JBP
The Joe Budden Podcast
Episode 914

Cult Fish

Joe Budden Podcast Episode 914, “Cult Fish,” released March 27, 2026. The JBP kicks off its latest episode diving into JAY-Z’s interview with GQ and why they disagree with some of the things the rapper said about Hip-Hop (17:13). J. Cole finally sits down with Cam’Ron (56:39), JAY-Z adds a third show ‘Extra Innings’ (1:04:21), and the footage of Justin Timberlake’s DWI arrest has been released (1:06:30). Mary J. Blige tells a story about Chaka Khan (1:24:18), Shyne doubles down about Brandy (1:33:53), and the viral video of Maryland’s basketball coach yelling at a player (1:58:21). Also, The Roast of Kevin Hart (2:10:23), Part of the Show returns (2:23:16), and much more! Full transcript and searchable timestamps below.

Cult Fish

In this episode

  • 17:13The JBP kicks off its latest episode diving into JAY-Z’s interview with GQ and why they disagree with some of…
  • 56:39J. Cole finally sits down with Cam’Ron
  • 1:04:21JAY-Z adds a third show ‘Extra Innings’
  • 1:06:30The footage of Justin Timberlake’s DWI arrest has been released
  • 1:24:18Mary J. Blige tells a story about Chaka Khan
  • 1:33:53Shyne doubles down about Brandy
  • 1:58:21The viral video of Maryland’s basketball coach yelling at a player
  • 2:10:23The Roast of Kevin Hart
  • 2:23:16Part of the Show returns
Video Available
Audio Available
5,085 transcript lines

Joe Budden Podcast Ep. 914 Transcript

Full transcript of Cult Fish (1:01:08 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast and Bulletz

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    [music] only. I repeat, it is not

  • 0:08

    serious. It is not real.

  • 0:10

    No one is exposing, revealing,

  • 0:12

    indicting, or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals. We do not have your best

  • 0:19

    interests at heart or our own.

  • 0:22

    Enjoy the show.

  • 0:24

    >> [music]

  • 0:29

    [music]

  • 0:36

    [music]

  • 0:41

    >> I just right now we should start the

  • 0:42

    show.

  • 0:45

    >> [laughter]

  • 0:46

    >> I'm more than just an auction. YOU LOOK

  • 0:49

    LIKE THAT, BOY. LOOK AT YOU.

  • 0:50

    >> [laughter]

  • 0:50

    >> [ __ ] trying to stare up at the sun,

  • 0:51

    boy. Look at us.

  • 0:53

    LOOK AT US, BOY.

  • 0:55

    >> [laughter]

  • 0:56

    >> HEY. HEY.

  • 0:59

    Don't act like you serious.

  • 1:00

    I was reading THE BOARD, BRO.

  • 1:04

    HELLO. HEY, you guys.

  • 1:06

    >> [laughter]

  • 1:08

    >> What up, y'all? What up? What's popping?

  • 1:10

    How we feeling?

  • 1:13

    I'm [laughter] more He more than just an

  • 1:14

    auction.

  • 1:15

    Look at this [ __ ] Best I ever had face

  • 1:18

    ass [ __ ] [laughter]

  • 1:23

    What up, boy? Good day, [laughter] sir.

  • 1:26

    You look like you You look like Marvin.

  • 1:29

    >> [laughter]

  • 1:34

    >> [ __ ] out of here, dude. Why you look

  • 1:36

    like you who the song was about, [ __ ]

  • 1:39

    Mad Marvin in the face. [laughter]

  • 1:43

    You look like Marvin. Oh, it's good to

  • 1:44

    see y'all. What's popping, man? It's

  • 1:46

    good to see everybody.

  • 1:48

    Good to be here. Good to see my

  • 1:49

    brothers.

  • 1:50

    Y'all look all good. Y'all look all

  • 1:51

    good. Y'all all look good. Y'all look

  • 1:53

    all good. What's up, man? Got my

  • 1:56

    He said I was following his He know what

  • 1:57

    I'm saying. You know I got a bunch of

  • 1:58

    You had it first. Thank you.

  • 2:00

    Thank you. Said no one ever. I know.

  • 2:03

    This is the one time that it's been

  • 2:04

    said.

  • 2:06

    I don't know if it's true. Now, he

  • 2:07

    better have a little bedazzle, you know

  • 2:08

    what I mean? Fire.

  • 2:10

    >> He talking about the brand. I know. The

  • 2:11

    fire The fire

  • 2:12

    >> think Flip was wearing bedazzles before

  • 2:14

    Joe Budden?

  • 2:15

    Repeat that sentence.

  • 2:16

    >> [laughter]

  • 2:17

    >> Repeat that sentence. All right. You're

  • 2:18

    the most bedazzled of us all.

  • 2:21

    Yeah. [laughter] It's true. You boss.

  • 2:23

    You're the most bedazzled of us all.

  • 2:26

    I see, man. You got it. Look who [ __ ]

  • 2:28

    [laughter] fight to be. It's got to be

  • 2:29

    you. I said everything. Marv, what's up,

  • 2:32

    man? Nothing, man. Life is good. All the

  • 2:35

    time? I have no complaints, man. Good.

  • 2:38

    Good. I um

  • 2:40

    Yesterday, my wife um Why you so calm,

  • 2:42

    man? What's up? Yeah, I'm just chilling.

  • 2:43

    I'm I'm in a good I'm in a good head.

  • 2:44

    I'm not I have a little cold, too, but

  • 2:46

    I'm I'm trying to clear my throat. But

  • 2:48

    um

  • 2:49

    My wife uh My son is off for 2 weeks.

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    Apparently, his school takes 2 weeks

  • 2:53

    off.

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    And my wife signed him up for a spring

  • 2:56

    break

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    at camp, except she didn't sign him up.

  • 2:59

    So, when I drove there yesterday and got

  • 3:01

    there, he wasn't on the list.

  • 3:04

    >> [laughter]

  • 3:04

    >> So, I did everything I could to convince

  • 3:06

    I tried to I mean, I was pulling money

  • 3:07

    out of my pocket.

  • 3:09

    Take [clears throat] this little

  • 3:09

    [ __ ] I was like, "Please."

  • 3:11

    They weren't having it.

  • 3:13

    So, I spent yesterday trying to find a

  • 3:14

    new place for him for 2 weeks. So, I

  • 3:16

    signed him up.

  • 3:17

    >> Hotel?

  • 3:18

    >> [laughter]

  • 3:19

    >> I signed I registered him for a whole

  • 3:20

    new school. They think he goes there

  • 3:21

    now.

  • 3:23

    And I signed him up. I'm going to pull

  • 3:24

    him out after 2 weeks.

  • 3:25

    >> [laughter]

  • 3:25

    >> Yeah.

  • 3:27

    Yeah. And they were like, "But you need

  • 3:28

    all the I I got a doctor's Yes, I went

  • 3:30

    to a doctor. I got a I got everything. I

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    got immunizations. Whatever I don't

  • 3:33

    have, I'll make up. I dropped him off

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    today.

  • 3:36

    He seemed like he liked it.

  • 3:37

    Nice. [laughter] Yeah. I didn't stay

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    long.

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    But Yeah, I dropped him at the door.

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    I didn't drive I didn't drive him. I

  • 3:44

    gave him all the paperwork and stuff.

  • 3:45

    >> [laughter]

  • 3:45

    >> I gave him the check, but then I was

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    out. I'll tell you where the spot is,

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    too.

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    Give this to Sister Mary Clarence. Yo,

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    you I'm good for 2 weeks. Yo, that's

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    spring break. Fair. Dog, I almost had a

  • 3:57

    heart attack when I brought him to that

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    school yesterday. They said, "Nah."

  • 4:00

    Yeah.

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    I feel like it was a little personal,

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    too. I feel like they could have did it.

  • 4:04

    All right. He ain't offering enough

  • 4:06

    money out. He ain't pulling enough money

  • 4:07

    out.

  • 4:07

    >> That's all I meant.

  • 4:09

    And did you have on one of your

  • 4:10

    political hoodies? No.

  • 4:12

    >> [laughter]

  • 4:13

    >> I didn't even wear Y'all [ __ ]

  • 4:15

    I was like, "Please." Oh, oh, it's only

  • 4:17

    here you do that.

  • 4:18

    >> [laughter]

  • 4:19

    >> Awesome. I'm wearing a good shirt today.

  • 4:21

    This is This is a good one. This is

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    uncontroversial.

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    I stand with Sudan. Who doesn't stand

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    with Sudan?

  • 4:29

    >> [laughter]

  • 4:30

    >> You get the [ __ ] That's how he That's

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    how he do it. He wear a shirt. He he

  • 4:32

    figured it out. We ask him about it,

  • 4:34

    then he get to say the [ __ ] that you

  • 4:35

    know

  • 4:36

    >> learned where Sudan is. Well, it's a

  • 4:38

    civil war. That's the point. So, like

  • 4:40

    >> [laughter]

  • 4:42

    >> Saying you stand with Sudan don't mean

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    nothing.

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    It's like when I go to my girl about

  • 4:49

    something that's been on my mind, and

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    somehow it flips into like I saw this

  • 4:54

    trap. Like, how did this happen?

  • 4:56

    Shout out to the people of Sudan. Yes,

  • 4:57

    indeed. Yes. Yes, Marv. And people in

  • 5:00

    your lovely Jersey neighborhood that

  • 5:01

    you're going to your rich suburb

  • 5:03

    >> [laughter]

  • 5:05

    >> This guy is the greatest. That's where I

  • 5:06

    strategize Joe.

  • 5:08

    You'll never find me there. [laughter]

  • 5:11

    Flip, what up, man? Chilling, man.

  • 5:13

    Is you really keeping this Malcolm X

  • 5:15

    look going through like Are you going to

  • 5:16

    go through the spring with it?

  • 5:18

    I don't even know what you're talking

  • 5:19

    >> bodied Ari with it. Stop. Don't be

  • 5:21

    stupid with me, [ __ ] It's me. You

  • 5:22

    bodied Ari with this look. Your DMs was

  • 5:25

    on fire.

  • 5:27

    Nah, he was a little more buttoned up

  • 5:28

    than Ari, I thought. Nah, the glasses

  • 5:30

    >> Oh, glasses. That's what I'm talking

  • 5:31

    about. The glasses, the Malcolm X look

  • 5:34

    on Ari. The code switching fingers

  • 5:36

    crossed. Code switching

  • 5:38

    Oh, yeah. I mean, I

  • 5:39

    I love J Elec, but not like you. Like,

  • 5:41

    that [ __ ] worked. [laughter] Your DMs

  • 5:43

    lit on fire. You was hot on

  • 5:47

    Then you Then you did it again. You came

  • 5:50

    in again with these glasses on. So, and

  • 5:52

    I know you.

  • 5:53

    >> here with the glasses first. And you

  • 5:55

    came to my birthday dinner in these

  • 5:56

    glasses. That's where you debuted.

  • 5:59

    Soft launch. Soft Soft launch, for sure.

  • 6:02

    So, I want to know if you're keeping

  • 6:03

    this thing going through the through the

  • 6:04

    spring and and through the summer.

  • 6:07

    It is becoming. I think I'm wearing

  • 6:09

    glasses for the rest of my days.

  • 6:11

    Oh, on Earth? Yeah. You don't wear

  • 6:13

    contacts anymore? Yeah. You got to wear

  • 6:15

    double.

  • 6:17

    >> [laughter]

  • 6:18

    >> You got both on?

  • 6:20

    DAMN [ __ ]

  • 6:22

    DAMN, [ __ ] I WANT TO SEE EVERYTHING IN

  • 6:23

    3D [ __ ]

  • 6:27

    THEY LOOK GOOD, THOUGH. DUDE, you look

  • 6:28

    nice, man. Thank you, sir. This whole

  • 6:30

    outfit like you

  • 6:31

    You look good. You know that's blind

  • 6:33

    like y'all blind while y'all too.

  • 6:36

    Yeah.

  • 6:38

    What's your point, though?

  • 6:39

    Cuz you know when you And you That's the

  • 6:41

    That's a The other senses get

  • 6:42

    heightened. Yeah. You don't need

  • 6:44

    Yo, he 50. He get headaches quick. You

  • 6:46

    don't [laughter] smell? Yeah. WHAT YOU

  • 6:48

    TALKING ABOUT?

  • 6:50

    THE OTHER SENSES.

  • 6:51

    >> [laughter]

  • 6:54

    >> NAH, he get headaches quick.

  • 6:57

    >> [laughter]

  • 6:58

    >> HEY, YO. HONEY, I'M

  • 6:59

    I'M DIZZY.

  • 7:02

    LET ME TAKE A SECOND.

