sinners.
- 16:50
>> Okay.
- 16:51
>> Yeah.
- 16:53
>> Well, and sinners. Well, I said white
- 16:55
people.
- 16:55
>> Yeah, it was white. It was white.
- 16:56
>> Oh, no. Sinners is black [ __ ] Sinners
- 16:58
is black [ __ ]
- 16:59
>> I fast forwarded through all of that
- 17:02
Himlet.
- 17:04
>> All that. If it wasn't Frankenstein,
- 17:07
Sinners,
- 17:09
uh, no, one battle after I had to watch
- 17:11
the one battle after another cuz Tiana's
- 17:13
there. That's more that's more black
- 17:15
people. But other than that, oh, and
- 17:16
Shorty from weapons. I do think that she
- 17:18
deserved it. But I fast forward it
- 17:20
through. Well, I stopped it when the
- 17:21
Chinese some of the other people was up
- 17:23
there too.
- 17:24
>> K-pop. The K-pop people.
- 17:25
>> K-pop.
- 17:27
>> Demon.
- 17:27
>> If you have any kids around in that
- 17:29
song Joe.
- 17:30
>> Yeah.
- 17:30
>> Don't do it,
- 17:31
>> dude. That is
- 17:32
>> Well, I'm not dissing. Okay, great. I
- 17:34
already got rid of what's the names I
- 17:36
got rid of.
- 17:38
>> End it dumb. I
- 17:40
>> Yeah, but they adults now. Like those
- 17:42
like those little uh Stranger Things
- 17:43
kids. It ain't the same.
- 17:45
>> It ain't the same now. End it dumb. But
- 17:47
anyway, yeah, it was great to fast
- 17:49
forward and just have your pick of what
- 17:51
you wanted to watch most.
- 17:53
>> It's the the most uh dull of the award
- 17:56
ceremonies.
- 17:57
>> It wasn't the most
- 17:57
>> I missed the first hour cuz I thought
- 17:59
this started at 8.
- 18:00
>> Oh,
- 18:00
>> I'm like, damn, this [ __ ] started at
- 18:02
seven. So, but I want to watch the rest
- 18:04
of it though.
- 18:04
>> They used to do it at 8 and then you'd
- 18:06
be running so late. You be you'd be
- 18:07
sleepy watching the end of it and don't
- 18:08
nobody care enough to watch the whole
- 18:09
thing.
- 18:10
>> True.
- 18:10
>> Especially once they start hitting all
- 18:11
the documentaries and all the that we
- 18:13
don't give a
- 18:14
>> Exactly. Best
- 18:16
>> the overseas indie.
- 18:18
>> Best short documentary animated. Like,
- 18:21
all right, man.
- 18:22
>> I went out. So, I went back and fast
- 18:24
forwarded through it, too.
- 18:25
>> And I uh I didn't find much interesting.
- 18:27
I just kept waiting to see where Sinners
- 18:29
was going to go
- 18:30
>> and how it was going to do. And early
- 18:32
on, a lot of people thought it was gonna
- 18:33
be a color purple moment. They thought
- 18:35
it was going to be a situation where
- 18:36
there's a lot of nominations and no
- 18:37
victories. And people on online like
- 18:39
complaining when some of them early
- 18:41
awards didn't come out. So, I was happy
- 18:42
to see it shake out the way it did.
- 18:44
>> No, we got to we got to thank Timothy
- 18:46
Shalamé for just totally imploding
- 18:50
toward the end of the race. Like for
- 18:52
real. I was checking the prediction
- 18:54
markets and they said that the
- 18:55
prediction markets had for the majority
- 18:57
the big awards they had it right for the
- 18:59
most part about
- 19:01
uh they were doing the guesses what
- 19:03
movies would win how many awards
- 19:05
>> and yeah Timothy Shalom they didn't even
- 19:08
clap for him really
- 19:09
>> they didn't even really clap for him
- 19:11
when they announced uh Leo Pablo
- 19:15
>> Michael Timothy it was like
- 19:18
>> I was like oh I never heard that first
- 19:21
ballet Yeah, you can't diss them. You
- 19:24
got to be careful.
- 19:25
>> Yeah. So, he he more black points to
- 19:28
him. I'm off that cookout. I've been off
- 19:30
that cookout more. Jack Harlo has me off
- 19:32
it even more now. But yeah, anyway, what
- 19:36
were you guys saying about it?
- 19:38
>> No, I mean, um, with regards to
- 19:40
>> Well, I'm sorry. Can we start with what
- 19:42
did you guys think of Conan O'Brien?
- 19:46
>> It wasn't great, but it wasn't horrible.
- 19:48
It was
- 19:48
>> It wasn't I I thought he didn't have
- 19:51
much to work. I thought I thought he
- 19:52
held it down for for what the show was.
- 19:54
>> That's what I was about to say cuz the
- 19:55
bits that they pulled
- 19:57
>> like when the presenters come up, they
- 19:58
try to make a little comedic bit were
- 20:00
all terrible. So they were so bad that
- 20:02
it made him look good.
- 20:03
>> I enjoyed Conan O'Brien on some dad joke
- 20:06
[ __ ]
- 20:07
>> Yeah.
- 20:07
>> Like they all they all seemed just like
- 20:09
dad jokey. Like he wasn't killing it,
- 20:12
but he wasn't bombing.
- 20:14
>> I like the intro and the outro were were
- 20:16
funny. The skits off weapons and one
- 20:18
battle after another. Those were funny.
- 20:20
the the jokes in between. It was It was
- 20:22
cool. It wasn't It was It was fine.
- 20:24
>> That [ __ ] was blah.
- 20:25
>> Yeah, it was fine
- 20:26
>> for me at best. Blah.
- 20:29
>> I was rooting for sinners in the costume
- 20:31
design until I saw Frankenstein.
- 20:34
>> Frankenstein [ __ ] deserves a lot of
- 20:37
four hours a day to get that put on him.
- 20:39
>> They said no. 400 hours uh total makeup
- 20:44
time for home.
- 20:44
>> They said it was 4 hours a day he would
- 20:46
have to sit. That's before y'all. So,
- 20:48
and action. You sitting there getting
- 20:50
that put on you. St.
- 20:52
>> And not the
- 20:56
That's a good looking white guy.
- 20:58
>> That [ __ ] had the moose in his ear.
- 20:59
Like that room had some good looking
- 21:00
white people in there. I know y'all
- 21:02
don't care. Anyway, go ahead. Fine.
- 21:04
Sinners.
- 21:06
Frank was pretty good. It It deserve I'm
- 21:08
I'm glad it got some awards cuz it was
- 21:10
pretty good. You should watch it.
- 21:12
>> You said it was good.
- 21:12
>> Yeah, it was good.
- 21:13
>> Okay, man. Said it was good.
- 21:14
>> It was good. I watched it as well. But
- 21:15
the the best two movies of the year were
- 21:17
centers in one battle after another and
- 21:18
they won all the awards as they deserve.
- 21:20
>> I didn't I didn't I had started one
- 21:22
battle after another a couple months ago
- 21:24
but
- 21:25
>> it I fell asleep on it. Never went back
- 21:27
to watch it.
- 21:27
>> Yeah.
- 21:29
>> After the Oscars like the next day I
- 21:30
said I got to watch this movie all the
- 21:32
way through and I get it.
- 21:34
>> It's a very good movie.
- 21:35
>> It's a very good movie. And
- 21:36
>> cuz when they did a supporting actor I
- 21:39
wanted Del Roy Lindo to win that one.
- 21:41
But after fully watching one battle
- 21:43
after another, Shawn Penn deserved that
- 21:44
award.
- 21:45
>> I mean, Shawn Penn just had a much
- 21:46
bigger role in one battle battle after
- 21:48
the other than Delroy did in way.
- 21:51
>> And we do still have to honor racist
- 21:54
bigots and piece of characters in
- 21:56
movies.
- 21:57
>> It's a Especially when they can bring
- 21:59
him to
- 21:59
>> that was his role.
- 22:00
>> Yeah. And if they can bring it to life
- 22:02
and make you hate the [ __ ] on
- 22:03
screen, they did their job.
- 22:04
>> But you know, sometime with the and I
- 22:06
agree with everything y'all saying.
