JBP
The Joe Budden Podcast
Episode 912

Heaven Sent

Joe Budden Podcast Episode 912, “Heaven Sent,” released March 23, 2026. The latest episode from the JBP kicks off with a recap of the 2026 Oscars including Michael B. Jordan taking home best actor (16:19). The crew also discusses Ava Duvernay publicly unveiling her relationship on the red carpet (47:14), Joe shares his thoughts on the recent exchange between N.O.R.E. and Peter Rosenberg (57:50), plus the internet jokes on Jack Harlow (1:08:34). LaRussell receives backlash for his latest song (1:27:48), The Roots Picnic (1:39:32), and Marc Lamont Hill pays respects to Kiki Shepard (2:11:30). Also, **SPOILER ALERT** the room discusses DTF St. Louis on HBO (2:18:12), Ice asks the room a question about personal happiness (2:30:51), Marc and Ish discuss the New York tax proposal from Mamdani (2:50:07), and more. Full transcript and searchable timestamps below.

Heaven Sent

In this episode

  • 16:19The latest episode from the JBP kicks off with a recap of the 2026 Oscars including Michael B. Jordan taking h…
  • 47:14The crew also discusses Ava Duvernay publicly unveiling her relationship on the red carpet
  • 57:50Joe shares his thoughts on the recent exchange between N.O.R.E. and Peter Rosenberg
  • 1:08:34The internet jokes on Jack Harlow
  • 1:27:48LaRussell receives backlash for his latest song
  • 1:39:32The Roots Picnic
  • 2:11:30Marc Lamont Hill pays respects to Kiki Shepard
  • 2:18:12**SPOILER ALERT** the room discusses DTF St. Louis on HBO
  • 2:30:51Ice asks the room a question about personal happiness
  • 2:50:07Marc and Ish discuss the New York tax proposal from Mamdani
Video Available
Audio Available
6,770 transcript lines

Joe Budden Podcast Ep. 912 Transcript

Full transcript of Heaven Sent (1:00:51 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    only. I repeat, it is not serious. It is

  • 0:09

    not real. No one is exposing, revealing,

  • 0:13

    indicting or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:31

    Microphone check. What is this?

  • 0:37

    Back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:45

    La

  • 0:49

    the level. The level the level the level

  • 0:51

    the level the level the level the level.

  • 0:52

    The levels the levels. Mic check. Mic

  • 0:53

    mic.

  • 0:55

    All right. I'm good. Y'all good?

  • 0:58

    >> Great.

  • 0:58

    >> All right, we are good. Hit the button.

  • 1:00

    Let's go.

  • 1:00

    >> Button is on.

  • 1:01

    >> Oh, come on, man. We here already.

  • 1:03

    What's going on? What's popping?

  • 1:04

    >> Chilling. How you feeling?

  • 1:06

    >> Real good. Well, that's not true. That's

  • 1:08

    not true. I can't even lie.

  • 1:10

    >> So, you're not real good.

  • 1:11

    >> Uh, celebrating my dad's 70th birthday.

  • 1:16

    >> Yes, sir. Ski. Happy birthday, Pop 70.

  • 1:19

    Good to know how old your parents are.

  • 1:21

    Thought he was a couple years older. I

  • 1:23

    don't know. Once the cane comes out,

  • 1:25

    [ __ ] I put you at 75 minimum. Uh

  • 1:28

    >> went to an Italian restaurant.

  • 1:30

    >> Okay.

  • 1:32

    >> I can't eat Italian anymore. It's over.

  • 1:34

    >> Was it uh bougie Italian or kind of like

  • 1:36

    regular Italian?

  • 1:36

    >> No, it was real good Italian food right

  • 1:38

    there in Harlem, but I can't do it

  • 1:39

    anymore.

  • 1:40

    >> Oh, yeah.

  • 1:40

    >> I can't. That Rat Tony had me hugging a

  • 1:42

    smart toilet all night long.

  • 1:44

    >> All night long. Throwing up, man.

  • 1:46

    >> Oh, it was bad. It was bad. I'm just now

  • 1:49

    gathering myself, getting myself

  • 1:50

    together. So happy to be here with you

  • 1:52

    brothers.

  • 1:53

    chunky riatoni with the pork Italian

  • 1:55

    sausages.

  • 1:55

    >> That's what it is. Told you.

  • 1:56

    >> I knew you were going to say that.

  • 1:57

    >> Told you. Leave that oink alone.

  • 1:59

    >> And I ordered some brandino.

  • 2:02

    >> Had the crab cake and calamari for the

  • 2:04

    appetizer.

  • 2:05

    >> You off the way, right? Sound good. Full

  • 2:10

    time.

  • 2:10

    >> Yo, you mix all that oink seafood. All

  • 2:13

    the fish.

  • 2:14

    >> Yeah. No wonder you talking about

  • 2:16

    >> all the different types of fishes you've

  • 2:18

    mixed in your life.

  • 2:20

    >> Yeah. I didn't have a boat. LET ME JUST

  • 2:23

    BRING IT.

  • 2:24

    >> Have you mixed a lot of fish? I did.

  • 2:25

    >> Yeah. You know, you know what that life

  • 2:26

    comes with.

  • 2:27

    >> But I But I don't eat them with the oink

  • 2:29

    and all that.

  • 2:30

    >> Regular, right? Yo, pass that for

  • 2:31

    breeze, man. You going to be on the

  • 2:32

    toilet [ __ ]

  • 2:34

    >> And on God, the smart toilet is the

  • 2:37

    absolute worst to. I think I said that

  • 2:38

    up here.

  • 2:41

    >> Toilet to throw up in.

  • 2:43

    >> Toilets don't need to be [ __ ] Keep

  • 2:44

    coming down.

  • 2:45

    >> Yeah.

  • 2:47

    >> You ain't that smart toilet, Parker?

  • 2:48

    >> I I don't own a smart toilet. I don't I

  • 2:50

    have I don't have smart anything

  • 2:52

    >> except for like phones.

  • 2:53

    >> Smart toilets are the except for when

  • 2:54

    you need the Earl or you got the the

  • 2:56

    bubble gut.

  • 2:57

    >> You got smart toilets though.

  • 2:58

    >> I got I I use one upstairs. I don't use

  • 3:00

    one downstairs. The toilet I use isn't

  • 3:01

    cuz I'm basic, but I keep one upstairs.

  • 3:03

    >> It's good for like cleansing and

  • 3:05

    >> Yeah.

  • 3:08

    >> Anyway, but I am feeling good now. Happy

  • 3:10

    to be here with you guys. Good to see

  • 3:12

    y'all.

  • 3:13

    >> Good to see you. Good to be seeing you.

  • 3:14

    >> How y'all doing?

  • 3:15

    >> Good, man.

  • 3:15

    >> Good. Great.

  • 3:16

    >> Feel good.

  • 3:16

    >> Good, man.

  • 3:17

    >> How was your weekend?

  • 3:18

    >> Good. A little lit.

  • 3:20

    >> Sleepy.

  • 3:20

    >> Friday. Friday was a little lit for me.

  • 3:22

    I was outside Newark. Actually,

  • 3:25

    >> around Newark.

  • 3:26

    >> You ain't call me for permission slip.

  • 3:27

    >> You're right.

  • 3:28

    >> I felt safe.

  • 3:29

    >> They knew though. They knew. They knew

  • 3:31

    you was my man. They knew that was my

  • 3:32

    man.

  • 3:33

    >> They did actually. They killed me. I

  • 3:34

    know. There's a lot of that.

  • 3:37

    A lot of that. I was just here the other

  • 3:39

    day.

  • 3:41

    >> It was too [ __ ] your ass. He coo.

  • 3:47

    Yo, you stupid dog. He cop too.

  • 3:50

    >> But other than that, uneventful weekend.

  • 3:52

    >> Yeah, I slept.

  • 3:54

    >> I didn't wake up on Saturday till like 4

  • 3:56

    or 5:00 in the morning. I didn't get out

  • 3:57

    to bed.

  • 3:58

    >> I mean 4 or 5:00 in the daytime. I was

  • 4:00

    just tired.

  • 4:00

    >> Afternoon. You mean afternoon?

  • 4:02

    >> Yeah, in the daytime running. I was just

  • 4:03

    running around. My body was like, "Yo,

  • 4:04

    chill out."

  • 4:06

    >> That was Saturday. What happened Friday?

  • 4:09

    >> Friday at work.

  • 4:12

    >> Okay, I got it. You

  • 4:13

    >> trying to say from here from this work?

  • 4:16

    I work here.

  • 4:17

    >> So that [ __ ] was so stressful. You slept

  • 4:19

    through the whole afternoon.

  • 4:20

    >> We got off at 5.

  • 4:22

    >> Oh,

  • 4:23

    >> we got off at 5.

  • 4:25

    >> Look how you can get Look how fast Look

  • 4:27

    how fast you can jam me up.

  • 4:30

    >> Yeah, we got off at around

  • 4:34

    We got off.

  • 4:35

    >> Yo, that's that's scary. That [ __ ]

  • 4:37

    will work.

  • 4:38

    >> Yeah. To have you answering a question.

  • 4:40

    Why people believe me? I I want

  • 4:45

    a million dollar. Well, at least up

  • 4:46

    here. Nobody should believe nothing I

  • 4:48

    say up here. Anyway, glad you're well

  • 4:49

    rested. Glad you're well rested. What's

  • 4:51

    up with you?

  • 4:52

    >> Nothing. Chilling. Um went out Saturday.

  • 4:54

    That's it. I don't do [ __ ] else. Quiet

  • 4:57

    weekend.

  • 4:59

    >> I was y'all's quiet weekend does involve

  • 5:02

    going out once.

  • 5:03

    >> Yeah. Yeah.

  • 5:05

    >> Yeah. Um sometimes most out sometimes.

  • 5:08

    >> Well, what happens at our I'll speak for

  • 5:10

    me at my age. One night, the rest of the

  • 5:13

    weekend is about to be quiet. Like,

  • 5:16

    >> I learned that this weekend.

  • 5:17

    >> You don't got two nights in a row no

  • 5:18

    more? No. And I ain't got two spots in a

  • 5:20

    row no more either.

  • 5:21

    >> Yeah. [ __ ] be partying.

  • 5:22

    >> And you drink.

  • 5:23

    >> Yeah.

  • 5:23

    >> Yeah. So, yeah.

  • 5:24

    >> That's what doesn't have two nights

  • 5:26

    draining you. Yeah. You just go out.

  • 5:27

    >> I went out and left early. Normally, we

  • 5:29

    be in the spot till 2 something. Yo,

  • 5:31

    what time is it? 1:05. All right. I'm

  • 5:33

    out. I'm out.

  • 5:35

    >> I did two spots this weekend. My wife uh

  • 5:37

    is is out of town. She's in Puerto Rico,

  • 5:40

    actually. So

  • 5:41

    >> it was up.

  • 5:42

    >> Yeah. Like we

  • 5:45

    >> So it's been great, man. I mean, y'all

  • 5:47

    miss her. That's

  • 5:48

    >> Oh, that's why you Oh, you worked out

  • 5:51

    like your shoulders as

  • 5:53

    look at your chest. See how wives leave

  • 5:56

    for one little minute. They hit the

  • 5:58

    basement. They hit the basement gym to

  • 6:01

    get buff.

  • 6:02

    >> Yeah. Nah, man. It's good though.

  • 6:03

    Sometimes you need a little break. You

  • 6:04

    know,

  • 6:04

    >> I'm trying to read what your t-shirt

  • 6:06

    says. Oh,

  • 6:09

    >> make pot of the month great again.

  • 6:11

    >> Yo, you in this campaign and my

  • 6:13

    campaign.

  • 6:14

    >> Oh my god.

  • 6:14

    >> I I didn't even, you know, I didn't read

  • 6:15

    the show. It just was on a

  • 6:17

    >> Is it not great now? I mean, tell that

  • 6:20

    to my neck. Feels pretty awesome. And

  • 6:23

    pause.

  • 6:24

    >> Say that was crazy.

  • 6:24

    >> Yeah, that was that was absolutely nuts.

  • 6:27

    What's up, bro? Yeah.

  • 6:30

    >> Yeah, I was with BJ.

  • 6:31

    >> Boom.

  • 6:34

    Yeah.

  • 6:34

    >> Careful. No.

  • 6:37

    Oh, I up.

  • 6:39

    >> They got rid of her glasses.

  • 6:40

    >> And you said the word.

  • 6:41

    >> Yeah, you said the word.

  • 6:42

    >> You got to edit that out. Edit that out.

  • 6:44

    >> No, it it was I had a dope weekend, man.