  • 7:03

    >> [laughter]

  • 7:04

    >> THE

  • 7:05

    THE ROOM IS SPINNING. Come on. IT'S GOOD

  • 7:06

    TO

  • 7:07

    HOPEFULLY.

  • 7:09

    MAN, I AIN'T MAD AT THAT. WELL, you look

  • 7:11

    good, man. Thank you, sir. Shout out to

  • 7:13

    you, Ish. How can How can we can never

  • 7:14

    just say that? What? It's more fun when

  • 7:16

    Cuz he don't accept Cuz we black men.

  • 7:18

    All right. No, you got to do all THE

  • 7:19

    OTHER [ __ ]

  • 7:20

    >> [screaming]

  • 7:21

    >> HE HE DON'T ACCEPT IT. WE WAS GIVING HIM

  • 7:23

    COMPLIMENTS. He don't like that. He

  • 7:25

    looking up acting like he squinted at

  • 7:26

    the board. That's That's what you call

  • 7:27

    what you was doing?

  • 7:29

    That's his point. It's cool, though. And

  • 7:31

    why you cream head to toe? Like, what's

  • 7:33

    going on, dude?

  • 7:34

    >> [laughter]

  • 7:35

    >> You look like the eraser on A GOOD

  • 7:36

    PENCIL.

  • 7:39

    YOU LOOK like a Timberland cleaner.

  • 7:41

    [laughter]

  • 7:43

    What the [ __ ] is up with this dude?

  • 7:45

    >> [laughter]

  • 7:48

    >> God damn. This is better than comedy.

  • 7:51

    >> [laughter]

  • 7:52

    >> The Timberland cleaner. You ain't buy

  • 7:53

    that separate. You ain't buy that. You

  • 7:55

    bought that together like on the

  • 7:56

    mannequin. You ain't buy that separate.

  • 7:58

    You ain't like just buy the top and then

  • 8:00

    say, "Let me find some sneakers to

  • 8:01

    match." Boy.

  • 8:02

    Boy. [clears throat]

  • 8:04

    >> [laughter]

  • 8:06

    >> You know he met some girl that work in

  • 8:07

    New Balance.

  • 8:09

    Gave her his info. 900 hours on the

  • 8:12

    phone. That's what it was. A website.

  • 8:14

    Gave her the website.

  • 8:15

    >> did this with the glasses on. He's

  • 8:16

    network bae.

  • 8:18

    He [laughter] just did this. Network

  • 8:19

    Network bae going to find something to

  • 8:21

    network about.

  • 8:23

    >> [laughter]

  • 8:24

    >> Not not not [clears throat] not not just

  • 8:25

    that.

  • 8:27

    Not not not not just that.

  • 8:29

    Not just sneakers and [laughter] a suit.

  • 8:33

    Oh my god.

  • 8:36

    All right. We got a good show lined up

  • 8:38

    for y'all. I'm a little sad today. Why?

  • 8:40

    I'm a little sad. What's going on, bro?

  • 8:42

    Oh, I know why.

  • 8:44

    Rest in peace to the founder of

  • 8:45

    OnlyFans. Oh, [laughter] yeah. Don't

  • 8:47

    worry.

  • 8:48

    The content's going to keep coming.

  • 8:52

    >> [laughter]

  • 8:52

    >> Yo, look what you think I'm sad about.

  • 8:55

    Well, that is something to be sad about.

  • 8:57

    Rest in peace to dude.

  • 8:59

    He did it. [snorts] He did it big. Who

  • 9:00

    gets that operation?

  • 9:03

    Oh my lord. Kids is having a blast.

  • 9:08

    That's [ __ ] up to say right now.

  • 9:09

    That's bad to say.

  • 9:11

    Nah, rest in [clears throat] peace, man.

  • 9:12

    Rest in peace. Rest in peace. Thoughts

  • 9:14

    and prayers. Thoughts and prayers. But

  • 9:15

    boy, does he leave a fortune. 6.7

  • 9:18

    billion.

  • 9:20

    You get worth enough, you got to get

  • 9:21

    paranoid even with kids. [ __ ] that.

  • 9:23

    Yeah.

  • 9:25

    Dog, I'd be scared of the water you

  • 9:26

    drink in restaurants or all that [ __ ]

  • 9:28

    You It's a different type of money.

  • 9:31

    Is there anybody trying to poison you?

  • 9:32

    Shut the [ __ ] up. I know. I ain't got I

  • 9:33

    ain't got 6.7.

  • 9:36

    Actually, let me stop. I ain't [ __ ]

  • 9:38

    with him today.

  • 9:39

    Um what was I saying? All right.

  • 9:40

    OnlyFans. No, why am I sad? Oh, cuz of

  • 9:42

    that Q.

  • 9:43

    Oh. [snorts] Yeah, that Q was a

  • 9:45

    It's over.

  • 9:47

    The I saw I don't know what I saw that

  • 9:48

    Q.

  • 9:50

    Let me get this podcast started. I saw

  • 9:51

    that Q and was like, "You know what?"

  • 9:53

    >> Do I start begging? Joe Budden is a

  • 9:55

    [ __ ] That's what I'm going to say

  • 9:56

    right now. What? You

  • 9:59

    He can get it, but the

  • 10:00

    What's going on, Mark? You tried to go

  • 10:02

    in there? No. Or you had to go through

  • 10:04

    him? NO, I was going to get my own

  • 10:06

    tickets. What I'm saying is

  • 10:07

    All this [ __ ] you talk about poor people

  • 10:09

    No, I would have Joe always The older

  • 10:11

    poor is we logging in doing all this Oh

  • 10:13

    my god, you guys stand in line you guys

  • 10:14

    do this. You stood in line with 816,000

  • 10:17

    people trying to get Jay-Z tickets.

  • 10:18

    >> No, he did not.

  • 10:18

    >> No, of course he didn't. AND YOU NEVER

  • 10:20

    WERE PLANNING TO.

  • 10:21

    YOU DON'T DO THAT. You clown people to

  • 10:23

    do [ __ ] like You tricked me made me feel

  • 10:24

    sad. You clown [ __ ] to do regular

  • 10:25

    [ __ ] LIKE BUY GROCERIES.

  • 10:28

    NO, [laughter] HE CLOWN

  • 10:28

    >> YOU MADE FUN of us FOR HAVING A COLD. HE

  • 10:30

    CLOWN the [ __ ] that's with the No,

  • 10:31

    I'm clown I clown I clown y'all for

  • 10:33

    y'all having extremely poor immune

  • 10:35

    systems as you age. You and Ish. Like

  • 10:38

    y'all sick every other day. Dog, and 4

  • 10:42

    years ago, 5 years ago, so were you. Not

  • 10:44

    like this. You were. [ __ ] we remember

  • 10:46

    when Lex was going to school and you was

  • 10:48

    coming in arguing about the dirty ass

  • 10:50

    kids, quote unquote, that keep getting

  • 10:51

    you sick.

  • 10:52

    >> Not like this though. I know. You and

  • 10:54

    Mark, y'all be sick. I'm not sick, but I

  • 10:56

    hear you though. It's Or you just

  • 10:57

    congested? I'm not congested either.

  • 10:59

    It's all right though, dog. I remember

  • 11:01

    you coming in here coughing up a lung.

  • 11:03

    And then y'all don't call out when you

  • 11:04

    sick either. Y'all come right in and

  • 11:06

    spread the germs. Is that what you want?

  • 11:08

    Yes, that's what I want.

  • 11:09

    >> Now now let us call out because we got

  • 11:10

    the germs.

  • 11:11

    Look.

  • 11:12

    >> [laughter]

  • 11:13

    >> Okay.

  • 11:14

    But you got a strong immune system so

  • 11:16

    you WON'T GET THE GERMS ANYWAY.

  • 11:17

    >> WELL, that's facts. Yeah, so we good.

  • 11:18

    Immune system built like a man. That's

  • 11:21

    what you talking about.

  • 11:23

    >> [laughter]

  • 11:23

    >> I don't remember what we was talking

  • 11:24

    about.

  • 11:25

    You were you were pretending that you

  • 11:26

    were upset you were lying about these

  • 11:27

    tickets. YEAH, I WAS UPSET ABOUT THE

  • 11:29

    QUEUE. OH, let me get up there. Yeah, I

  • 11:30

    was upset about the queue. Not that I

  • 11:31

    was going to go in there, but if it were

  • 11:33

    a reasonable number, then I would have

  • 11:36

    went in there and waited in line.

  • 11:37

    >> REASONABLE THREE?

  • 11:40

    >> [laughter]

  • 11:41

    >> 27 100

  • 11:43

    Something like that.

  • 11:45

    I thought he might have sent out a code

  • 11:47

    to some family and friends to be able to

  • 11:49

    purchase early and stuff. That was

  • 11:50

    yesterday. [laughter]

  • 11:51

    That was yesterday.

  • 11:52

    >> Yeah, I know.

  • 11:54

    By the time I saw that she said 800,099

  • 11:58

    I was like, you know what?

  • 12:00

    I might just watch it from home. I got

  • 12:02

    in there with the code yesterday. It was

  • 12:04

    one ticket left on the riser on stage.

  • 12:08

    And I just before I could even click to

  • 12:09

    see how much that ticket was it was

  • 12:11

    disappeared gone. They said no tickets

  • 12:13

    available.

  • 12:13

    >> Hold up, you was going to go without

  • 12:13

    your girl?

  • 12:14

    It was one ticket left.

  • 12:16

    >> If need be

  • 12:18

    >> [laughter]

  • 12:18

    >> What were you going to do with said

  • 12:19

    ticket?

  • 12:21

    I'D BOUGHT THAT

  • 12:22

    >> [laughter]

  • 12:23

    >> IT WAS ONE TICKET LEFT. MY

  • 12:25

    WHAT YOU WANT ME TO DO? THIS IS HOME.

  • 12:28

    WOULD YOU GO WOULD you go without YOUR

  • 12:31

    GIRL?

  • 12:33

    >> [laughter]

  • 12:35

    >> MY NAME IS FREEZE.

  • 12:37

    TAKE THIS AND NEVER come over again. F r

  • 12:38

    e e z Freeze.

  • 12:40

    >> [laughter]

  • 12:41

    >> Yo, as Freeze

  • 12:45

    I was playing Reasonable Doubt in front

  • 12:46

    of my wife over and over. I said, "Yeah,

  • 12:48

    this [ __ ] don't even sound good live, do

  • 12:49

    it." She like, "No." And when we got to

  • 12:50

    like track 10, I was like, "Yeah, I

  • 12:52

    might just go with my homies by myself."

  • 12:53

    You know what I mean? Go by myself. You

  • 12:54

    don't want to go No way. And then she

  • 12:55

    saw the the fake out. So now she want to

  • 12:57

    go to the Blueprint show.

  • 12:59

    Yeah. So I thought That's the one I want

  • 13:00

    to go to anyway. Yeah, you getting

  • 13:01

    tickets, Mark? You got you got you got

  • 13:02

    you Yeah, let me get I'm going to get me

  • 13:03

    tickets to at least one of the shows,

  • 13:04

    probably both. Just to say I went. Let's

  • 13:06

    go, Mark. You going to ain't you?

  • 13:09

    Yeah, but I'm I'm doing other I'm doing

  • 13:10

    other routes. I'm taking I'm taking I'm

  • 13:12

    taking another route to go. What you

  • 13:13

    going to do? Yeah, I was about to say.

  • 13:14

    Well

  • 13:15

    Sneak in again.

  • 13:17

    >> [laughter]

  • 13:17

    >> How the [ __ ]

  • 13:19

    How the [ __ ] Sneak in you Didn't you get

  • 13:21

    tased at the Barclays Center?

  • 13:23

    Yo, I'mma call Shabba.

  • 13:25

    >> [laughter]

  • 13:25

    >> Shabba

  • 13:27

    He going to text Wyclef At least at

  • 13:29

    least I can call somebody Ish, [ __ ] I

  • 13:31

    don't got to pretend. I don't have no

  • 13:32

    Hello, Mark. No, Mandy get him in.

  • 13:35

    You know you know how to just call

  • 13:36

    >> [laughter]

  • 13:38

    >> Yo, if she could

  • 13:40

    I I used to proud to be like, "Yo,

  • 13:41

    word?" Facts. You were you were ill plus

  • 13:43

    one.

  • 13:45

    So you good. So ask me kindly like that.

  • 13:47

    >> [laughter]

  • 13:49

    >> He'll cool what? He'll never ask you.

  • 13:52

    HE'LL NEVER ASK HE'LL STOP LISTENING TO

  • 13:54

    THE WHOLE WORLD.

  • 13:55

    >> [laughter]

  • 13:56

    >> I DIDN'T ASK NOBODY [ __ ] THAT [ __ ] I'm

  • 13:57

    saying like you would ask Mandy. I

  • 13:59

    wouldn't ask Mandy.