- 22:06
Sometime with the Oscars, the best
- 22:08
person don't get it. Especially when it
- 22:10
come to us. Sometimes we get skipped
- 22:11
over and they go, "Oh, it's a lifetime
- 22:13
award." You know, like when Denzel got
- 22:14
skipped over for Malcolm X and they gave
- 22:16
it to uh Pacino for Sin of a Woman. It
- 22:18
was like, "Well, Pacino deserved it for
- 22:19
like a lifetime of work."
- 22:21
>> I was Sean Pen deserved it, but part of
- 22:23
me was hoping that Delroy would get that
- 22:25
lifetime of work for a lifeline
- 22:32
all the Spike movies and then other
- 22:33
stuff too. And that was Sinners. He was
- 22:35
amazing. What you say? I mean, like, can
- 22:38
we give it to somebody that's going to
- 22:39
be there next time?
- 22:42
>> Yeah.
- 22:42
>> Well, he I think he went to go speak to
- 22:44
uh the president, someone of the
- 22:45
president somewhere in uh uh Colombia.
- 22:48
>> All right, then put the Zoom screen up.
- 22:50
You know what time it is.
- 22:52
>> Via satellite.
- 22:52
>> Give us the speech via satellite. That
- 22:54
would have been flying. Uh but the story
- 22:57
tonight by far. Come on. Let me just get
- 22:58
right into this. Let me cue this up.
- 23:05
That's it.
- 23:10
>> That entire room was just so ecstatic
- 23:12
for this brother.
- 23:13
>> That's what I loved about it.
- 23:14
>> And I love that he acknowledged that in
- 23:17
his speech.
- 23:18
>> Got to stand it up.
- 23:19
>> Yeah. Put the camera on Timothy Shallow.
- 23:21
Yeah.
- 23:24
>> That's one of my favorite things from
- 23:25
award shows is the the loser can.
- 23:28
>> Zoom in on the loser.
- 23:30
Did y'all do it?
- 23:32
We lose the game.
- 23:34
>> What' you say? I said, "Could y'all do
- 23:36
it?"
- 23:36
>> Yeah, for sure.
- 23:37
>> Yeah.
- 23:37
>> Yeah.
- 23:38
>> Act like you happy.
- 23:40
>> Yes.
- 23:40
>> I think And it might be genuine
- 23:42
happiness.
- 23:43
>> I think some of them were genuinely
- 23:44
happy for me.
- 23:44
>> I don't think everybody's genuinely
- 23:45
happy dog.
- 23:46
>> They may not be, but you still got to
- 23:48
get up there and play good sport.
- 23:49
>> The director community, the director
- 23:51
community seems legitimately like happy
- 23:53
for each other.
- 23:54
>> They kind of remind me of the producer
- 23:55
community in music where it's like they
- 23:57
with each other hard.
- 23:58
>> Some of them actors, they
- 24:00
>> actors not so much.
- 24:01
>> Yeah. more like the rapper community.
- 24:06
>> Tiana about to break her hand.
- 24:09
>> She was going crazy in the front.
- 24:10
>> I love seeing that.
- 24:12
>> God is good. And um
- 24:17
your mama, what's up?
- 24:18
>> Love that.
- 24:20
>> Absolutely love that.
- 24:21
>> How I feel about my mother and my
- 24:23
father's here. Your pops, where you at?
- 24:26
>> My dad, my dad came in from Ghana from
- 24:28
>> to be here. my brother, my sisters here,
- 24:31
my family. Um,
- 24:33
>> suit look great. He look great. Warner
- 24:35
Brothers. I want to thank Mike and Pam
- 24:36
for believing in this uh this dream,
- 24:39
this vision of of Ryan Cougler and
- 24:40
embedded on the culture, embedded on
- 24:42
original ideas and original artistry.
- 24:45
And you're an amazing amazing person. I
- 24:47
I'm so honored to to call you a
- 24:49
collaborator and a friend and uh you
- 24:51
gave me the opportunity and space for me
- 24:53
to um to be seen.
- 24:56
I love you too, bro. Look at Ryan
- 24:57
Cougler doing the sign language. I love
- 25:00
you.
- 25:00
>> Cool. My incredible cast,
- 25:03
thank you so much for giving Smoke
- 25:04
opportunity to be him. Haley at home.
- 25:07
Uh, you know, she's, you know, getting
- 25:08
ready to have a big right now. Thank you
- 25:09
so much for for for being the other
- 25:11
other half of stack. Uh, uh, um, Miles
- 25:15
Delroy, uh, uh, Jamie, everybody. Uh,
- 25:18
Lely, uh, Omar, the entire cast. Thank
- 25:20
you guys for for supporting me through
- 25:21
this. my team, Phil Sun, Greg Slooh,
- 25:24
Lindsay Gallon, um uh uh uh
- 25:29
man y'all
- 25:33
>> I love this too. All of that
- 25:37
>> because of the people that came before
- 25:38
me. Uh Sydney Portier, Denzel
- 25:40
Washington, Hib, Jamie Fox, Forest
- 25:43
Whitaker, Will Smith, and B.
- 25:46
>> What did Forest win for again? Ghost
- 25:48
dog, right? Scotland.
- 25:53
>> Stop playing, man. Support me over my
- 25:55
career. I know you guys want me to do
- 25:58
well and I I want to do that because you
- 26:01
guys bet on me. So, thank you for
- 26:02
keeping
- 26:03
>> for keep betting on me.
- 26:05
>> Let's go, man.
- 26:06
>> And I'm going keep stepping up
- 26:08
>> and I'm going keep being the best
- 26:09
version of myself I can be. So, I just
- 26:10
want to say thank you for everybody in
- 26:11
this room that had something to do with
- 26:12
my success. I love you guys. and
- 26:14
everybody at home who supported Sinners
- 26:16
who went to go see the movie once,
- 26:17
twice, three, four, five times. Thank
- 26:19
you. Cuz you guys made this movie what
- 26:20
it is. I love you. I love you. I love
- 26:22
you.
- 26:24
>> And there you have it.
- 26:25
>> I thought he was going to break down.
- 26:27
>> Yeah.
- 26:27
>> I thought he I It was a few times I
- 26:29
thought he was going to break down. He
- 26:30
couldn't hold it.
- 26:31
>> But But amazing speech.
- 26:34
>> [ __ ] I was breaking down.
- 26:35
>> Me, too. No, I was home. Break. Yeah.
- 26:36
Yeah. I thought he was going to break
- 26:38
down, but he didn't. Amazing speech. Um
- 26:41
>> eyes watering
- 26:41
>> off the dome. He ain't even read off the
- 26:44
paper all that [ __ ]
- 26:45
>> Some the Sydney party and them [ __ ] you
- 26:47
know, you had to give it.
- 26:48
>> I'm sure he wrote all of that somewhere.
- 26:49
But the just the look of it, I hate when
- 26:51
they go get to pulling this out and
- 26:55
I would win tonight.
- 26:56
>> Um,
- 26:59
>> to watch his
- 27:01
ascension, he was the little dirty
- 27:03
sitting on the bench on the wire, bro.
- 27:04
Where's Wallace?
- 27:05
>> Yeah. You know what I'm saying? Nobody
- 27:07
would have ever thought that watching
- 27:08
that he would go to this. Like even in
- 27:10
The Wire, his role was minimal in The
- 27:12
Wire. He didn't
- 27:13
>> And he killed him in season one.
- 27:15
>> Yeah.
- 27:15
>> Was that one?
- 27:16
>> Yeah.
- 27:16
>> Like he didn't have the the the biggest
- 27:18
role in The Wire. You know what I'm
- 27:19
saying? And so the next time I remember
- 27:21
seeing him was what? Fruit veil. Maybe
- 27:22
fruit.
- 27:23
>> So So to do that and again to do that
- 27:26
with Ryan,
- 27:27
>> step in step is an amazing thing.
- 27:30
>> That's my favorite part of it. To do all
- 27:32
of it with Ryan. That's what I'm saying.
- 27:35
Boom boom boom boom boom with Ryan.
- 27:36
That's just an amazing thing. And um
- 27:38
they keep betting on each other like he
- 27:40
said, hand to hand. I think it's fire.
- 27:42
>> Yeah,
- 27:43
>> I think it's super fire.
- 27:45
>> Listen, I've been I I I've
- 27:48
been pretty harsh on Michael B. Jordan
- 27:50
over the years. Yes,
- 27:51
>> that's true. I forgot about those
- 27:53
>> criticisms early on. Yeah.