  • 6:46

    Hanging out, man. And running around the

  • 6:48

    city, just learning some things and

  • 6:50

    learning about the Rosafarian movement.

  • 6:52

    And it was just a dope a dope

  • 6:53

    experience, man. I I had a lot of fun

  • 6:55

    this weekend. Yeah. Had a lot of fun

  • 6:57

    this weekend.

  • 6:58

    >> Chilling, man.

  • 6:59

    >> How do you recover? Cuz you seem to be

  • 7:00

    able to get out, work, do things, and

  • 7:02

    still come in like looking refreshed. I

  • 7:05

    I sleep in the car.

  • 7:08

    >> You should know about that, right, boy?

  • 7:09

    You know about that.

  • 7:10

    >> I don't sleep in the car. [ __ ] was just

  • 7:11

    talking about that, though. I know we

  • 7:13

    ain't going to start with that, but you

  • 7:14

    saying the the the guy got got caught

  • 7:16

    with his wife

  • 7:17

    >> cuz he was be sleeping in the car before

  • 7:18

    he come in the house.

  • 7:19

    >> [ __ ] said that's how you decompress.

  • 7:21

    >> We need our decompressing moments.

  • 7:23

    >> We do.

  • 7:23

    >> We do. And I didn't realize how

  • 7:25

    important that was.

  • 7:25

    >> So, y'all heard that and didn't think

  • 7:27

    that he's

  • 7:29

    >> wait for going outside and sitting in

  • 7:31

    the car for a little bit. like get into

  • 7:32

    the house and sit

  • 7:33

    >> said the guy is sleeping in his car.

  • 7:35

    >> No, he s no he pull up he he sits in the

  • 7:38

    car sleeping in his car.

  • 7:41

    >> You're taking us too far now, buddy.

  • 7:42

    >> Yeah. No. Hell no. I used to sleep in

  • 7:44

    the car a lot. We know

  • 7:46

    >> when this [ __ ] walk is crazy.

  • 7:48

    >> I just I you see me sleep everywhere,

  • 7:50

    right? Like

  • 7:51

    >> postnut clarity.

  • 7:56

    >> Oh [ __ ]

  • 7:59

    What kind of day we having? She got the

  • 8:00

    wipes in the car, too. Let it dry. Put

  • 8:03

    the heat on. Let it dry.

  • 8:05

    >> LET IT DRY. I DON'T WANT TO GO INSIDE

  • 8:08

    THE HOUSE WITH A SMILE.

  • 8:09

    >> He got the gun compartment for the wife.

  • 8:12

    >> He got this [ __ ] from the wire in his

  • 8:14

    car.

  • 8:17

    >> 108.7.

  • 8:19

    >> Why you sleep?

  • 8:20

    >> This was years ago. Like when I was

  • 8:21

    younger. Um like 21

  • 8:23

    >> actually when I was living in Atlanta.

  • 8:25

    That's when it started. I did it till I

  • 8:27

    was in my 30s. I couldn't get I couldn't

  • 8:29

    get up. Like if I could get home, as

  • 8:30

    soon as I pulled up, I was I just

  • 8:31

    couldn't get out the car and I would

  • 8:32

    sometimes sleep at 3:4 in the morning.

  • 8:34

    >> Even when I lived alone.

  • 8:35

    >> Did you drink?

  • 8:36

    >> No, not necessarily. Sometimes, but it

  • 8:37

    wasn't like drunk. It was just tired.

  • 8:39

    Like I couldn't fight that.

  • 8:40

    >> But now I sit out front sometime just

  • 8:42

    cuz I need a minute.

  • 8:43

    >> Yeah.

  • 8:44

    >> Just going to come. It's going to

  • 8:46

    happen. Joe,

  • 8:48

    stop making a face. You making a face.

  • 8:49

    >> Please don't insert me. And y'all, I

  • 8:52

    don't relate to this. I haven't I

  • 8:54

    haven't experienced it yet, so I'm

  • 8:56

    muting up. Please don't throw

  • 8:59

    that. You didn't mute up.

  • 9:02

    Hold on. He going to have two entrances.

  • 9:03

    He have a big ass.

  • 9:07

    Nobody have a bat cave in there,

  • 9:08

    [ __ ] Mad,

  • 9:11

    [ __ ] It a lack of space. This is like

  • 9:13

    if I had a bat cave, [ __ ] go under.

  • 9:16

    >> Guess who come in the back? Guess what?

  • 9:17

    >> Nobody bats.

  • 9:20

    You talking about stupid ass. You're

  • 9:22

    right. Crazy [ __ ] All right.

  • 9:25

    >> Right down there. That the man caves are

  • 9:27

    important.

  • 9:27

    >> But y'all partner See, keep making a

  • 9:29

    face.

  • 9:29

    >> Go ahead. What do you think? Come on.

  • 9:32

    >> Our partners is what?

  • 9:33

    >> Y'all partners work, right?

  • 9:35

    >> Yeah.

  • 9:35

    >> What that guy doing?

  • 9:36

    >> Is that not enough of a break?

  • 9:37

    >> See, that's why you

  • 9:38

    >> I'm asking I'm I'm ask I don't feel like

  • 9:40

    I have no feelings. I've never lived

  • 9:42

    this. I've never had experienced this. I

  • 9:44

    I've never proposed. I never nothing. I

  • 9:47

    never know. I don't know nothing.

  • 9:48

    >> We work too.

  • 9:52

    So when my girl at work, I'm at work.

  • 9:56

    >> So when you go home, you seeing each

  • 9:57

    other.

  • 9:58

    >> Yeah.

  • 9:59

    >> Right. Sometime you want some home.

  • 10:01

    >> Ideal is home alone.

  • 10:02

    >> Yes.

  • 10:03

    >> But since you can't get home, you need

  • 10:05

    some car loan.

  • 10:06

    >> Mhm.

  • 10:06

    >> That like makes that's like the best you

  • 10:08

    could get.

  • 10:09

    >> Y'all let y'all partners have the same

  • 10:10

    work schedule as y'all.

  • 10:13

    >> Yeah. Unfort

  • 10:19

    nothing. I'm listening to my married

  • 10:22

    brothers and that's the end. Audience,

  • 10:24

    I'm not bringing up marriage no more.

  • 10:27

    Forever now. Forever now in this part.

  • 10:29

    It's over. So please, we have experts

  • 10:32

    here. Please, if you have questions,

  • 10:34

    direct the questions toward these

  • 10:35

    brothers.

  • 10:36

    >> That's fair.

  • 10:37

    >> Did something happen to make you change

  • 10:39

    course?

  • 10:41

    >> Seems like such an abrupt shift from the

  • 10:43

    previous episode. Hard pivot.

  • 10:45

    >> Yeah, hard pivot. [ __ ] Kevin McKe.

  • 10:52

    >> What the [ __ ] he did last time, son? He

  • 10:54

    say I got to go watch it. Tell me what

  • 10:56

    he said.

  • 10:57

    >> No, nothing.

  • 10:58

    >> Cuz you know what he tried to cater that

  • 11:00

    to them [ __ ] So, you know what I'm

  • 11:01

    saying? That's what he doing now. He

  • 11:02

    says some Now you try to clean it up.

  • 11:05

    >> No, I don't think that's it. That

  • 11:06

    doesn't seem like it.

  • 11:07

    >> See, then he get a mop out for another

  • 11:10

    reason.

  • 11:14

    You put

  • 11:18

    I'm put I'm put on all you

  • 11:21

    agree. I see all y'all [ __ ]

  • 11:23

    >> Are you good?

  • 11:24

    >> I'm great. Flip. You got

  • 11:26

    >> I'm awesome. I'm wonderful and the

  • 11:28

    family and listen to it.

  • 11:29

    >> It was just Rick Tony. I'm getting back

  • 11:31

    together. Like if Do y'all have any more

  • 11:33

    advice for the people out there?

  • 11:35

    >> Like all right. So you're going to stand

  • 11:37

    outside of your house for an hour every

  • 11:39

    night. What? Every day? What else?

  • 11:41

    >> I don't know. I

  • 11:42

    >> What other keys can you brothers help

  • 11:44

    the men out there with with adapting and

  • 11:47

    getting ready for such an adjustment?

  • 11:50

    >> Just get your own space, brothers.

  • 11:51

    That's all.

  • 11:52

    >> Yeah. Just carve your own space.

  • 11:53

    >> That's Mark. What about you, Ish? What

  • 11:54

    advice you got for these brothers?

  • 11:56

    >> I'll second it.

  • 11:56

    >> All right. He's seconded. Mark, he's

  • 11:58

    seconded. Freeze. How about you, man?

  • 12:00

    >> Third.

  • 12:03

    Third. A mile away.

  • 12:06

    >> I would love to break it up, but the man

  • 12:07

    cave is very important.

  • 12:09

    >> All right. All right. Four. Four to

  • 12:11

    nothing.

  • 12:13

    What are you talking about?

  • 12:14

    >> Uh, don't you guys worry, man. We going

  • 12:17

    to have some fun today. I see it. I can

  • 12:18

    see it. I feel it in the air.

  • 12:45

    white girl shine.

  • 12:48

    I didn't know that.

  • 12:50

    >> You know that [ __ ] feel good when it

  • 12:52

    come

  • 12:56

    dirty Air Force Ones get the move. Hell

  • 12:58

    yeah. Oh, WIGGLING.

  • 13:04

    >> Get these drops out the way right quick.

  • 13:15

    >> Sparks.

  • 13:23

    >> You icy fish.

  • 13:26

    >> Who was that?

  • 13:28

    Who is that? Who is who is that? Marking

  • 13:32

    pizzing.

  • 13:34

    >> And I reneged on my promise uh for the

  • 13:38

    flip drop.

  • 13:39

    >> Sure.

  • 13:39

    >> It's coming.

  • 13:40

    >> It's coming.

  • 13:41

    >> Working progress.

  • 13:42

    >> It's just harder than I thought. Pause.

  • 13:45

    >> Tougher than I thought. I got to go find

  • 13:46

    you. I mean, but we in the building,

  • 13:48

    man. Stop playing with us. What is this?

  • 13:49

    >> 912.

  • 13:50

    >> Welcome to episode 912 of the JBP. Uh

  • 13:54

    brought to you by fueled by powered by

  • 13:56

    prize pix prize pix gang I'm your humble

  • 13:59

    gracious super happy to be here super

  • 14:01

    happy to not be throwing up over the

  • 14:02

    smart toilet anymore host Joe button

  • 14:04

    here with some really amazing people

  • 14:05

    best crew in the world to my right

  • 14:07

    queens get the money queens flip in the

  • 14:10

    building next to him we got to deal with

  • 14:12

    this roots picnic all day our good

  • 14:15

    brother Dr. Mark Lamont Hill in the

  • 14:18

    building next to him Mr. thousand doors

  • 14:21

    and up wherever you need it. Newark, be

  • 14:23

    more in Cleveland. Well, if you need it

  • 14:25

    in those three places, he can get it.

  • 14:26

    >> Irishman.

  • 14:27

    >> Anywhere else outside of that, it may be

  • 14:29

    some trouble. The Irish man. I like that

  • 14:31

    name for I like that name. Our good

  • 14:33

    brother Ish is in the building, man.

  • 14:35

    That's what Ish is short for.

  • 14:36

    >> What? Irish. Irish man. That's funny.

  • 14:39

    That's a

  • 14:41

    >> That's a good next to him. You know what

  • 14:43

    time it is, man. Ramadan almost over.

  • 14:47

    Yeah, I had pork bacon this morning.

  • 14:49

    Ramen.

  • 14:50

    >> Oh, please. Come on. The swiniest

  • 14:54

    person.

  • 14:55

    >> But rely on the nation for protection.

  • 14:57

    That's crazy. That That's the crazy

  • 14:59

    part. I thought you would at least

  • 15:01

    respect what the street [ __ ] want to

  • 15:02

    do.

  • 15:02

    >> Rely on the nation.

  • 15:03

    >> I don't see you outside without the

  • 15:05

    nation.

  • 15:06

    >> You going to be outside?

  • 15:07

    >> I'll be outside.

  • 15:08

    >> You going to be outside where I be?

  • 15:09

    >> Every time I see you outside, you got a

  • 15:10

    nation with you.

  • 15:10

    >> No, that's not true.

  • 15:11

    >> Salute. Nothing wrong with it.

  • 15:12

    >> I was just outside this weekend.

  • 15:13

    >> It's too what?

  • 15:16

    >> And Mark Anyway, our good

  • 15:20

    our good brother Freeze in the building.

  • 15:24

    Next to him, Elmus finest. Our good

  • 15:26

    brother Parsons is in the building. Next

  • 15:28

    to him, White Po is here. Black Cory is

  • 15:30

    here. What's Erikson?

