Old School Music Is Always A Vibe
Joe Budden Podcast Episode 923, “Old School Music Is Always A Vibe,” released April 27, 2026. The JBP begins its latest episode with a discussion on running plays (3:50) before they share their thoughts on the new Michael Jackson biopic (31:02). The Worst Take segment returns with updates on the 2026 NBA Playoffs and the first round of the NFL Draft (1:08:08), Kehlani’s new album (1:19:01), and Drake’s ‘Iceman’ is slated for May 15th (1:25:56). Lawsuits against Stake (1:51:11) plus a defamation lawsuit from Brian McKnight (1:56:21), and Russell Brand reveals something about his sexual history (2:12:20). Also, the internet is critical of recent guest Emma Grede over her comments on women working from home (2:18:59), the latest on Diana Russini & Mike Vrabel (2:49:15), and much more! Full transcript and searchable timestamps below.

In this episode
- 3:50The JBP begins its latest episode with a discussion on running plays
- 31:02Before they share their thoughts on the new Michael Jackson biopic
- 1:08:08The Worst Take segment returns with updates on the 2026 NBA Playoffs and the first round of the NFL Draft
- 1:19:01Kehlani’s new album
- 1:25:56Drake’s ‘Iceman’ is slated for May 15th
- 1:51:11Lawsuits against Stake
- 1:56:21A defamation lawsuit from Brian McKnight
- 2:12:20Russell Brand reveals something about his sexual history
- 2:18:59The internet is critical of recent guest Emma Grede over her comments on women working from home
- 2:49:15The latest on Diana Russini & Mike Vrabel
Joe Budden Podcast Ep. 923 Transcript
Full transcript of Old School Music Is Always A Vibe (1:02:47 long). Search it, or click any timestamp to jump to that moment.
- 0:01
The thoughts, views, and opinions
- 0:02
expressed by this podcast whose bullets
- 0:04
hosts are for entertainment purposes
- 0:06
only. I repeat, it is not serious. It is
- 0:09
not real. No one is exposing, revealing,
- 0:13
indicting or telling you anything about
- 0:14
themselves. Also, we do not encourage
- 0:16
you to try this at home. We are trained
- 0:18
professionals who do not have your best
- 0:20
interest at heart or our own. Enjoy the
- 0:22
show.
- 0:31
Microphone check. What is this?
- 0:36
JB back to business.
- 0:41
I guess right now we should start the
- 0:42
show.
- 0:44
>> You didn't use a nutcase.
- 0:46
>> You didn't used to coach, Joe. Are you
- 0:47
crazy?
- 0:48
>> I'm telling you, you're nuts.
- 0:50
>> Huh?
- 0:50
>> You pat rally this?
- 0:51
>> No. This nigga's PAT NOBODY. THIS
- 0:53
NIGGA'S PING.
- 0:54
>> I'm petting nobody you talking about,
- 0:56
bro. What
- 0:58
>> is that?
- 1:00
>> Yo, you are crazy, son. This Yo, this
- 1:02
guy is Yo, everything does not re the
- 1:05
moon, stars, and sun don't revolve
- 1:07
around you, my [ __ ]
- 1:09
>> You feel me?
- 1:10
>> We're filming. Oh, yeah.
- 1:11
>> Why do you think that? Why do you think
- 1:13
that the moon, sun, and star? Why do you
- 1:15
think I'm as yet? Because I'm saying you
- 1:17
learned something from me.
- 1:19
>> I don't. You take credit for everything.
- 1:22
I did not learn that from you. I didn't
- 1:25
learn how to be charismatic in hospital
- 1:27
from you.
- 1:28
>> Please don't put words in my mouth cuz
- 1:30
you are charismatic on your own.
- 1:32
>> Yo, those are
- 1:33
>> that is not what I'm talking about.
- 1:34
>> The traits that we are talking about
- 1:36
>> audience we talking about setting up the
- 1:38
play
- 1:40
cuz I don't want to just talk without
- 1:43
talking about hey if you know you know
- 1:45
we talking about setting up the play.
- 1:47
What I'm saying is my friend we ain't
- 1:50
going to stay on this cuz I want to
- 1:52
laughing at this [ __ ] about something.
- 1:53
I don't even know how we got here.
- 1:55
>> How I get in this? I don't even
- 1:56
remember.
- 1:56
>> So, listen to this. This is what we
- 1:58
talking about. So, if if if
- 2:01
>> cuz the funny thing is I don't holler,
- 2:03
right? But I'll tell somebody else, "Yo,
- 2:06
you should
- 2:06
>> see I ain't got time for the rig and
- 2:07
roll today. I want I want to say what
- 2:11
the fuck."
- 2:11
>> Look, I'll tell somebody like, "Yo, dog,
- 2:13
you could do this, this, this, and
- 2:14
this."
- 2:15
>> Man, something nice. SOMETHING NICE is
- 2:17
in that mother's
- 2:19
Let's get Let's get to it. Something
- 2:21
nice is in that Neman. And I told Joe he
- 2:24
wouldn't like the
- 2:25
>> in one of the New Jersey malls,
- 2:27
>> right?
- 2:27
>> And he says, "But then it's going to
- 2:29
look like I went there specifically for
- 2:31
>> That's not what I said. I said if you
- 2:34
because I'm too in love."
- 2:36
>> Oh.
- 2:36
>> So what I said was if you go
- 2:39
>> Yo, stop playing tough. Yo, now we
- 2:40
going. You said exactly what I said.
- 2:42
>> GET TO IT. GET TO IT.
- 2:42
>> SAID BECAUSE I I'm a wordssmith. I said
- 2:46
if you, not you, but in general, go to
- 2:49
that Neman's at that mall, it will be
- 2:51
painfully ob obvious you are there to
- 2:54
speak to a young lady.
- 2:55
>> That's not true.
- 2:56
>> I'm just saying what I said.
- 2:58
>> Oh yeah.
- 2:58
>> And I told you what you said. That is
- 3:00
what And I said that's not true because
- 3:02
you know people and my boy set the play
- 3:04
up for me.
- 3:05
>> Yeah. I said, "Yo, you know people
- 3:06
there." So you
- 3:07
>> And not for me, but to me,
- 3:10
>> yo, you know somebody there or a person
- 3:12
knows somebody there. You coming to say
- 3:14
hi to your person. It's like if a bad
- 3:16
chick work at a restaurant and you know
- 3:18
somebody else at the restaurant, your
- 3:20
goal might be to go see the bad chick
- 3:22
and let her see you, but I'm coming to
- 3:24
see my barks that just bartends.
- 3:25
>> Sure. Sure.
- 3:26
>> And I just so happen to be there on a
- 3:28
Thursday night when shorty is working.
- 3:30
>> What a kicky thing.
- 3:33
I learned that from him. And then I'm
- 3:35
saying I was proud of my man for drawing
- 3:38
that play so fast because when we used
- 3:41
to hang out and it would be time to run
- 3:43
a play, he would be dumbfounded looking
- 3:46
stupid in the face like, "Yo, how are we
- 3:49
going to how we going to bag that girl
- 3:51
from her dude?"
- 3:52
>> I don't believe that. Not for me. Yo, me
- 3:54
is used to be out trying to miss your
- 3:57
girl before all of that [ __ ] It should
- 3:59
be like, "Yo, how are we going to do
- 4:01
that? Her dude is right there the whole
- 4:03
night." I think
- 4:05
her man is right there all night long
- 4:07
and I used to set up the play. So to
- 4:10
hear him set up plays now I'm like my
- 4:13
boy is the Eric Spiter. This [ __ ] is
- 4:15
Kevin Booker.
- 4:17
>> This [ __ ] is you know like we don't
- 4:21
know though. It's cool. You wouldn't
- 4:23
know.
- 4:23
>> He survived on that cuz nobody was there
- 4:25
but me and him and I got such a horrible
- 4:27
reputation. THAT'S GOT TO STOP
- 4:28
HAPPENING.
- 4:29
>> Listen to this.
- 4:29
>> My horrible reputation. I set up a play
- 4:31
for Joe. If Joe is vocal and goes at the
- 4:34
target [ __ ]
- 4:35
>> I don't have to set up a play for Joe.
- 4:37
>> I don't He don't need no He can iso.
- 4:39
>> I'm not talking about ish. You keep
- 4:40
trying iso.
- 4:41
>> He keep trying to confuse the audience.
- 4:43
We not talking about your anyone's
- 4:46
ability to speak to a girl.
- 4:47
>> No,
- 4:48
>> that's not what's in question.
- 4:49
>> So, what you talking about?
- 4:50
>> We talking about when the situation
- 4:52
calls for a play to be ran. That's what
- 4:55
we talking about. IT'S NOT THE SAME.
- 4:56
>> DUDE, 23.
- 4:57
>> ANYBODY COULD TALK TO A GIRL. YEAH,
- 5:00
that's not true.
- 5:01
>> All right, cool. But we talking about
- 5:03
running a play when it's when it's a
- 5:05
little more complicated.
- 5:06
>> He old school. He know the old bumping
- 5:08
switch. He bump Excuse me. P me. Like we
- 5:11
don't We know your tricks, bro.
- 5:12
>> We know your tricks.
- 5:13
>> Old bumping.
- 5:14
>> And we do know his tricks.
- 5:15
>> I don't know.