- 27:54
>> Oh my god, those are some of my best
- 27:56
pods. I love that. I love coming in here
- 27:59
talking all that. He really said two two
- 28:01
sentences in Creed.
- 28:02
>> Yeah. Like I double down in what I said,
- 28:05
but to Isha's point, that's what makes
- 28:07
this so great is for somebody to
- 28:10
continue to develop their craft, for
- 28:13
somebody to give a enough about it to
- 28:15
work on it consistently and where to
- 28:17
where you can where the public can see
- 28:19
the improvements rather rapidly. Yeah,
- 28:22
>> like I've read something about
- 28:24
>> the changes he made to smoke or stack
- 28:28
one of them one of their faces as he was
- 28:30
doing it like to make the characters
- 28:32
appear different. Like he said he was
- 28:34
locking its jaw paws so one had dimples
- 28:37
uh
- 28:38
>> your eyebrows. He said he's
- 28:40
>> okay
- 28:41
>> manipulating his facial structure a
- 28:43
certain way so that the twins could
- 28:44
appear different like that uh commitment
- 28:47
to detail
- 28:48
>> is what I'm talking about. So that that
- 28:51
that's the stuff that resonates. How
- 28:52
could you not be proud of a guy like
- 28:55
this? Take that, L'Oreal. That was
- 28:57
another real bad take of mine. Oh my
- 29:00
god. That might that might have been up
- 29:01
there with my chance take coming in here
- 29:03
and siding with L'Oreal.
- 29:05
What a mess. Hey, that's back when I was
- 29:07
pandering to women.
- 29:10
I ain't I ain't going to lie to y'all. I
- 29:12
was heavy in pander mode defending
- 29:14
L'Oreal. He was dead.
- 29:16
>> You know what too yo, he just seems like
- 29:18
a nice guy. He is, but he is a nice guy.
- 29:21
>> I'm just saying a lot of people on
- 29:22
camera seem nice. From him, you get
- 29:24
like, yo, he just might be a nice cool
- 29:27
ass dude. Like I know people that know
- 29:28
him personally. I never met him, but he
- 29:30
just seemed like a just a overall
- 29:32
genuinely nice cat. And you got to root
- 29:34
for people like that.
- 29:35
>> He's genuinely nice, genuinely humble,
- 29:37
genuinely generous. Like he's
- 29:39
>> you couldn't you couldn't see it happen
- 29:40
to a better person. That that was the
- 29:42
thing that you could even see it in the
- 29:43
speech. Like he was really overwhelmed
- 29:44
by the moment
- 29:46
>> and really excited by the moment. Um,
- 29:48
and to see somebody who's that loved as
- 29:50
an actor, as a sex symbol, as all these
- 29:51
things be like genuinely nervous getting
- 29:55
getting the award.
- 29:56
>> He shouldn't have been nervous cuz he's
- 29:57
sexy.
- 29:58
>> You if you mean you would understand
- 30:00
this, but like if I would look at
- 30:03
another [ __ ] and understand his sex
- 30:05
appeal. I got you though. Go ahead.
- 30:06
>> Yeah. I mean, you're usually in control
- 30:08
of every room. People are eating out of
- 30:09
your head
- 30:10
>> and and he didn't care. Like that wasn't
- 30:13
how his brain worked. He was just
- 30:15
>> overwhelmed by the moment.
- 30:17
genuine about the moment. You don't see
- 30:18
that too often with with actors.
- 30:20
>> And for one night, even if only one
- 30:23
night only, get these British
- 30:27
out OF HERE.
- 30:29
>> OH, THAT was so great. Yeah. Pan the
- 30:32
camera to Damson. Let me look at him for
- 30:34
F1. Get these [ __ ] Hey, and I love
- 30:36
these guys, but it's been the
- 30:39
whitewashing of just black American male
- 30:42
actors. That's a good point. Yeah.
- 30:45
Enough. Enough now with this British
- 30:47
[ __ ] That [ __ ] was great.
- 30:52
>> I don't care for I'm
- 30:53
>> I don't care.
- 30:54
>> I'm down with you.
- 30:55
>> That [ __ ] felt That [ __ ] felt great.
- 30:56
That [ __ ] felt
- 30:57
>> I wanted to make a correction. I wanted
- 30:58
to make a correction cuz they killed me.
- 30:59
Sean Penn was speaking to the uh
- 31:01
president of of Ukraine, prime minister,
- 31:04
what's his name?
- 31:05
>> Yeah, not Colombia. Paul, it's a big
- 31:06
deal. Sean Penn is heavy and Paul. I
- 31:08
wanted to correct that cuz it's Ukraine.
- 31:10
He went to Ukraine. That's why you
- 31:12
missed the Oscars
- 31:13
>> and the singers dance performance
- 31:16
30 minutes into the awards fire.
- 31:19
>> I felt like that was the entire room
- 31:22
agreeing
- 31:23
>> this is why this is why I love seeing
- 31:26
the blues on a big stage like that. That
- 31:28
[ __ ] was cool.
- 31:28
>> And homeboy, the little blues dude.
- 31:33
>> My brother, you need a mixtape.
- 31:37
>> It's time. Yo, don't miss your mark. You
- 31:39
need a little five, four, five song EP
- 31:41
or something with some BLUES SLAPS.
- 31:44
>> He showed up. He showed up. No, he
- 31:45
killed that.
- 31:46
>> I like his uh his post interview on the
- 31:48
carpet with his mother. I think it was
- 31:49
pre or post. I thought that was that was
- 31:51
dope.
- 31:51
>> Pre is before and post.
- 31:52
>> I know. I say I think I think it's pre
- 31:54
or post. I think it's either before or
- 31:56
after. I'm not sure. But, you know, when
- 31:58
he was talking with his mom and stuff
- 32:00
like that and she was like since 3 years
- 32:02
old, he was singing and you know, they
- 32:03
gave praise to God. I just like
- 32:05
wholesome moments like that. That was
- 32:06
dope to me
- 32:07
>> for sure.
- 32:08
>> And they said the uh the the dancer
- 32:10
ballerina girl was dancing for Timothy
- 32:12
Chevrolet the whole time.
- 32:13
>> She's fire, huh?
- 32:14
>> She's fire.
- 32:15
>> She came back from the hip surgery. Mr.
- 32:17
Copeland, I missed it. Amazing. That's
- 32:19
that's amazing, too. She had a whole hip
- 32:21
replacement and just stood there in
- 32:23
front of Timothy and said, "Hold up.
- 32:27
We say
- 32:28
>> nothing.
- 32:28
>> I'll tell you one thing. I know we
- 32:30
honoring black excellence right now.
- 32:33
>> Indeed. Oh, I want to say something
- 32:34
about some boy [ __ ] Man,
- 32:35
>> I ain't going to hold you.
- 32:35
>> See some white boy titties that did it
- 32:36
for you.
- 32:38
>> That Kylie Jenner looked all right.
- 32:42
>> Hey, that that Kylie Jenner looked like
- 32:43
something last night. And I ain't into
- 32:45
them Jenner Kardashian.
- 32:46
>> Almond milk, [ __ ]
- 32:47
>> General Kardashian. All milks. Almond
- 32:50
coconut milk.
- 32:51
>> Cashew. Cashew milk.
- 32:53
>> Might be a little cashew. God, that that
- 32:55
red dress with them earrings and that
- 32:58
necklace with just two big ass stones in
- 33:01
it.
- 33:04
>> No, I didn't think her titties was so
- 33:05
great. That's another one I pumped up.
- 33:07
That little racist white girl's titties.
- 33:08
That's another just horrible take for
- 33:10
me. That girl's titties. Sydney,
- 33:12
whatever. Sydney Sweeny.
- 33:13
>> Yeah, it's just like a slap in my girl's
- 33:15
face. I erased that episode from the
- 33:16
archives.
- 33:18
>> Um uh what else? What else? What else is
- 33:20
from the Oscars that we need to discuss?
- 33:21
I mean Ryan Cougler would in the best
- 33:23
original screen
- 33:24
>> play
- 33:26
Ryan Cougler. Yes. I'm just happy for
- 33:29
all those all those brothers.
- 33:30
>> Of course. Uh and that don't really be
- 33:33
touted like being a director, being a
- 33:35
producer and all that. So especially
- 33:37
coming from where he comes from like my
- 33:39
he probably got teased or some just for
- 33:41
going into the arts in the hood. So for
- 33:43
him to to to really
- 33:46
stand up and stand out that is amazing
- 33:48
to me.