  • 15:33

    >> Spanish.

  • 15:34

    >> He's black.

  • 15:35

    >> Which one?

  • 15:36

    >> Black.

  • 15:38

    >> Oh, all right. We got nobody knows

  • 15:42

    like that.

  • 15:43

    >> Ericson is in the building. say Von and

  • 15:45

    Tan are here by remote. Tanner is white

  • 15:47

    if you're wondering at home. Uh if you

  • 15:49

    couldn't tell.

  • 15:50

    And last but certainly not least, each

  • 15:52

    and every one of you guys out there are

  • 15:54

    here. Let's get right to it, man.

  • 15:56

    Tossing it to the new couch. Y'all know

  • 15:58

    what time it is today.

  • 16:00

    >> Oscars.

  • 16:01

    >> Damn right.

  • 16:01

    >> Yeah. Newworks only.

  • 16:04

    >> Right. New Jerseys only.

  • 16:07

    >> Stop playing with the round of applause,

  • 16:09

    man. God damn it.

  • 16:10

    >> Round of applause.

  • 16:13

    That's right, Michael B. Jordan.

  • 16:15

    >> It is a celebratory day up here at the

  • 16:18

    JBP.

  • 16:20

    >> It was beautiful. Michael B. Jordan. It

  • 16:22

    was

  • 16:23

    >> I got his speech queued up in a hot

  • 16:24

    second. But I will say one of my

  • 16:26

    favorite things about the Oscars was not

  • 16:28

    watching them.

  • 16:29

    >> You didn't watch.

  • 16:29

    >> I didn't watch the Oscars at all. Nick

  • 16:32

    game. I told y'all.

  • 16:33

    >> You didn't really miss.

  • 16:34

    >> That Sunday game was 8:00 against the

  • 16:36

    Warriors. The Oscars were on. So I

  • 16:39

    missed the whole Oscars. My mom was

  • 16:41

    giving me real time updates, but I

  • 16:43

    watched it afterward. I just skipped all

  • 16:45

    the white people except for the people

  • 16:47

    that worked on Frankenstein

  • 16:49

    >> and sinners.

  • 16:50

    >> Okay.

  • 16:51

    >> Yeah.

  • 16:53

    >> Well, and sinners. Well, I said white

  • 16:55

    people.

  • 16:55

    >> Yeah, it was white. It was white.

  • 16:56

    >> Oh, no. Sinners is black [ __ ] Sinners

  • 16:58

    is black [ __ ]

  • 16:59

    >> I fast forwarded through all of that

  • 17:02

    Himlet.

  • 17:04

    >> All that. If it wasn't Frankenstein,

  • 17:07

    Sinners,

  • 17:09

    uh, no, one battle after I had to watch

  • 17:11

    the one battle after another cuz Tiana's

  • 17:13

    there. That's more that's more black

  • 17:15

    people. But other than that, oh, and

  • 17:16

    Shorty from weapons. I do think that she

  • 17:18

    deserved it. But I fast forward it

  • 17:20

    through. Well, I stopped it when the

  • 17:21

    Chinese some of the other people was up

  • 17:23

    there too.

  • 17:24

    >> K-pop. The K-pop people.

  • 17:25

    >> K-pop.

  • 17:27

    >> Demon.

  • 17:27

    >> If you have any kids around in that

  • 17:29

    song Joe.

  • 17:30

    >> Yeah.

  • 17:30

    >> Don't do it,

  • 17:31

    >> dude. That is

  • 17:32

    >> Well, I'm not dissing. Okay, great. I

  • 17:34

    already got rid of what's the names I

  • 17:36

    got rid of.

  • 17:38

    >> End it dumb. I

  • 17:40

    >> Yeah, but they adults now. Like those

  • 17:42

    like those little uh Stranger Things

  • 17:43

    kids. It ain't the same.

  • 17:45

    >> It ain't the same now. End it dumb. But

  • 17:47

    anyway, yeah, it was great to fast

  • 17:49

    forward and just have your pick of what

  • 17:51

    you wanted to watch most.

  • 17:53

    >> It's the the most uh dull of the award

  • 17:56

    ceremonies.

  • 17:57

    >> It wasn't the most

  • 17:57

    >> I missed the first hour cuz I thought

  • 17:59

    this started at 8.

  • 18:00

    >> Oh,

  • 18:00

    >> I'm like, damn, this [ __ ] started at

  • 18:02

    seven. So, but I want to watch the rest

  • 18:04

    of it though.

  • 18:04

    >> They used to do it at 8 and then you'd

  • 18:06

    be running so late. You be you'd be

  • 18:07

    sleepy watching the end of it and don't

  • 18:08

    nobody care enough to watch the whole

  • 18:09

    thing.

  • 18:10

    >> True.

  • 18:10

    >> Especially once they start hitting all

  • 18:11

    the documentaries and all the that we

  • 18:13

    don't give a

  • 18:14

    >> Exactly. Best

  • 18:16

    >> the overseas indie.

  • 18:18

    >> Best short documentary animated. Like,

  • 18:21

    all right, man.

  • 18:22

    >> I went out. So, I went back and fast

  • 18:24

    forwarded through it, too.

  • 18:25

    >> And I uh I didn't find much interesting.

  • 18:27

    I just kept waiting to see where Sinners

  • 18:29

    was going to go

  • 18:30

    >> and how it was going to do. And early

  • 18:32

    on, a lot of people thought it was gonna

  • 18:33

    be a color purple moment. They thought

  • 18:35

    it was going to be a situation where

  • 18:36

    there's a lot of nominations and no

  • 18:37

    victories. And people on online like

  • 18:39

    complaining when some of them early

  • 18:41

    awards didn't come out. So, I was happy

  • 18:42

    to see it shake out the way it did.

  • 18:44

    >> No, we got to we got to thank Timothy

  • 18:46

    Shalamé for just totally imploding

  • 18:50

    toward the end of the race. Like for

  • 18:52

    real. I was checking the prediction

  • 18:54

    markets and they said that the

  • 18:55

    prediction markets had for the majority

  • 18:57

    the big awards they had it right for the

  • 18:59

    most part about

  • 19:01

    uh they were doing the guesses what

  • 19:03

    movies would win how many awards

  • 19:05

    >> and yeah Timothy Shalom they didn't even

  • 19:08

    clap for him really

  • 19:09

    >> they didn't even really clap for him

  • 19:11

    when they announced uh Leo Pablo

  • 19:15

    >> Michael Timothy it was like

  • 19:18

    >> I was like oh I never heard that first

  • 19:21

    ballet Yeah, you can't diss them. You

  • 19:24

    got to be careful.

  • 19:25

    >> Yeah. So, he he more black points to

  • 19:28

    him. I'm off that cookout. I've been off

  • 19:30

    that cookout more. Jack Harlo has me off

  • 19:32

    it even more now. But yeah, anyway, what

  • 19:36

    were you guys saying about it?

  • 19:38

    >> No, I mean, um, with regards to

  • 19:40

    >> Well, I'm sorry. Can we start with what

  • 19:42

    did you guys think of Conan O'Brien?

  • 19:46

    >> It wasn't great, but it wasn't horrible.

  • 19:48

    It was

  • 19:48

    >> It wasn't I I thought he didn't have

  • 19:51

    much to work. I thought I thought he

  • 19:52

    held it down for for what the show was.

  • 19:54

    >> That's what I was about to say cuz the

  • 19:55

    bits that they pulled

  • 19:57

    >> like when the presenters come up, they

  • 19:58

    try to make a little comedic bit were

  • 20:00

    all terrible. So they were so bad that

  • 20:02

    it made him look good.

  • 20:03

    >> I enjoyed Conan O'Brien on some dad joke

  • 20:06

    [ __ ]

  • 20:07

    >> Yeah.

  • 20:07

    >> Like they all they all seemed just like

  • 20:09

    dad jokey. Like he wasn't killing it,

  • 20:12

    but he wasn't bombing.

  • 20:14

    >> I like the intro and the outro were were

  • 20:16

    funny. The skits off weapons and one

  • 20:18

    battle after another. Those were funny.

  • 20:20

    the the jokes in between. It was It was

  • 20:22

    cool. It wasn't It was It was fine.

  • 20:24

    >> That [ __ ] was blah.

  • 20:25

    >> Yeah, it was fine

  • 20:26

    >> for me at best. Blah.

  • 20:29

    >> I was rooting for sinners in the costume

  • 20:31

    design until I saw Frankenstein.

  • 20:34

    >> Frankenstein [ __ ] deserves a lot of

  • 20:37

    four hours a day to get that put on him.

  • 20:39

    >> They said no. 400 hours uh total makeup

  • 20:44

    time for home.

  • 20:44

    >> They said it was 4 hours a day he would

  • 20:46

    have to sit. That's before y'all. So,

  • 20:48

    and action. You sitting there getting

  • 20:50

    that put on you. St.

  • 20:52

    >> And not the

  • 20:56

    That's a good looking white guy.

  • 20:58

    >> That [ __ ] had the moose in his ear.

  • 20:59

    Like that room had some good looking

  • 21:00

    white people in there. I know y'all

  • 21:02

    don't care. Anyway, go ahead. Fine.

  • 21:04

    Sinners.

  • 21:06

    Frank was pretty good. It It deserve I'm

  • 21:08

    I'm glad it got some awards cuz it was

  • 21:10

    pretty good. You should watch it.

  • 21:12

    >> You said it was good.

  • 21:12

    >> Yeah, it was good.

  • 21:13

    >> Okay, man. Said it was good.

  • 21:14

    >> It was good. I watched it as well. But

  • 21:15

    the the best two movies of the year were

  • 21:17

    centers in one battle after another and

  • 21:18

    they won all the awards as they deserve.

  • 21:20

    >> I didn't I didn't I had started one

  • 21:22

    battle after another a couple months ago

  • 21:24

    but

  • 21:25

    >> it I fell asleep on it. Never went back

  • 21:27

    to watch it.

  • 21:27

    >> Yeah.

  • 21:29

    >> After the Oscars like the next day I

  • 21:30

    said I got to watch this movie all the

  • 21:32

    way through and I get it.

  • 21:34

    >> It's a very good movie.

  • 21:35

    >> It's a very good movie. And

  • 21:36

    >> cuz when they did a supporting actor I

  • 21:39

    wanted Del Roy Lindo to win that one.

  • 21:41

    But after fully watching one battle

  • 21:43

    after another, Shawn Penn deserved that

  • 21:44

    award.

  • 21:45

    >> I mean, Shawn Penn just had a much

  • 21:46

    bigger role in one battle battle after

  • 21:48

    the other than Delroy did in way.

  • 21:51

    >> And we do still have to honor racist

  • 21:54

    bigots and piece of characters in

  • 21:56

    movies.

  • 21:57

    >> It's a Especially when they can bring

  • 21:59

    him to

  • 21:59

    >> that was his role.

  • 22:00

    >> Yeah. And if they can bring it to life

  • 22:02

    and make you hate the [ __ ] on

  • 22:03

    screen, they did their job.

  • 22:04

    >> But you know, sometime with the and I

  • 22:06

    agree with everything y'all saying.

  • 22:06

    Sometime with the Oscars, the best

  • 22:08

    person don't get it. Especially when it

  • 22:10

    come to us. Sometimes we get skipped

  • 22:11

    over and they go, "Oh, it's a lifetime

  • 22:13

    award." You know, like when Denzel got

  • 22:14

    skipped over for Malcolm X and they gave

  • 22:16

    it to uh Pacino for Sin of a Woman. It

  • 22:18

    was like, "Well, Pacino deserved it for

  • 22:19

    like a lifetime of work."

  • 22:21

    >> I was Sean Pen deserved it, but part of

  • 22:23

    me was hoping that Delroy would get that

  • 22:25

    lifetime of work for a lifeline

  • 22:32

    all the Spike movies and then other

  • 22:33

    stuff too. And that was Sinners. He was

  • 22:35

    amazing. What you say? I mean, like, can

  • 22:38

    we give it to somebody that's going to

  • 22:39

    be there next time?

  • 22:42

    >> Yeah.

  • 22:42

    >> Well, he I think he went to go speak to

  • 22:44

    uh the president, someone of the

  • 22:45

    president somewhere in uh uh Colombia.

  • 22:48

    >> All right, then put the Zoom screen up.

  • 22:50

    You know what time it is.

  • 22:52

    >> Via satellite.

  • 22:52

    >> Give us the speech via satellite. That

  • 22:54

    would have been flying. Uh but the story

  • 22:57

    tonight by far. Come on. Let me just get

  • 22:58

    right into this. Let me cue this up.