- 5:15
>> We know his tricks. That's my man. I It
- 5:18
ain't queen [ __ ] You see you you try
- 5:20
>> is that a bump and switch.
- 5:21
>> Bump and switch. You bump somebody and
- 5:22
switch. I I got you. You try to
- 5:24
>> pick and roll. Thank you.
- 5:26
>> You try to act like you are this quiet
- 5:29
guy with so much confidence in the
- 5:32
world. I don't talk to That's your play.
- 5:34
The I don't talk to people, but I'm full
- 5:36
of confidence is your play.
- 5:37
>> We see right through it, man.
- 5:39
>> And # the restaurant.
- 5:40
>> That's it. We know your trick.
- 5:42
>> You going to go read the hashtag of the
- 5:43
restaurant,
- 5:44
>> huh?
- 5:44
>> IT MAKES A LOT OF SENSE.
- 5:45
>> It don't.
- 5:46
>> We got you.
- 5:46
>> It does. It does. Is it possible you
- 5:48
just really quiet? I mean, and don't
- 5:49
don't like the holler.
- 5:50
>> Then if you tell him he don't get no
- 5:51
[ __ ] how he act? Yo, you don't get no
- 5:53
girls cuz you quiet, [ __ ] You scared
- 5:54
the girls. You saw he GETS STUPID
- 5:56
DEFENSE, [ __ ] WHAT?
- 5:57
>> YO, HOW DID I SMASH A [ __ ] HE WENT
- 6:00
AFTER THE BEIGE. HE DID THAT OVER HIS
- 6:03
HEAD. PULL IT UP.
- 6:04
>> Listen to this.
- 6:06
Yo, you're equating somebody being quiet
- 6:09
to somebody scared of girls. They don't
- 6:11
correlate. [ __ ] No, it's my go. That
- 6:14
was my go. You call me You call me
- 6:16
[ __ ]
- 6:18
It's my goal. It's my goal. See, me not
- 6:21
being me being bashful or shy don't
- 6:23
correlate to me not getting no [ __ ]
- 6:25
>> How do you get because they talk to you,
- 6:26
right?
- 6:26
>> WHATEVER THE GAME,
- 6:27
>> YOUR GAME IS TO STAY QUIET with
- 6:29
confidence. They don't have to come to
- 6:30
you and talk to them. That's not game
- 6:32
because a lot of women DON'T LIKE THAT.
- 6:34
THAT BACKFIRES more than you think it
- 6:35
works. A lot of girls don't like shy.
- 6:38
You 30 something years old and you still
- 6:40
shy. Sit your dumb ass down. IT DON'T
- 6:42
WORK. I DON'T PUMP THAT. THAT'S HOW YOU
- 6:45
HOW YOU WHAT YOU PUMP.
- 6:47
OH, we getting great.
- 6:50
>> I'm saying, yo, how did you learn to bag
- 6:53
girls when they went they man?
- 6:55
>> Don't do that.
- 6:56
>> Oh, he passed the number on the paper.
- 6:58
He write it on the paper.
- 6:59
>> There was that one time though, right?
- 7:01
Didn't they tell the story?
- 7:02
>> I didn't bag that girl. I knew the girl
- 7:04
before the [ __ ] came to the house. I
- 7:05
WAS ALREADY MY CHICK.
- 7:06
>> OH, I WAS TALKING ABOUT THAT STORY.
- 7:10
I was talking ABOUT THE RESTAURANT.
- 7:12
>> I WAS TALKING ABOUT TALKING ABOUT THE
- 7:14
JOINT.
- 7:15
THIS IS AND THIS IS THE REASON I got mad
- 7:17
at that because I didn't bag that girl.
- 7:18
I didn't say more than five words to
- 7:20
that girl, but how it was presented to
- 7:22
them made it seem like I was shooting at
- 7:23
this [ __ ] girlfriend. And that's why I
- 7:25
got mad. We just having fun. We just
- 7:28
having fun. I'm chilling. Don't get
- 7:29
serious. Stop doing If I did something
- 7:32
wrong in that situation, I apologize,
- 7:34
[ __ ] I'm We here for a good time
- 7:36
today. My bad. Yo, I'm sorry if I
- 7:39
painted this [ __ ] like he was trying to
- 7:40
bag that girl he was trying to bag.
- 7:45
cuz I should have held it down. I should
- 7:47
have kept the beat. So, he's right. So,
- 7:49
I apologize, man. I see. I didn't say
- 7:51
nothing to that.
- 7:53
>> I can see I CAN SEE WHAT YOU'RE SAYING.
- 7:54
WE CERTAINLY ALL WE SAY ALL WELL,
- 7:56
LISTEN. ALL I'M SAYING is Joe Button
- 8:00
podcast male fans out there, if you with
- 8:03
your girl and you SEE HER,
- 8:05
>> PULL IT OUT
- 8:06
>> AND SHE'S a fan of the show.
- 8:08
>> Be safe.
- 8:08
>> DO NOT RUN UP TO him and say,
- 8:11
>> "Oh man,
- 8:12
>> hey, my girl is here and she's a huge
- 8:14
fan of the show. Would you like to
- 8:19
suicide?" It's a suicide boy. Don't do
- 8:22
that.
- 8:23
Serving her right up.
- 8:24
>> Yeah, don't do that. Don't dare to be
- 8:26
it'll be a different mean greet in
- 8:28
Brooklyn shop.
- 8:29
>> Joe but Joe Button podcast fans.
- 8:31
>> If y'all out and about and your girl is
- 8:34
over 175 and thick in the thighs, don't
- 8:37
go to the bathroom.
- 8:41
>> WHEN YOU COME BACK WHEN YOU WHEN YOU
- 8:43
COME BACK to your table, it just might
- 8:45
be these magical drinks and a steak on
- 8:47
your table.
- 8:48
>> Oh [ __ ] YOU
- 8:55
meal
- 8:57
different.
- 8:59
The [ __ ] pre-ordered the [ __ ]
- 9:01
STEAK. YOU SHOULD ALREADY BE READY.
- 9:05
You know the
- 9:05
>> little gold little gold drippings on
- 9:07
your steak. [ __ ] can't even afford a
- 9:09
tomahawk. You just got the steak on your
- 9:11
table. It's called Native Americans.
- 9:14
>> This is that Don P stuff that THEY TALK
- 9:16
ABOUT.
- 9:17
HEY YO, LISTEN TO WATCH is watch that
- 9:20
new Desi Banks get skit [ __ ] with like
- 9:22
that's how ish is you know what I'm
- 9:23
saying if your girl get around him
- 9:25
>> she may get a little bit if things may
- 9:27
get a little craziest part has never
- 9:30
seen me outside who
- 9:32
>> you [ __ ] you ain't no owl you too fat
- 9:34
to sit on a perch
- 9:37
I lost weight after you seen me outside
- 9:40
looking good
- 9:40
>> let me ask you look amazing you've never
- 9:42
seen me outside
- 9:42
>> so much thank you Mark thank you
- 9:43
everybody but my my thing with you is
- 9:45
that Listen, stop acting like you got it
- 9:48
like that. I don't have that. And then
- 9:50
when you go home, wifey checking you.
- 9:52
That's what it is. That's what all this
- 9:53
clean up is, [ __ ] HEY YO, JAN, COME
- 9:55
[ __ ] WE KNOW, [ __ ] GIVE HIM THE
- 9:56
BROOM, CORY. GIVE HIM THE MOP. WHAT YOU
- 9:58
WANT? SO CLOSE. STOP ACTING LIKE YOU GOT
- 9:59
IT LIKE THAT. FROM NOW ON, don't talk
- 10:01
that big dick, [ __ ]
- 10:03
>> WE SOFT. YOU SCARED OF HIS DICK. [ __ ]
- 10:06
up, [ __ ] EVERY TWO.
- 10:06
>> NO. NO. NO. NO. BUT THE FUNNY PART, THIS
- 10:09
[ __ ] JUST CED A PLEA ABOUT YO DOG. YO,
- 10:12
YO YO.
- 10:22
5 MINUTES AGO SAT HERE AND SAID, "YO,
- 10:24
DOG, SOMEBODY SUBSCRIBES TO PATREON NOW.
- 10:27
Y
- 10:44
COME ON.
- 10:47
HOW MANY JOBS YOU GOT IN MARYLAND,
- 10:48
[ __ ] ONE. THAT'S not work anymore,
- 10:50
[ __ ] I have one. You talk about,
- 10:52
[ __ ] The house is fixed already,
- 10:53
[ __ ] It's not FIXED. YOU HAD A [ __ ]
- 10:56
SPEND A NIGHT THERE, [ __ ] 4 MONTHS.
- 10:57
IT'S FIXED, [ __ ] IT'S NOT DONE THOUGH.
- 10:59
>> WHAT YOU GOING BACK OUT THERE, DUDE?
- 11:00
>> The house should be done.
- 11:01
>> It's done. Y
- 11:02
>> It's done, man.
- 11:03
>> Two [ __ ] that don't know nothing about
- 11:04
house. Should be done.
- 11:07
>> Okay.
- 11:09
>> How much content you shooting?
- 11:12
>> You in a NEW BUSINESS. OTHER CONTENT,
- 11:15
>> BOY.
- 11:16
>> I mean,
- 11:17
>> I You don't want to play this game with
- 11:18
me boy?