- 33:49
>> I like to speak. got 16 awards. They won
- 33:52
four. Uh I've read an article from Slate
- 33:54
magazine that kind of pissed me off.
- 33:56
They was like, "Uh,
- 33:58
>> where you caught the slate?
- 34:01
>> You went to the
- 34:01
>> You just wing
- 34:08
something. Where you picking up slate,
- 34:10
>> [ __ ] This is the internet generation.
- 34:12
Yo, you you wa just buying [ __ ]
- 34:16
>> Let me get the new slate.
- 34:18
Let me get but go ahead. What they say
- 34:20
in slate?
- 34:21
>> They was like uh sinners turned out to
- 34:23
be the biggest loser and I just thought
- 34:24
that [ __ ] was so tacky.
- 34:26
>> That's why you can't support Slade.
- 34:27
>> Yeah. I just thought that [ __ ] was so
- 34:28
tacky, my [ __ ] Biggest loser.
- 34:29
>> There's been a bunch of publications on
- 34:31
them even through their success and it's
- 34:33
really I think was the other one that
- 34:35
did
- 34:35
>> Variety too.
- 34:36
>> Yeah.
- 34:36
>> Yep.
- 34:39
>> They said something about it being a
- 34:40
disappointment cuz it earned 60 mill. I
- 34:42
forgot what it was.
- 34:43
>> That was very early on. It
- 34:44
>> was very early.
- 34:44
>> Variety was one of the first to get out
- 34:46
there with the hate. Yeah, I think
- 34:48
>> and everybody responded.
- 34:49
>> [ __ ] learned them though.
- 34:50
>> [ __ ] learned them.
- 34:51
>> They still retweet that to this day.
- 34:53
>> Really?
- 34:53
>> Yeah.
- 34:54
>> Yeah. I just thought that [ __ ] was ter.
- 34:56
Look what it made now.
- 34:57
>> What do y'all think about Michael B.
- 34:58
Jordan going to In-N-Out Burger
- 34:59
afterward?
- 35:00
>> That that was the most disappointing
- 35:01
thing of the night for me.
- 35:02
>> Were
- 35:04
horrible.
- 35:05
>> Oh, it's the tradition. Yeah, I get you.
- 35:06
Yeah.
- 35:08
>> Change.
- 35:09
>> Change the For those that don't know
- 35:10
what I mean. Typically after the Oscars,
- 35:12
winners do go to In-N-Out Burger. It's
- 35:14
like a thing. It's not. I didn't know
- 35:15
that
- 35:15
>> cuz cuz some people thought he was
- 35:17
trying to like look humble. It's like
- 35:18
no, if you look at all the photos Oscar
- 35:20
like actors leave the Oscars and go to
- 35:22
In-N-Out Burger. It's like a thing.
- 35:24
>> Well, and I read something that said he
- 35:26
apparently tried to work there early in
- 35:27
his career and they turned him down. So,
- 35:29
it was like a full circle moment.
- 35:30
>> Oh, that's
- 35:33
dope.
- 35:34
And In-N-Out Burger, if you're if you're
- 35:37
if you're in LA, like that [ __ ] do
- 35:39
tastes good around 2 a.m. if you're
- 35:42
coming from somewhere and you had a
- 35:43
couple drink. That's the only time the
- 35:44
only time I said that.
- 35:45
>> That's the only time it tastes
- 35:48
drunk.
- 35:49
>> Johnny Rockets was he had an apple pie,
- 35:51
too, man. I don't eat beef, but them
- 35:53
apple pies crazy.
- 35:55
>> Johnny Rockets back in my late 20s was
- 35:57
my first stop when I hit that Miami. Get
- 35:59
that outside outdoor table.
- 36:02
Oh,
- 36:04
>> you don't know what that is.
- 36:06
>> You don't know what Johnny Rockets.
- 36:07
>> I don't know what that is.
- 36:09
>> I think they had one show. You know what
- 36:11
heroin you painters on heroin is? You
- 36:14
don't know what Johnny Rockets is?
- 36:16
>> I didn't live a privileged life like
- 36:18
you, bro. I was like,
- 36:19
>> I don't know if Johnny Rockets is
- 36:21
privileged. That [ __ ] is good.
- 36:23
>> That [ __ ] ain't privileged, man.
- 36:24
>> They have one in.
- 36:25
>> They got one at Jersey Gardens, man. I
- 36:27
wish y'all got a reference.
- 36:30
They is like Applebee's, dog.
- 36:32
>> It's the same level.
- 36:33
>> Okay.
- 36:33
>> Chili's.
- 36:34
>> Yeah.
- 36:35
>> I miss when they used to come out on
- 36:37
their little skates and do the dance. Go
- 36:39
ahead, [ __ ] I used to go there at that
- 36:41
time.
- 36:44
>> Nah, for real. Sometimes it was a baddie
- 36:45
coming out. But now you got a Johnny
- 36:48
Rockets girl.
- 36:49
>> Put yourself in a hard spot.
- 36:52
>> Oh, y'all be Johnny Rockets girl anyway.
- 36:54
All right. Come on. Let me
- 36:57
love including people with your word.
- 37:01
No, I probably would do it, too.
- 37:02
>> Oh, all right.
- 37:04
>> Say that then.
- 37:04
>> How'd you look?
- 37:05
>> So, say that. Yeah. Say that.
- 37:06
>> I feel like y'all are some Johnny Rocket
- 37:08
mid.
- 37:09
>> See, now
- 37:11
moving on. Moving on. We're not doing
- 37:13
that. We're not doing that. We're not
- 37:14
doing that. We're not doing that.
- 37:16
>> Any uh congratulations to all the
- 37:19
winners.
- 37:20
Yeah. All of the winners. I still think
- 37:22
I I I support that weapons lady winning.
- 37:24
She She did. She did. I like the girl
- 37:26
from uh I'm not having watched Hamnet,
- 37:27
but the girl's speech was she she seemed
- 37:29
very likable. The Irish Irish girl
- 37:32
woman.
- 37:33
>> Yeah,
- 37:33
>> it was a good speech.
- 37:35
>> I'm conflicted on how I feel about the
- 37:37
Oscars just hitting the music right
- 37:39
right when is about to talk.
- 37:41
>> They took the mic down on a [ __ ]
- 37:44
>> That was that [ __ ] a couple times.
- 37:47
>> Yeah. Yo, that was up. The mic went back
- 37:50
down in the ground. My man was just
- 37:51
standing there like
- 37:53
>> the lights went off. ALL THAT [ __ ]
- 37:58
AND THE [ __ ] AIN'T LEAVE. THEY SEND IT
- 37:59
BACK UP. That's what's my moment, bro.
- 38:03
>> Truly messed up. But
- 38:04
>> I can't lie and say ain't funny. I
- 38:07
wasn't entertained.
- 38:07
>> No, it was funny.
- 38:09
>> We got to keep the show rolling, man.
- 38:13
>> And if you're as like a group, you going
- 38:15
up there with like 10 of you, you can't
- 38:17
you got to the one lady hogged the mic a
- 38:19
little bit. Like you got to just get in
- 38:20
and out.
- 38:21
>> You see my man was trying to tap her arm
- 38:22
like, "Yo, let me get some words in
- 38:23
here."
- 38:24
you doing?
- 38:26
>> She shouting everybody.
- 38:27
>> She said the same speech she said at the
- 38:29
last [ __ ] I forgot it was the Golden
- 38:30
Gloves and the Grammys, but it's the
- 38:32
same exact speech.
- 38:33
>> You got to share that there.
- 38:34
>> And just on some pro black while those
- 38:38
uh uh they was up there.
- 38:40
>> What was it? The Koreans. When the
- 38:42
Koreans was up there, I did think to
- 38:45
myself, "Oh, this would be a great time
- 38:47
to just let like 30 of the Tourettes
- 38:50
in."
- 38:52
>> Why?
- 38:53
N if they paying at the Tourette's table
- 38:56
right now
- 39:01
is YELLING
- 39:06
issue practice restraint is please he
- 39:09
about to get his bag you know all the
- 39:11
words
- 39:14
>> oh that would have that would have been
- 39:16
funny overall I thought the Oscars did a
- 39:18
good job or at least the parts that I
- 39:19
wasn't fast forwarding
- 39:20
>> I think the awards were given to the
- 39:22
right people I I don't think that the
- 39:24
ceremony was particularly entertaining.