  • 23:05

    That's it.

  • 23:10

    >> That entire room was just so ecstatic

  • 23:12

    for this brother.

  • 23:13

    >> That's what I loved about it.

  • 23:14

    >> And I love that he acknowledged that in

  • 23:17

    his speech.

  • 23:18

    >> Got to stand it up.

  • 23:19

    >> Yeah. Put the camera on Timothy Shallow.

  • 23:21

    Yeah.

  • 23:24

    >> That's one of my favorite things from

  • 23:25

    award shows is the the loser can.

  • 23:28

    >> Zoom in on the loser.

  • 23:30

    Did y'all do it?

  • 23:32

    We lose the game.

  • 23:34

    >> What' you say? I said, "Could y'all do

  • 23:36

    it?"

  • 23:36

    >> Yeah, for sure.

  • 23:37

    >> Yeah.

  • 23:37

    >> Yeah.

  • 23:38

    >> Act like you happy.

  • 23:40

    >> Yes.

  • 23:40

    >> I think And it might be genuine

  • 23:42

    happiness.

  • 23:43

    >> I think some of them were genuinely

  • 23:44

    happy for me.

  • 23:44

    >> I don't think everybody's genuinely

  • 23:45

    happy dog.

  • 23:46

    >> They may not be, but you still got to

  • 23:48

    get up there and play good sport.

  • 23:49

    >> The director community, the director

  • 23:51

    community seems legitimately like happy

  • 23:53

    for each other.

  • 23:54

    >> They kind of remind me of the producer

  • 23:55

    community in music where it's like they

  • 23:57

    with each other hard.

  • 23:58

    >> Some of them actors, they

  • 24:00

    >> actors not so much.

  • 24:01

    >> Yeah. more like the rapper community.

  • 24:06

    >> Tiana about to break her hand.

  • 24:09

    >> She was going crazy in the front.

  • 24:10

    >> I love seeing that.

  • 24:12

    >> God is good. And um

  • 24:17

    your mama, what's up?

  • 24:18

    >> Love that.

  • 24:20

    >> Absolutely love that.

  • 24:21

    >> How I feel about my mother and my

  • 24:23

    father's here. Your pops, where you at?

  • 24:26

    >> My dad, my dad came in from Ghana from

  • 24:28

    >> to be here. my brother, my sisters here,

  • 24:31

    my family. Um,

  • 24:33

    >> suit look great. He look great. Warner

  • 24:35

    Brothers. I want to thank Mike and Pam

  • 24:36

    for believing in this uh this dream,

  • 24:39

    this vision of of Ryan Cougler and

  • 24:40

    embedded on the culture, embedded on

  • 24:42

    original ideas and original artistry.

  • 24:45

    And you're an amazing amazing person. I

  • 24:47

    I'm so honored to to call you a

  • 24:49

    collaborator and a friend and uh you

  • 24:51

    gave me the opportunity and space for me

  • 24:53

    to um to be seen.

  • 24:56

    I love you too, bro. Look at Ryan

  • 24:57

    Cougler doing the sign language. I love

  • 25:00

    you.

  • 25:00

    >> Cool. My incredible cast,

  • 25:03

    thank you so much for giving Smoke

  • 25:04

    opportunity to be him. Haley at home.

  • 25:07

    Uh, you know, she's, you know, getting

  • 25:08

    ready to have a big right now. Thank you

  • 25:09

    so much for for for being the other

  • 25:11

    other half of stack. Uh, uh, um, Miles

  • 25:15

    Delroy, uh, uh, Jamie, everybody. Uh,

  • 25:18

    Lely, uh, Omar, the entire cast. Thank

  • 25:20

    you guys for for supporting me through

  • 25:21

    this. my team, Phil Sun, Greg Slooh,

  • 25:24

    Lindsay Gallon, um uh uh uh

  • 25:29

    man y'all

  • 25:33

    >> I love this too. All of that

  • 25:37

    >> because of the people that came before

  • 25:38

    me. Uh Sydney Portier, Denzel

  • 25:40

    Washington, Hib, Jamie Fox, Forest

  • 25:43

    Whitaker, Will Smith, and B.

  • 25:46

    >> What did Forest win for again? Ghost

  • 25:48

    dog, right? Scotland.

  • 25:53

    >> Stop playing, man. Support me over my

  • 25:55

    career. I know you guys want me to do

  • 25:58

    well and I I want to do that because you

  • 26:01

    guys bet on me. So, thank you for

  • 26:02

    keeping

  • 26:03

    >> for keep betting on me.

  • 26:05

    >> Let's go, man.

  • 26:06

    >> And I'm going keep stepping up

  • 26:08

    >> and I'm going keep being the best

  • 26:09

    version of myself I can be. So, I just

  • 26:10

    want to say thank you for everybody in

  • 26:11

    this room that had something to do with

  • 26:12

    my success. I love you guys. and

  • 26:14

    everybody at home who supported Sinners

  • 26:16

    who went to go see the movie once,

  • 26:17

    twice, three, four, five times. Thank

  • 26:19

    you. Cuz you guys made this movie what

  • 26:20

    it is. I love you. I love you. I love

  • 26:22

    you.

  • 26:24

    >> And there you have it.

  • 26:25

    >> I thought he was going to break down.

  • 26:27

    >> Yeah.

  • 26:27

    >> I thought he I It was a few times I

  • 26:29

    thought he was going to break down. He

  • 26:30

    couldn't hold it.

  • 26:31

    >> But But amazing speech.

  • 26:34

    >> [ __ ] I was breaking down.

  • 26:35

    >> Me, too. No, I was home. Break. Yeah.

  • 26:36

    Yeah. I thought he was going to break

  • 26:38

    down, but he didn't. Amazing speech. Um

  • 26:41

    >> eyes watering

  • 26:41

    >> off the dome. He ain't even read off the

  • 26:44

    paper all that [ __ ]

  • 26:45

    >> Some the Sydney party and them [ __ ] you

  • 26:47

    know, you had to give it.

  • 26:48

    >> I'm sure he wrote all of that somewhere.

  • 26:49

    But the just the look of it, I hate when

  • 26:51

    they go get to pulling this out and

  • 26:55

    I would win tonight.

  • 26:56

    >> Um,

  • 26:59

    >> to watch his

  • 27:01

    ascension, he was the little dirty

  • 27:03

    sitting on the bench on the wire, bro.

  • 27:04

    Where's Wallace?

  • 27:05

    >> Yeah. You know what I'm saying? Nobody

  • 27:07

    would have ever thought that watching

  • 27:08

    that he would go to this. Like even in

  • 27:10

    The Wire, his role was minimal in The

  • 27:12

    Wire. He didn't

  • 27:13

    >> And he killed him in season one.

  • 27:15

    >> Yeah.

  • 27:15

    >> Was that one?

  • 27:16

    >> Yeah.

  • 27:16

    >> Like he didn't have the the the biggest

  • 27:18

    role in The Wire. You know what I'm

  • 27:19

    saying? And so the next time I remember

  • 27:21

    seeing him was what? Fruit veil. Maybe

  • 27:22

    fruit.

  • 27:23

    >> So So to do that and again to do that

  • 27:26

    with Ryan,

  • 27:27

    >> step in step is an amazing thing.

  • 27:30

    >> That's my favorite part of it. To do all

  • 27:32

    of it with Ryan. That's what I'm saying.

  • 27:35

    Boom boom boom boom boom with Ryan.

  • 27:36

    That's just an amazing thing. And um

  • 27:38

    they keep betting on each other like he

  • 27:40

    said, hand to hand. I think it's fire.

  • 27:42

    >> Yeah,

  • 27:43

    >> I think it's super fire.

  • 27:45

    >> Listen, I've been I I I've

  • 27:48

    been pretty harsh on Michael B. Jordan

  • 27:50

    over the years. Yes,

  • 27:51

    >> that's true. I forgot about those

  • 27:53

    >> criticisms early on. Yeah.

  • 27:54

    >> Oh my god, those are some of my best

  • 27:56

    pods. I love that. I love coming in here

  • 27:59

    talking all that. He really said two two

  • 28:01

    sentences in Creed.

  • 28:02

    >> Yeah. Like I double down in what I said,

  • 28:05

    but to Isha's point, that's what makes

  • 28:07

    this so great is for somebody to

  • 28:10

    continue to develop their craft, for

  • 28:13

    somebody to give a enough about it to

  • 28:15

    work on it consistently and where to

  • 28:17

    where you can where the public can see

  • 28:19

    the improvements rather rapidly. Yeah,

  • 28:22

    >> like I've read something about

  • 28:24

    >> the changes he made to smoke or stack

  • 28:28

    one of them one of their faces as he was

  • 28:30

    doing it like to make the characters

  • 28:32

    appear different. Like he said he was

  • 28:34

    locking its jaw paws so one had dimples

  • 28:37

    uh

  • 28:38

    >> your eyebrows. He said he's

  • 28:40

    >> okay

  • 28:41

    >> manipulating his facial structure a

  • 28:43

    certain way so that the twins could

  • 28:44

    appear different like that uh commitment

  • 28:47

    to detail

  • 28:48

    >> is what I'm talking about. So that that

  • 28:51

    that's the stuff that resonates. How

  • 28:52

    could you not be proud of a guy like

  • 28:55

    this? Take that, L'Oreal. That was

  • 28:57

    another real bad take of mine. Oh my

  • 29:00

    god. That might that might have been up

  • 29:01

    there with my chance take coming in here

  • 29:03

    and siding with L'Oreal.

  • 29:05

    What a mess. Hey, that's back when I was

  • 29:07

    pandering to women.

  • 29:10

    I ain't I ain't going to lie to y'all. I

  • 29:12

    was heavy in pander mode defending

  • 29:14

    L'Oreal. He was dead.

  • 29:16

    >> You know what too yo, he just seems like

  • 29:18

    a nice guy. He is, but he is a nice guy.

  • 29:21

    >> I'm just saying a lot of people on

  • 29:22

    camera seem nice. From him, you get

  • 29:24

    like, yo, he just might be a nice cool

  • 29:27

    ass dude. Like I know people that know

  • 29:28

    him personally. I never met him, but he

  • 29:30

    just seemed like a just a overall

  • 29:32

    genuinely nice cat. And you got to root

  • 29:34

    for people like that.

  • 29:35

    >> He's genuinely nice, genuinely humble,

  • 29:37

    genuinely generous. Like he's

  • 29:39

    >> you couldn't you couldn't see it happen

  • 29:40

    to a better person. That that was the

  • 29:42

    thing that you could even see it in the

  • 29:43

    speech. Like he was really overwhelmed

  • 29:44

    by the moment

  • 29:46

    >> and really excited by the moment. Um,

  • 29:48

    and to see somebody who's that loved as

  • 29:50

    an actor, as a sex symbol, as all these

  • 29:51

    things be like genuinely nervous getting

  • 29:55

    getting the award.

  • 29:56

    >> He shouldn't have been nervous cuz he's

  • 29:57

    sexy.

  • 29:58

    >> You if you mean you would understand

  • 30:00

    this, but like if I would look at

  • 30:03

    another [ __ ] and understand his sex

  • 30:05

    appeal. I got you though. Go ahead.

  • 30:06

    >> Yeah. I mean, you're usually in control

  • 30:08

    of every room. People are eating out of

  • 30:09

    your head

  • 30:10

    >> and and he didn't care. Like that wasn't

  • 30:13

    how his brain worked. He was just

  • 30:15

    >> overwhelmed by the moment.

  • 30:17

    genuine about the moment. You don't see

  • 30:18

    that too often with with actors.

  • 30:20

    >> And for one night, even if only one

  • 30:23

    night only, get these British

  • 30:27

    out OF HERE.

  • 30:29

    >> OH, THAT was so great. Yeah. Pan the

  • 30:32

    camera to Damson. Let me look at him for

  • 30:34

    F1. Get these [ __ ] Hey, and I love

  • 30:36

    these guys, but it's been the

  • 30:39

    whitewashing of just black American male

  • 30:42

    actors. That's a good point. Yeah.

  • 30:45

    Enough. Enough now with this British

  • 30:47

    [ __ ] That [ __ ] was great.

  • 30:52

    >> I don't care for I'm

  • 30:53

    >> I don't care.

  • 30:54

    >> I'm down with you.

  • 30:55

    >> That [ __ ] felt That [ __ ] felt great.

  • 30:56

    That [ __ ] felt

  • 30:57

    >> I wanted to make a correction. I wanted

  • 30:58

    to make a correction cuz they killed me.

  • 30:59

    Sean Penn was speaking to the uh

  • 31:01

    president of of Ukraine, prime minister,

  • 31:04

    what's his name?