- 11:19
>> Bro, has the strap on him today,
- 11:23
bro? Why you Why you whing IT TODAY?
- 11:25
>> I'M NOT. THIS [ __ ]
- 11:27
FIGHTING BACK.
- 11:28
>> HE HE IS FIGHTING BACK. HE HE IS
- 11:30
FIGHTING BACK.
- 11:30
>> ALL THESE [ __ ] YO, BRO.
- 11:32
>> He has a water gun. He don't run his
- 11:33
house.
- 11:33
>> They're going to start bowling in a
- 11:34
minute.
- 11:34
>> Flip. I I bet you won't say I run my
- 11:37
house.
- 11:38
>> I RUN MY HOUSE
- 11:38
>> UNEQUIVOCABLY, [ __ ] I RUN MY HOUSE,
- 11:40
HOLE, [ __ ] BUT YOU SAT HERE AND
- 11:42
STARTED I BRO YOU GOOD. You got it.
- 11:46
>> Release that footage. You'll be UP UNDER
- 11:48
THE BED.
- 11:48
>> RELEASE IT. [ __ ]
- 11:51
DIRTY. You got it. I don't do no trick.
- 11:54
>> This [ __ ] on speed dial. [ __ ] you got
- 11:55
to check in during the lunch break.
- 11:56
During the chicken nuggets break, during
- 11:58
the mother bathroom break. I don't check
- 12:00
in. [ __ ] SHE KNOW WHAT IT IS.
- 12:01
>> UNEQUIVOCALLY,
- 12:02
>> [ __ ] I SPEAK. I SPEAK, [ __ ] SITTING
- 12:04
HERE SPEAKING. I don't know what the
- 12:05
[ __ ] he's doing. HE I GET TOO. I AIN'T
- 12:08
JOKING ON YOU. I GET YOU, TOO.
- 12:09
>> I DON'T WANT NO SMOKE. I'm mind my own
- 12:11
business
- 12:12
>> cuz you
- 12:12
>> what? Go ahead.
- 12:15
>> But before you shoot, he really was
- 12:17
shooting at this.
- 12:18
>> Yeah, he was. Was it?
- 12:20
>> All right. Yeah, he was
- 12:21
>> [ __ ] Put a B in on the
- 12:22
>> I put the P in the word.
- 12:24
>> He was just talking fast. No. Yeah. So,
- 12:26
but I know you want to shoot at Mark.
- 12:28
Anyway, I know you want to shoot and I
- 12:30
like I wasn't shooting at you. Oh, okay.
- 12:32
Okay. Okay.
- 12:33
>> But I know you want to shoot at Mark.
- 12:39
NO, let me tell you what he does. Yo,
- 12:41
the will be just silently researching
- 12:43
some [ __ ] and he'll get something that
- 12:45
he think is just a home run and he'll
- 12:47
put in his pocket
- 12:49
>> and if you come in and be like, "Hey,
- 12:50
Flip, what's up?" If yo, what's up? A
- 12:52
little too strong. Yo, [ __ ] I'm ready.
- 12:53
What's up? I got THIS IN MY POCKET. I'LL
- 12:55
HEAR YOU OUT. LIKE, YO, YOU JUST BE
- 12:56
LOOKING. That's cool. Yeah. Yeah.
- 12:58
>> I think it's important though in closing
- 13:00
for me cuz we have to talk the show. I
- 13:01
think it's important and I do respect
- 13:02
the fact that you are the man in your
- 13:04
household. I just know that sometimes
- 13:06
Get back on.
- 13:07
>> Let me just finish. I just know
- 13:08
sometimes you come in with different
- 13:09
tones and tunes. One minute you singing
- 13:12
at alto, the next day you s like it be
- 13:15
different. Like
- 13:15
>> they not that far apart.
- 13:17
>> Whatever. Same [ __ ] Same [ __ ] Which
- 13:20
one? Which one is the fall one?
- 13:22
>> Tener at least from alto to tenor, my
- 13:25
[ __ ] Alto soprano.
- 13:27
>> You sing different tunes, boy.
- 13:29
>> All right.
- 13:29
>> Andy hit you with some music knowledge.
- 13:30
Take that music.
- 13:33
>> Are you hyping your man?
- 13:34
>> Musicality. You want to shoot that show?
- 13:36
That's my man.
- 13:36
>> You want to shoot that park?
- 13:39
>> What's up?
- 13:40
>> I got something.
- 13:41
>> I COULD THOUGH.
- 13:42
>> JUST Just say white.
- 13:46
>> You saw he got when that was
- 13:48
>> Yo, y'all should y'all should have held
- 13:49
my man down on that cuz that was
- 13:50
>> They did. They did.
- 13:51
>> I I wanted more.
- 13:52
>> Okay.
- 13:52
>> I wanted more.
- 13:54
>> They killing us for holding him down.
- 13:56
>> They stupid, are they?
- 13:57
>> Look. Yes. They on the internet talking
- 14:00
about some Joe cosigning the WHITE
- 14:02
DEVIL.
- 14:05
YOU'RE LYING.
- 14:06
>> I promise you.
- 14:08
>> Yeah.
- 14:09
>> Kicking my ass. I don't care. [ __ ] the
- 14:11
[ __ ]
- 14:12
>> Oh [ __ ]
- 14:13
>> Oh man.
- 14:15
>> That was Yeah.
- 14:17
>> What you going freeze? What's up free?
- 14:26
>> THAT [ __ ] FREEZING LIKE THAT.
- 14:29
>> I just got I just got to look at my man.
- 14:31
Make sure he good.
- 14:33
>> All right.
- 14:34
stupid.
- 14:34
>> Get my man involved in this chilling
- 14:37
[ __ ] You know, you know when he got his
- 14:38
jewelry on, he on my son came fully
- 14:41
loaded.
- 14:42
>> She going to watch. SHE GOING TO WATCH.
- 14:43
YOU GOT THE WHOLE [ __ ] ON, BOY.
- 14:45
>> EXACTLY. OH, I thought you took it off.
- 14:48
You had that on.
- 14:48
>> I didn't have it on.
- 14:50
>> Got a date tonight.
- 14:51
>> A date?
- 14:52
>> A FaceTime date with my the love of my
- 14:54
life.
- 14:54
>> Oh, got you.
- 14:55
>> You playing different Okay. You play
- 14:57
different.
- 14:57
>> I'm playing like y'all play.
- 14:58
>> I'm playing like y'all play.
- 14:59
>> That's fair.
- 15:01
>> Why you playing like y'all play? What?
- 15:03
>> I look like he slit
- 15:06
about your wife being on Patreon. I was
- 15:08
like, that's the only [ __ ] to do.
- 15:11
>> You guys like that don't look like this.
- 15:13
Listen, my wife could be on Patreon,
- 15:14
right? That's what's up.
- 15:16
>> Salute,
- 15:18
Mark. Mark,
- 15:20
you use this podcast.
- 15:23
>> Come on, you use this.
- 15:27
>> Exactly.
- 15:28
>> Come on in. What? I do research, too. We
- 15:30
know more.
- 15:31
Any guest that came up see dying to
- 15:34
shoot at each other.
- 15:35
>> We know we know Mark's backing him down.
- 15:36
I got [ __ ]
- 15:38
>> We know Mark
- 15:41
go already.
- 15:42
>> Oh, that's true.
- 15:44
>> [ __ ] on me.
- 15:46
>> Yo, my [ __ ] you shouldn't talk.
- 15:48
>> I'm not talking. I don't I love all
- 15:50
y'all. I'm out of the way.
- 15:51
>> Mark Lamont Hill.
- 15:52
>> Why you bringing me into this? This
- 15:54
>> involve yourself. I'm going to let you
- 15:55
know this right now. I love you, bro.
- 15:58
>> Love you, too.
- 15:59
>> Just please chill.
- 16:00
>> I see your tricks. I see the people that
- 16:02
you just call colleagues or collects or
- 16:04
whatever the [ __ ] you call them.
- 16:05
>> Collect like whatever it is, [ __ ] We
- 16:07
know your tricks, bro. Professor. Hello,
- 16:09
professor. Hey, we see you, boy. That
- 16:12
professor [ __ ] can't work anymore.
- 16:13
You're not teaching anybody up here. I
- 16:15
make the difference. You're not teaching
- 16:16
us. Actually, YOU MAKING FUN OF US.
- 16:18
>> NO, NEVER. YO, you got your music queued
- 16:20
up.
- 16:23
>> I can't do nothing cuz my girl know me
- 16:26
too well now.
- 16:27
>> Like, I can't even I'll be still trying
- 16:28
to get [ __ ] off. Like I I went out last
- 16:31
night on Thursday.
- 16:32
>> Oh, you got the bracelet on from last
- 16:34
night.
- 16:37
>> And I went out last Thursday.
- 16:39
>> You told
- 16:43
>> I don't know him to go out uh before
- 16:45
work night.
- 16:45
>> Mhm.
- 16:46
>> He said every time you go out before
- 16:47
work day.
- 16:48
>> No, but you going to Jersey and early.
- 16:50
Jersey and early.
- 16:52
>> Yeah, but just going out on a Thursday.
- 16:54
She like, "What's up with you, man?
- 16:55
What's up? See something new out there.
- 17:01
That's kind of like No,
- 17:04
>> that wasn't me.