- 39:26
>> It was blah.
- 39:26
>> Yeah.
- 39:27
>> Then I liked on the red carpet. I liked
- 39:29
I liked them highlighting the the Steven
- 39:31
Spielberg, Timothy Shalomé beef.
- 39:33
Apparently they were on the red carpet
- 39:34
at the same time ignoring each other.
- 39:36
Ooh,
- 39:37
>> cuz remember uh uh they had beef. I
- 39:40
didn't even know that. I didn't know
- 39:41
that beef. Yeah, I ain't that a little
- 39:44
shady.
- 39:45
>> I ain't with y'all. This whole Tiana
- 39:47
hate train that's running around right
- 39:48
now. Like
- 39:49
>> I ain't like that, bro. What do they hat
- 39:51
on her for?
- 39:52
>> Her little interaction with the
- 39:53
>> Yeah, her her being excited during the
- 39:55
awards.
- 39:55
>> Oh, that
- 39:56
>> um
- 39:57
>> it started it started Well, it started
- 39:59
with the uh
- 40:00
>> was it the supporting supporting
- 40:03
supporting actor award actress award
- 40:05
that she didn't win and they announced
- 40:06
the the the person that won she jumped
- 40:08
up screaming and they like, "Oh, this is
- 40:10
fake. You're phony. You're being like
- 40:12
y'all don't know Tiana or something."
- 40:14
>> Yeah.
- 40:14
>> So,
- 40:15
>> they don't know Tiana though.
- 40:16
>> Not you don't have to know her
- 40:17
personally. You just follow her. Watch
- 40:19
her. You see this is her.
- 40:20
>> Yeah, it is.
- 40:21
>> She wasn't out of character is what I'm
- 40:22
saying.
- 40:23
>> AND EVEN IF SHE was right, I mean if you
- 40:25
if you don't say anything, they say
- 40:26
you're a hater. If you cheer for the
- 40:27
person that win, they say you fake.
- 40:29
>> So then when um one battle after another
- 40:31
one, you know, the way she grabbed the
- 40:33
director in the headlock, I'm happy.
- 40:36
>> Right. When you make a movie with
- 40:38
somebody
- 40:38
>> Okay, we not going to be honest. All
- 40:39
right. Go ahead.
- 40:40
>> Well, go ahead.
- 40:40
>> No, no, no. I want to hear the cap.
- 40:42
>> When you make When you make a movie with
- 40:43
somebody, you you you go to war with
- 40:45
them. You you become family. So you
- 40:47
might really be happy with the
- 40:48
[ __ ] that won. Like I don't
- 40:49
think that I think that's normal.
- 40:50
>> Our movie one, my [ __ ] If I worked on
- 40:52
an album in the album one, album of the
- 40:53
year, I'm going up there happy with you.
- 40:56
Headlock.
- 40:56
>> Yeah,
- 40:57
>> got it.
- 40:58
>> What you got to say?
- 40:59
>> Nothing. Maybe I'm wrong about it.
- 41:00
>> Well, what are you wrong about? You're
- 41:01
not saying anything.
- 41:02
>> Are you saying that her grabbing the uh
- 41:03
director wasn't appropriate?
- 41:05
>> I'm not I'm not going to say what's
- 41:07
appropriate and what's not appropriate
- 41:09
because like y'all said, she was happy.
- 41:11
If that's how you showing happiness,
- 41:12
awesome. Okay. However,
- 41:14
>> for me, if if I'm winning an an award,
- 41:16
an award that uh
- 41:19
>> I don't know if he's won before. This
- 41:20
was a big deal for him to win.
- 41:21
>> I think it was his first time. Yeah.
- 41:23
>> He's done some great movies.
- 41:24
>> That's what I'm saying. Like the same
- 41:26
reverence that the room had for Michael
- 41:27
B. Jordan on the flip. They had it for
- 41:29
him as well in that moment. Don't put me
- 41:32
in the in the headlock.
- 41:33
>> You said let him have his moment.
- 41:34
>> Please don't put me in.
- 41:35
>> You're not saying it's fake. You're just
- 41:35
saying
- 41:36
>> I'm not saying it's fake. You're just
- 41:37
saying I'm not saying performative. They
- 41:39
were saying she was doing a lot. And
- 41:41
when I watched it, I could see how
- 41:43
somebody could think that at least.
- 41:44
>> I don't know. PTA seems like the kind of
- 41:46
guy that's cool with the headlock.
- 41:47
>> I think it depends on your rapport with
- 41:49
the person.
- 41:50
>> But even if he's cool with the headlock,
- 41:52
please don't put me in a headlock as I
- 41:55
make my way to the podium to a comedian.
- 41:57
I'm sure he's probably cool with it.
- 41:58
>> He might have not had a problem with it.
- 42:00
>> I ain't seen
- 42:01
>> still. I see. Please don't put me in a
- 42:04
headlock while I'm on my way to the
- 42:06
podium to win my Yo, if we win a a
- 42:09
Grammy or some
- 42:11
>> for you, buddy. You get in a headlock
- 42:13
and a wedgie is definitely putting you
- 42:14
in the headlock.
- 42:18
>> Well, he's Well,
- 42:20
>> I didn't think it
- 42:28
I got you.
- 42:29
>> No, stop. Imagine
- 42:30
>> I I don't think Flip will put me in
- 42:31
adock. I don't Bro, you you'll be
- 42:35
overwhelmed with emotion and you got a
- 42:36
rapport with the person. If y'all play
- 42:38
like that on scene, these movies, some
- 42:40
of these movies take months. So, you
- 42:41
literally in the trenches with these for
- 42:43
months, so you know what their
- 42:44
personality is like. The dude might not
- 42:46
be that type of dude, then it's
- 42:48
something different. But if he a play on
- 42:50
set, if he does a bunch of silly on set
- 42:53
and that's the we might be slapboxing
- 42:55
every day on set. his wife is
- 42:56
>> I don't think she I'm pretty sure
- 42:59
so it just depends you know
- 43:00
>> and I don't think she does that
- 43:01
>> but none of that I get what y'all are
- 43:03
saying just to me I don't want to be
- 43:05
circular
- 43:05
>> yeah she said don't do it anyway none of
- 43:08
it negates what yeah what I'm saying
- 43:10
like your your wife's a comedian you
- 43:12
understanding we've been having a blast
- 43:13
on this movie for the last however many
- 43:15
years we tied it in the two ones and 11
- 43:17
I understand all that please as I'm
- 43:21
going to accept my what please don't put
- 43:23
me in that lock that's me saying that if
- 43:25
they cool
- 43:26
have a blast.
- 43:27
>> I'm telling y'all,
- 43:28
>> if we are ever in that situation,
- 43:31
>> flip flip.
- 43:31
>> You know what to do already.
- 43:33
Take your shirt off and slap.
- 43:35
>> But other than that, I'm not with black
- 43:36
I'm not with black people suppressing
- 43:38
the the the black.
- 43:40
>> I'm not with that. Like we are They were
- 43:42
saying she's a lot. I'M WE A LOT.
- 43:44
>> NO, but black people could be a lot.
- 43:46
When they put the No, they ain't going
- 43:48
to be a lot like us. Like when they put
- 43:49
them little dog whistling signs in the
- 43:51
hotel that say keep the noise down. That
- 43:52
ain't for the white people. THAT'S FOR
- 43:54
US. YOU know why? Cuz we gonna make
- 43:56
noise [ __ ]
- 43:58
We gonna make mad noise while you and
- 44:00
your little family of three is sleeping
- 44:02
there in the handicap room as hell. If
- 44:03
you think they ain't making noise,
- 44:06
>> that's what I seen them with a couple of
- 44:07
them pink paps blue ribbons in them.
- 44:08
>> Going to put your ear out the window
- 44:09
tonight.
- 44:10
>> They don't got to be drunk, [ __ ] That
- 44:12
we ain't got to blame it on drunk. It's
- 44:13
some loud, boisterous white people.
- 44:15
>> They don't got to be drunk to be crazy.
- 44:17
>> You talking about like the born in the
- 44:18
USA whites,
- 44:19
>> man.
- 44:21
USA,
- 44:24
right? America.
- 44:26
America.
- 44:26
>> They throw America out there.
- 44:27
>> Not America.