  • 31:05

    >> Yeah, not Colombia. Paul, it's a big

  • 31:06

    deal. Sean Penn is heavy and Paul. I

  • 31:08

    wanted to correct that cuz it's Ukraine.

  • 31:10

    He went to Ukraine. That's why you

  • 31:12

    missed the Oscars

  • 31:13

    >> and the singers dance performance

  • 31:16

    30 minutes into the awards fire.

  • 31:19

    >> I felt like that was the entire room

  • 31:22

    agreeing

  • 31:23

    >> this is why this is why I love seeing

  • 31:26

    the blues on a big stage like that. That

  • 31:28

    [ __ ] was cool.

  • 31:28

    >> And homeboy, the little blues dude.

  • 31:33

    >> My brother, you need a mixtape.

  • 31:37

    >> It's time. Yo, don't miss your mark. You

  • 31:39

    need a little five, four, five song EP

  • 31:41

    or something with some BLUES SLAPS.

  • 31:44

    >> He showed up. He showed up. No, he

  • 31:45

    killed that.

  • 31:46

    >> I like his uh his post interview on the

  • 31:48

    carpet with his mother. I think it was

  • 31:49

    pre or post. I thought that was that was

  • 31:51

    dope.

  • 31:51

    >> Pre is before and post.

  • 31:52

    >> I know. I say I think I think it's pre

  • 31:54

    or post. I think it's either before or

  • 31:56

    after. I'm not sure. But, you know, when

  • 31:58

    he was talking with his mom and stuff

  • 32:00

    like that and she was like since 3 years

  • 32:02

    old, he was singing and you know, they

  • 32:03

    gave praise to God. I just like

  • 32:05

    wholesome moments like that. That was

  • 32:06

    dope to me

  • 32:07

    >> for sure.

  • 32:08

    >> And they said the uh the the dancer

  • 32:10

    ballerina girl was dancing for Timothy

  • 32:12

    Chevrolet the whole time.

  • 32:13

    >> She's fire, huh?

  • 32:14

    >> She's fire.

  • 32:15

    >> She came back from the hip surgery. Mr.

  • 32:17

    Copeland, I missed it. Amazing. That's

  • 32:19

    that's amazing, too. She had a whole hip

  • 32:21

    replacement and just stood there in

  • 32:23

    front of Timothy and said, "Hold up.

  • 32:27

    We say

  • 32:28

    >> nothing.

  • 32:28

    >> I'll tell you one thing. I know we

  • 32:30

    honoring black excellence right now.

  • 32:33

    >> Indeed. Oh, I want to say something

  • 32:34

    about some boy [ __ ] Man,

  • 32:35

    >> I ain't going to hold you.

  • 32:35

    >> See some white boy titties that did it

  • 32:36

    for you.

  • 32:38

    >> That Kylie Jenner looked all right.

  • 32:42

    >> Hey, that that Kylie Jenner looked like

  • 32:43

    something last night. And I ain't into

  • 32:45

    them Jenner Kardashian.

  • 32:46

    >> Almond milk, [ __ ]

  • 32:47

    >> General Kardashian. All milks. Almond

  • 32:50

    coconut milk.

  • 32:51

    >> Cashew. Cashew milk.

  • 32:53

    >> Might be a little cashew. God, that that

  • 32:55

    red dress with them earrings and that

  • 32:58

    necklace with just two big ass stones in

  • 33:01

    it.

  • 33:04

    >> No, I didn't think her titties was so

  • 33:05

    great. That's another one I pumped up.

  • 33:07

    That little racist white girl's titties.

  • 33:08

    That's another just horrible take for

  • 33:10

    me. That girl's titties. Sydney,

  • 33:12

    whatever. Sydney Sweeny.

  • 33:13

    >> Yeah, it's just like a slap in my girl's

  • 33:15

    face. I erased that episode from the

  • 33:16

    archives.

  • 33:18

    >> Um uh what else? What else? What else is

  • 33:20

    from the Oscars that we need to discuss?

  • 33:21

    I mean Ryan Cougler would in the best

  • 33:23

    original screen

  • 33:24

    >> play

  • 33:26

    Ryan Cougler. Yes. I'm just happy for

  • 33:29

    all those all those brothers.

  • 33:30

    >> Of course. Uh and that don't really be

  • 33:33

    touted like being a director, being a

  • 33:35

    producer and all that. So especially

  • 33:37

    coming from where he comes from like my

  • 33:39

    he probably got teased or some just for

  • 33:41

    going into the arts in the hood. So for

  • 33:43

    him to to to really

  • 33:46

    stand up and stand out that is amazing

  • 33:48

    to me.

  • 33:49

    >> I like to speak. got 16 awards. They won

  • 33:52

    four. Uh I've read an article from Slate

  • 33:54

    magazine that kind of pissed me off.

  • 33:56

    They was like, "Uh,

  • 33:58

    >> where you caught the slate?

  • 34:01

    >> You went to the

  • 34:01

    >> You just wing

  • 34:08

    something. Where you picking up slate,

  • 34:10

    >> [ __ ] This is the internet generation.

  • 34:12

    Yo, you you wa just buying [ __ ]

  • 34:16

    >> Let me get the new slate.

  • 34:18

    Let me get but go ahead. What they say

  • 34:20

    in slate?

  • 34:21

    >> They was like uh sinners turned out to

  • 34:23

    be the biggest loser and I just thought

  • 34:24

    that [ __ ] was so tacky.

  • 34:26

    >> That's why you can't support Slade.

  • 34:27

    >> Yeah. I just thought that [ __ ] was so

  • 34:28

    tacky, my [ __ ] Biggest loser.

  • 34:29

    >> There's been a bunch of publications on

  • 34:31

    them even through their success and it's

  • 34:33

    really I think was the other one that

  • 34:35

    did

  • 34:35

    >> Variety too.

  • 34:36

    >> Yeah.

  • 34:36

    >> Yep.

  • 34:39

    >> They said something about it being a

  • 34:40

    disappointment cuz it earned 60 mill. I

  • 34:42

    forgot what it was.

  • 34:43

    >> That was very early on. It

  • 34:44

    >> was very early.

  • 34:44

    >> Variety was one of the first to get out

  • 34:46

    there with the hate. Yeah, I think

  • 34:48

    >> and everybody responded.

  • 34:49

    >> [ __ ] learned them though.

  • 34:50

    >> [ __ ] learned them.

  • 34:51

    >> They still retweet that to this day.

  • 34:53

    >> Really?

  • 34:53

    >> Yeah.

  • 34:54

    >> Yeah. I just thought that [ __ ] was ter.

  • 34:56

    Look what it made now.

  • 34:57

    >> What do y'all think about Michael B.

  • 34:58

    Jordan going to In-N-Out Burger

  • 34:59

    afterward?

  • 35:00

    >> That that was the most disappointing

  • 35:01

    thing of the night for me.

  • 35:02

    >> Were

  • 35:04

    horrible.

  • 35:05

    >> Oh, it's the tradition. Yeah, I get you.

  • 35:06

    Yeah.

  • 35:08

    >> Change.

  • 35:09

    >> Change the For those that don't know

  • 35:10

    what I mean. Typically after the Oscars,

  • 35:12

    winners do go to In-N-Out Burger. It's

  • 35:14

    like a thing. It's not. I didn't know

  • 35:15

    that

  • 35:15

    >> cuz cuz some people thought he was

  • 35:17

    trying to like look humble. It's like

  • 35:18

    no, if you look at all the photos Oscar

  • 35:20

    like actors leave the Oscars and go to

  • 35:22

    In-N-Out Burger. It's like a thing.

  • 35:24

    >> Well, and I read something that said he

  • 35:26

    apparently tried to work there early in

  • 35:27

    his career and they turned him down. So,

  • 35:29

    it was like a full circle moment.

  • 35:30

    >> Oh, that's

  • 35:33

    dope.

  • 35:34

    And In-N-Out Burger, if you're if you're

  • 35:37

    if you're in LA, like that [ __ ] do

  • 35:39

    tastes good around 2 a.m. if you're

  • 35:42

    coming from somewhere and you had a

  • 35:43

    couple drink. That's the only time the

  • 35:44

    only time I said that.

  • 35:45

    >> That's the only time it tastes

  • 35:48

    drunk.

  • 35:49

    >> Johnny Rockets was he had an apple pie,

  • 35:51

    too, man. I don't eat beef, but them

  • 35:53

    apple pies crazy.

  • 35:55

    >> Johnny Rockets back in my late 20s was

  • 35:57

    my first stop when I hit that Miami. Get

  • 35:59

    that outside outdoor table.

  • 36:02

    Oh,

  • 36:04

    >> you don't know what that is.

  • 36:06

    >> You don't know what Johnny Rockets.

  • 36:07

    >> I don't know what that is.

  • 36:09

    >> I think they had one show. You know what

  • 36:11

    heroin you painters on heroin is? You

  • 36:14

    don't know what Johnny Rockets is?

  • 36:16

    >> I didn't live a privileged life like

  • 36:18

    you, bro. I was like,

  • 36:19

    >> I don't know if Johnny Rockets is

  • 36:21

    privileged. That [ __ ] is good.

  • 36:23

    >> That [ __ ] ain't privileged, man.

  • 36:24

    >> They have one in.

  • 36:25

    >> They got one at Jersey Gardens, man. I

  • 36:27

    wish y'all got a reference.

  • 36:30

    They is like Applebee's, dog.

  • 36:32

    >> It's the same level.

  • 36:33

    >> Okay.

  • 36:33

    >> Chili's.

  • 36:34

    >> Yeah.

  • 36:35

    >> I miss when they used to come out on

  • 36:37

    their little skates and do the dance. Go

  • 36:39

    ahead, [ __ ] I used to go there at that

  • 36:41

    time.

  • 36:44

    >> Nah, for real. Sometimes it was a baddie

  • 36:45

    coming out. But now you got a Johnny

  • 36:48

    Rockets girl.

  • 36:49

    >> Put yourself in a hard spot.

  • 36:52

    >> Oh, y'all be Johnny Rockets girl anyway.

  • 36:54

    All right. Come on. Let me

  • 36:57

    love including people with your word.

  • 37:01

    No, I probably would do it, too.

  • 37:02

    >> Oh, all right.

  • 37:04

    >> Say that then.

  • 37:04

    >> How'd you look?

  • 37:05

    >> So, say that. Yeah. Say that.

  • 37:06

    >> I feel like y'all are some Johnny Rocket

  • 37:08

    mid.

  • 37:09

    >> See, now

  • 37:11

    moving on. Moving on. We're not doing

  • 37:13

    that. We're not doing that. We're not

  • 37:14

    doing that. We're not doing that.

  • 37:16

    >> Any uh congratulations to all the

  • 37:19

    winners.

  • 37:20

    Yeah. All of the winners. I still think

  • 37:22

    I I I support that weapons lady winning.

  • 37:24

    She She did. She did. I like the girl

  • 37:26

    from uh I'm not having watched Hamnet,

  • 37:27

    but the girl's speech was she she seemed

  • 37:29

    very likable. The Irish Irish girl

  • 37:32

    woman.

  • 37:33

    >> Yeah,

  • 37:33

    >> it was a good speech.

  • 37:35

    >> I'm conflicted on how I feel about the

  • 37:37

    Oscars just hitting the music right

  • 37:39

    right when is about to talk.

  • 37:41

    >> They took the mic down on a [ __ ]

  • 37:44

    >> That was that [ __ ] a couple times.

  • 37:47

    >> Yeah. Yo, that was up. The mic went back

  • 37:50

    down in the ground. My man was just

  • 37:51

    standing there like

  • 37:53

    >> the lights went off. ALL THAT [ __ ]

  • 37:58

    AND THE [ __ ] AIN'T LEAVE. THEY SEND IT

  • 37:59

    BACK UP. That's what's my moment, bro.

  • 38:03

    >> Truly messed up. But

  • 38:04

    >> I can't lie and say ain't funny. I

  • 38:07

    wasn't entertained.

  • 38:07

    >> No, it was funny.

  • 38:09

    >> We got to keep the show rolling, man.

  • 38:13

    >> And if you're as like a group, you going

  • 38:15

    up there with like 10 of you, you can't

  • 38:17

    you got to the one lady hogged the mic a

  • 38:19

    little bit. Like you got to just get in

  • 38:20

    and out.

  • 38:21

    >> You see my man was trying to tap her arm

  • 38:22

    like, "Yo, let me get some words in

  • 38:23

    here."

  • 38:24

    you doing?

  • 38:26

    >> She shouting everybody.