- 17:05
>> No, no, it's nothing new. They just
- 17:09
changed the work the work schedule of
- 17:11
the lineup is. Oh,
- 17:12
>> that [ __ ] work at all.
- 17:14
>> No, it didn't sound good.
- 17:16
>> That didn't sound cool.
- 17:17
>> So, we got this rule. No comments under
- 17:20
Instagram pages. You could you could
- 17:22
like
- 17:23
>> Sure.
- 17:23
>> That's a good rule.
- 17:25
>> No comments under Instagram pages. You
- 17:28
shouldn't, but I try to break it
- 17:30
sometimes and hope that she don't see
- 17:31
it.
- 17:32
>> What's What kind of comments do you
- 17:33
leave? Is it like fire is like a money
- 17:35
bag your dumb ass eyes?
- 17:37
>> You didn't put You didn't put the eyes.
- 17:40
>> You didn't put fire, did you?
- 17:41
>> You been my girl 7 years, [ __ ]
- 17:42
>> You didn't put the fire. You didn't put
- 17:43
fire, did you?
- 17:44
>> You know, we've had the fire discussion.
- 17:46
>> Fire's too much.
- 17:46
>> Fire. Fire. Fire is a lot. Fire's too
- 17:48
much.
- 17:48
>> As is like finding something obscure in
- 17:50
the photo to comment on.
- 17:52
>> All right, let's let's unpack that one.
- 17:54
>> You could put fire under some food. You
- 17:56
could put fire under
- 17:57
>> some music. Yeah, for me an achievement,
- 17:59
I wouldn't look at it like no type of
- 18:01
way.
- 18:04
Somebody post their PhD
- 18:06
fire,
- 18:07
>> but if it's her in a bikini, you can't
- 18:09
put fire.
- 18:09
>> You can't put fire if the picture is
- 18:11
just fire. No,
- 18:12
>> THAT'S WHY YOU CAN'T PUT IT.
- 18:14
>> That's exactly WHY.
- 18:15
>> LET IT BURN IN YOUR BRAIN.
- 18:16
>> EXACTLY.
- 18:17
>> But wait a second. But you're not
- 18:19
actually cuz our conversation was she
- 18:20
like she doesn't. She got this. Anyway,
- 18:24
this is where it gets tricky. I'm sorry
- 18:25
to interrupt you. Now it's never just a
- 18:27
post. There's six slides. You might put
- 18:29
fire under the third slide,
- 18:32
>> but then there's a bikini under the
- 18:33
fifth slide. And now you're [ __ ]
- 18:35
>> Well, no. Here's the thing. Got jammed
- 18:36
up.
- 18:36
>> And this is what our fight this is what
- 18:38
our discussion was about. I'm not in
- 18:41
under comments or in DMs
- 18:44
putting fire like manually. If the story
- 18:48
is up there and it's sliding and I see
- 18:50
something dope,
- 18:50
>> I don't think that's
- 18:51
>> then I hit the fire thing. If it's dope
- 18:53
and that's it. That's better, but still
- 18:56
don't.
- 18:56
>> No, it depends on what's in the story.
- 18:58
>> And it's not better.
- 19:00
>> Like cuz the world don't see that you
- 19:02
did it, so it's less embarrassing.
- 19:03
>> No, listen. It could have started off
- 19:04
somebody posting the mountains
- 19:07
>> in the water and it's a nice rain fly
- 19:10
when you sliding across. Now it's shorty
- 19:13
with the head back, ass out pose. And
- 19:16
you put the fire under the scenic thing.
- 19:18
>> Is that fire?
- 19:20
>> The pose?
- 19:21
>> Yes, that pose is fire.
- 19:22
>> All of it fire.
- 19:24
That's the first thing I say. If you get
- 19:26
you fire, was it fire? Let's start
- 19:28
there. But anyway, because you know that
- 19:31
does that work.
- 19:33
>> You get that off.
- 19:34
>> Well, no, it's not getting that off.
- 19:35
It's just we can talk like that. But was
- 19:37
it fire? And it's just like, "No, this
- 19:38
[ __ ] been photoshopping. She catfishing
- 19:39
you and you stupid. All of the towels
- 19:41
are bent."
- 19:42
>> That's another conversation. Even if you
- 19:43
photoshopping and catfishing, is it does
- 19:45
the is the end result still fire?
- 19:50
>> And that's what I said. She says,
- 19:52
"You're embarrassing. You are
- 19:54
embarrassing. You can't tell that this
- 19:56
girl is not this girl and she's
- 19:58
facetuning and photoshopping." So when
- 20:01
you think we care, we don't care.
- 20:03
>> No, they think we we should care because
- 20:06
of how it makes them look.
- 20:07
>> So let's say they all natural. Let's say
- 20:09
the girl's all natural and she
- 20:10
>> if your girl or your husband I mean if
- 20:13
your girl or your wife or whatever was
- 20:14
just lusting after some flavor flave and
- 20:18
I don't think flavor flavor is
- 20:19
unattractive dude when he when he's
- 20:21
sober
- 20:22
>> uh but lusting after somebody that you
- 20:25
just thought was a dun
- 20:27
you would
- 20:29
say no you said she dude I'm like but
- 20:31
that hairline is fake and that's an
- 20:32
implant
- 20:33
>> my girl lusting after the finest n I'm
- 20:36
going to still feel the same Hey, ain't
- 20:38
like I'mma give her a pass cuz she
- 20:40
lusting over the fly [ __ ] versus
- 20:42
[ __ ]
- 20:42
>> Well, lusting. We being dramatic. I'm
- 20:44
talking about just a fire emoji on this
- 20:46
>> publicly. Publicly.
- 20:47
>> But anyway, I'm veering off of I'm
- 20:49
veering off of what my main fight was.
- 20:51
My main fight was so I break the little
- 20:53
no comment rule sometime with one person
- 20:56
maybe.
- 20:57
>> But is it the same person every time?
- 20:59
>> According to her.
- 21:01
>> Yeah, it's the same person.
- 21:03
>> According according to her I'm sure they
- 21:04
GOT LIKE A WORKOUT GIRL. Like I support
- 21:07
the
- 21:08
>> You think that's better?
- 21:08
>> You're not making it better.
- 21:09
>> That's not better.
- 21:10
>> I think you saying it's better. You're
- 21:11
not making it better.
- 21:11
>> You said anyway. A pull up and push-up
- 21:13
[ __ ]
- 21:15
>> Anyway, so they so they be playing like
- 21:18
fly music in the P.
- 21:20
>> Yeah. All right, man. You got some
- 21:21
Surely you have some music.
- 21:23
>> So I So in ONE
- 21:28
mix
- 21:30
heard that blend before
- 21:33
pump it up, [ __ ]
- 21:34
>> HEY YO, DOG. What's the comment? You are
- 21:36
the be like, "Girl, what you know about
- 21:38
that?"
- 21:39
>> 100%.
- 21:40
>> You ain't up ON THAT OLD SCHOOL.
- 21:42
>> WHAT' you say? That [ __ ] room.
- 21:44
>> So
- 21:46
months ago, maybe I said something like
- 21:52
obviously some dumb ass, you know. No,
- 21:56
it was a comment I left and went on
- 21:57
about my day and never thought twice
- 21:59
about ages ago. You won't tell us the
- 22:01
ages ago. They say that is the problem.
- 22:04
The comment was something like, "What
- 22:06
did I say?"
- 22:08
Old school music is always a vibe.
- 22:17
>> That's Uncle.
- 22:30
I can promise you I WASN'T RUNNING TO
- 22:32
PLAY. I REALLY JUST LIKE THE SONG. The
- 22:35
song choice. It was good to hear. Last
- 22:38
week I'm hanging up the phone with my
- 22:41
girl. She said, "Uhoh."
- 22:45
And one last thing before we g
- 22:49
you better stop leaving them comments
- 22:52
that you think I'm not seeing because
- 22:55
you trying to get your flirt on and I
- 22:58
know you. know your little
- 23:01
old school music line that you trying to
- 23:04
run. You can you can get that [ __ ] the
- 23:07
[ __ ]
- 23:09
and if I see it again
- 23:10
>> and if I see it one more time that's
- 23:13
your ass. I said you
- 23:16
said yes you [ __ ] You look dumb as hell
- 23:20
and you thirsty.
- 23:21
>> Yeah, she got she done right.
- 23:24
So then I stood on that that's that's
- 23:26
not
- 23:27
>> what flirting blue match I know you I
- 23:29
know you like the back of my hand I seen
- 23:32
all that [ __ ] you getting off in that
- 23:33
phone [ __ ] that that's your flirt
- 23:35
>> you said the same her probably 10 years
- 23:37
ago
- 23:39
right you know want a fool or the music
- 23:42
laughing at how my girl got me dead
- 23:45
right you're an idiot
- 23:50
old school music always a vibe
- 23:53
>> always a vibe
- 23:53
>> [ __ ] You a drunk [ __ ] girl.
- 23:56
>> All she had to do is hit you back.
- 23:58
>> No. And I wasn't. And I wasn't.
- 24:00
>> Listen. Cuz then I turned into ish on
- 24:02
her too. Cuz then I turned into ish on
- 24:04
her cuz she was playing like Yeah. I
- 24:06
see. And
- 24:08
>> you told me what the turning into ish
- 24:10
entails.