- 44:28
>> I think one of them whites I was in a
- 44:30
compromising situation a few weeks ago.
- 44:31
I was in a pizza place by myself
- 44:33
enjoying a slice. I think one of them
- 44:35
whites came in with his kid like and was
- 44:37
loud like about his views. I'm like, why
- 44:40
didn't your views matter at the pizza
- 44:41
place?
- 44:43
>> Like we shouldn't have I feel like
- 44:44
you're doing you're doing that to get me
- 44:46
to do something.
- 44:47
>> Absolutely. So he could justify my the
- 44:50
way I look at you.
- 44:51
>> I ain't going to beat one of them [ __ ]
- 44:52
up in front of their kids. I would.
- 44:53
That's a lie.
- 44:54
>> Don't get select or right. You don't
- 44:57
want no ma be down.
- 44:58
>> Yeah.
- 44:59
>> In the pizza place.
- 45:00
>> Yeah. Yeah. You don't want that.
- 45:01
Flipping you up like the dope.
- 45:02
>> Exact.
- 45:08
You sit there, boy.
- 45:11
>> You think I'm the dope. [ __ ] [ __ ]
- 45:13
>> Split me in the air every which way.
- 45:15
Huh? Pepperoni in the out your ass.
- 45:18
>> Tell you what the headlock.
- 45:19
>> Well, that's when I expect y'all to run
- 45:20
in here with the nation and fix it.
- 45:22
>> Oh, yeah. For sure. Indeed. How about
- 45:24
that? How about that one?
- 45:25
>> Got you.
- 45:25
>> Indeed.
- 45:26
>> Uh, what else is important?
- 45:27
>> I mean, one last thing in in Oscars, it
- 45:28
was pretty cool to see horror uh uh
- 45:30
being celebrated on this big of a stage.
- 45:32
It rarely is between Frankenstein
- 45:34
sinners and weapons all being mainstays
- 45:37
of the awards stage. You never see that
- 45:39
for me.
- 45:39
>> I was going to ask you cuz I'm not in
- 45:40
the horror at all. Like, is that like is
- 45:42
it like a um is it seen as low brow? Is
- 45:43
that the reason?
- 45:44
>> Usually, a lot of times it is in
- 45:46
fairness, but a lot of times it isn't.
- 45:48
There's a lot of very good horror out
- 45:49
there. So,
- 45:50
>> yeah,
- 45:50
>> it was cool to see that celebrate. I I
- 45:53
didn't see uh Frankenstein, but was it
- 45:55
really looked at as horror as opposed to
- 45:58
cine cinematic?
- 45:59
>> You know what I'm saying? Like
- 46:00
>> it's old school. It was
- 46:01
>> because I don't look at centers as
- 46:02
horror.
- 46:03
>> It was kind of the second half was
- 46:05
>> it was labeled as horror.
- 46:06
>> I know.
- 46:08
>> And Frankenstein since the inception has
- 46:10
always been considered the horror genre
- 46:11
by today's standards of horror. Maybe
- 46:13
not. But
- 46:14
>> I said you're not afraid of the white
- 46:16
devils.
- 46:17
>> He down with
- 46:18
>> like with the vampires.
- 46:19
>> You ain't either. Let him in.
- 46:22
You ain't not even remotely.
- 46:28
DON'T SAY NOTHING.
- 46:30
>> WE SHOULD let them right in in our
- 46:31
center house. Come on, girl. Come on.
- 46:35
You got friends?
- 46:36
>> I met I met a bunch of them through you.
- 46:39
>> You was You was welcome.
- 46:45
>> So, I was So, I aliooped it for you.
- 46:47
>> Yeah, you did.
- 46:47
>> All right. There we go. Deny it
- 46:49
sometimes. They get tired of talking
- 46:51
about they get tired of hearing about me
- 46:53
and issues, past relationship, bromance,
- 46:56
and how we mad all over the world. So,
- 47:00
I'm not I'm not talking about that no
- 47:02
more. That'll be the last time you hear
- 47:03
about me and is all over the world
- 47:06
together.
- 47:09
>> Anyway,
- 47:12
what do y'all want to move on to?
- 47:15
>> Hey, Mark, you were saying from the
- 47:16
Oscar someone announced their uh
- 47:18
significant One of my favorite people,
- 47:20
favorite directors, Ava Duvare.
- 47:22
>> We love her. Shoutout. Shout out to Ava.
- 47:25
We love you. We love you. We love you.
- 47:26
She was on the um Red Carpet Essence was
- 47:29
interviewing her and they asked her sort
- 47:30
of uh was it something you're proud of
- 47:32
or or they asked her some question that
- 47:34
she she could answer like a lot of
- 47:35
different ways. And she chose to say,
- 47:38
"I'm I'm proud of or I'm happy that I
- 47:39
brought
- 47:41
>> my Yeah. And she she introduces her
- 47:43
significant other. She's I've been
- 47:44
hiding him for a while. you know, he's
- 47:46
been around for a while, but I'm happy
- 47:47
to introduce him uh and to bring him to
- 47:50
the red carpet or whatever. And then,
- 47:52
you know, all the the blogs and stuff,
- 47:54
Ava got Ava's got a man, all this stuff,
- 47:56
which I thought was dope. Salute to her.
- 47:57
I'm glad she's happy. But I wondered
- 47:59
about that. Like, one, like, would y'all
- 48:01
do that at the an event that big at the
- 48:03
Oscars. And then more broadly, like,
- 48:06
>> when is the right time to unveil the
- 48:08
significant other in public public?
- 48:10
Because that's a big that's big. That's
- 48:11
not like just like Instagram.
- 48:14
Eight months.
- 48:15
>> Eight months.
- 48:16
>> Eight months. Quick. Eight.
- 48:18
>> I feel like you've thought that through
- 48:18
cuz
- 48:26
you
- 48:28
was a starting point.
- 48:29
>> Yeah. How long? You know, how long?
- 48:30
>> Minimum requirement. A
- 48:31
>> And is that is that for like IG or is
- 48:33
that for like the red carpet?
- 48:34
>> Well, I mean, well, let's slow down. The
- 48:36
I'm with the unveiling. The first award
- 48:39
show ain't going to be the Oscars. Like,
- 48:41
let's try this at the Ozone Awards.
- 48:44
First,
- 48:46
let's try this on award. Source awards
- 48:48
award somewhere vibes.
- 48:50
>> Yeah, we a we ain't going to do this
- 48:53
premiere at the Oscars. That's I know
- 48:55
homeboy was home and I love a so I'm
- 48:57
going to shut up actually about this.
- 48:58
But homeboy was home putting the
- 48:59
pressure on her.
- 49:00
>> He was he was trying to he was trying to
- 49:01
get the unveiled at the supermarket any
- 49:04
anywhere. So
- 49:06
>> when when you unveil your partner at
- 49:08
something as big as the Oscars with the
- 49:10
speech that she gave,
- 49:13
>> I I assume that there was pressure put
- 49:15
on you from the partner.
- 49:16
>> I I I agree. Oh, she gave a speech so I
- 49:18
didn't see this.
- 49:19
>> You think?
- 49:20
>> I assume that
- 49:21
>> she gave a real speech.
- 49:23
>> It was just in the interview. Like in
- 49:24
the interview like
- 49:25
>> So yes.
- 49:27
>> Yeah. Yeah. Maybe
- 49:28
>> that's pressure.
- 49:29
>> Yeah, it would have been some pressure.
- 49:30
>> Or she could have just been in the It
- 49:31
was more sincerity. It could be sincere.
- 49:33
>> Yeah, could be sincere. She she's a
- 49:34
sincere person. So,
- 49:38
and nobody was asking for that. You know
- 49:40
what I mean? I feel like if anything,
- 49:42
she might have been caught up in the
- 49:42
moment like you with your your boo,
- 49:44
whatever. You happy is you talking to
- 49:45
essence. It was like some sister girl.
- 49:47
You just be like, "Yo, but you've never
- 49:49
I don't know how long they've been
- 49:50
together. You've never shown this person
- 49:52
or said anything about this person." And
- 49:53
you said nobody's asking for that. Dude
- 49:55
could have been the person asking for
- 49:56
that.
- 49:56
>> Could be.
- 49:57
>> Well, this is another one of those
- 49:58
instances where I don't have the life
- 50:00
experience to share on the matter.