  • 38:27

    >> She said the same speech she said at the

  • 38:29

    last [ __ ] I forgot it was the Golden

  • 38:30

    Gloves and the Grammys, but it's the

  • 38:32

    same exact speech.

  • 38:33

    >> You got to share that there.

  • 38:34

    >> And just on some pro black while those

  • 38:38

    uh uh they was up there.

  • 38:40

    >> What was it? The Koreans. When the

  • 38:42

    Koreans was up there, I did think to

  • 38:45

    myself, "Oh, this would be a great time

  • 38:47

    to just let like 30 of the Tourettes

  • 38:50

    in."

  • 38:52

    >> Why?

  • 38:53

    N if they paying at the Tourette's table

  • 38:56

    right now

  • 39:01

    is YELLING

  • 39:06

    issue practice restraint is please he

  • 39:09

    about to get his bag you know all the

  • 39:11

    words

  • 39:14

    >> oh that would have that would have been

  • 39:16

    funny overall I thought the Oscars did a

  • 39:18

    good job or at least the parts that I

  • 39:19

    wasn't fast forwarding

  • 39:20

    >> I think the awards were given to the

  • 39:22

    right people I I don't think that the

  • 39:24

    ceremony was particularly entertaining.

  • 39:26

    >> It was blah.

  • 39:26

    >> Yeah.

  • 39:27

    >> Then I liked on the red carpet. I liked

  • 39:29

    I liked them highlighting the the Steven

  • 39:31

    Spielberg, Timothy Shalomé beef.

  • 39:33

    Apparently they were on the red carpet

  • 39:34

    at the same time ignoring each other.

  • 39:36

    Ooh,

  • 39:37

    >> cuz remember uh uh they had beef. I

  • 39:40

    didn't even know that. I didn't know

  • 39:41

    that beef. Yeah, I ain't that a little

  • 39:44

    shady.

  • 39:45

    >> I ain't with y'all. This whole Tiana

  • 39:47

    hate train that's running around right

  • 39:48

    now. Like

  • 39:49

    >> I ain't like that, bro. What do they hat

  • 39:51

    on her for?

  • 39:52

    >> Her little interaction with the

  • 39:53

    >> Yeah, her her being excited during the

  • 39:55

    awards.

  • 39:55

    >> Oh, that

  • 39:56

    >> um

  • 39:57

    >> it started it started Well, it started

  • 39:59

    with the uh

  • 40:00

    >> was it the supporting supporting

  • 40:03

    supporting actor award actress award

  • 40:05

    that she didn't win and they announced

  • 40:06

    the the the person that won she jumped

  • 40:08

    up screaming and they like, "Oh, this is

  • 40:10

    fake. You're phony. You're being like

  • 40:12

    y'all don't know Tiana or something."

  • 40:14

    >> Yeah.

  • 40:14

    >> So,

  • 40:15

    >> they don't know Tiana though.

  • 40:16

    >> Not you don't have to know her

  • 40:17

    personally. You just follow her. Watch

  • 40:19

    her. You see this is her.

  • 40:20

    >> Yeah, it is.

  • 40:21

    >> She wasn't out of character is what I'm

  • 40:22

    saying.

  • 40:23

    >> AND EVEN IF SHE was right, I mean if you

  • 40:25

    if you don't say anything, they say

  • 40:26

    you're a hater. If you cheer for the

  • 40:27

    person that win, they say you fake.

  • 40:29

    >> So then when um one battle after another

  • 40:31

    one, you know, the way she grabbed the

  • 40:33

    director in the headlock, I'm happy.

  • 40:36

    >> Right. When you make a movie with

  • 40:38

    somebody

  • 40:38

    >> Okay, we not going to be honest. All

  • 40:39

    right. Go ahead.

  • 40:40

    >> Well, go ahead.

  • 40:40

    >> No, no, no. I want to hear the cap.

  • 40:42

    >> When you make When you make a movie with

  • 40:43

    somebody, you you you go to war with

  • 40:45

    them. You you become family. So you

  • 40:47

    might really be happy with the

  • 40:48

    [ __ ] that won. Like I don't

  • 40:49

    think that I think that's normal.

  • 40:50

    >> Our movie one, my [ __ ] If I worked on

  • 40:52

    an album in the album one, album of the

  • 40:53

    year, I'm going up there happy with you.

  • 40:56

    Headlock.

  • 40:56

    >> Yeah,

  • 40:57

    >> got it.

  • 40:58

    >> What you got to say?

  • 40:59

    >> Nothing. Maybe I'm wrong about it.

  • 41:00

    >> Well, what are you wrong about? You're

  • 41:01

    not saying anything.

  • 41:02

    >> Are you saying that her grabbing the uh

  • 41:03

    director wasn't appropriate?

  • 41:05

    >> I'm not I'm not going to say what's

  • 41:07

    appropriate and what's not appropriate

  • 41:09

    because like y'all said, she was happy.

  • 41:11

    If that's how you showing happiness,

  • 41:12

    awesome. Okay. However,

  • 41:14

    >> for me, if if I'm winning an an award,

  • 41:16

    an award that uh

  • 41:19

    >> I don't know if he's won before. This

  • 41:20

    was a big deal for him to win.

  • 41:21

    >> I think it was his first time. Yeah.

  • 41:23

    >> He's done some great movies.

  • 41:24

    >> That's what I'm saying. Like the same

  • 41:26

    reverence that the room had for Michael

  • 41:27

    B. Jordan on the flip. They had it for

  • 41:29

    him as well in that moment. Don't put me

  • 41:32

    in the in the headlock.

  • 41:33

    >> You said let him have his moment.

  • 41:34

    >> Please don't put me in.

  • 41:35

    >> You're not saying it's fake. You're just

  • 41:35

    saying

  • 41:36

    >> I'm not saying it's fake. You're just

  • 41:37

    saying I'm not saying performative. They

  • 41:39

    were saying she was doing a lot. And

  • 41:41

    when I watched it, I could see how

  • 41:43

    somebody could think that at least.

  • 41:44

    >> I don't know. PTA seems like the kind of

  • 41:46

    guy that's cool with the headlock.

  • 41:47

    >> I think it depends on your rapport with

  • 41:49

    the person.

  • 41:50

    >> But even if he's cool with the headlock,

  • 41:52

    please don't put me in a headlock as I

  • 41:55

    make my way to the podium to a comedian.

  • 41:57

    I'm sure he's probably cool with it.

  • 41:58

    >> He might have not had a problem with it.

  • 42:00

    >> I ain't seen

  • 42:01

    >> still. I see. Please don't put me in a

  • 42:04

    headlock while I'm on my way to the

  • 42:06

    podium to win my Yo, if we win a a

  • 42:09

    Grammy or some

  • 42:11

    >> for you, buddy. You get in a headlock

  • 42:13

    and a wedgie is definitely putting you

  • 42:14

    in the headlock.

  • 42:18

    >> Well, he's Well,

  • 42:20

    >> I didn't think it

  • 42:28

    I got you.

  • 42:29

    >> No, stop. Imagine

  • 42:30

    >> I I don't think Flip will put me in

  • 42:31

    adock. I don't Bro, you you'll be

  • 42:35

    overwhelmed with emotion and you got a

  • 42:36

    rapport with the person. If y'all play

  • 42:38

    like that on scene, these movies, some

  • 42:40

    of these movies take months. So, you

  • 42:41

    literally in the trenches with these for

  • 42:43

    months, so you know what their

  • 42:44

    personality is like. The dude might not

  • 42:46

    be that type of dude, then it's

  • 42:48

    something different. But if he a play on

  • 42:50

    set, if he does a bunch of silly on set

  • 42:53

    and that's the we might be slapboxing

  • 42:55

    every day on set. his wife is

  • 42:56

    >> I don't think she I'm pretty sure

  • 42:59

    so it just depends you know

  • 43:00

    >> and I don't think she does that

  • 43:01

    >> but none of that I get what y'all are

  • 43:03

    saying just to me I don't want to be

  • 43:05

    circular

  • 43:05

    >> yeah she said don't do it anyway none of

  • 43:08

    it negates what yeah what I'm saying

  • 43:10

    like your your wife's a comedian you

  • 43:12

    understanding we've been having a blast

  • 43:13

    on this movie for the last however many

  • 43:15

    years we tied it in the two ones and 11

  • 43:17

    I understand all that please as I'm

  • 43:21

    going to accept my what please don't put

  • 43:23

    me in that lock that's me saying that if

  • 43:25

    they cool

  • 43:26

    have a blast.

  • 43:27

    >> I'm telling y'all,

  • 43:28

    >> if we are ever in that situation,

  • 43:31

    >> flip flip.

  • 43:31

    >> You know what to do already.

  • 43:33

    Take your shirt off and slap.

  • 43:35

    >> But other than that, I'm not with black

  • 43:36

    I'm not with black people suppressing

  • 43:38

    the the the black.

  • 43:40

    >> I'm not with that. Like we are They were

  • 43:42

    saying she's a lot. I'M WE A LOT.

  • 43:44

    >> NO, but black people could be a lot.

  • 43:46

    When they put the No, they ain't going

  • 43:48

    to be a lot like us. Like when they put

  • 43:49

    them little dog whistling signs in the

  • 43:51

    hotel that say keep the noise down. That

  • 43:52

    ain't for the white people. THAT'S FOR

  • 43:54

    US. YOU know why? Cuz we gonna make

  • 43:56

    noise [ __ ]

  • 43:58

    We gonna make mad noise while you and

  • 44:00

    your little family of three is sleeping

  • 44:02

    there in the handicap room as hell. If

  • 44:03

    you think they ain't making noise,

  • 44:06

    >> that's what I seen them with a couple of

  • 44:07

    them pink paps blue ribbons in them.

  • 44:08

    >> Going to put your ear out the window

  • 44:09

    tonight.

  • 44:10

    >> They don't got to be drunk, [ __ ] That

  • 44:12

    we ain't got to blame it on drunk. It's

  • 44:13

    some loud, boisterous white people.

  • 44:15

    >> They don't got to be drunk to be crazy.

  • 44:17

    >> You talking about like the born in the

  • 44:18

    USA whites,

  • 44:19

    >> man.

  • 44:21

    USA,

  • 44:24

    right? America.

  • 44:26

    America.

  • 44:26

    >> They throw America out there.

  • 44:27

    >> Not America.

  • 44:28

    >> I think one of them whites I was in a

  • 44:30

    compromising situation a few weeks ago.

  • 44:31

    I was in a pizza place by myself

  • 44:33

    enjoying a slice. I think one of them

  • 44:35

    whites came in with his kid like and was

  • 44:37

    loud like about his views. I'm like, why

  • 44:40

    didn't your views matter at the pizza

  • 44:41

    place?

  • 44:43

    >> Like we shouldn't have I feel like

  • 44:44

    you're doing you're doing that to get me

  • 44:46

    to do something.

  • 44:47

    >> Absolutely. So he could justify my the

  • 44:50

    way I look at you.

  • 44:51

    >> I ain't going to beat one of them [ __ ]

  • 44:52

    up in front of their kids. I would.

  • 44:53

    That's a lie.

  • 44:54

    >> Don't get select or right. You don't

  • 44:57

    want no ma be down.

  • 44:58

    >> Yeah.

  • 44:59

    >> In the pizza place.

  • 45:00

    >> Yeah. Yeah. You don't want that.

  • 45:01

    Flipping you up like the dope.

  • 45:02

    >> Exact.

  • 45:08

    You sit there, boy.

  • 45:11

    >> You think I'm the dope. [ __ ] [ __ ]

  • 45:13

    >> Split me in the air every which way.

  • 45:15

    Huh? Pepperoni in the out your ass.

  • 45:18

    >> Tell you what the headlock.

  • 45:19

    >> Well, that's when I expect y'all to run

  • 45:20

    in here with the nation and fix it.

  • 45:22

    >> Oh, yeah. For sure. Indeed. How about

  • 45:24

    that? How about that one?

  • 45:25

    >> Got you.

  • 45:25

    >> Indeed.

  • 45:26

    >> Uh, what else is important?

  • 45:27

    >> I mean, one last thing in in Oscars, it

  • 45:28

    was pretty cool to see horror uh uh

  • 45:30

    being celebrated on this big of a stage.

  • 45:32

    It rarely is between Frankenstein

  • 45:34

    sinners and weapons all being mainstays

  • 45:37

    of the awards stage. You never see that

  • 45:39

    for me.

  • 45:39

    >> I was going to ask you cuz I'm not in

  • 45:40

    the horror at all. Like, is that like is

  • 45:42

    it like a um is it seen as low brow? Is

  • 45:43

    that the reason?