- 24:11
>> This is the thing. In a minute there
- 24:14
ain't going to be no intro music.
- 24:16
>> This is the thing.
- 24:17
>> If your girl has seen you being
- 24:19
survived, if your girl
- 24:23
If your girl has seen you being what
- 24:26
they would deem, not guy brain,
- 24:29
>> what they would deem as thirsty or, you
- 24:32
know,
- 24:32
>> inappropriate.
- 24:33
>> Mhm.
- 24:34
>> Once or twice or maybe seen one joint of
- 24:38
yours that don't fit with the rest of
- 24:40
the roster.
- 24:42
>> They start talking to you like that's
- 24:44
just your character, like you thirsty.
- 24:46
>> Yeah. No.
- 24:47
>> Yeah.
- 24:48
>> You a thirsty ass. Look at you. Look at
- 24:50
you. In fairness, if you talk to a girl
- 24:52
doing some dumb ass [ __ ] like that, you
- 24:53
would be on her ass, too. Cuz I would.
- 24:55
>> So, if I saw her saying some dumb ass,
- 24:58
>> so when I say I turned into it, she's
- 24:59
like, "Yeah, I read the DM. You DM you."
- 25:03
>> Well, if you read the DMs, you seen the
- 25:05
dub then. Stop [ __ ] playing. You call
- 25:07
me thirsty again. Stop playing. You have
- 25:09
no idea how many I Yeah. Yeah. I had to
- 25:11
pop it on. Yeah. I pop it.
- 25:13
>> How'd it go?
- 25:13
>> You won that ROUND FOR SURE.
- 25:18
THIS IS AN ICE.
- 25:19
>> I was only fighting the thirsty
- 25:20
accusation. That's what she had me
- 25:23
right. It's not
- 25:25
a place some some
- 25:26
>> ask a question. What?
- 25:28
>> How does that How did you get ish on
- 25:30
her?
- 25:31
>> That's what I would do
- 25:33
>> when somebody questions your uh
- 25:37
>> Yeah.
- 25:37
>> your ump you did with Dr. Cheyenne. You
- 25:40
you saying very fast. Yo, y'all know who
- 25:42
I am. You know what the [ __ ] I do? You
- 25:44
know that you do that a lot.
- 25:45
>> Like a lot. I did that with Cheyenne.
- 25:47
>> Yes.
- 25:47
>> Yes.
- 25:49
>> You forgot.
- 25:50
>> Get your memory together, [ __ ]
- 25:52
>> YES. MORE THAN ONE.
- 25:53
>> YOU did that big.
- 25:54
>> That was a long ass episode in fairness.
- 25:56
>> Yeah, it was like this [ __ ] though.
- 25:58
>> Yeah.
- 25:59
>> Get me full. Yo, let me let y'all know
- 26:00
who I am.
- 26:01
>> Yeah, you did. Remember that.
- 26:02
>> I do this. I do this, [ __ ]
- 26:04
>> He did it when I sat down.
- 26:05
>> He really He really just be talking to
- 26:07
Ammani.
- 26:10
>> I'm talking to you. That's my
- 26:12
>> He just be really letting Ammani know.
- 26:15
Hey dog, if you just chill out, I'm
- 26:16
going to throw it back in the water.
- 26:19
>> Okay, that's it.
- 26:20
>> If you just if you just be cool. All
- 26:22
right. All right.
- 26:24
I know you I'm letting you eat. I'M
- 26:26
LETTING YOU EAT.
- 26:28
>> WHY [ __ ] DON'T DIE?
- 26:29
>> THEY DON'T UNDERSTAND. Sometime
- 26:32
we ain't doing that to my [ __ ] That's
- 26:34
that what's going on.
- 26:35
>> Cuz you don't eat my be letting him eat
- 26:36
sometimes. So you know what I'm saying?
- 26:37
So he ain't doing that.
- 26:38
>> I'm not trying to eat.
- 26:39
>> Yes, you do. His plate is full. Yes, you
- 26:41
do. You trying to eat a lot.
- 26:43
You go right behind the [ __ ] too. No.
- 26:45
>> All right, I'm playing.
- 26:48
I'm playing some old school.
- 26:50
>> The lady in a [ __ ]
- 26:53
>> Listen, [ __ ] How [ __ ] you up today?
- 26:55
Yo,
- 26:56
>> I was quiet thinking I had
- 26:57
>> Oh my god. Boy, you lucky.
- 26:59
>> Get it. Get it.
- 27:01
>> You're lucky.
- 27:03
>> We hit these drops right quick.
- 27:08
>> No.
- 27:10
Another daddy.
- 27:22
>> Who is that?
- 27:26
>> I'M FROM THE WOMEN ERA. IT'S THE
- 27:28
NETWORK.
- 27:30
>> What episode is this?
- 27:32
>> 9:23.
- 27:32
>> Welcome to episode 923 of the Joe Button
- 27:35
Podcast. I'm your humble, healthy,
- 27:38
happy, grateful, extremely uh extremely
- 27:42
delighted to be here. Host your Button
- 27:44
here with a few really amazing people.
- 27:45
To my right, Queens get the money.
- 27:47
Queens Flip is in the building. To his
- 27:49
right, our good brother Dr. Mark Lamont
- 27:51
Hill is in the building. To his right,
- 27:54
Mr. Thousand Doors and up. Our good
- 27:56
brother is here to his right. Love the
- 27:58
color way on the kicks in the hood. You
- 28:00
should absolutely smoke that Freeze.
- 28:01
Good uh good brother Freeze is in the
- 28:03
building next TO HIM. HUH. BIG PARKS is
- 28:06
in the building next to him. You think
- 28:08
we done with white privilege? Po is
- 28:10
here, [ __ ] Our photographer got some
- 28:12
white privilege, [ __ ] Po is here. Cory
- 28:14
is here. Stop playing with Cory. Uh,
- 28:16
Ericson is here. Tanner Son here by
- 28:18
remote. Last, but certainly not least,
- 28:20
each and every one of you very important
- 28:22
people out there are here. Shout out to
- 28:23
the hate listeners. This episode is
- 28:25
brought to you by, fueled by, powered by
- 28:27
Prize Pick. Price Pics gang.
- 28:30
>> Okay, what we doing? You know what I
- 28:31
mean? When you when it take you a while
- 28:32
to get to that, I be trying to read
- 28:33
through it like, "Yo, they [ __ ] my son
- 28:36
up for real." Will you do that?
- 28:38
>> Do what? The private
- 28:41
cuz cuz Parks be holding you down.
- 28:42
That's why I love you. I can see why the
- 28:43
white privilege come [ __ ] LIKE THIS.
- 28:45
LOOK, BUDDY. BUDDY, YOU JUST TAKE A
- 28:48
WHILE. YOU BE SEEING it too. But why
- 28:50
scare you though?
- 28:52
>> It scared me because
- 28:53
>> this [ __ ] He
- 28:57
ain't mad. If anybody watch If anybody
- 28:59
probably watches that [ __ ] he about to
- 29:00
watch more than me. So it scared me
- 29:02
because I don't know if we you know we
- 29:04
losing some bread. I don't know what it
- 29:06
is [ __ ]
- 29:06
>> You guys are watching.
- 29:07
>> I want my [ __ ] to stay the same.
- 29:08
>> Hey, we are you. Oh, your [ __ ] is Come
- 29:11
on.
- 29:12
>> Come on. You know, you know.
- 29:13
>> I'm out of here anyway. No, I'm out of
- 29:15
here. I'm out of here.
- 29:17
>> I don't want you to leave, but your [ __ ]
- 29:19
is ain't the same. You know that. Come
- 29:20
on. You know that we don't do contracts
- 29:22
on here. If there's anybody to know, you
- 29:24
know. You know already.
- 29:26
>> No. I had 11 months of [ __ ] living
- 29:29
hiring accountability members your [ __ ]
- 29:31
I can't when your day come we just come
- 29:33
over just come talk to me. Uh what was
- 29:36
we talking about
- 29:38
>> and you know us and we're in good
- 29:40
standards with Prize just so shout
- 29:43
we are all the way to the good my ass
- 29:46
lately but shout out to Josh.
- 29:48
>> Yeah.
- 29:50
>> They saw that lick you.
- 29:51
>> I know. Yeah. They said nope.
- 29:53
>> Yeah. Stop. Yeah. We'll put a stop to
- 29:55
that. I might be a little hooked. I
- 29:56
might be a little hooked. I didn't hit
- 29:57
about five times now.
- 29:58
>> Have you ass?
- 30:00
>> TAKE THAT, ANONYMOUS ex user.
- 30:06
>> All right, good. No, prize piece is
- 30:07
great. How y'all doing, man? What's up?
- 30:08
What's popping? Good, man. Great.
- 30:10
>> Y'all look good. Y'all look refreshed.
- 30:12
>> I apologize to you brothers for the just
- 30:14
how out of it I was the other day.
- 30:16
>> You were a mess.
- 30:17
>> Yuck.
- 30:19
Oh my god. Remember that voice?
- 30:21
>> I um
- 30:22
>> I'm not in it this month, Mark. You
- 30:24
ain't got to worry about me. I'm
- 30:26
chilling. They say remember bonus.
- 30:28
>> No, he said remember that voters.
- 30:30
>> Oh, I thought he said
- 30:31
>> remember that vote.