  • 14:01

    You just said you Mandy's my friend and

  • 14:02

    I would be like, "Yo, are you want to go

  • 14:04

    to blah blah blah? I got tickets." And

  • 14:05

    I'll be like, "Yes." Would she ask you

  • 14:06

    like that? I didn't ask anybody. But if

  • 14:08

    she said if she said I have an extra

  • 14:09

    ticket, would you say can I go? No, she

  • 14:11

    if she's telling me, "Yo, I got an extra

  • 14:13

    ticket to something." She's telling me

  • 14:14

    for a reason. And would you follow up

  • 14:15

    and ask? No, she'll be like, "Yo, do you

  • 14:17

    want to go?" My If I call Mark and say,

  • 14:19

    "Yo, yo, I got an extra ticket to the

  • 14:21

    blah blah blah."

  • 14:22

    I'm I'm insinuating that yo, would you

  • 14:24

    like the ticket? I got an extra ticket,

  • 14:26

    would you like to go with me? Sure.

  • 14:29

    How you feel? What time should I pick

  • 14:30

    you up?

  • 14:31

    >> [laughter]

  • 14:32

    >> What that What that [ __ ] you like?

  • 14:37

    What time? Hey, send me your address.

  • 14:39

    WHAT'S UP, NICE?

  • 14:40

    >> [laughter]

  • 14:42

    >> MEET ME AT THE STOP SIGN, ASS [ __ ]

  • 14:45

    >> [laughter]

  • 14:48

    >> KEEP THIS applause going for the best

  • 14:49

    crew on Earth. Let's go. Let me get

  • 14:51

    these drops out the way right quick.

  • 15:01

    It's Parks.

  • 15:03

    It's Parks. It's Parks.

  • 15:05

    Uh

  • 15:12

    Who is that?

  • 15:13

    It's Mark.

  • 15:15

    New Flip.

  • 15:17

    >> And I still don't have my Flip drop. Uh

  • 15:20

    And I'm and I'm not going to look for

  • 15:21

    that episode. So I need Flip to just do

  • 15:23

    the drop for me so I can put the cool

  • 15:25

    effect on it. But we're going to do do

  • 15:26

    you want What do you want me to say?

  • 15:28

    We'll talk off air. I'mma give

  • 15:29

    [clears throat] you the drop. We going

  • 15:30

    to do the drop. I'mma record the drop.

  • 15:32

    The people have been writing about that.

  • 15:33

    I thought it was something light, but

  • 15:34

    they

  • 15:34

    >> No, it's not light. It's very important

  • 15:36

    to the people and myself. It's it's not

  • 15:38

    nothing to sleep on. It's been long

  • 15:39

    enough. No, it's no, it's been long

  • 15:40

    enough. I can't wait. I I appreciate

  • 15:42

    that. Yeah, no. For too long. I'm

  • 15:43

    talking, bro. Word. Yeah, I was talking

  • 15:45

    to you.

  • 15:46

    No, I'm good. I'm good. Yeah, it's too

  • 15:47

    too long and too important to this

  • 15:49

    broadcast. We not we not doing that. We

  • 15:50

    not playing like that. Uh what episode

  • 15:52

    is this? 914.

  • 15:53

    >> Welcome to episode 914 of the Joe Budden

  • 15:56

    podcast brought to you by fueled by

  • 15:58

    powered by sponsored by PrizePicks.

  • 16:00

    PrizePicks gang, you

  • 16:02

    I am your humble, gracious, extremely

  • 16:04

    happy to be here host Joe Budden here

  • 16:05

    with a few very amazing people to my

  • 16:07

    right. Queens get the money, you know

  • 16:09

    the vibes. Queens Flip in the building.

  • 16:12

    How you doing, man?

  • 16:13

    >> I'm good. I love y'all. I'm happy to be

  • 16:14

    here. Let's get to work, baby. Happy to

  • 16:16

    have you. Next to him, Philly's finest,

  • 16:18

    our good brother Dr. Dark Lo Monte Hill

  • 16:20

    is in the building. Mark, how you doing?

  • 16:22

    Great great great great great. Good,

  • 16:24

    absolutely love that. Next to him, Mr.

  • 16:27

    Cream of Wheat himself.

  • 16:28

    >> [laughter]

  • 16:29

    >> MR. 1,000 DOORS.

  • 16:34

    MR. 1,000 DOORS AND UP, OUR GOOD brother

  • 16:37

    Malcolm Sex [laughter] Ish is in the

  • 16:38

    building. Ish, how you doing, man? Good,

  • 16:40

    sir. Good good. I couldn't be better.

  • 16:42

    Next to him, the freeziest of them all,

  • 16:45

    you know the vibes. Big Freeze Ice is in

  • 16:48

    the building. Ice, how you doing, man?

  • 16:49

    Great great. Glad to be here. Let's

  • 16:50

    ready to get to it.

  • 16:51

    >> Good, absolutely love that. Next to him

  • 16:55

    >> [groaning]

  • 16:57

    [laughter]

  • 16:58

    >> Elmira's finest, Big Parks is in the

  • 16:59

    building. White Pole is in the building.

  • 17:01

    Black Corey is here. Erickson is here.

  • 17:03

    Tanner and Savon are here by remote.

  • 17:05

    Last but certainly not least, each and

  • 17:07

    every one of you guys out there are

  • 17:10

    here. Gang gang. Now

  • 17:13

    who do I have to rob to get in this

  • 17:15

    Jay-Z concert? Very good question cuz

  • 17:18

    I'm getting tickets, but I don't know

  • 17:19

    how. I'm not calling Fat Joe.

  • 17:22

    I'm not calling Lenny S.

  • 17:24

    Bleek Guru, help us out. Guru

  • 17:28

    I don't know how it's going to happen.

  • 17:29

    I'm not waiting in any queue.

  • 17:31

    And uh

  • 17:33

    hopefully some of the feelers I put out

  • 17:35

    there will respond and and and get me uh

  • 17:37

    situated.

  • 17:38

    >> this 15-minute block of us begging has

  • 17:40

    been uh Yeah. Yeah. So we'll get to

  • 17:42

    begging a little bit more though.

  • 17:43

    [laughter]

  • 17:43

    I'm going to call him back a little bit

  • 17:44

    more. Yeah, for sure. Cuz I already

  • 17:46

    looked on the on the the resale sites.

  • 17:50

    I'll beg a little bit more.

  • 17:51

    How much I'm looking at right now? I saw

  • 17:53

    over 12 12 something. Is that 12,000? Is

  • 17:56

    that the floor joint? The little the

  • 17:57

    little

  • 17:57

    the step the The riser. The riser the

  • 17:59

    riser With the actual field floor, I'm

  • 18:01

    looking at four grand, five grand per

  • 18:03

    ticket. Yeah. Oh. And that's in the back

  • 18:06

    of the floor. That's not even

  • 18:10

    That's the back of the floor though.

  • 18:11

    That ain't

  • 18:12

    up front.

  • 18:13

    >> Ain't it the side [ __ ] You know, so so

  • 18:15

    something like that. Little 7,500.

  • 18:17

    That's Exactly, you rich.

  • 18:19

    I think it sound like you should just

  • 18:20

    flex and get the whole crew tickets and

  • 18:21

    awesome. I won't be doing that.

  • 18:23

    >> [laughter]

  • 18:24

    >> I won't be doing that.

  • 18:26

    Sorry sorry sorry about that one. But if

  • 18:27

    we in there meet up with you you saying?

  • 18:29

    I didn't say that. Neither. [laughter]

  • 18:32

    Don't meet up with me. If we in there

  • 18:34

    just enjoy the show. Enjoy the

  • 18:36

    [ __ ] if I paid $5,000 I don't want to

  • 18:37

    see Joe Budden.

  • 18:38

    [ __ ] y'all [ __ ] is crazy. I ain't

  • 18:40

    meeting up with nobody. I did one of you

  • 18:41

    [ __ ] I did I don't know nobody. I

  • 18:42

    don't know you [ __ ] I don't know

  • 18:44

    nobody. If I had to pay $5,000 for

  • 18:45

    tickets

  • 18:47

    I look like I'm letting y'all know I'm

  • 18:49

    getting in there by hook or by crook.

  • 18:52

    I

  • 18:52

    see they going to be the legal legit way

  • 18:55

    or it's going to be Mark deep infamous.

  • 18:58

    Yeah, how you doing?

  • 19:00

    Yeah, old school CNN war report, but I'm

  • 19:03

    going to be in there. I'm going to just

  • 19:04

    find a building over there somewhere and

  • 19:05

    sit on the roof.

  • 19:07

    Yo.

  • 19:08

    >> [laughter]

  • 19:08

    >> Oh, that would be fine. Let me ask y'all

  • 19:10

    a question. If they stream this

  • 19:12

    and it's and it's a reasonable fee, 50

  • 19:14

    100 dollars, whatever to watch the

  • 19:16

    Would y'all still Would y'all Would that

  • 19:18

    make you less inclined to go? No, but I

  • 19:20

    would be okay with that as a last

  • 19:22

    resort. Yeah, it would be fine. It's a

  • 19:24

    feeling that you get when you in the

  • 19:25

    concert, certain ones. Yeah. Especially

  • 19:27

    Hov. You can't match You know what else

  • 19:28

    is a good feeling? Keeping 10,000

  • 19:30

    dollars in your pocket.

  • 19:31

    Oh no, dog. If it's 10 grand, I won't be

  • 19:33

    in I won't be Yeah, I'm not I'm not

  • 19:35

    My [ __ ] Well, it'll be about

  • 19:38

    It'll be expensive. It's going to be

  • 19:39

    It's going to be a lot. I'm not paying

  • 19:40

    10 grand for two tickets, B. to nobody.

  • 19:43

    I'll pay 15 grand for one ticket. I'm

  • 19:45

    not doing that either. It could be to

  • 19:46

    the to to Jesus coming back. I'mma miss

  • 19:48

    that one.

  • 19:48

    >> Well, you Yeah, and if you pay five you

  • 19:50

    going to be sitting close to Jesus cuz

  • 19:51

    if you going to be at the top of the

  • 19:52

    stadium. [laughter]

  • 19:53

    And that's I want people to pay for

  • 19:55

    YEAH EXACTLY.

  • 19:57

    >> [laughter]

  • 19:57

    >> HEY MOSES, THAT'S YOU?

  • 20:00

    WORD, I'M GOOD. YEAH, NO.

  • 20:02

    Who'd you call Mark? You call somebody

  • 20:04

    from Roc Nation? Like how did you You

  • 20:06

    look rather comfortable during the time

  • 20:07

    >> looked he looked he looked confident. Um

  • 20:09

    I got people in places.

  • 20:11

    My man got some tickets. He paid

  • 20:13

    Dash. Dash got tickets. He called me. He

  • 20:16

    he only paid $750 or $1,000. He said he

  • 20:18

    downloads them. Pause.

  • 20:20

    Yeah, Dash probably waited in that queue

  • 20:22

    after 2 million people did.

  • 20:24

    He should resell He should resell them.

  • 20:25

    He could resell Yeah.

  • 20:27

    Oh, the discipline it took not to text

  • 20:29

    somebody this morning.

  • 20:31

    >> [laughter]

  • 20:31

    >> It did take a lot of discipline. Why

  • 20:33

    don't you just go to like one of second

  • 20:34

    market sites and just buy them You call

  • 20:36

    that discipline?

  • 20:37

    Yeah, on my part, yeah. Is that ego?

  • 20:38

    Seriously, is that ego? Is that ego?

  • 20:40

    It's not discipline. ZEO, you took the

  • 20:41

    words out of my mouth. It's ego. I don't

  • 20:43

    think it's ego. Why?

  • 20:44

    Come on, Joe.

  • 20:45

    >> do that this morning, why is that ego?

  • 20:47

    You have relationships with people

  • 20:48

    >> saying I'm against doing it. I think

  • 20:50

    Cool. I was I was doing it today.

  • 20:52

    I was talking about that. I was saying

  • 20:53

    something like there's a way to do it.

  • 20:55

    I've got you. I'm not saying I'm above

  • 20:56

    doing it or I'm not going to do it.

  • 20:58

    >> Soon as tickets go on sale, you want to

  • 20:59

    phone call a [ __ ]

  • 21:03

    That look a little crazy.

  • 21:04

    >> No, I'm just not the way that that

  • 21:05

    should be done.

  • 21:06

    >> First day is crazy. That's not what I

  • 21:08

    was talking about. I was saying ego is

  • 21:09

    cuz you could just afford to buy the

  • 21:10

    tickets online. Do you not want to buy

  • 21:12

    them online as a because you got so much

  • 21:14

    influence like I'm not paying ticket.

  • 21:15

    I'm going to get somebody

  • 21:16

    >> not that. Even if I text somebody, I'm

  • 21:17

    texting somebody to give me the point

  • 21:19

    person.