  • 45:44

    >> Usually, a lot of times it is in

  • 45:46

    fairness, but a lot of times it isn't.

  • 45:48

    There's a lot of very good horror out

  • 45:49

    there. So,

  • 45:50

    >> yeah,

  • 45:50

    >> it was cool to see that celebrate. I I

  • 45:53

    didn't see uh Frankenstein, but was it

  • 45:55

    really looked at as horror as opposed to

  • 45:58

    cine cinematic?

  • 45:59

    >> You know what I'm saying? Like

  • 46:00

    >> it's old school. It was

  • 46:01

    >> because I don't look at centers as

  • 46:02

    horror.

  • 46:03

    >> It was kind of the second half was

  • 46:05

    >> it was labeled as horror.

  • 46:06

    >> I know.

  • 46:08

    >> And Frankenstein since the inception has

  • 46:10

    always been considered the horror genre

  • 46:11

    by today's standards of horror. Maybe

  • 46:13

    not. But

  • 46:14

    >> I said you're not afraid of the white

  • 46:16

    devils.

  • 46:17

    >> He down with

  • 46:18

    >> like with the vampires.

  • 46:19

    >> You ain't either. Let him in.

  • 46:22

    You ain't not even remotely.

  • 46:28

    DON'T SAY NOTHING.

  • 46:30

    >> WE SHOULD let them right in in our

  • 46:31

    center house. Come on, girl. Come on.

  • 46:35

    You got friends?

  • 46:36

    >> I met I met a bunch of them through you.

  • 46:39

    >> You was You was welcome.

  • 46:45

    >> So, I was So, I aliooped it for you.

  • 46:47

    >> Yeah, you did.

  • 46:47

    >> All right. There we go. Deny it

  • 46:49

    sometimes. They get tired of talking

  • 46:51

    about they get tired of hearing about me

  • 46:53

    and issues, past relationship, bromance,

  • 46:56

    and how we mad all over the world. So,

  • 47:00

    I'm not I'm not talking about that no

  • 47:02

    more. That'll be the last time you hear

  • 47:03

    about me and is all over the world

  • 47:06

    together.

  • 47:09

    >> Anyway,

  • 47:12

    what do y'all want to move on to?

  • 47:15

    >> Hey, Mark, you were saying from the

  • 47:16

    Oscar someone announced their uh

  • 47:18

    significant One of my favorite people,

  • 47:20

    favorite directors, Ava Duvare.

  • 47:22

    >> We love her. Shoutout. Shout out to Ava.

  • 47:25

    We love you. We love you. We love you.

  • 47:26

    She was on the um Red Carpet Essence was

  • 47:29

    interviewing her and they asked her sort

  • 47:30

    of uh was it something you're proud of

  • 47:32

    or or they asked her some question that

  • 47:34

    she she could answer like a lot of

  • 47:35

    different ways. And she chose to say,

  • 47:38

    "I'm I'm proud of or I'm happy that I

  • 47:39

    brought

  • 47:41

    >> my Yeah. And she she introduces her

  • 47:43

    significant other. She's I've been

  • 47:44

    hiding him for a while. you know, he's

  • 47:46

    been around for a while, but I'm happy

  • 47:47

    to introduce him uh and to bring him to

  • 47:50

    the red carpet or whatever. And then,

  • 47:52

    you know, all the the blogs and stuff,

  • 47:54

    Ava got Ava's got a man, all this stuff,

  • 47:56

    which I thought was dope. Salute to her.

  • 47:57

    I'm glad she's happy. But I wondered

  • 47:59

    about that. Like, one, like, would y'all

  • 48:01

    do that at the an event that big at the

  • 48:03

    Oscars. And then more broadly, like,

  • 48:06

    >> when is the right time to unveil the

  • 48:08

    significant other in public public?

  • 48:10

    Because that's a big that's big. That's

  • 48:11

    not like just like Instagram.

  • 48:14

    Eight months.

  • 48:15

    >> Eight months.

  • 48:16

    >> Eight months. Quick. Eight.

  • 48:18

    >> I feel like you've thought that through

  • 48:18

    cuz

  • 48:26

    you

  • 48:28

    was a starting point.

  • 48:29

    >> Yeah. How long? You know, how long?

  • 48:30

    >> Minimum requirement. A

  • 48:31

    >> And is that is that for like IG or is

  • 48:33

    that for like the red carpet?

  • 48:34

    >> Well, I mean, well, let's slow down. The

  • 48:36

    I'm with the unveiling. The first award

  • 48:39

    show ain't going to be the Oscars. Like,

  • 48:41

    let's try this at the Ozone Awards.

  • 48:44

    First,

  • 48:46

    let's try this on award. Source awards

  • 48:48

    award somewhere vibes.

  • 48:50

    >> Yeah, we a we ain't going to do this

  • 48:53

    premiere at the Oscars. That's I know

  • 48:55

    homeboy was home and I love a so I'm

  • 48:57

    going to shut up actually about this.

  • 48:58

    But homeboy was home putting the

  • 48:59

    pressure on her.

  • 49:00

    >> He was he was trying to he was trying to

  • 49:01

    get the unveiled at the supermarket any

  • 49:04

    anywhere. So

  • 49:06

    >> when when you unveil your partner at

  • 49:08

    something as big as the Oscars with the

  • 49:10

    speech that she gave,

  • 49:13

    >> I I assume that there was pressure put

  • 49:15

    on you from the partner.

  • 49:16

    >> I I I agree. Oh, she gave a speech so I

  • 49:18

    didn't see this.

  • 49:19

    >> You think?

  • 49:20

    >> I assume that

  • 49:21

    >> she gave a real speech.

  • 49:23

    >> It was just in the interview. Like in

  • 49:24

    the interview like

  • 49:25

    >> So yes.

  • 49:27

    >> Yeah. Yeah. Maybe

  • 49:28

    >> that's pressure.

  • 49:29

    >> Yeah, it would have been some pressure.

  • 49:30

    >> Or she could have just been in the It

  • 49:31

    was more sincerity. It could be sincere.

  • 49:33

    >> Yeah, could be sincere. She she's a

  • 49:34

    sincere person. So,

  • 49:38

    and nobody was asking for that. You know

  • 49:40

    what I mean? I feel like if anything,

  • 49:42

    she might have been caught up in the

  • 49:42

    moment like you with your your boo,

  • 49:44

    whatever. You happy is you talking to

  • 49:45

    essence. It was like some sister girl.

  • 49:47

    You just be like, "Yo, but you've never

  • 49:49

    I don't know how long they've been

  • 49:50

    together. You've never shown this person

  • 49:52

    or said anything about this person." And

  • 49:53

    you said nobody's asking for that. Dude

  • 49:55

    could have been the person asking for

  • 49:56

    that.

  • 49:56

    >> Could be.

  • 49:57

    >> Well, this is another one of those

  • 49:58

    instances where I don't have the life

  • 50:00

    experience to share on the matter.

  • 50:02

    >> Oh, [ __ ] But we have four but we

  • 50:04

    have four people here, right? Like so if

  • 50:07

    y'all were going to do something like

  • 50:09

    that,

  • 50:10

    >> would you do it that way or would there

  • 50:11

    be a different event or would you try to

  • 50:13

    get some more excuses out there?

  • 50:15

    >> I think you need a softer launch than

  • 50:16

    the Oscars.

  • 50:18

    >> Yeah. Instagram post, a little side of

  • 50:21

    the game.

  • 50:22

    >> Depend. It depends on that that

  • 50:23

    relationship man.

  • 50:24

    >> Yeah, it depend on the relationship. And

  • 50:25

    but I think I think you you cannot leave

  • 50:27

    your significant other at home at the

  • 50:28

    Oscars.

  • 50:29

    >> Yeah, true. But it's it's

  • 50:32

    >> they do it all the time. Take a mom.

  • 50:34

    >> Damn. Yeah, good point.

  • 50:36

    >> So, yeah. So, from now I'm seeing the

  • 50:39

    Essence arc a little bit more to give

  • 50:40

    more detail today cuz what they asked

  • 50:42

    what she was proud of. She said, "I'm

  • 50:43

    proud of myself for bringing my honey."

  • 50:44

    Right. Apparently, they've they've

  • 50:46

    they've always been together at these

  • 50:48

    events. So, she hasn't been hiding them.

  • 50:49

    She just never like publicly like

  • 50:51

    >> acknowledged

  • 50:51

    >> like names it, you know? She's kind of

  • 50:53

    just doing her thing. It's not a secret.

  • 50:54

    >> Like, just go stand over there.

  • 50:56

    >> Yeah. Hold my bag. Stand over there.

  • 50:58

    Wait for me. I'll be back. I'll be right

  • 50:59

    back. So, so to me that is kind of the

  • 51:00

    soft launch, right? Like you go out with

  • 51:02

    the person, you seen at events, people

  • 51:04

    used to seeing y'all together. You at

  • 51:05

    the games, you at this, you had this.

  • 51:07

    >> Then to me, the next step is social

  • 51:09

    media. Nowadays,

  • 51:10

    >> yeah.

  • 51:11

    >> You know, like you might post a holiday

  • 51:13

    picture, Thanksgiving picture, birthday

  • 51:14

    picture,

  • 51:15

    >> and at your birthday that person is next

  • 51:17

    to you.

  • 51:18

    >> Mhm.

  • 51:18

    >> Then you get to the award show. Or it

  • 51:20

    could have been a bunch of award shows

  • 51:22

    and I wasn't acknowledged.

  • 51:24

    >> Yes, that's true, too.

  • 51:25

    >> Oh, true.

  • 51:27

    >> That's true, too. Could be that. I'm

  • 51:28

    tired of this. I ain't gonna keep

  • 51:29

    standing here. Just

  • 51:30

    >> Would y'all do that?

  • 51:31

    >> DO DUDES FEEL LIKE THAT?

  • 51:32

    >> I YO, you just took the words out of my

  • 51:33

    mouth. Like, would you do that?

  • 51:34

    >> Do what?

  • 51:35

    >> Like if you if you were dating some Like

  • 51:37

    say you weren't famous and you were just

  • 51:39

    dating somebody.

  • 51:40

    >> He doesn't have a lot of life experience

  • 51:41

    in that.

  • 51:43

    >> That's a good point. But like if you're

  • 51:44

    not famous,

  • 51:45

    >> if you weren't famous, you wouldn't be

  • 51:46

    dating nobody.

  • 51:47

    >> Yeah. I mean,

  • 51:48

    >> I'm not doing that. But yo, if you

  • 51:50

    weren't if you weren't successful,

  • 51:53

    >> if you weren't famous, you were dating

  • 51:55

    somebody like overly successful, would

  • 51:57

    you put pressure on them, even if you

  • 51:58

    come into the award ceremonies with

  • 52:00

    them, to be cast into the the light?

  • 52:04

    >> Like, you could be with them as an

  • 52:05

    escort. Like, I don't Yeah, I don't I'm

  • 52:07

    not into that.

  • 52:08

    >> Me either.

  • 52:09

    >> I can't imagine the man dudes like that.

  • 52:12

    I I could imagine, but

  • 52:14

    >> if a if a if a if a A-list actress

  • 52:18

    need asked one of you guys to accompany

  • 52:21

    her to the Oscars,

  • 52:23

    >> is that an automatic no cuz y'all

  • 52:25

    involved?

  • 52:26

    >> Yes.

  • 52:27

    >> Oh, you mean now?

  • 52:28

    >> Yeah.

  • 52:29

    >> Yeah.

  • 52:29

    >> Yes.

  • 52:30

    >> [ __ ] I might not even watch that. I

  • 52:31

    might not watch this on TV.

  • 52:36

    >> Damn right. I understand. You can't do

  • 52:38

    it. I understand.

  • 52:41

    Ah,

  • 52:44

    I'm going.

  • 52:45

    I'm going. I'm going. Yeah, you good.

  • 52:48

    I'm going. I'm going. I'm going. Wait a

  • 52:51

    minute. Wait. I'm going. So, Halle

  • 52:53

    Berry, I'm going is like, "Flip, I need

  • 52:55

    you to come with me to the hospital."

  • 52:56

    >> Wait, wait, wait. Hie, I might have to

  • 52:58

    have my

  • 52:59

    >> Who is the A-lister? I'll be like, "Yo,

  • 53:03

    >> no." But my my initial reaction would be

  • 53:06

    no.

  • 53:06

    >> Okay. Your uninitial reaction would be

  • 53:08

    what? It depends on the conversation I

  • 53:10

    have with my girl. If my girl say no or

  • 53:11

    no.

  • 53:12

    >> Well, let me tell you, let me How would

  • 53:13

    you want to guide that conver? Yeah. How

  • 53:15

    would you want to guide that

  • 53:16

    conversation? How would you It's a good

  • 53:17

    look. I'll go home. Yeah.