- 30:32
>> I'm not in it this month.
- 30:33
>> Yeah.
- 30:34
>> Bonus.
- 30:34
>> That's what I thought he said.
- 30:36
>> No. Y'all know how many bonuses y'all
- 30:39
supposed to get a year. God damn.
- 30:41
>> This a summer bonus. I mean, I should
- 30:44
mention it.
- 30:46
>> Oh my god. How y'all doing? What's up?
- 30:48
>> Doing good, man. Weekend coming in, man.
- 30:50
You know, we excited. Everybody excited,
- 30:52
man.
- 30:52
>> It's nice outside today. It's beautiful
- 30:54
outside. We're excited, man.
- 30:56
>> Happy to be happy to be here at work.
- 30:59
>> Well, let's work. We want to start. Uh,
- 31:02
well, you say rested. I didn't get as
- 31:03
much rest as I wanted cuz I went to see
- 31:05
Michael Jackson last night.
- 31:06
>> So, so did I.
- 31:08
>> You were beest. Y'all went together.
- 31:10
>> It was not in my behest. Some gay.
- 31:11
>> Oh, it was. You beested.
- 31:13
>> Different theaters.
- 31:14
>> Okay.
- 31:15
>> Different.
- 31:15
>> Otherwise, it'd be gay.
- 31:16
>> It' be a little gay. Yeah. A lot.
- 31:18
>> I made sure.
- 31:18
>> Especially the mic. Yeah. No.
- 31:22
Well, so what happened was Joe Joe went
- 31:24
on a group chat. First of all, remember
- 31:26
>> the last episode where Joe Button said,
- 31:28
"I'm not going to see that [ __ ] I have
- 31:29
no interest in seeing that [ __ ]
- 31:30
>> I'll see it on DVD."
- 31:31
>> I took that to mean naively that that
- 31:34
meant he wasn't going to see it.
- 31:36
>> Crazy me. Turns out he goes to see it
- 31:38
before all of us.
- 31:39
>> Yeah. No, first I saw first and
- 31:42
>> Okay. Well, money don't count. He's a
- 31:44
super fan. He like I expect he loves
- 31:45
Michael Jackson.
- 31:46
>> He might be in it somewhere.
- 31:46
>> Yeah, he might be. Well,
- 31:50
That was the part that ended.
- 31:51
>> Oh [ __ ]
- 31:52
>> So, um, so I saw Joe on the group chat
- 31:54
like, "Yo, I seen the movie and I you
- 31:56
had your thoughts on it and I was like,
- 31:57
"What?" And then I heard you say you saw
- 31:59
it
- 31:59
>> and you said you were going to see it.
- 32:00
>> I said, "Fuck it. I'm going to go see
- 32:01
that."
- 32:02
>> So, I was like, "We going to talk about
- 32:02
it. I want to be the only motherfucker."
- 32:04
>> I was in the group chat and encouraged
- 32:06
my brothers to go see this movie, right?
- 32:08
>> Yes.
- 32:08
>> Yeah.
- 32:09
>> Antoine Fuqua,
- 32:11
great black uh, black director, black
- 32:14
excellence. I encourage my entire group
- 32:16
chat to go see this film.
- 32:17
>> That's a fact.
- 32:20
Okay. So, when do we get our money back?
- 32:22
>> Well, let me start. Let me start. Let me
- 32:24
start cuz I have a different take.
- 32:25
>> You saw it first.
- 32:26
>> Yeah.
- 32:26
>> Not just that. I I didn't hate this
- 32:27
movie the way everybody else did. I
- 32:29
heard it was I absolutely enjoyed the
- 32:31
movie. Now, I want to start. I'm not the
- 32:34
super Michael Jackson fan. I didn't
- 32:37
watch every doc and all of this. So,
- 32:39
there's stuff that I learned in this
- 32:40
movie that I didn't know. I don't watch
- 32:42
documentaries. I don't do all of that
- 32:43
[ __ ] I'm This is from the common fan
- 32:46
who just saw the movie.
- 32:50
What did I learn? What did I learn? I
- 32:51
did not know that I didn't know nothing
- 32:53
about Don King being involved with none
- 32:55
of that [ __ ] I didn't know that the
- 32:56
final tour that he did with his
- 32:58
brothers, he basically just did that as
- 32:59
a gift to them. Like, yo, I'm not with
- 33:01
y'all no more. Here, take that. I didn't
- 33:03
know that though.
- 33:04
>> I didn't know.
- 33:04
>> You didn't know much about Michael
- 33:06
Jackson.
- 33:06
>> I knew the music, bro. That's what I'm
- 33:07
saying. And And I saw the uh the the
- 33:09
Jackson.
- 33:10
>> What part of the island your family is
- 33:11
from again?
- 33:12
>> I watched the the Jackson um American
- 33:14
dream, man. But I saw that
- 33:16
>> Jamaica. He's Jamaican.
- 33:18
>> Yeah, he's half Jamaican. Yes.
- 33:19
>> Yes, I'm half Jamaican.
- 33:21
>> Okay.
- 33:22
>> But yeah, I I'm not I'm not story. Oh,
- 33:25
go ahead. I'M NOT I'M NOT SAYING I'm
- 33:28
just telling you from my perspective.
- 33:30
Just think every time I ask that
- 33:32
question that I'm on
- 33:35
ask you on [ __ ]
- 33:35
>> WHAT DO Y'ALL THINK I'M SAYING?
- 33:38
WHAT'S THAT DO ANYTHING? Everything got
- 33:40
to do with Michael Jackson.
- 33:42
>> Everything. And that's why we think
- 33:43
you're think you're on bull. But it's
- 33:46
not a bull statement. The n from the
- 33:48
islands just be in their own vibe in
- 33:51
their own.
- 33:54
I'M NOT FROM THE ISLAND FROM NEW YORK.
- 33:57
>> New York,
- 33:58
>> RIGHT?
- 34:02
>> You trying to set me up. You wanted TO
- 34:03
BLAME ME. THAT'S WHERE YOU FROM.
- 34:04
>> I'M NOT SHOOTING. I ain't no matter what
- 34:06
you say.
- 34:07
>> I'm not. Go ahead. Freeze.
- 34:10
I'm not I'm not I know
- 34:14
that that that was that was my take. It
- 34:15
was just like I I enjoyed
- 34:17
>> you thought he wanted to go into over
- 34:18
with his brothers.
- 34:20
>> No story.
- 34:23
>> Yo, knowing all you know is that just
- 34:25
about music right after Thriller.
- 34:29
>> No, no, no. What I'm saying is that I
- 34:31
didn't realize that pop like the theme
- 34:33
of this story of this movie I I knew
- 34:36
before I even went to go see it that it
- 34:37
only covered a certain part of Mike's
- 34:38
life. It wasn't the full I saw a lot of
- 34:40
people mad at that. Like it ended too
- 34:42
early. I knew it would only went up to a
- 34:44
certain point.
- 34:45
>> Were you surprised to know his dad was
- 34:46
rough on him?
- 34:47
>> No. [ __ ]
- 34:50
>> I never went through that.
- 34:53
Turns out he's a bit of an [ __ ]
- 34:58
Leave him alone. WE GOT TO DO THAT. YOU
- 35:01
DON'T KNOW YOU.
- 35:04
FREEZE.
- 35:04
>> It's cool, bro. I'm not let him talk. He
- 35:07
was really intense.
- 35:09
>> Joe Jackson.
- 35:12
>> Oh, he started.
- 35:16
>> He got the switch.
- 35:17
>> You know, those were real gang members
- 35:19
and be
- 35:22
I will say this, Ice. Now, let me agree
- 35:24
with you. I I went in part cuz of Joe.
- 35:27
>> If y'all like it, hurry up with the
- 35:30
That's why I'm trying to get my [ __ ] out
- 35:31
the way. Get out of my way.
- 35:32
>> I want to get my [ __ ] out.
- 35:33
>> I've been working on this all night.
- 35:35
I've been I'm in the middle. So, I'll
- 35:36
I'll Are you in transition? Yeah.
- 35:38
>> Really?
- 35:39
>> You transition? Okay. I told you this
- 35:41
your year.
- 35:43
>> I I I came in I didn't read the reviews,
- 35:45
but I knew of them and I knew the right
- 35:47
like right to middle rankings and all of
- 35:48
that stuff. And so I was like, um, this
- 35:51
is going to be um this is going to be
- 35:53
terrible, but I didn't know exactly why
- 35:55
it would be terrible. So, I went in and
- 35:56
I I didn't read the reviews cuz I didn't
- 35:58
want to have too much influence.
- 35:59
>> Mhm.
- 36:00
>> I went in with a certain expectation and
- 36:03
I was actually surprised. I kept waiting
- 36:04
for the shoe to drop for it to be awful.
- 36:05
There were some scenes that I thought
- 36:07
>> there were some
- 36:07
>> there were some scenes, right? Gang
- 36:10
members, monkeys. There was a few things
- 36:11
where I was like, "This is too much."
- 36:13
>> But I went in in general expected with a
- 36:16
low expectation. I walked out like, "Yo,
- 36:17
I'm enjoying this. This is good." Oh,
- 36:19
wait. I'm enjoying this music. Oh, I
- 36:20
like this story cuz I DIDN'T GO IN.