  • 21:20

    The person that has the reserve

  • 21:22

    The reserve joints. I'm buying mine.

  • 21:25

    Yeah, I'm not looking for no freebie.

  • 21:27

    I'm buying them. Where you get that

  • 21:28

    from? Like you you one of the only that

  • 21:29

    I see that that that does that. I've

  • 21:31

    I've watched plenty of events where you

  • 21:33

    say you'll give me the point person I'll

  • 21:34

    pay tickets for

  • 21:35

    me and my peoples. I've heard you do

  • 21:37

    heard you do that. I paid for tickets

  • 21:38

    too. I don't give a [ __ ]

  • 21:39

    >> No, I'm not I'm I'm saying I'm just

  • 21:40

    talking about him him in his position.

  • 21:41

    He could just

  • 21:43

    get it for free. But he chooses I could

  • 21:44

    get a lot of tickets for free and I just

  • 21:46

    I prefer to buy it. I don't want to have

  • 21:48

    It's a waste of a favor, first of all.

  • 21:50

    Yes. Like if it's not going to kill me

  • 21:52

    to buy tickets if they're reasonable to

  • 21:54

    buy. Got it. This is the one to call in

  • 21:56

    though.

  • 21:57

    If I can't find them to buy, yeah. This

  • 21:58

    is the favor to call in. Yeah, I'm not

  • 22:02

    Yeah. That's what I'm saying. Some

  • 22:03

    [ __ ] just some use that favor. Yeah,

  • 22:06

    I'm cool. I don't It don't be a favor.

  • 22:09

    Yo fam.

  • 22:11

    What's reasonable? Reasonable is

  • 22:12

    relative. It is. And dope unintended, I

  • 22:15

    doubt it.

  • 22:16

    >> [laughter]

  • 22:17

    >> You crazy? Yeah, I'm not paying a

  • 22:19

    thousand What? A thousand? No.

  • 22:21

    That's what you call a favor. 700

  • 22:24

    You pay [laughter] face You pay face

  • 22:25

    value. Yeah, I might even pay a little

  • 22:28

    over face. I might pay double face. I'm

  • 22:30

    not going to be paying no 10 grand for

  • 22:31

    them tickets. I'm not paying Super Bowl

  • 22:33

    prices for a concert, my [ __ ]

  • 22:36

    Well, me and Mark will tell y'all all

  • 22:37

    about it.

  • 22:38

    >> [laughter]

  • 22:39

    >> I'll lift you up. I'll FaceTime one of

  • 22:41

    y'all too. Like what's what's y'all

  • 22:42

    favorite joint? Excuse me, miss.

  • 22:45

    >> [laughter]

  • 22:47

    >> WHEN EXCUSE ME, MISS COME ON, I'LL

  • 22:49

    FaceTime and

  • 22:51

    >> [laughter]

  • 22:52

    >> Yeah, I'm not above that My [ __ ] are

  • 22:55

    stupid yo.

  • 22:56

    Yo, Gus, what's going to happen?

  • 22:58

    The next

  • 22:59

    uh second day, the whole concert going

  • 23:01

    to be on YouTube and I'm going to be

  • 23:03

    $10,000 richer and I'll take that.

  • 23:06

    All right.

  • 23:07

    Okay. I want to see some good quality.

  • 23:10

    Oh, yeah, I'm I'm here for a good time.

  • 23:11

    got cameras now, B. Yeah. Can't take

  • 23:13

    that 10K with me, y'all. And the energy

  • 23:15

    in the room is worth it. Life is about

  • 23:17

    memories and moments. Not worth 10

  • 23:19

    grand, Mark. I'm with you on that.

  • 23:21

    >> [laughter]

  • 23:22

    >> The Roots Picnic, y'all y'all might want

  • 23:23

    to change your

  • 23:30

    >> [laughter]

  • 23:32

    >> Okay, so we got the huge Jay-Z GQ

  • 23:34

    interview. Who here still believes that

  • 23:36

    we are not getting a Jay-Z project this

  • 23:37

    year? Oh, I could have that interview

  • 23:39

    made me feel like he's not there yet.

  • 23:41

    Yeah, he's not there. Yeah.

  • 23:43

    I think he's

  • 23:45

    he's been working on music and he ain't

  • 23:47

    found nothing he like. I don't think we

  • 23:48

    getting a project. Like I told Joe.

  • 23:51

    I'm like I said, I hope I'm wrong.

  • 23:53

    But I still do not Nothing in that

  • 23:55

    interview made me think there's an album

  • 23:56

    coming. I'm not going to lie. I was I

  • 23:58

    was thinking the album was coming

  • 23:59

    through 25 minutes of the interview, but

  • 24:01

    when he got to like, I'm not really sure

  • 24:03

    how I want to sound in 2026 or whatever

  • 24:05

    he was saying, I was like, oh yeah, he's

  • 24:07

    not he's not there yet. Yeah. Unless

  • 24:08

    y'all just think he's lying. I I said I

  • 24:10

    didn't think the album was coming and

  • 24:11

    the interview just confirmed

  • 24:13

    Oh, you think he's lying? He human.

  • 24:15

    I know you call him Hov, he still human,

  • 24:17

    my [ __ ] That [ __ ] got music coming,

  • 24:18

    bro. I just don't think it's anytime

  • 24:19

    soon. I'm I'm not saying he's never

  • 24:21

    making an album. I don't think it's

  • 24:22

    coming. They asked him about why he

  • 24:23

    didn't feature on the Clipse album and

  • 24:25

    he was like, well, I think my first

  • 24:27

    words need to come from me.

  • 24:28

    That to me confirmed something is coming

  • 24:32

    at some point.

  • 24:33

    >> For sure. But he's all Like I said

  • 24:34

    before, he does that in a verse.

  • 24:37

    He do that. When he feeling something or

  • 24:39

    he got some [ __ ] to get off his chest,

  • 24:40

    he'll go do But when you say it's going

  • 24:42

    to come from me, that takes it away from

  • 24:45

    a feature [clears throat] verse. I'm not

  • 24:46

    saying a feature verse. Like even Like

  • 24:48

    he did when he had his opinion about how

  • 24:50

    everybody was talking about Tidal. He

  • 24:51

    did that as a freestyle on the stage at

  • 24:54

    at I think it was the B-Side show.

  • 24:56

    Like he can get his point off in a verse

  • 24:58

    without it being an album.

  • 25:00

    Yeah, I don't

  • 25:02

    Nothing says album. That's all I'm

  • 25:04

    saying.

  • 25:04

    >> he got a lot to say and I don't think a

  • 25:06

    verse is going to cover everything that

  • 25:08

    he has to say over the last what? When

  • 25:10

    was 4:44 came out?

  • 25:11

    2016

  • 25:13

    >> [laughter]

  • 25:13

    >> years ago. Yeah, verses since then.

  • 25:14

    A few. He had an album since then. He

  • 25:16

    did it He did the Carters. He did

  • 25:18

    JAY-Z like Yeah, then stop.

  • 25:21

    No, I'm just You so disrespectful, man.

  • 25:22

    >> [laughter]

  • 25:23

    >> I used to

  • 25:24

    disrespectful.

  • 25:25

    But so so I'm thinking still nothing's

  • 25:27

    coming out this year. I think maybe

  • 25:29

    fourth quarter. But I don't I don't

  • 25:30

    think it I don't think an album is being

  • 25:31

    timed with the concerts was sort of the

  • 25:33

    point. Like I don't think like these

  • 25:34

    these concerts is coming out and you're

  • 25:35

    going to see a Jay-Z album coming out

  • 25:37

    that time. I could be wrong. Like I

  • 25:38

    said, I hope I'm wrong. Yeah, I would

  • 25:39

    love to be wrong. Can't wait. All right.

  • 25:41

    So Hov sat with Frazier for GQ and did

  • 25:44

    an interview that all these clips

  • 25:46

    released on the day we're recording.

  • 25:47

    Somebody up there loves us.

  • 25:49

    Somebody up there loves us. They asked

  • 25:51

    him about a bunch his name being dragged

  • 25:54

    through the mud for the last year. They

  • 25:56

    asked him about the battle which seems

  • 25:57

    to have people in a in a tidbit in a

  • 26:00

    frenzy about it. Super Bowl, album

  • 26:02

    plans. A lot was covered. And I I do

  • 26:05

    want to shout out Frazier Thorpe from

  • 26:07

    GQ. He absolutely bodied this interview.

  • 26:09

    Really good questions, had

  • 26:11

    insightful questions, had quotes from

  • 26:13

    lyrics just off the cuff. It seems like

  • 26:16

    well researched. He He bodied that. You

  • 26:18

    know, Frazier's job. Shout out to

  • 26:20

    Frazier. Uh here we go. Here's a clip

  • 26:22

    and I'm asking about the Kendrick and

  • 26:24

    Drake beef. We love the excitement and I

  • 26:27

    love the the

  • 26:29

    the sparring and the music you get.

  • 26:31

    But in this day and age

  • 26:34

    it's so much negative stuff that comes

  • 26:36

    with it, they almost wish it didn't

  • 26:38

    happen. Really? Yeah, because it's it's

  • 26:40

    not it's it's not it's almost like it's

  • 26:42

    a final thing. Now

  • 26:45

    people that like Kendrick hate Drake.

  • 26:47

    Yeah. No matter what he makes. No matter

  • 26:49

    what he says. And it goes for too. It's

  • 26:51

    like attack on his character and his

  • 26:53

    thing and his And it's like I don't know

  • 26:56

    if I love that. Yeah. I don't know if

  • 26:58

    it's helpful to our growth.

  • 27:01

    Where the fallout lands. Mhm. Especially

  • 27:04

    on like, you know, on social media which

  • 27:06

    takes place every day.

  • 27:10

    The stan armies fighting. Yeah, and it's

  • 27:11

    like it's too far.

  • 27:13

    It's like bringing people kids in it.

  • 27:15

    And it's like

  • 27:17

    I don't I don't like that. You know,

  • 27:18

    maybe I've grown in the space that

  • 27:20

    probably you know, I sound like the old

  • 27:22

    guy wagging a finger.

  • 27:25

    I think we can

  • 27:27

    achieve the same thing as far as like

  • 27:30

    sparring with music

  • 27:32

    with collaborations more so than

  • 27:35

    breaking the whole thing apart. Yeah. It

  • 27:37

    could stand it before because there was

  • 27:40

    no social media and there was no thing

  • 27:42

    and you know, you had the battle it was

  • 27:43

    fun and then you moved on. Right. Right

  • 27:46

    now, I don't know if I could stand it

  • 27:47

    with the technology that we have. Cuz it

  • 27:50

    takes up so much oxygen.

  • 27:51

    >> up so much oxygen. Yeah. And now it's

  • 27:53

    just like every day they're just trying

  • 27:55

    to play it out. Not not just talking

  • 27:57

    about it.

  • 27:59

    They're like trying to take it out.

  • 28:03

    It's like trying to

  • 28:04

    you know, wreck this guy's marriage or

  • 28:06

    this guy's relationship with his child

  • 28:09

    and it's like

  • 28:10

    I don't know, man. I don't I don't know

  • 28:12

    if I don't know if it's worth it at this

  • 28:15

    at this point.

  • 28:16

    >> Yeah. I don't know.

  • 28:18

    It's interesting. Again, I love the idea

  • 28:21

    that we got so much music in such a

  • 28:22

    short period of time. Great music. Just

  • 28:25

    everything around it was just like

  • 28:28

    man, it's it's like taking us a

  • 28:31

    a couple steps back. Yeah. And we we we

  • 28:34

    just grown so much that I don't know if

  • 28:37

    I guess I'm going to say I don't know if

  • 28:40

    battling needs to be part of it.

  • 28:41

    >> Oh my god, Shawn Carter. Yeah.

  • 28:47

    I'm glad he recognizes it.

  • 28:49

    But he

  • 28:50

    No. I'm glad that he recognizes it.

  • 28:53

    Yeah, but he

  • 28:54

    he don't [laughter] care. No, he don't

  • 28:56

    care.

  • 28:57

    This was

  • 28:58

    I'm off this. Yeah, I didn't love this

  • 29:00

    take especially like Why not? Couldn't

  • 29:02

    disagree more.

  • 29:03

    >> outside when Nas and Hov was a thing. It

  • 29:06

    was divisive.

  • 29:08

    But super ugly bringing kids into IT

  • 29:10

    LIKE

  • 29:12

    IT DIDN'T COME WITH with the [ __ ] that

  • 29:14

    happened between Kendrick and Drake.

  • 29:15

    It's not even close.