- 50:02
>> Oh, [ __ ] But we have four but we
- 50:04
have four people here, right? Like so if
- 50:07
y'all were going to do something like
- 50:09
that,
- 50:10
>> would you do it that way or would there
- 50:11
be a different event or would you try to
- 50:13
get some more excuses out there?
- 50:15
>> I think you need a softer launch than
- 50:16
the Oscars.
- 50:18
>> Yeah. Instagram post, a little side of
- 50:21
the game.
- 50:22
>> Depend. It depends on that that
- 50:23
relationship man.
- 50:24
>> Yeah, it depend on the relationship. And
- 50:25
but I think I think you you cannot leave
- 50:27
your significant other at home at the
- 50:28
Oscars.
- 50:29
>> Yeah, true. But it's it's
- 50:32
>> they do it all the time. Take a mom.
- 50:34
>> Damn. Yeah, good point.
- 50:36
>> So, yeah. So, from now I'm seeing the
- 50:39
Essence arc a little bit more to give
- 50:40
more detail today cuz what they asked
- 50:42
what she was proud of. She said, "I'm
- 50:43
proud of myself for bringing my honey."
- 50:44
Right. Apparently, they've they've
- 50:46
they've always been together at these
- 50:48
events. So, she hasn't been hiding them.
- 50:49
She just never like publicly like
- 50:51
>> acknowledged
- 50:51
>> like names it, you know? She's kind of
- 50:53
just doing her thing. It's not a secret.
- 50:54
>> Like, just go stand over there.
- 50:56
>> Yeah. Hold my bag. Stand over there.
- 50:58
Wait for me. I'll be back. I'll be right
- 50:59
back. So, so to me that is kind of the
- 51:00
soft launch, right? Like you go out with
- 51:02
the person, you seen at events, people
- 51:04
used to seeing y'all together. You at
- 51:05
the games, you at this, you had this.
- 51:07
>> Then to me, the next step is social
- 51:09
media. Nowadays,
- 51:10
>> yeah.
- 51:11
>> You know, like you might post a holiday
- 51:13
picture, Thanksgiving picture, birthday
- 51:14
picture,
- 51:15
>> and at your birthday that person is next
- 51:17
to you.
- 51:18
>> Mhm.
- 51:18
>> Then you get to the award show. Or it
- 51:20
could have been a bunch of award shows
- 51:22
and I wasn't acknowledged.
- 51:24
>> Yes, that's true, too.
- 51:25
>> Oh, true.
- 51:27
>> That's true, too. Could be that. I'm
- 51:28
tired of this. I ain't gonna keep
- 51:29
standing here. Just
- 51:30
>> Would y'all do that?
- 51:31
>> DO DUDES FEEL LIKE THAT?
- 51:32
>> I YO, you just took the words out of my
- 51:33
mouth. Like, would you do that?
- 51:34
>> Do what?
- 51:35
>> Like if you if you were dating some Like
- 51:37
say you weren't famous and you were just
- 51:39
dating somebody.
- 51:40
>> He doesn't have a lot of life experience
- 51:41
in that.
- 51:43
>> That's a good point. But like if you're
- 51:44
not famous,
- 51:45
>> if you weren't famous, you wouldn't be
- 51:46
dating nobody.
- 51:47
>> Yeah. I mean,
- 51:48
>> I'm not doing that. But yo, if you
- 51:50
weren't if you weren't successful,
- 51:53
>> if you weren't famous, you were dating
- 51:55
somebody like overly successful, would
- 51:57
you put pressure on them, even if you
- 51:58
come into the award ceremonies with
- 52:00
them, to be cast into the the light?
- 52:04
>> Like, you could be with them as an
- 52:05
escort. Like, I don't Yeah, I don't I'm
- 52:07
not into that.
- 52:08
>> Me either.
- 52:09
>> I can't imagine the man dudes like that.
- 52:12
I I could imagine, but
- 52:14
>> if a if a if a if a A-list actress
- 52:18
need asked one of you guys to accompany
- 52:21
her to the Oscars,
- 52:23
>> is that an automatic no cuz y'all
- 52:25
involved?
- 52:26
>> Yes.
- 52:27
>> Oh, you mean now?
- 52:28
>> Yeah.
- 52:29
>> Yeah.
- 52:29
>> Yes.
- 52:30
>> [ __ ] I might not even watch that. I
- 52:31
might not watch this on TV.
- 52:36
>> Damn right. I understand. You can't do
- 52:38
it. I understand.
- 52:41
Ah,
- 52:44
I'm going.
- 52:45
I'm going. I'm going. Yeah, you good.
- 52:48
I'm going. I'm going. I'm going. Wait a
- 52:51
minute. Wait. I'm going. So, Halle
- 52:53
Berry, I'm going is like, "Flip, I need
- 52:55
you to come with me to the hospital."
- 52:56
>> Wait, wait, wait. Hie, I might have to
- 52:58
have my
- 52:59
>> Who is the A-lister? I'll be like, "Yo,
- 53:03
>> no." But my my initial reaction would be
- 53:06
no.
- 53:06
>> Okay. Your uninitial reaction would be
- 53:08
what? It depends on the conversation I
- 53:10
have with my girl. If my girl say no or
- 53:11
no.
- 53:12
>> Well, let me tell you, let me How would
- 53:13
you want to guide that conver? Yeah. How
- 53:15
would you want to guide that
- 53:16
conversation? How would you It's a good
- 53:17
look. I'll go home. Yeah.
- 53:20
>> I would go home and say, "Yo, Halle
- 53:22
Berry wants to take me to the Oscars.
- 53:24
What do you feel about that?"
- 53:25
>> I got everybody in here
- 53:27
>> Spanish
- 53:29
all three.
- 53:31
>> I got everybody in here doing this would
- 53:33
be good for my career.
- 53:34
>> Yeah, but that
- 53:35
>> I have everybody in here doing it. I
- 53:36
would do. I would try to get that off.
- 53:38
>> No, at least having the talk with your
- 53:39
partner. I'm going to try to get it off.
- 53:42
I'm going to tell y'all it's not it's
- 53:43
not going to work. No, I just said that.
- 53:44
I said, "Yo, Halle Berry, like you JLo,
- 53:47
Halib Berry, it could be somebody."
- 53:50
>> Yeah. It don't got to even be that high.
- 53:52
Somebody that I think would be a good
- 53:53
look for my potential career. I'm going
- 53:56
to go home and try to sell it. And even
- 53:58
if she says, "Yeah, it's going to be a
- 54:00
miserable miserable year." Plus,
- 54:04
>> I want to hear Are you going to tell her
- 54:07
the Oscars is going to get these houses
- 54:09
built?
- 54:12
>> The Oscars going to get the houses
- 54:13
built.
- 54:13
>> Yeah.
- 54:14
>> Yeah. I would This is what he's like.
- 54:15
I'm a podcaster.
- 54:16
>> No, I'm in the media space.
- 54:18
>> Yeah.
- 54:21
>> Let's go. Is
- 54:22
>> he practiced that?
- 54:23
>> Hey, none of y'all going home with that.
- 54:25
I just ain't going home with that.
- 54:27
>> It's not It's not true. I try though.
- 54:30
I'm so sure it's not going to work that
- 54:31
I'm not going to try.
- 54:32
>> I would try. I
- 54:32
>> 100% tried this before.
- 54:34
>> How'd it work out? Um, not the greatest.
- 54:37
>> You ain't see me at no.
- 54:39
>> Yeah, I didn't go. You ain't see me
- 54:41
talking.
- 54:42
>> But I tried it and in my head it made
- 54:44
sense. It made sense for me to try it. I
- 54:46
didn't really expect her to all the way
- 54:48
understand what I was saying. But it was
- 54:50
the whole, "Hey, my career."
- 54:51
>> How how uh uh abrasive was the No,
- 54:56
>> I don't know that she said no.
- 54:58
>> How you can feel the disappointment.
- 55:01
Feel the brain on your skin. No one else
- 55:04
will feel it for you. Yeah. I don't know
- 55:06
that she said no.
- 55:07
>> But you she just kind of you can feel
- 55:09
the no in the air like be select.
- 55:11
>> She hit you with a half.
- 55:13
>> Oh
- 55:14
>> yeah. It was she can't say that. No.
- 55:16
>> No. She the half is never
- 55:18
>> Yeah. You don't want that. I'd rather
- 55:20
you say no then have fun.