- 36:23
>> I LET ME TELL YOU WHY.
- 36:25
>> I LIKE THE FINISH, [ __ ]
- 36:26
>> LET ME TELL YOU WHY. THANK YOU, FLIP.
- 36:27
>> I'M ON EDGE.
- 36:28
>> YOU DON'T NEED TO TELL ME WHY YOU ENJOY
- 36:29
MICHAEL JACKSON MUSIC.
- 36:31
>> NO, NO, NO. THAT'S WHY I GOT THE music
- 36:33
story of the movie.
- 36:35
>> I didn't I I'm a I went in knowing a
- 36:38
decent amount about Michael Jackson. So,
- 36:39
I didn't come in expecting to learn
- 36:40
anything. I I felt inspired by the story
- 36:42
of like independence and him growing to
- 36:44
be to do his own thing. He's shaking off
- 36:45
his dad, all that [ __ ]
- 36:46
>> That was the thing. That's what I was
- 36:47
trying to say. That was you could tell
- 36:48
the movie was
- 36:49
>> shaking off his dad.
- 36:50
>> If it was I'm going to say last thing
- 36:52
I'll say, if this was on Netflix or if
- 36:55
this was maybe even on a network, we'd
- 36:57
be praising it, right? I think because
- 36:58
it's a cinematic release, the the
- 37:01
expectation was higher, but just as an
- 37:03
entertaining movie,
- 37:04
>> I I I thought the kid did a good job
- 37:06
playing Michael Jackson, which I didn't
- 37:07
expect. I thought the costumes and
- 37:09
makeup
- 37:09
>> as in who? Jafar.
- 37:10
>> Jafar. I thought Jafar did a good job. I
- 37:11
thought the costumes and makeup were
- 37:12
solid. There were some mistakes like an
- 37:15
act, you know, wrong hairstyle for the
- 37:16
wrong year. Little little nerd mistakes.
- 37:19
>> But I thought the [ __ ] was honestly I
- 37:22
expected to be giving I thought I was
- 37:23
going to come here giving it a C minus
- 37:24
and I would give it a B.
- 37:26
>> I would stick with the C. For me
- 37:27
personally, I thought it was it was
- 37:29
entertaining. It was entertaining, but
- 37:30
it was it was I guess kind of cheesy
- 37:33
maybe.
- 37:33
>> Yes,
- 37:34
>> it was a little cheesy. It felt like it
- 37:36
could have easily have lived on Hulu or
- 37:38
Netflix, but with a nicer budget cuz it
- 37:40
looked expensive. Yeah, but
- 37:42
>> Tuby
- 37:46
Red stick
- 37:49
could have been on magic.
- 37:51
>> I thought it was it like I didn't like
- 37:53
the way that they obsessed on all this
- 37:55
very strange about Michael, which I get
- 37:57
you have to address it, I guess, on some
- 37:59
level, like the the surgeries and the
- 38:01
vitiligo and all that [ __ ]
- 38:02
>> Yeah.
- 38:03
>> But they dwelled on it in a weird way to
- 38:06
me where they didn't really talk about
- 38:07
his artistry enough for me, I think.
- 38:10
Right.
- 38:11
>> It was like sensationalized artistry,
- 38:13
which I He's a pop star, so that part
- 38:16
should be kind of like left unsaid, but
- 38:17
he was more than that.
- 38:18
>> Yeah.
- 38:19
>> And they didn't really tap into that for
- 38:21
me. That's true.
- 38:22
>> And that's part of why that's part of
- 38:24
why this movie was absolute trash for
- 38:26
me. But but I enjoyed it.
- 38:30
>> I enjoyed it. There was some funny.
- 38:32
>> Like I told y'all, I was the only person
- 38:34
in that theater howling, laughing from
- 38:38
the from the onset. I was laughing not
- 38:40
from the onset. Once the monkey came in
- 38:41
the in the movie came out, I was like,
- 38:44
"All right."
- 38:45
>> Well, because Well, because the movie
- 38:47
starts,
- 38:49
>> this is Michael. First of all, this is
- 38:50
Michael Jackson. This is him.
- 38:53
>> Yes.
- 38:54
>> The movie starts with a really bad vocal
- 38:59
of a Michael Jackson song. It was almost
- 39:01
like hurt my ears. Whoever that was
- 39:03
singing that just on the opening.
- 39:05
>> Yeah.
- 39:07
>> Got me. I'm already laughing. This is
- 39:08
all right.
- 39:09
>> You talking about when they're in the
- 39:10
living room practicing
- 39:11
>> before they before the movie even
- 39:14
starts.
- 39:14
>> Yeah.
- 39:15
>> Yeah. I guess that's what that was.
- 39:16
That's them singing in the living room.
- 39:18
So that was
- 39:18
>> Yeah, that was a bad So then it opened
- 39:20
up.
- 39:20
>> I assume that was intentional to show
- 39:22
like oh he became great.
- 39:23
>> So which is hard when you say he has
- 39:24
perfect pitch and he's a natural. I
- 39:26
can't imagine Michael ever sounded that
- 39:28
bad. He
- 39:28
>> I'm sure he did. Everyone does at some
- 39:30
point. But yes, carry on. Sorry. So they
- 39:32
open up with them singing in the living
- 39:35
room and
- 39:38
Jafar did a great job
- 39:41
even though well he did a great job and
- 39:44
he looks a little like Michael because
- 39:46
he's Germaine's son. Yeah. And that made
- 39:49
me look at Germaine and Jafar weird
- 39:52
because [ __ ] I feel like Germaine
- 39:53
wanted to be Michael. So now here go
- 39:56
your son trying to be Michael and you
- 39:58
executive produced all this [ __ ] and you
- 40:00
executive produced the other one that we
- 40:02
love the the one that came out in '92,
- 40:05
>> the American Dream.
- 40:06
>> The American Dream. He was on there like
- 40:07
why Jermaine always on the back end of
- 40:10
>> they all listed at they were all listed
- 40:12
as EPs on this one.
- 40:13
>> They all they all didn't dress like
- 40:15
Jermaine dressed at the premiere. But
- 40:17
anyway, young young Michael Jackson
- 40:19
>> so stupid.
- 40:20
>> Six-year-old Michael Jackson. Was he
- 40:23
six seven five?
- 40:26
>> Who casted that little mother?
- 40:30
>> Who the [ __ ] casted him?
- 40:33
He looked like
- 40:36
that [ __ ] looked like my older brother
- 40:38
when we was young. He looked like young
- 40:39
Peter Guns.
- 40:41
He looked like he looked didn't look
- 40:44
nothing like m young Michael Jackson to
- 40:46
me. Number one, he didn't move like him.
- 40:48
He didn't sound like him. He didn't act
- 40:49
like him. He was atrocious through the
- 40:53
first 45 minutes of this movie.
- 40:54
>> In fairness, I I thought even Jafar
- 40:57
didn't necessarily move like Mike, but
- 40:58
nobody moves like Mike. So, like, it's a
- 41:00
little
- 41:00
>> No, no, no, no, no. This [ __ ] didn't
- 41:02
move like a Mike impersonator in Time
- 41:04
Square. That little young six-year-old
- 41:06
Mike, he was atrocious. Sorry. I know
- 41:09
he's a kid. He was bad. Hey, do you Hey,
- 41:14
whoever casted this, do you know why
- 41:17
Jason Weaver played young Michael
- 41:20
Jackson before? Come on. Jason Weaver
- 41:23
could really sing. Could really move.
- 41:26
Michael Jackson was a
- 41:28
>> phenom.
- 41:29
>> Fish child prodigy.
- 41:31
>> See what you did there? That was a good
- 41:33
one.
- 41:33
>> Michael Jackson was so for this little
- 41:36
kid that he was a absolute.
- 41:39
>> I disagree. That that little guy you was
- 41:40
going to disagree, but you already gave
- 41:42
your opinion. I my opinion that little
- 41:44
[ __ ] stunk.
- 41:46
>> Wait, as a as an actor or just the
- 41:47
performance parts
- 41:49
>> as whatever they asked him to do.
- 41:52
>> I'm saying cuz I thought
- 41:53
>> his acting wasn't bad.
- 41:54
>> That's what I'm saying. Like he was he
- 41:55
was I agree with you on the music part.
- 41:56
But there was a lot of tender [ __ ] like
- 41:58
when he was hugging uh Barry Gordy when
- 42:00
he like all the sadness of him wanting
- 42:01
his dad and and HAVING THAT WEIRD
- 42:03
>> OH, THAT WAS ONE OF MY FAVORITE parts to
- 42:05
laugh at.
- 42:06
>> You're a TERRIBLE I kind of understand.
- 42:08
That was one of my favorite parts to
- 42:09
laugh at.