  • 29:17

    Social media amplified it. I dropped

  • 29:19

    water in the food. bro. I agree. I

  • 29:21

    disagree. I told you. You got you got

  • 29:22

    one man that's being labeled as a

  • 29:24

    certain thing forever and social media

  • 29:27

    just amplified it. Back in those days it

  • 29:29

    wasn't

  • 29:30

    What? Dre Day? What? That's why I get

  • 29:32

    you fat.

  • 29:32

    What? What Jay said asked Nas to

  • 29:36

    Your girl That's that's something that

  • 29:37

    happens in our community all the time.

  • 29:38

    That's nothing No, what I'm saying is

  • 29:39

    Snoop and Dre Snoop and Dre was

  • 29:41

    literally calling people pedophiles.

  • 29:43

    Yeah, they were. I don't remember that.

  • 29:44

    I don't remember that. I I wasn't around

  • 29:45

    for that.

  • 29:47

    I just think that the to his point I

  • 29:49

    think that the social media thing takes

  • 29:51

    it to a different stratosphere that we

  • 29:53

    didn't have back then. I remember

  • 29:55

    literally me and my man going outside of

  • 29:57

    work when they was teasing the yo we got

  • 29:59

    a new Jay-Z we got it was a thing it was

  • 30:02

    it was a regional thing it wasn't an

  • 30:04

    international thing. You get what I'm

  • 30:06

    saying it's it's I think it's I think

  • 30:08

    it's a drop in the bucket. So you say

  • 30:10

    hip hop out grew it.

  • 30:11

    Cuz that's what that's the only thing

  • 30:12

    that Jay-Z is hip hop grew to an

  • 30:14

    international level. No social media is

  • 30:16

    now putting this [ __ ] in front of our

  • 30:18

    faces every single day. It did but it

  • 30:21

    did but it didn't cuz in the real world

  • 30:23

    Drake still plays and no one looks at it

  • 30:25

    funny when you play Drake.

  • 30:27

    Yo listen to this

  • 30:28

    this this discourse only lives on the

  • 30:30

    internet. Yeah but that's the internet

  • 30:32

    is our lives.

  • 30:33

    >> It's not. No it's not. It's not real

  • 30:35

    life.

  • 30:38

    You can say that theoretically today's

  • 30:40

    society the internet plays a huge part

  • 30:42

    in blogs wake up and check their phone

  • 30:44

    before they say their prayers. Y'all can

  • 30:46

    say whatever the [ __ ] y'all want to say

  • 30:47

    the internet is a lot of people's lives

  • 30:49

    especially the younger generation. Okay

  • 30:51

    if Drake was to go on a arena run this

  • 30:55

    summer he can and will this this this is

  • 30:57

    stopping absolutely nothing it is

  • 30:59

    discourse on the internet and that is

  • 31:01

    different from discourse in the real

  • 31:02

    life. Somebody shot at this man's house

  • 31:05

    where his family lives you can't say

  • 31:07

    that the internet is not playing a huge

  • 31:08

    part in what

  • 31:10

    Fam that has nothing to do with the

  • 31:11

    internet though that's been happening

  • 31:13

    BEFORE THAT. THAT'S NOT TRUE. Has that

  • 31:15

    so has that been happening in rap beefs

  • 31:16

    before that have been getting shot at

  • 31:18

    the house or shot up in prior to the

  • 31:20

    internet prior to social media like That

  • 31:21

    was beefing NOT BY FANS THAT DON'T KNOW

  • 31:23

    THE other that they shooting at.

  • 31:26

    John Lennon got killed by a fan. So did

  • 31:28

    Selena. Yeah fans fans fans

  • 31:31

    Strangely enough it's always been there.

  • 31:33

    I agree that the internet we can't act

  • 31:35

    like the internet is this place is

  • 31:36

    disconnected from our life the internet

  • 31:37

    a lot of our lives a lot of our lives

  • 31:39

    are lived on the internet but at the

  • 31:40

    same time I do think that

  • 31:43

    we can't reduce everything to how people

  • 31:45

    are talking about something on the

  • 31:46

    internet. I think that for me is the

  • 31:48

    point I agree with you like the internet

  • 31:49

    is important but at the same time like

  • 31:51

    What Tyler said about the internet?

  • 31:53

    Turn your phone off. Turn your phone

  • 31:54

    off.

  • 31:55

    There's a whole world where Drake is

  • 31:57

    like you can look on the internet and

  • 31:58

    think the world is one way and then you

  • 31:59

    can go outside and go to a club or party

  • 32:01

    a thing and it's just different.

  • 32:03

    >> It's not that. It's not that that's all

  • 32:04

    of that that's what I'm saying. But

  • 32:05

    that's easier said by the that's not

  • 32:07

    affected by the

  • 32:08

    I'm with you but Cuz I watch everybody

  • 32:10

    besides you I watch people and you but

  • 32:12

    people up here when things are being

  • 32:14

    said on the internet we have addressed

  • 32:16

    it you are one of them I'm one of them

  • 32:18

    so and we are the ones that affect it so

  • 32:20

    the person that's affected whatever mind

  • 32:22

    tricks that is played is easy to say

  • 32:23

    over here like this is just the internet

  • 32:25

    no it's not. I agree with that I'm just

  • 32:27

    saying that's not the only story we

  • 32:28

    should be telling like

  • 32:30

    in addition to that like like I get

  • 32:31

    frustrated with [ __ ] people say on the

  • 32:32

    internet but there's a time I JUST GO

  • 32:33

    OUTSIDE AND I REALIZE PEOPLE YOU KNOW

  • 32:35

    DON'T THINK THAT. So look and and you

  • 32:37

    could get frustrated and no disrespect

  • 32:39

    to you but in the social scheme of

  • 32:41

    things you and Drake are light years

  • 32:44

    apart.

  • 32:44

    >> He's the president and I'm a voter. Not

  • 32:46

    even it's bigger than that so now when

  • 32:48

    this man is

  • 32:50

    >> [laughter]

  • 32:52

    >> I don't know Drake I'm just saying this

  • 32:53

    is my main source so what I'm saying

  • 32:55

    he's infinitely more so so now when he

  • 32:57

    walks outside when he walks outside you

  • 33:00

    don't know what the the effects that

  • 33:01

    this [ __ ] is having on somebody's mental

  • 33:02

    health. Drake we not even talk about

  • 33:04

    Drake and Kendrick I'm just talking

  • 33:06

    about the magnitude of the internet and

  • 33:08

    how it could play on somebody's real

  • 33:09

    life we can't minimalize that. So so

  • 33:12

    for me just to take it back to the whole

  • 33:14

    point to connect it

  • 33:15

    um

  • 33:16

    And I'm not defending Drake cuz I think

  • 33:18

    what Drake did was wrong too. And when

  • 33:19

    we all are done I'd like to talk on this

  • 33:21

    topic.

  • 33:21

    wife into it you brought him hitting his

  • 33:23

    wife all of that [ __ ] into it now this

  • 33:25

    could potentially lose deals getting

  • 33:27

    looked at as a woman beater I think all

  • 33:28

    of this [ __ ] is stupid but the internet

  • 33:30

    magnifies it in a way that we never had

  • 33:32

    before. I I I think that just on a whole

  • 33:35

    thing

  • 33:36

    um

  • 33:37

    I think one as you get older in a

  • 33:39

    culture or in society you start to look

  • 33:40

    at it different. Yes. And you start to

  • 33:42

    get a little nostalgic and you start to

  • 33:43

    think about the impact of

  • 33:45

    that you did. It's it's hard and I think

  • 33:47

    there has to be a little more self

  • 33:48

    critique there like if he says look I

  • 33:49

    made Super Ugly that [ __ ] went too far I

  • 33:51

    saw what that I saw how that played out

  • 33:54

    and so now it's that times a hundred

  • 33:55

    because of the internet I kind of get

  • 33:56

    that point.

  • 33:57

    >> said though he said yo I regret it.

  • 33:59

    I get that he said that then he

  • 34:00

    regretted it but what I'm saying is is

  • 34:01

    that to but he still found he still

  • 34:03

    doesn't regret the battle he just

  • 34:04

    regrets going too far. To me the answer

  • 34:07

    to this is not to say we don't need

  • 34:08

    battles in hip hop cuz the battle to me

  • 34:10

    is an essential part of hip hop the

  • 34:12

    competitive nature of it you know we

  • 34:13

    can't all just get on a track and kill a

  • 34:14

    beat together and see who's better some

  • 34:16

    of that [ __ ] is about the adversarial

  • 34:17

    nature of it that is what hip hop is

  • 34:18

    about that's the essence of hip hop

  • 34:20

    whether whether it's b boying whether

  • 34:22

    it's

  • 34:22

    graffiti or rap. Cuz he said all the

  • 34:24

    mother parts are not in hip hop no more.

  • 34:27

    He said beat break dancing was a part of

  • 34:30

    it it's not here anymore

  • 34:31

    he said graffiti he named a couple

  • 34:33

    street artists but he was like it's not

  • 34:35

    really a mainstream a part of hip hop

  • 34:37

    like that anymore the DJ used to be the

  • 34:39

    DJ and then the rapper not here no more

  • 34:41

    you don't know these DJs.

  • 34:44

    >> [laughter]

  • 34:45

    >> But it it it it Yeah I disagreed with

  • 34:46

    all of that. But the

  • 34:48

    point though we were just talking. Yeah.

  • 34:50

    I don't I don't think so if he's looking

  • 34:51

    at it from this point of view where

  • 34:54

    It sounds like we it's like let's get

  • 34:55

    rid of the real essence of hip hop and

  • 34:57

    just make it a commercial music thing I

  • 34:58

    I don't I don't like how that feels as

  • 35:00

    somebody who grew up as a hip hop head

  • 35:01

    like I think when money comes into it

  • 35:03

    sometimes it's out of your control

  • 35:04

    unfortunately I think that when the big

  • 35:06

    brands start taking it it's like

  • 35:08

    basketball like now [ __ ] not

  • 35:10

    competitive in basketball no more

  • 35:12

    because there's so much money in it

  • 35:13

    they're not playing for pride or ego

  • 35:15

    Michael Jordan's playing 82 games like

  • 35:17

    yo my arm got to be falling off for me

  • 35:19

    not to be competitive and get on the

  • 35:20

    court and bust your ass now these kids

  • 35:22

    could be like yo my toe hurt I ain't

  • 35:24

    playing.

  • 35:24

    >> We also just saw a fairly um

  • 35:27

    civil competitive

  • 35:30

    rap beef between

  • 35:33

    fairly mainstream artists and Joey

  • 35:35

    Bada$$ and Ra Von and them last year it

  • 35:37

    was a uh melee and granted they're not

  • 35:40

    Hov and Kendrick but it was still just

  • 35:42

    competitive hip hop that didn't involve

  • 35:43

    no mudslinging no kids no babies no

  • 35:45

    nothing so to dismiss battling as a part

  • 35:48

    of hip hop because that ruined it I

  • 35:49

    think is No I didn't say that. No Hov

  • 35:51

    did Hov did. No but the thing is where

  • 35:53

    do we stop the line like what the what

  • 35:56

    the Kids and wives like you said. Yeah

  • 35:57

    with Joey Bada$$ and them they weren't

  • 35:59

    taking personal shots at each other's

  • 36:01

    families and potentially losing

  • 36:03

    deals you know what I'm saying like

  • 36:05

    That's what we're saying it's like don't

  • 36:06

    get rid don't throw the baby out with

  • 36:07

    the bathwater listen

  • 36:08

    like like Mos said in Black on Both

  • 36:10

    Sides like we act like hip hop is a

  • 36:11

    giant and he's away from us and we are

  • 36:12

    hip hop we can say let's have the

  • 36:14

    battles but let's make some rules.

  • 36:16

    >> that's [snorts] that's all I'm saying I

  • 36:17

    ain't get rid of the battle though. And

  • 36:18

    that that only that only work

  • 36:20

    like when these two that really don't

  • 36:22

    like each other a lot of times that rule

  • 36:24

    [ __ ] go out the window. And that's

  • 36:25

    always been the case I just And that's

  • 36:26

    what happened that's the difference

  • 36:28

    between the Joey Bada$$ and them battle

  • 36:30

    which was hey we just sparring basically

  • 36:33

    and these two where I don't like you.

  • 36:35

    And I've been waiting for you so now I

  • 36:37

    want to end you.