- 55:21
>> But is it implied that we going to after
- 55:22
the Oscars?
- 55:23
>> No.
- 55:25
>> Come on.
- 55:27
It's it's implied that you are
- 55:29
charismatic and you are attractive and
- 55:32
the possibility of being in somebody's
- 55:34
company at an event like that could lead
- 55:36
to something else.
- 55:36
>> And listen, when I tried it, it was very
- 55:38
early on in the relationship. I don't
- 55:39
think that [ __ ] flies at all right now.
- 55:41
I don't even know if I can ask that [ __ ]
- 55:42
right now.
- 55:43
>> That's I wish I would go home and ask my
- 55:45
wife if I could go with an A-list
- 55:47
actress to the Oscars.
- 55:48
>> See, but if that's my wife, then I would
- 55:49
ask,
- 55:49
>> [ __ ] I'm going, [ __ ]
- 55:51
>> If that's if that's my wife, then I
- 55:53
would 100% ask. Might be on some might
- 55:56
be on something. Yeah. Watch me there. I
- 55:57
wouldn't hold her hand. I wouldn't touch
- 55:59
her, man. I'll be right there. We're not
- 56:00
worried about that.
- 56:01
>> My hands be behind my back. Yeah. Well,
- 56:02
we are. We are worried, man. We are
- 56:05
worried.
- 56:06
>> Would you let your WIFE GO TO NO. Of
- 56:08
course you won't. Of course. Hey yo,
- 56:12
>> if your wife if your wife
- 56:13
>> PhD,
- 56:14
>> but if your wife was in me, if your wife
- 56:16
was in media, if your wife was an
- 56:18
actress, if your wife was
- 56:19
>> I don't care if she does arm security.
- 56:23
>> Let me finish. If your wife was in
- 56:24
entertainment, it might be part of her
- 56:26
job to go. Is that you know what I mean?
- 56:28
>> To do what? [ __ ] you do a lot of
- 56:30
smiling in them interviews with them
- 56:31
ladies [ __ ]
- 56:33
>> OH, WE HAVE DR. MARK. HELLO. HELLO. What
- 56:36
was that white lady you just spoke TO? I
- 56:38
WAS JUST WATCHING IT. WHO was that?
- 56:40
>> Oh, whatever.
- 56:42
Now, excuse me.
- 56:43
>> It was a nice smile, boy.
- 56:45
>> I wasn't smiling for no in case.
- 56:46
>> Whatever you smile for. Shake my hand.
- 56:48
>> I shake your hand, but I don't know what
- 56:49
you're talking about.
- 56:50
>> YOU WAS BAD TEETH. MY WIFE COULDN'T GO.
- 56:51
NO. YEAH, YOU WOULD CHANGE something cuz
- 56:53
No, I'm not changing something. I just
- 56:54
don't know what you're talking about.
- 56:55
But Oh, I find it. But but part we find
- 56:57
fine. But but part of the problem is
- 56:59
particularly if you're publicly in a
- 57:00
relationship like you, right? Or any of
- 57:02
us, like us.
- 57:03
>> All of us. But I'm just using example is
- 57:05
if you were to go, even if you had that
- 57:07
discussion with your lady, all the blogs
- 57:10
going to say is you broke up and that
- 57:11
you and that you out with somebody new.
- 57:12
So it's going to be embarrassing. True.
- 57:13
True.
- 57:14
>> And so what your partner's going to be
- 57:15
thinking about is the embarrassment and
- 57:16
that's going to trump whatever's going
- 57:17
on with your career.
- 57:18
>> So we letting the blogs run our [ __ ]
- 57:20
now. Now you let her feelings run this
- 57:22
[ __ ] Joe was a good one.
- 57:25
>> Give him a chain.
- 57:26
>> Let's go to prize [ __ ]
- 57:27
>> Give him the chain.
- 57:29
>> Go to prize [ __ ]
- 57:32
>> That was that was that was You got it.
- 57:34
You thought it
- 57:36
respecting her feelings.
- 57:40
>> Uh anyway, before before we go to prize
- 57:42
picks though, um quick question for you
- 57:44
guys. What's up? since we were around.
- 57:48
Not like this has anything to do with
- 57:49
that.
- 57:50
>> How long after you move from a place do
- 57:53
you get to claim the place?
- 57:55
>> I'm thinking about this because of Nory
- 57:56
and Peter Rosenberg's
- 57:58
>> little back and forth where Nory went to
- 58:00
do the New Morning Show uh with Mel and
- 58:02
he was like, "Yo, it feels good to hear
- 58:04
some New York
- 58:06
>> some the show sounds like and feels like
- 58:07
New York now."
- 58:08
>> Yeah.
- 58:09
>> To which Pete took offense.
- 58:11
>> He was I love Pete, but that was a lot.
- 58:13
>> I thought he made a lot of valid points.
- 58:15
>> Wow.
- 58:18
I think I I'm sorry to interrupt it. I
- 58:20
don't think there's anything harmful in
- 58:21
saying that I like hearing New York
- 58:23
voices on the premier New York radio
- 58:25
station
- 58:27
>> cuz none of them respectfully are from
- 58:29
New York. And I think that's okay. It's
- 58:30
okay to like he was it's not saying you
- 58:32
weren't good at your job. It's not
- 58:33
saying your show wasn't dope. It's not
- 58:34
saying any of that [ __ ] It's just like
- 58:35
it's nice to hear someone from New York
- 58:36
on hot. I agree with that. But for
- 58:41
people that are mutually fly with both
- 58:44
Mero and the old morning show and you go
- 58:48
to the new show and say, "Oh, finally."
- 58:51
And feels good. I can see how it could
- 58:53
come off way to Pete.
- 58:55
>> The sauce sounded sincere and he didn't
- 58:57
sound uh
- 58:58
>> Yeah, he
- 58:59
>> he didn't sound mean in his It's nice to
- 59:01
hear New York voices on a New York radio
- 59:02
station. He if he if he said like how
- 59:04
you said it, I would completely
- 59:05
understand.
- 59:07
But Pete's response was, "I've been in
- 59:10
New York for
- 59:12
20 years now. Uh, I've been repping
- 59:16
underground New York hiphop more than
- 59:18
anybody in the position. Uh, married a
- 59:21
New York woman, had my baby in New York.
- 59:24
I've been in New York. And on the flip
- 59:27
side, Nory hasn't lived here for 15
- 59:29
years."
- 59:31
And it was wasn't until we got to the
- 59:32
end that I was like, h
- 59:36
interesting.
- 59:37
>> How long do we get to claim a place or
- 59:41
act like we're in tune
- 59:43
>> with the ons goingings of the place
- 59:46
while you don't live there?
- 59:47
>> I don't think he did that.
- 59:48
>> I can speak as someone who's not from
- 59:51
here. I've been here for 20 years.
- 59:53
>> I don't necessar I still claim Elmmyra.
- 59:57
M
- 59:57
>> I don't I wouldn't complain if someone
- 59:59
said you don't sound like a New Yorker.
- 1:00:00
I don't think that that's out of pocket
- 1:00:02
cuz I'm not from New York. I think
- 1:00:04
that's okay.
- 1:00:05
>> But sounding like it seemed like they
- 1:00:06
were talking past each other cuz like I
- 1:00:08
I agree with you. It's like
- 1:00:10
>> if you're not from there, you're not
- 1:00:11
from there. You could always say that
- 1:00:13
>> but Rosen Brooks was I put on for New
- 1:00:15
York.
- 1:00:16
>> Mhm.
- 1:00:16
>> In terms of the artists, in terms of the
- 1:00:18
radio, all these other things.
- 1:00:19
>> And he did. And that's and his point
- 1:00:21
was, I'm actively in New York right now
- 1:00:25
during a mass exod.
- 1:00:28
>> Yeah.
- 1:00:29
>> I'm here and you're not.
- 1:00:30
>> Why do you get to say that to me?
- 1:00:32
>> Yeah.
- 1:00:33
>> But he can still say because I'm from
- 1:00:35
here. I like I grew up here. I'm a New
- 1:00:37
Yorker. Now that I'm I touch down back
- 1:00:40
in the city, whether it be 10 years, 15
- 1:00:42
years, it just feels good to hear it
- 1:00:43
sounding like New York.
- 1:00:44
>> But why if you listening to Florida
- 1:00:46
radio? So that that I'm listening to
- 1:00:49
y'all.
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