  • 53:20

    >> I would go home and say, "Yo, Halle

  • 53:22

    Berry wants to take me to the Oscars.

  • 53:24

    What do you feel about that?"

  • 53:25

    >> I got everybody in here

  • 53:27

    >> Spanish

  • 53:29

    all three.

  • 53:31

    >> I got everybody in here doing this would

  • 53:33

    be good for my career.

  • 53:34

    >> Yeah, but that

  • 53:35

    >> I have everybody in here doing it. I

  • 53:36

    would do. I would try to get that off.

  • 53:38

    >> No, at least having the talk with your

  • 53:39

    partner. I'm going to try to get it off.

  • 53:42

    I'm going to tell y'all it's not it's

  • 53:43

    not going to work. No, I just said that.

  • 53:44

    I said, "Yo, Halle Berry, like you JLo,

  • 53:47

    Halib Berry, it could be somebody."

  • 53:50

    >> Yeah. It don't got to even be that high.

  • 53:52

    Somebody that I think would be a good

  • 53:53

    look for my potential career. I'm going

  • 53:56

    to go home and try to sell it. And even

  • 53:58

    if she says, "Yeah, it's going to be a

  • 54:00

    miserable miserable year." Plus,

  • 54:04

    >> I want to hear Are you going to tell her

  • 54:07

    the Oscars is going to get these houses

  • 54:09

    built?

  • 54:12

    >> The Oscars going to get the houses

  • 54:13

    built.

  • 54:13

    >> Yeah.

  • 54:14

    >> Yeah. I would This is what he's like.

  • 54:15

    I'm a podcaster.

  • 54:16

    >> No, I'm in the media space.

  • 54:18

    >> Yeah.

  • 54:21

    >> Let's go. Is

  • 54:22

    >> he practiced that?

  • 54:23

    >> Hey, none of y'all going home with that.

  • 54:25

    I just ain't going home with that.

  • 54:27

    >> It's not It's not true. I try though.

  • 54:30

    I'm so sure it's not going to work that

  • 54:31

    I'm not going to try.

  • 54:32

    >> I would try. I

  • 54:32

    >> 100% tried this before.

  • 54:34

    >> How'd it work out? Um, not the greatest.

  • 54:37

    >> You ain't see me at no.

  • 54:39

    >> Yeah, I didn't go. You ain't see me

  • 54:41

    talking.

  • 54:42

    >> But I tried it and in my head it made

  • 54:44

    sense. It made sense for me to try it. I

  • 54:46

    didn't really expect her to all the way

  • 54:48

    understand what I was saying. But it was

  • 54:50

    the whole, "Hey, my career."

  • 54:51

    >> How how uh uh abrasive was the No,

  • 54:56

    >> I don't know that she said no.

  • 54:58

    >> How you can feel the disappointment.

  • 55:01

    Feel the brain on your skin. No one else

  • 55:04

    will feel it for you. Yeah. I don't know

  • 55:06

    that she said no.

  • 55:07

    >> But you she just kind of you can feel

  • 55:09

    the no in the air like be select.

  • 55:11

    >> She hit you with a half.

  • 55:13

    >> Oh

  • 55:14

    >> yeah. It was she can't say that. No.

  • 55:16

    >> No. She the half is never

  • 55:18

    >> Yeah. You don't want that. I'd rather

  • 55:20

    you say no then have fun.

  • 55:21

    >> But is it implied that we going to after

  • 55:22

    the Oscars?

  • 55:23

    >> No.

  • 55:25

    >> Come on.

  • 55:27

    It's it's implied that you are

  • 55:29

    charismatic and you are attractive and

  • 55:32

    the possibility of being in somebody's

  • 55:34

    company at an event like that could lead

  • 55:36

    to something else.

  • 55:36

    >> And listen, when I tried it, it was very

  • 55:38

    early on in the relationship. I don't

  • 55:39

    think that [ __ ] flies at all right now.

  • 55:41

    I don't even know if I can ask that [ __ ]

  • 55:42

    right now.

  • 55:43

    >> That's I wish I would go home and ask my

  • 55:45

    wife if I could go with an A-list

  • 55:47

    actress to the Oscars.

  • 55:48

    >> See, but if that's my wife, then I would

  • 55:49

    ask,

  • 55:49

    >> [ __ ] I'm going, [ __ ]

  • 55:51

    >> If that's if that's my wife, then I

  • 55:53

    would 100% ask. Might be on some might

  • 55:56

    be on something. Yeah. Watch me there. I

  • 55:57

    wouldn't hold her hand. I wouldn't touch

  • 55:59

    her, man. I'll be right there. We're not

  • 56:00

    worried about that.

  • 56:01

    >> My hands be behind my back. Yeah. Well,

  • 56:02

    we are. We are worried, man. We are

  • 56:05

    worried.

  • 56:06

    >> Would you let your WIFE GO TO NO. Of

  • 56:08

    course you won't. Of course. Hey yo,

  • 56:12

    >> if your wife if your wife

  • 56:13

    >> PhD,

  • 56:14

    >> but if your wife was in me, if your wife

  • 56:16

    was in media, if your wife was an

  • 56:18

    actress, if your wife was

  • 56:19

    >> I don't care if she does arm security.

  • 56:23

    >> Let me finish. If your wife was in

  • 56:24

    entertainment, it might be part of her

  • 56:26

    job to go. Is that you know what I mean?

  • 56:28

    >> To do what? [ __ ] you do a lot of

  • 56:30

    smiling in them interviews with them

  • 56:31

    ladies [ __ ]

  • 56:33

    >> OH, WE HAVE DR. MARK. HELLO. HELLO. What

  • 56:36

    was that white lady you just spoke TO? I

  • 56:38

    WAS JUST WATCHING IT. WHO was that?

  • 56:40

    >> Oh, whatever.

  • 56:42

    Now, excuse me.

  • 56:43

    >> It was a nice smile, boy.

  • 56:45

    >> I wasn't smiling for no in case.

  • 56:46

    >> Whatever you smile for. Shake my hand.

  • 56:48

    >> I shake your hand, but I don't know what

  • 56:49

    you're talking about.

  • 56:50

    >> YOU WAS BAD TEETH. MY WIFE COULDN'T GO.

  • 56:51

    NO. YEAH, YOU WOULD CHANGE something cuz

  • 56:53

    No, I'm not changing something. I just

  • 56:54

    don't know what you're talking about.

  • 56:55

    But Oh, I find it. But but part we find

  • 56:57

    fine. But but part of the problem is

  • 56:59

    particularly if you're publicly in a

  • 57:00

    relationship like you, right? Or any of

  • 57:02

    us, like us.

  • 57:03

    >> All of us. But I'm just using example is

  • 57:05

    if you were to go, even if you had that

  • 57:07

    discussion with your lady, all the blogs

  • 57:10

    going to say is you broke up and that

  • 57:11

    you and that you out with somebody new.

  • 57:12

    So it's going to be embarrassing. True.

  • 57:13

    True.

  • 57:14

    >> And so what your partner's going to be

  • 57:15

    thinking about is the embarrassment and

  • 57:16

    that's going to trump whatever's going

  • 57:17

    on with your career.

  • 57:18

    >> So we letting the blogs run our [ __ ]

  • 57:20

    now. Now you let her feelings run this

  • 57:22

    [ __ ] Joe was a good one.

  • 57:25

    >> Give him a chain.

  • 57:26

    >> Let's go to prize [ __ ]

  • 57:27

    >> Give him the chain.

  • 57:29

    >> Go to prize [ __ ]

  • 57:32

    >> That was that was that was You got it.

  • 57:34

    You thought it

  • 57:36

    respecting her feelings.

  • 57:40

    >> Uh anyway, before before we go to prize

  • 57:42

    picks though, um quick question for you

  • 57:44

    guys. What's up? since we were around.

  • 57:48

    Not like this has anything to do with

  • 57:49

    that.

  • 57:50

    >> How long after you move from a place do

  • 57:53

    you get to claim the place?

  • 57:55

    >> I'm thinking about this because of Nory

  • 57:56

    and Peter Rosenberg's

  • 57:58

    >> little back and forth where Nory went to

  • 58:00

    do the New Morning Show uh with Mel and

  • 58:02

    he was like, "Yo, it feels good to hear

  • 58:04

    some New York

  • 58:06

    >> some the show sounds like and feels like

  • 58:07

    New York now."

  • 58:08

    >> Yeah.

  • 58:09

    >> To which Pete took offense.

  • 58:11

    >> He was I love Pete, but that was a lot.

  • 58:13

    >> I thought he made a lot of valid points.

  • 58:15

    >> Wow.

  • 58:18

    I think I I'm sorry to interrupt it. I

  • 58:20

    don't think there's anything harmful in

  • 58:21

    saying that I like hearing New York

  • 58:23

    voices on the premier New York radio

  • 58:25

    station

  • 58:27

    >> cuz none of them respectfully are from

  • 58:29

    New York. And I think that's okay. It's

  • 58:30

    okay to like he was it's not saying you

  • 58:32

    weren't good at your job. It's not

  • 58:33

    saying your show wasn't dope. It's not

  • 58:34

    saying any of that [ __ ] It's just like

  • 58:35

    it's nice to hear someone from New York

  • 58:36

    on hot. I agree with that. But for

  • 58:41

    people that are mutually fly with both

  • 58:44

    Mero and the old morning show and you go

  • 58:48

    to the new show and say, "Oh, finally."

  • 58:51

    And feels good. I can see how it could

  • 58:53

    come off way to Pete.

  • 58:55

    >> The sauce sounded sincere and he didn't

  • 58:57

    sound uh

  • 58:58

    >> Yeah, he

  • 58:59

    >> he didn't sound mean in his It's nice to

  • 59:01

    hear New York voices on a New York radio

  • 59:02

    station. He if he if he said like how

  • 59:04

    you said it, I would completely

  • 59:05

    understand.

  • 59:07

    But Pete's response was, "I've been in

  • 59:10

    New York for

  • 59:12

    20 years now. Uh, I've been repping

  • 59:16

    underground New York hiphop more than

  • 59:18

    anybody in the position. Uh, married a

  • 59:21

    New York woman, had my baby in New York.

  • 59:24

    I've been in New York. And on the flip

  • 59:27

    side, Nory hasn't lived here for 15

  • 59:29

    years."

  • 59:31

    And it was wasn't until we got to the

  • 59:32

    end that I was like, h

  • 59:36

    interesting.

  • 59:37

    >> How long do we get to claim a place or

  • 59:41

    act like we're in tune

  • 59:43

    >> with the ons goingings of the place

  • 59:46

    while you don't live there?

  • 59:47

    >> I don't think he did that.

  • 59:48

    >> I can speak as someone who's not from

  • 59:51

    here. I've been here for 20 years.

  • 59:53

    >> I don't necessar I still claim Elmmyra.

  • 59:57

    M

  • 59:57

    >> I don't I wouldn't complain if someone

  • 59:59

    said you don't sound like a New Yorker.

  • 1:00:00

    I don't think that that's out of pocket

  • 1:00:02

    cuz I'm not from New York. I think

  • 1:00:04

    that's okay.

  • 1:00:05

    >> But sounding like it seemed like they

  • 1:00:06

    were talking past each other cuz like I

  • 1:00:08

    I agree with you. It's like

  • 1:00:10

    >> if you're not from there, you're not

  • 1:00:11

    from there. You could always say that

  • 1:00:13

    >> but Rosen Brooks was I put on for New

  • 1:00:15

    York.

  • 1:00:16

    >> Mhm.

  • 1:00:16

    >> In terms of the artists, in terms of the

  • 1:00:18

    radio, all these other things.

  • 1:00:19

    >> And he did. And that's and his point

  • 1:00:21

    was, I'm actively in New York right now

  • 1:00:25

    during a mass exod.

  • 1:00:28

    >> Yeah.

  • 1:00:29

    >> I'm here and you're not.

  • 1:00:30

    >> Why do you get to say that to me?

  • 1:00:32

    >> Yeah.

  • 1:00:33

    >> But he can still say because I'm from

  • 1:00:35

    here. I like I grew up here. I'm a New

  • 1:00:37

    Yorker. Now that I'm I touch down back

  • 1:00:40

    in the city, whether it be 10 years, 15

  • 1:00:42

    years, it just feels good to hear it

  • 1:00:43

    sounding like New York.

  • 1:00:44

    >> But why if you listening to Florida

  • 1:00:46

    radio? So that that I'm listening to

  • 1:00:49

    y'all.

Showing 2,000 of 6,770 lines