  • 36:38

    That's what I'm saying I'm listening to

  • 36:40

    y'all talk and it's like do we realize

  • 36:42

    what this [ __ ] has evolved into do we

  • 36:44

    realize how many lives are being lost

  • 36:45

    based on like we're just speaking

  • 36:48

    hip hop has evolved

  • 36:50

    the beef has evolved everything evolves

  • 36:52

    if that was the case [ __ ] the break

  • 36:53

    dancers wouldn't have to go get another

  • 36:54

    job certain DJs wouldn't have to have a

  • 36:56

    nine to five everything would have when

  • 36:57

    things get phased out that's what

  • 36:59

    happens he's just keeping up with the

  • 37:00

    times and and speaking as a eldersman in

  • 37:04

    the culture yo hey this is what this is

  • 37:06

    this is what's happening and [ __ ] like

  • 37:08

    that we could want to hold on to the

  • 37:09

    past dreams all the time but it's not

  • 37:10

    that anymore it's not

  • 37:12

    period you can't go out there and tell

  • 37:13

    them over there in Brooklyn or or

  • 37:15

    Chicago and then yo don't do this don't

  • 37:17

    do that they're not listening to

  • 37:17

    anything and that's what is consumed

  • 37:19

    that's what we consume or not us but the

  • 37:21

    kids consume that's what gets the

  • 37:22

    numbers and him being who he is he's not

  • 37:25

    going to sit there and cosign that's why

  • 37:27

    I understand what he's saying.

  • 37:28

    >> I agree me too.

  • 37:30

    My fault.

  • 37:32

    It's fine you got a passion about it.

  • 37:35

    But I agree with like some of

  • 37:37

    we was all over the place but Jay-Z has

  • 37:39

    transcended hip hop. You don't get to

  • 37:42

    where he is without transcending so I do

  • 37:45

    appreciate this level of

  • 37:47

    uh maturity from him.

  • 37:50

    I appreciate his unique point of view

  • 37:52

    that only he can kind of give from his

  • 37:55

    viewpoint.

  • 37:57

    um

  • 38:01

    But when you transcend hip hop you got

  • 38:04

    to be aware that sometimes like you said

  • 38:06

    some of the stuff you looking at

  • 38:09

    you're not just speaking about culture.

  • 38:11

    Like so when he says that

  • 38:14

    tagging is out of is no longer in hip

  • 38:17

    hop I vehemently disagree and don't

  • 38:20

    really understand that from him as an as

  • 38:22

    an art collector. uh knowing the story

  • 38:25

    of Basquiat knowing the story of just

  • 38:27

    hearing Nas writers just I I can't I

  • 38:29

    can't accept that from Jay-Z that's some

  • 38:31

    interview. Yeah. One

  • 38:34

    when I went to the restaurant that I

  • 38:36

    spoke about in Staten Island ShauNee's

  • 38:39

    house before I left she said yo

  • 38:41

    can you please can you please tag this

  • 38:43

    wall

  • 38:44

    in some of the famous venues that we've

  • 38:46

    been to it's a thing to tag the wall in

  • 38:49

    jail we tag tagging up is still a it's a

  • 38:52

    cultural

  • 38:53

    thing it's a culture thing when Common

  • 38:56

    is on Jennifer Hudson and ends it with

  • 38:58

    break dancing.

  • 39:00

    Like we not really talking about

  • 39:03

    uh

  • 39:03

    uh

  • 39:06

    the hip hop mainstream mainstream hip

  • 39:09

    hop uh

  • 39:11

    record label hip hop we that's a culture

  • 39:13

    conversation and Jay-Z is a part of

  • 39:15

    culture so I I can't I can see how you'd

  • 39:17

    be separated from it being a

  • 39:19

    multi-billionaire

  • 39:20

    60 year old like and that's cool like

  • 39:22

    I'm not mad at it but I think it was a

  • 39:24

    little dismissive of these elements that

  • 39:25

    are still active.

  • 39:27

    Yeah hip hop started hip hop started on

  • 39:31

    Sedgwick at a

  • 39:33

    house party at a party so every hood uh

  • 39:37

    could come together and get to the you

  • 39:40

    can't tell me that you go to a party

  • 39:42

    with one of the playlist DJs and then go

  • 39:44

    to a party with a real DJ and tell me

  • 39:46

    tell me about the time that you had.

  • 39:48

    That part. Yeah. You can't there's

  • 39:49

    nothing that Jay-Z can tell me that says

  • 39:51

    that that's not a cultural thing.

  • 39:53

    >> It's still important. Got it. I got what

  • 39:55

    you saying. [clears throat] I think his

  • 39:56

    talking points are important, but

  • 39:58

    they're not addressing like

  • 40:00

    >> mean I think he mean mainstream. Like

  • 40:01

    you don't see little kids breakdancing

  • 40:03

    no more. Like you it's tagging going on,

  • 40:06

    but not from a wide view. You know what

  • 40:08

    I'm saying? Like It might not be

  • 40:09

    breakdancing, but look how important

  • 40:11

    dancing on Tik Tok is still. Hip hop hip

  • 40:13

    hop dance.

  • 40:13

    >> Hip hop dance.

  • 40:14

    >> dance. No, dancing period. Dancing

  • 40:18

    period. And when Kid 'n Play and all

  • 40:20

    that was out, my older brothers they was

  • 40:23

    trying to come up with dances. All of

  • 40:25

    them that could fight, they would go to

  • 40:26

    school and have dance battles, you know,

  • 40:28

    all of that [ __ ] I'd be on trying to

  • 40:30

    dancing. Look at where what dancing was

  • 40:33

    and what it meant for some people versus

  • 40:35

    what it is today and what it what it

  • 40:38

    means today to these kids and these apps

  • 40:41

    and these streamers, like

  • 40:42

    >> We've seen the last 10 years of people

  • 40:44

    trying to get a record hot by coming up

  • 40:46

    with some sort of dance on Tik Tok. And

  • 40:48

    we've successfully in a lot of cases, so

  • 40:50

    >> Dancing kind of had a resurgence though,

  • 40:52

    cuz it did go away for a minute. Every

  • 40:53

    they they stopped dancing for a while.

  • 40:56

    I guess with Tik Tok It's been a while

  • 40:58

    that it's been back. Like you said about

  • 40:59

    10 years, it's it's come back. It has.

  • 41:02

    And also just thinking globally

  • 41:04

    >> And there's a cultural relevance to

  • 41:05

    dancing from hundreds of years

  • 41:08

    >> It is but not even hip hop dance that

  • 41:10

    like hip hop dance is a genre when they

  • 41:12

    start teaching dance class. You know you

  • 41:13

    got the waltz, the this That's the T F S

  • 41:15

    T L right there. I just think it's a

  • 41:16

    huge it's a huge mistake to say because

  • 41:19

    something is not mainstream or

  • 41:21

    commercialized that it fails to exist.

  • 41:23

    >> Right. I agree. But he said it's it's

  • 41:25

    it's fake. He didn't say fails to exist

  • 41:28

    though. He's saying it like it's

  • 41:29

    >> it's dead. He said they are no longer

  • 41:31

    there. Those elements are no longer part

  • 41:33

    of hip hop. That's not true.

  • 41:35

    >> true. It's not part of mainstream hip

  • 41:37

    hop.

  • 41:37

    And and that's a very parochial view

  • 41:40

    too, like if you look globally

  • 41:42

    people are still b-boying. People still

  • 41:44

    are I mean people are still graffiting.

  • 41:46

    I go I travel all around the world I see

  • 41:47

    people still still tagging walls. Like

  • 41:49

    it it it's right. It's it's just

  • 41:51

    there's just too much hip hop culture

  • 41:52

    that's still tied to the essence to say

  • 41:54

    that to me. I get it. I agree. Got it.

  • 41:55

    So like you go to Asia dance in Asia hip

  • 41:57

    hop dance in Asia is huge. They still

  • 42:00

    they still up rocking in in

  • 42:01

    >> No, it's huge though. And one thing one

  • 42:03

    thing he did say which was kind of

  • 42:05

    contradictory to his point was

  • 42:07

    it's an Olympic sport now.

  • 42:09

    Right.

  • 42:10

    I get what you were saying that it's

  • 42:11

    mainstream it's it's they they got it so

  • 42:14

    it's dead, but nah. I mean it went from

  • 42:17

    that to you can get a gold medal for

  • 42:19

    this [ __ ] now. That's crazy. Also when

  • 42:21

    it come to battling like like some of

  • 42:23

    Mark said, man, we we in a this is a

  • 42:25

    very

  • 42:26

    competitive

  • 42:28

    genre

  • 42:30

    filled with a lot of ego and a lot of

  • 42:33

    people that

  • 42:35

    didn't go to therapy and learn the best

  • 42:37

    way to express themselves to one

  • 42:39

    another.

  • 42:41

    So you're going to have

  • 42:44

    feuds. You're going to have run-ins.

  • 42:47

    You're going to have battle, but to only

  • 42:50

    highlight the negative that come from

  • 42:51

    battle

  • 42:52

    means that we skipping some of the

  • 42:54

    positives that come from battle. And

  • 42:56

    again, for Jay-Z to be the one saying

  • 42:58

    it, you to me are the beacon of some of

  • 43:03

    the positive that come from battle. You

  • 43:05

    and Nas, the two that got it on one of

  • 43:07

    the best battles ever are

  • 43:10

    two

  • 43:11

    pillars in business.

  • 43:13

    >> Yeah. Yeah.

  • 43:14

    And now Y'all have performed together,

  • 43:16

    y'all have did songs together, y'all

  • 43:17

    answered the the the fans' request uh

  • 43:21

    wanting wanting to see all that [ __ ]

  • 43:22

    but y'all matured. Y'all matured. Like I

  • 43:26

    think that should be a part of hip hop

  • 43:28

    story too. One of my favorite things

  • 43:30

    about me talking to Banks or any of that

  • 43:32

    I ever beefed with Game, any of them is

  • 43:34

    the fact that we could talk. Right.

  • 43:37

    >> talk. Yo, we didn't see eye to eye. Some

  • 43:40

    of we was in clubs and fought, we and

  • 43:43

    got heated, we did the diss tracks, but

  • 43:45

    now as you grow up like hip hop is 50

  • 43:47

    years old. We should be allowed to grow

  • 43:50

    up. I I did take that away from what he

  • 43:52

    was saying.

  • 43:53

    >> It's also contradictory in the fact that

  • 43:54

    he was talking about Kendrick's huge

  • 43:55

    year in the Super Bowl and all that

  • 43:57

    and a lot of that was off of the battle.

  • 44:00

    Like so

  • 44:01

    There's a lot of contradiction. I think

  • 44:03

    you know what

  • 44:03

    >> I'm just saying you should be allowed to

  • 44:05

    beef with people

  • 44:07

    make amends with people

  • 44:10

    have hindsight, look at where you maybe

  • 44:12

    made some mistakes, hold yourself

  • 44:14

    accountable. For a lot of us hip hop

  • 44:16

    people hip hop we we all didn't go we

  • 44:19

    were not all well schooled. We we didn't

  • 44:22

    all come from the two parent households,

  • 44:24

    so some of these some of these things

  • 44:27

    like

  • 44:28

    uh

  • 44:29

    accountability and yada yada we had to

  • 44:31

    learn from

  • 44:33

    from hip hop.

  • 44:34

    >> From trial. Another thing Which is hold

  • 44:36

    up, man, let me go. That's another thing

  • 44:38

    that that that I had a problem with

  • 44:41

    with his Kendrick and Drake stuff. Cuz

  • 44:44

    yeah, fan bases take it too far. They

  • 44:46

    do. I agree with that.

  • 44:48

    >> Yeah, you would hope that people don't

  • 44:50

    bring up

  • 44:52

    kids and want to destroy your personal

  • 44:54

    life.

  • 44:56

    All of that's all of that's fine. Uh

  • 44:59

    but on the accountability tip

  • 45:03

    if you go out there and beg a to start

  • 45:06

    with you

  • 45:08

    if you go out there and insist that we

  • 45:11

    have this dance because we've been the

  • 45:13

    best for too long just me and you for 10

  • 45:16

    years

  • 45:17

    then part of that you got to be willing

  • 45:19

    to take all that comes with.

  • 45:22

    Mhm. That's part of battle.

  • 45:24

    >> [laughter]

  • 45:25

    >> Okay. Yeah.

  • 45:26

    Part of battle is is risk assessment.

  • 45:31

    Especially if you think you was going to

  • 45:33

    get a one up and now in the middle of

  • 45:34

    the fight you realize stronger than you

  • 45:36

    thought. All of that is part of the

  • 45:38

    tango. I don't want to be in a hip hop

  • 45:39

    where that tango don't get to exist. Now

  • 45:43

    all of these talking points I agree with

  • 45:45

    everything he said if we if if we switch

  • 45:48

    the conversation to drill.

  • 45:51

    Mhm.

  • 45:52

    Yeah. Cuz then

  • 45:54

    it's not worth it to me. But that's

  • 45:56

    where it gets tricky.

  • 45:56

    >> It's not it's not it's not worth but we

  • 45:58

    but but he didn't. He wasn't having a

  • 46:00

    drill conversation. He wasn't talking

  • 46:01

    about smoking on rolling up such and

  • 46:03

    such digging up people's graves. And we

  • 46:05

    what he wasn't talking about all of

  • 46:06

    that. When when hip hop was getting

  • 46:09

    scary evil

  • 46:11

    it wasn't all of all battles need to

  • 46:13

    stop.

  • 46:14

    Agreed. It wasn't all of that. So now

  • 46:16

    when two get together and seemingly to

  • 46:20

    my knowledge nobody got hurt. Even when

  • 46:22

    it's talked about Drake's house getting

  • 46:23

    shot up, I can't attribute that to

  • 46:27

    Kendrick versus Drake. All I get from

  • 46:30

    that is the two best

  • 46:32

    doing their best in battle and there was

  • 46:35

    a victor.

  • 46:37

    And yes, social media is mean.

  • 46:39

    But the block used to be mean. School

  • 46:42

    used to be mean.

  • 46:43

    used to be mean.

  • 46:45

    Yeah.

  • 46:47

    Sorry. Yeah.

  • 46:49

    >> Y'all go ahead. I just don't want to

  • 46:50

    live in a hip hop where you can't we

  • 46:51

    can't battle somebody.

  • 46:53

    Where you go in the club and you can't

  • 46:54

    say to yo your sneakers is wack. Like

  • 46:57

    hip hop we talking about.

  • 46:58

    >> You could get shot though. I'm about to

  • 46:59

    say you could get killed for that [ __ ]

  • 47:00

    today.

  • 47:02

    So now you have to adjust. You got to

  • 47:05

    adjust my Like it's it's but I just

  • 47:07

    attribute

  • 47:07

    >> Act accordingly. I just attribute the

  • 47:09

    whole Jay-Z thing is to like the the the

  • 47:12

    the the

  • 47:13

    the drug dealer dude that spent 40 50

  • 47:16

    years in prison.

  • 47:17

    Right? And he got all of this wisdom

  • 47:19

    from some mistakes that he made, some

  • 47:21

    good some bad, and he just put it all in

  • 47:24

    compiled all the data. That's how I took

  • 47:26

    it. I took it like this the old head

  • 47:28

    that spent

  • 47:30

    40 years in jail. He had life. He gave

  • 47:32

    his time back. He came home. And now I'm

  • 47:34

    trying to teach you or or or put you

  • 47:36

    guys on a different path. That's what I

  • 47:39

    attributed it to. I didn't really look

  • 47:41

    at it like he was on hip hop. I just

  • 47:42

    looked at it like he had information I

  • 47:44

    don't think he was saying it's a bad

  • 47:45

    word. I don't think it's a bad word, but

  • 47:47

    I'm just saying I just looked at it like

  • 47:48

    he had more information

  • 47:50

    and and he was the wise old owl trying

  • 47:53

    to guide the people. That's how that's

  • 47:54

    what I took it. [ __ ] Jay-Z done shot at

  • 47:58

    in Harlem World

  • 48:00

    He did. Jay-Z done shot at you knew

  • 48:03

    didn't I I it's a long list of them. Me.

  • 48:06

    >> [laughter]

  • 48:07

    >> Jay-Z when the did Jay-Z put the guns

  • 48:10

    down?

  • 48:12

    He told them to button up. Ordinary

  • 48:13

    Joe's. There was quite a few Jay-Z

  • 48:15

    shots.

  • 48:17

    >> [laughter]

  • 48:18

    >> Oh, like a like a nat like a nat was

  • 48:20

    bothering him, right?

  • 48:22

    I'll be back for you. I mean This is

  • 48:24

    another thing in hip hop we need to

  • 48:26

    start appreciating and and I I see it

  • 48:28

    starting to happen probably over the

  • 48:29

    last maybe three four years, it's

  • 48:31

    maturity.

  • 48:32

    Cuz that's all this is. True. And it

  • 48:34

    what happens hip hop was always young.

  • 48:37

    Nobody really wanted to see hip hop get

  • 48:38

    old. Now like you said yo hip hop is 50.

  • 48:41

    There's a lot of 50 year olds in hip hop

  • 48:43

    70 year olds. But I'm just saying 50

  • 48:45

    plus. Now you see them giving the other

  • 48:48

    side of the game. We need to appreciate

  • 48:50

    people maturing out of the [ __ ] that

  • 48:52

    might have been dope 20 30 years ago.

  • 48:55

    But again it's personal thing that you

  • 48:56

    chose Kendrick for the Super Bowl. It's

  • 48:58

    like oh man, he's choosing a side and

  • 49:00

    he's putting and he's not

  • 49:01

    >> Like I don't have What do what I have to

  • 49:03

    do with that? I chose the guy that was

  • 49:04

    having a monster year.

  • 49:06

    I think it was the right choice.

  • 49:08

    It wasn't in in some sort of alliance to

  • 49:11

    a battle. I don't know. Yeah. What I

  • 49:13

    care about them two guys battling? Like

  • 49:15

    they'll take up doing me. Word. Have at

  • 49:17

    it. Have fun.

  • 49:19

    Um

  • 49:19

    it's almost like they not not just me,

  • 49:21

    by the way. They drag everybody in it

  • 49:23

    like everyone's part of this conspiracy

  • 49:26

    to

  • 49:27

    um undermine um um Drake, I guess, but

  • 49:31

    like

  • 49:32

    What the [ __ ]

  • 49:33

    >> [laughter]

  • 49:34

    >> This might be my favorite part of the

  • 49:35

    whole thing.

  • 49:36

    I'm [ __ ] Jay-Z.

  • 49:39

    With due respect to him, [ __ ] Hov.

  • 49:41

    [ __ ] Hov. With due respectfully.

  • 49:43

    Word. Like, for what? For to what end?

  • 49:47

    Yeah, [laughter] the old dude never

  • 49:48

    changes his word. Yeah. And I think they

  • 49:50

    haven't liked you Joe for a long time.

  • 49:53

    Before you had anything to do with it.

  • 49:54

    >> Yeah, for a while. I think this has been

  • 49:56

    brewing. Just like me and Nas was

  • 49:57

    brewing. Yep.

  • 49:58

    >> It it didn't it didn't happen at the

  • 49:59

    Summer Jam. That happened at Latin TV

  • 50:02

    sets, the minimum, whatever. It was it

  • 50:04

    was a whole bunch of stuff leading up to

  • 50:06

    that point.

  • 50:07

    >> Memphis Bleek orders at the Memphis

  • 50:08

    Bleek slugs in your head, right? It was

  • 50:10

    slugs in your head. It was it was a

  • 50:11

    bunch of like little things that led up

  • 50:13

    to that point. And then when it

  • 50:14

    happened, it happened I actually regret

  • 50:16

    that cuz I really like Nas. He's a

  • 50:18

    really [clears throat] nice guy.

  • 50:18

    [laughter]

  • 50:19

    But also to your point, like I remember

  • 50:22

    I was like 10 or 11 when that happened.

  • 50:25

    I was like I was on your side.

  • 50:26

    >> Well, I was on your side.

  • 50:28

    >> I get clearly. But

  • 50:30

    >> [laughter]

  • 50:30

    >> my my my position was I can't go out and

  • 50:33

    buy Stillmatic or ask my parents to buy

  • 50:35

    Stillmatic. Yeah, yeah. But I'm going to

  • 50:37

    borrow

  • 50:37

    >> All right, all right. Yeah.

  • 50:39

    Uh

  • 50:40

    That was hilarious.

  • 50:41

    >> It was.

  • 50:41

    >> It was. Charisma, yo.

  • 50:43

    It's just

  • 50:44

    >> I just like him going

  • 50:45

    addressing a lot of the [ __ ] He just

  • 50:47

    the capitalism [ __ ] He addressed the uh

  • 50:50

    the all the [ __ ] that's been said about

  • 50:52

    Jay-Z. Like he's Jay-Z. Yeah. Like a lot

  • 50:54

    of the [ __ ] you put on Hov is stupid. I

  • 50:57

    think we've said that up here, but we're

  • 50:58

    Hovengers. So I mean we're going to say

  • 50:59

    that.

  • 51:00

    Yeah.

  • 51:01

    I love it's just a simple enough line.

  • 51:03

    I'm Jay-Z. Jay-Z.

  • 51:04

    >> [laughter]

  • 51:05

    >> [ __ ] Hov. [ __ ] Hov. Respectfully.

  • 51:08

    Respectfully. Hov. I'm going to destroy

  • 51:10

    you. That is a very Jay-Z thing to say.

  • 51:13

    Yeah.

  • 51:14

    I think it's also accurate. Yeah.

  • 51:17

    And what a just polite way to sun

  • 51:21

    everybody. Yeah. Hov is going to do is

  • 51:23

    come out and sun everybody and you're

  • 51:26

    not going to realize it two years later.

  • 51:28

    Or not. I'm Hov. Why am

  • 51:30

    what do I have to do with this who and

  • 51:33

    Annie? Right.

  • 51:35

    I'm picking the highest bidder. Things

  • 51:36

    to do than worry about these two men.

  • 51:38

    And then the respectfully is what does

  • 51:40

    it. Oh, that's not the respectfully. You

  • 51:42

    you.

  • 51:43

    >> [laughter]

  • 51:44

    >> What? What? [ __ ] Hov. You got to call

  • 51:46

    that cool with me.

  • 51:48

    >> [laughter]

  • 51:48

    >> Didn't you been doing this his whole

  • 51:50

    career just [ __ ] on people? I love

  • 51:52

    that. Never change, buddy. Absolutely

  • 51:55

    never change. That was a great

  • 51:56

    interview. It was a great interview. On

  • 51:57

    this interview, I wanted to ask y'all

  • 51:58

    what y'all thought on about the J. Cole

  • 52:00

    remarks.

  • 52:03

    What were they? What were they? What did

  • 52:04

    he say? What did he say? What did he

  • 52:05

    say? They He asked them um you know,

  • 52:08

    where where did he stand with Cole

  • 52:09

    today?

  • 52:10

    Let's go Frazier.

  • 52:12

    You got the clip? Oh, I don't have the

  • 52:13

    clip. No, I was I have the script

  • 52:16

    transcript up here. But I'm looking for

  • 52:18

    it. So you you keep going. Well, he

  • 52:19

    asked him where where he stood with Cole

  • 52:21

    and he was like

  • 52:22

    obviously

  • 52:24

    there there's some behind the scene

  • 52:26

    stuff.

  • 52:28

    And

  • 52:29

    he didn't want to hold he wasn't holding

  • 52:30

    Cole back. He wanted him to go ahead go

  • 52:32

    ahead and find his own way.

  • 52:35

    I will give you the tools, but you do it

  • 52:36

    on your own.

  • 52:38

    I'm listening to that like

  • 52:41

    we got some issues behind the scenes.

  • 52:43

    And I just wanted to know if anybody

  • 52:44

    else picked up on it. What do y'all

  • 52:46

    y'all thought to say? I got the

  • 52:48

    You got it? Yeah. You want the clip or

  • 52:49

    you want to just verbatim?

  • 52:51

    He said I was

  • 52:52

    Mark. He said I was giving him a chance

  • 52:55

    to take his talent and show it

  • 52:58

    to the most people possible, but his

  • 52:59

    way. I didn't say, "Here's this record

  • 53:01

    from Stargate and you're putting it

  • 53:02

    out." Like I forced Bleek to make

  • 53:04

    Memphis Bleek is. Bleek is my little

  • 53:06

    brother. He has to listen to me. But for

  • 53:08

    J. Cole, he has to find his own

  • 53:09

    direction and I'm going to give him the

  • 53:10

    tools. Stargate made humongous records

  • 53:12

    with Rihanna, Wiz Khalifa, Black and

  • 53:14

    Yellow. Biggest songs in the world. You

  • 53:16

    don't want to go sit with them, fine. I

  • 53:18

    don't have any negative feelings for

  • 53:19

    him. I'm actually super proud of him and

  • 53:21

    what he's done. It's Oh, okay.

  • 53:24

    Yeah, it was it was something more cuz

  • 53:25

    they asked him where you stand today.

  • 53:26

    But

  • 53:28

    I took that as

  • 53:31

    I tried to Yeah.

  • 53:33

    >> [laughter]

  • 53:33

    >> You ain't want to listen.

  • 53:35

    You ain't listen.

  • 53:36

    I tried to what? I tried to guide you

  • 53:38

    this way.

  • 53:39

    You didn't want to listen.

  • 53:41

    Go figure it out. Oh, you did.

  • 53:44

    And then we also look at But also like

  • 53:46

    if you had listened, you might have been

  • 53:47

    somewhere else, but I'm glad but if I'm

  • 53:48

    glad you are where you are. You were

  • 53:50

    where you wanted to be on your own. And

  • 53:52

    you know, again I look up all Cole's

  • 53:54

    albums, everything. All is him now.

  • 53:57

    So he obviously went back and bought

  • 53:58

    everything.

  • 54:01

    I could see some little issues in there.

  • 54:02

    I I I didn't take it as issues from Hov.

  • 54:04

    I took it as, "Hey man, I tried to steer

  • 54:06

    you one way. You want to do it your way

  • 54:08

    and God bless him.

  • 54:10

    Good luck." That's how it happened.

  • 54:11

    That's how I took it. Cole may feel a

  • 54:13

    different type of way, but that's how I

  • 54:14

    took it. Yeah, I chalk I chalk it up. I

  • 54:16

    don't think we're ever going to find out

  • 54:18

    there. Yeah. Hopefully not. Two clan and

  • 54:20

    no. You speak for yourself.

  • 54:22

    I want to know I want to know that one.

  • 54:24

    I want to know what's going on. Are you

  • 54:27

    crazy? It's A money ain't as mature as

  • 54:30

    you, my G. I'm mature. I said I gave my

  • 54:33

    opinion. You gave your opinion. That's

  • 54:34

    fine. I'm not mad at your opinion. I'm

  • 54:36

    mature. I'm just You know what's funny

  • 54:38

    about you is that you paint yourself

  • 54:40

    like that, but in real life you you done

  • 54:42

    heard all the tea.

  • 54:44

    >> [laughter]

  • 54:45

    >> He actually knows all the tea. That's

  • 54:46

    why you find In real life you know all

  • 54:48

    the tea. You're the tea spot. You're the

  • 54:50

    Chinese spot. If tea come my way, I'm

  • 54:52

    not outside like rejecting it. Yeah, you

  • 54:55

    absorbing it. You like if somebody tell

  • 54:57

    me some [ __ ] they tell me some [ __ ]

  • 54:58

    >> [laughter]

  • 54:58

    >> You don't be like, "Yo, yo man, get off

  • 55:00

    my phone, man. I don't want to hear that

  • 55:01

    [ __ ] man. I don't want to hear that."

  • 55:02

    Yeah, but then he come on here like,

  • 55:04

    "Nah, yo. That's unfortunately if we

  • 55:06

    could just stop the violence."

  • 55:08

    Joe

  • 55:08

    >> [laughter]

  • 55:09

    >> of maturity, my

  • 55:11

    grow, man. I'm

  • 55:13

    I ain't Hov. I want to know this. Shut

  • 55:15

    your ass up. I want to know too, but

  • 55:16

    they're not going to tell us. Cuz they

  • 55:17

    keep dancing around. That's why I want

  • 55:18

    to know. Like if nobody say nothing,

  • 55:21

    but you just see little [ __ ] When Cole

  • 55:22

    is up here. If I just sit and focus long

  • 55:24

    enough, I can figure it out. That's what

  • 55:26

    I'm saying. Is it a situation Like I

  • 55:27

    ain't really put too much thought or

  • 55:29

    energy into this. Like I'm kind of just

  • 55:31

    performing, but if I just sit still for

  • 55:33

    two nights, I'll figure it out. Is it a

  • 55:35

    situation that you can figure out? You

  • 55:37

    feel? Is it

  • 55:38

    Is it I can definitely figure it out.

  • 55:40

    But I I don't I try not to be that

  • 55:42

    invested in people [ __ ]

  • 55:43

    Maybe it falls in my lap, then cool. But

  • 55:46

    now if I go home and I'm trying to be

  • 55:48

    Bill Nye the Science Guy with your [ __ ]

  • 55:51

    Yeah, yeah, yeah. I don't think it's

  • 55:52

    that deep. I think it's exactly how you

  • 55:53

    laid it out. I tried to push you in one

  • 55:55

    way, it didn't work out. You go do your

  • 55:57

    own thing. And Cole probably feels a way

  • 55:58

    about his back catalog being Hov still

  • 56:01

    and he done built this up his own way.

  • 56:02

    So he should I think it's that. I don't

  • 56:04

    think it's really much deeper in that.

  • 56:06

    I don't think it's anything that crazy

  • 56:08

    or I mean it is what he needed to me.

  • 56:10

    Good job. But it's not Hey, you go your

  • 56:12

    way. We tried it this way. Hey, bygones

  • 56:15

    be bygones. No love lost and we'll never

  • 56:17

    speak, be seen together, rap together,

  • 56:19

    be featured together, never anything

  • 56:21

    together for the rest of life. And I'll

  • 56:23

    appear [clears throat] closer to Pusha T

  • 56:25

    than I will this guy that I broke and

  • 56:27

    took from nothing in North Carolina to

  • 56:29

    one of the biggest rap superstars. Just

  • 56:30

    like I wanted to on the backstage DVD

  • 56:32

    when I was looking for people eating

  • 56:33

    cereal. You were not going to give me to

  • 56:35

    believe that. Nope. [laughter] Well,

  • 56:36

    Joe,

  • 56:38

    why don't we since he's doing

  • 56:41

    obviously there's a camera interview

  • 56:42

    that Cole is doing. So it's clear he's

  • 56:44

    willing to mend some fences. Why don't

  • 56:46

    we get Cole up here and ask him? Mark

  • 56:48

    Begging.

  • 56:49

    >> [laughter]

  • 56:49

    >> Mark Begging. I'm talking about you

  • 56:50

    doing it. I'm not begging nobody to come

  • 56:52

    up here and talk, Mark. Just say you

  • 56:53

    like the Civic.

  • 56:55

    That's all you got to say. There's

  • 56:56

    nothing wrong WITH FLIPPING BURGERS.

  • 56:58

    >> [laughter]

  • 56:59

    >> I THINK everybody should go where

  • 57:01

    they're comfortable speaking. That's

  • 57:02

    true. That's what I think. And and I

  • 57:04

    don't shake ass. That was for a fan

  • 57:05

    interview. Look at Mark. Mark want that

  • 57:07

    interview. Look at maturity.

  • 57:09

    What? No, I never shake ass. No, I ain't

  • 57:10

    talking about that. I'm talking about

  • 57:11

    like I think everybody should go where

  • 57:13

    they're comfortable speaking. Cuz that

  • 57:14

    maturity [ __ ] I Yo, there's some

  • 57:15

    snickering going on over there. Y'all

  • 57:16

    identifying with something I said that

  • 57:18

    was funny? What happened?

  • 57:19

    >> [laughter]

  • 57:19

    >> I said something that was funny?

  • 57:22

    We just told my [ __ ] that it was very

  • 57:23

    funny. We

  • 57:24

    I'm just telling my maturing right

  • 57:26

    before our eyes.

  • 57:28

    Other [ __ ] that go say that. I'm like,

  • 57:29

    "Nigga, why the [ __ ] you went to go sit

  • 57:31

    over there, nigga?" Not with Cam and

  • 57:32

    shout to Cam. I'm just talking about

  • 57:33

    with anybody. Clean it up. You know what

  • 57:35

    I'm saying? That's my man, so I got to

  • 57:36

    clean it up.

  • 57:37

    >> [laughter]

  • 57:37

    >> I ain't putting it on my friends, [ __ ]

  • 57:39

    Yeah.

  • 57:41

    I'm not afraid like y'all [ __ ] Well,

  • 57:42

    it was a good interview. It was.

  • 57:44

    The GQ interview was great. What you

  • 57:45

    think of the In the Desk of J. Cole

  • 57:47

    while we're here? It was cool. Yeah, it

  • 57:49

    was cool. Didn't really get a ton of

  • 57:50

    information, but I thought it was a a

  • 57:51

    good good year.

  • 57:53

    I think I was happy for her. Me too. Me

  • 57:54

    too. I thought it was I thought it was a

  • 57:55

    good interview. I I think more

  • 57:56

    interviews going to come and more stuff

  • 57:57

    is going to get unveiled.

  • 57:59

    I'm looking forward to I didn't see the

  • 58:00

    Cam one. The problem when you don't like

  • 58:02

    speak to people often, like we don't get

  • 58:04

    a Cole interview often is that when you

  • 58:06

    speak to them, we got to rehash all of

  • 58:08

    the [ __ ] that I personally have moved on

  • 58:10

    from. Like Cam was asking him good [ __ ]

  • 58:12

    Like Cam whatever you didn't like from

  • 58:14

    the Desk of Cam was getting right to it.

  • 58:17

    It's like I personally am just off of

  • 58:21

    this.

  • 58:22

    Like it wasn't new stuff. Right, right.

  • 58:25

    But you getting answers though.

  • 58:27

    Sort of kind of.

  • 58:28

    I feel like the answers that we've kind

  • 58:29

    of already gotten

  • 58:31

    from records and when he spoke on stage

  • 58:34

    and

  • 58:34

    I don't think there's anything new that

  • 58:35

    we're getting out of any of this. And I

  • 58:37

    think those are the two interviews he

  • 58:38

    needed to do. The Desk of his people and

  • 58:40

    Cam who he once promised to do an

  • 58:42

    interview. Go go go do the [ __ ]

  • 58:45

    Me too. Me too. Made me happy. I didn't

  • 58:47

    think it was going to happen. I'm I'm

  • 58:48

    real glad he did that one. That shocked

  • 58:49

    me. Yeah, and I'm glad they addressed

  • 58:51

    all the [ __ ] All right.

  • 58:52

    And as much as y'all know me, I'm Mr.

  • 58:54

    Everything a roll out and all of that

  • 58:55

    [ __ ] I love the way they teased this.

  • 58:57

    That was funny. That [ __ ] was funny.

  • 58:58

    Normally I'd be like, "Oh, this is some

  • 58:59

    I absolutely love it." I didn't think it

  • 59:01

    was real the first time I saw it. You

  • 59:03

    you said you didn't think it was real.

  • 59:04

    Like when I saw the promo of him popping

  • 59:05

    up

  • 59:06

    cuz it looked almost like fake like AI I

  • 59:08

    saw. Yeah, I thought it was AI. You

  • 59:09

    know, in there a lot of AI fakes people

  • 59:11

    fall for.

  • 59:12

    But um

  • 59:13

    I saw that it was real and I was like

  • 59:14

    that made me happy.

  • 59:17

    You [ __ ] such a jerk, man.

  • 59:18

    >> [laughter]

  • 59:19

    >> Thought about enough. My last Jay-Z

  • 59:21

    clip. Looking back on the last year, it

  • 59:23

    was hard. Really hard. I was like

  • 59:25

    heartbroken. Really? Yeah. I'm glad we

  • 59:28

    got right to that. You know, so we could

  • 59:30

    just get that out the way. Okay. Like I

  • 59:32

    was really heartbroken by like

  • 59:34

    everything that occurred.

  • 59:36

    You know, with all like you know, we in

  • 59:38

    the space now where it's just like

  • 59:41

    almost like consequence is not thought

  • 59:44

    about enough.

  • 59:46

    Cuz everything is so instant. You know

  • 59:49

    what I'm saying? Like that whole buzz be

  • 59:52

    The civil lawsuit [music] that was

  • 59:53

    dropped, dismissed. That [ __ ] took a lot

  • 59:55

    out of me. I was angry.

  • 59:58

    I haven't been that angry in a long

  • 1:00:00

    time.

  • 1:00:00

    >> [music]

  • 1:00:01

    >> Uncontrollable anger. Like you don't put

  • 1:00:03

    that on someone. Like that's a that's

  • 1:00:05

    the thing that you better be super sure.

  • 1:00:08

    It used to be like that. Like you have

  • 1:00:10

    to be super sure before you put those

  • 1:00:12

    kind of things on a person. Especially a

  • 1:00:15

    person like me.

  • 1:00:16

    Like even when we were doing worse

  • 1:00:18

    [clears throat] things, we were doing

  • 1:00:19

    bad, we had those kind of rules. There

  • 1:00:21

    was a line. No women, no kids.

  • 1:00:24

    You know, you you hear those sayings,

  • 1:00:25

    but those are the things that I took

  • 1:00:26

    from the street.

  • 1:00:27

    You know, morals, integrity, code. Code.

  • 1:00:30

    Those things I took cuz cuz we we we

  • 1:00:33

    lived and died by that. So it's strict

  • 1:00:35

    for me. Like it meant a lot to me. I

  • 1:00:38

    took that really hard. But and I and I

  • 1:00:40

    knew that we was going to walk through

  • 1:00:43

    that. We was going to walk through that.

  • 1:00:45

    Because, you know, it's First of all,

  • 1:00:46

    it's not true. And the truth is,

  • 1:00:49

    you know, at the end of the day still it

  • 1:00:52

    still reigns supreme. When you feeling

  • 1:00:54

    your feelings, how do you then bounce

  • 1:00:56

    back and get back to being

  • 1:00:59

    Jay-Z? I don't know. This we just I'm

  • 1:01:02

    just This is This is the first thing I'm

  • 1:01:03

    I'm doing. Yeah, actually. It was just

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