- 42:11
>> Yo,
- 42:13
>> this movie didn't do nothing. Like, if
- 42:16
you were Ice or somebody that didn't
- 42:18
know much about Michael Jackson going to
- 42:19
this movie, you don't know nothing about
- 42:21
Michael Jackson still. Michael Jackson
- 42:23
is
- 42:25
>> Crimella Crim and this movie didn't
- 42:28
present him that way. It didn't tell a
- 42:30
story. It didn't say just how in it
- 42:32
didn't tell you that people was fainting
- 42:34
all around the world. them little crowds
- 42:37
that they put on whatever Hulu set that
- 42:39
they was in that they built
- 42:42
>> it wasn't never going to look like what
- 42:44
Michael Jackson was out here doing their
- 42:47
storytelling they didn't tell any story
- 42:49
they did tell
- 42:51
me just talk please let me just talk
- 42:53
please the stories they had
- 42:57
>> moments in Mike's life that they wanted
- 43:00
to highlight
- 43:01
>> so it went from 68 you young to Jackson
- 43:05
five we working and we doing talent
- 43:06
shows that the very next time it jumps
- 43:08
to 78 or some [ __ ] you want to be
- 43:10
starting something is out. NO, NO, NO,
- 43:14
NO. And then they jump from that to the
- 43:18
nose job. THEY JUST POPPED UP and they
- 43:20
in front of the mirror with bandages on
- 43:21
nose. Wait, no. You can't. These are
- 43:23
things you uh two hours. It was two
- 43:26
hours. These are things that you can't
- 43:28
quickly
- 43:29
>> just gloss over. They just fast
- 43:31
forwarded through this whole [ __ ] If
- 43:33
this were a musical, then I don't have
- 43:35
no beef.
- 43:36
>> I will also say too in regards to the
- 43:37
vitiligo, the nose job, all that stuff,
- 43:40
it didn't really it just said that it
- 43:42
happened and it didn't really discuss
- 43:44
enough for me why it happened. You know
- 43:47
what I'm saying?
- 43:48
>> See, at
- 43:51
another hour to the movie,
- 43:53
>> the [ __ ] go to the movie too long.
- 43:55
>> Not if not if
- 43:56
>> not if it's good.
- 43:57
>> Not if it's [ __ ] won't really be if
- 43:59
it's
- 43:59
>> Listen, they talking about they talking
- 44:00
about it being a part two to it. My girl
- 44:02
went to see it last night and came out.
- 44:04
I think there's going to be a part two.
- 44:05
I laugh
- 44:09
set you up for a part.
- 44:10
>> The way it ends if you live through
- 44:12
this,
- 44:14
>> bro. Every
- 44:17
Hold on. Hold on.
- 44:18
>> How how we talking about a There's a
- 44:21
crop of people that don't that didn't
- 44:22
live through this [ __ ] that's in their
- 44:24
20s.
- 44:24
>> A lot of them.
- 44:25
>> Yeah.
- 44:25
>> Like there's a lot of people you heard
- 44:27
Michael Jackson. You don't really know
- 44:29
the Michael Jackson.
- 44:30
>> But to Joe's point, no. But to Joe's
- 44:32
point, even if you're 20 something years
- 44:34
old and you heard of Michael Jackson and
- 44:36
you don't know the story, when you walk
- 44:37
out the movie theater, you still don't
- 44:39
know the story or you don't know his
- 44:41
>> Can I just finish slamming this before?
- 44:45
>> Loren Tate was in this movie for 6
- 44:47
minutes.
- 44:48
>> Yeah.
- 44:50
>> Loren Tate was in this movie for 6
- 44:52
minutes. There was a portion of this
- 44:53
movie where I thought the script had to
- 44:54
be maybe 22 pages with the words that
- 44:56
was the sing that was it was just music
- 44:58
singing singing quick quick scene jump
- 45:01
cut to a year music music. Yo, Lorenz
- 45:04
Tate was playing Barry Gordy. Check this
- 45:06
out. I don't never want to see Barry
- 45:08
Gordy not be 75 years old. I ain't going
- 45:12
to hold you. When I when I hear the name
- 45:14
Barry Gordy and I see him in a movie,
- 45:16
don't show me him young
- 45:19
up.
- 45:22
Yo, this [ __ ]
- 45:23
>> I don't care.
- 45:24
>> We got you. We got you, champ.
- 45:26
>> Bubbles.
- 45:28
>> This is a good I'm with you.
- 45:30
>> The CGI bubbles that he brought his
- 45:33
whole family out
- 45:35
>> to look at.
- 45:36
>> That that bubbles was a mess. The
- 45:38
giraffe CGI, all the CGI in the movie.
- 45:40
>> Yeah, it was pretty bad.
- 45:41
>> The CGI was horrible. My favorite the my
- 45:43
biggest laugh in the in the movie was
- 45:44
they're in the studio and they showed
- 45:46
Quincy at the board and I was like,
- 45:47
"Damn, they showed Bruce Sweden who's
- 45:49
this legendary engineer who did all all
- 45:51
of his shit." Yeah.
- 45:52
>> But then they they showed him and I was
- 45:53
like, "Oh [ __ ] Bruce Sweden. That's
- 45:54
dope." They they included him. They
- 45:55
didn't say his name, which is a little
- 45:56
disrespectful, but whatever. But then
- 45:58
they continued to zoom out and Bubbles
- 46:00
is at the [ __ ] board. I [ __ ]
- 46:02
hollered.
- 46:03
>> I know you.
- 46:05
>> What?
- 46:06
>> That was a mess.
- 46:06
>> Why is Bubbles at the board?
- 46:08
>> That's That's some engineer nerd [ __ ]
- 46:10
though, yo. HE CAN'T EVEN FADE. HE TOOK
- 46:13
IT UP.
- 46:14
>> And then you can't really appreciate
- 46:16
Mike greatness without knowing. I
- 46:18
watched this movie and was laughing at
- 46:21
they cut out every time Joe Jackson was
- 46:23
about to get in his bag.
- 46:25
>> They cut it right out.
- 46:27
>> They cut it right out. I don't know
- 46:29
what's the [ __ ] story there. It's part
- 46:31
of Mike's greatness. It's part of every
- 46:34
part Mark talking about how he escaped
- 46:37
from his dad. When did he do that in the
- 46:38
movie? That that was your dad. I had him
- 46:41
at every turn.
- 46:42
>> Remember when his dad just popped out
- 46:43
after
- 46:47
>> standing right there holding the paper
- 46:50
going frame
- 46:51
>> and poor along. Poor along. Just
- 46:53
>> another one.
- 46:54
>> Just standing there.
- 46:55
>> Tell the truth.
- 46:56
>> Standing there not helping, just not
- 46:57
doing nothing. Hey, in the beginning of
- 47:00
the movie when Mike that song up, they
- 47:03
cut it out. But Joe beat the dog [ __ ]
- 47:05
out of Michael Jackson when he [ __ ]
- 47:07
Hey, they show him give a little pow
- 47:09
pow. He he about to he cleaned that
- 47:12
house up with that young Michael Jackson
- 47:14
about yo when they told him yo stop
- 47:16
moving in the booth.
- 47:18
>> You ain't seen the look going to boo.
- 47:20
He was going he was GOING TO THE BOO.
- 47:22
HEY WAIT AND THEN HE GO HE GOING TO TURN
- 47:24
TO Barry Gordy. He in there hanging out
- 47:25
with BARRY GORDY JOE JACKSON LOOKING
- 47:27
like where is my he
- 47:31
thanks for everything Joe ask me
- 47:32
anytime. And when he turned around, oh
- 47:35
wait, BARRY GORDY ALMOST GOT [ __ ]
- 47:38
MICHAEL,
- 47:39
>> you know, anything you need me. I said,
- 47:42
oh, they cut it out
- 47:43
>> right here. Jackson got the hallway.
- 47:46
>> Joe Jackson cleaned that hallway.
- 47:50
Young Michael,
- 47:52
>> I thought they were pretty nice on Joe
- 47:54
Jackson honestly.
- 47:54
>> Wait, Mike was so helpless. He went to
- 47:57
the label. He said, "Hey,
- 47:59
>> I need you."
- 48:01
And they was looking LIKE THE [ __ ]
- 48:02
>> YEAH. WAIT, WAIT, WAIT. WHO? WHO? Fire
- 48:05
who?
- 48:05
>> Boy. When Joe got when Joe got that
- 48:07
facts.
- 48:10
>> When Joe got that facts. Hey, they cut
- 48:12
it out the movie.
- 48:14
>> Clean some more. In the kitchen. The
- 48:16
refrigerator. But when he got his hands
- 48:18
on Mike,
- 48:20
>> he cleaned the [ __ ] house with Michael
- 48:21
Jackson. I ain't going to tell you. Mike
- 48:23
overcame so much and they didn't show
- 48:25
it.
- 48:26
>> Fail is cuz you ain't see it. The [ __ ]
- 48:28
held the facts in his hand for a good
- 48:30
eight hours.
- 48:32
>> Have you seen you in different places?
- 48:34
My son was UP. MY SON WAS DOWN. THIS
- 48:36
[ __ ] still
- 48:39
was like,
- 48:40
>> "What kind of son does this?"
- 48:41
>> I was going to frame this.
- 48:43
>> What kind of son fire me?
- 48:45
>> You fired me through facts. You couldn't
- 48:46
even say it to my face.
- 48:48
>> No, I need my face. I couldn't believe
- 48:51
I couldn't believe I was laughing so
- 48:53
hard in this movie just knowing that
- 48:56
they invited real Jackson's to watch
- 48:59
this.
- 49:01
>> Then the stupid movie come on. They want
- 49:03
to keep showing me Latoya.
- 49:06
>> What was Janet? Janet said
- 49:08
>> if you don't remove me and my image and
- 49:11
likeness from this y'all got going on.
- 49:14
So now we got to act like Michael and
- 49:15
Tori was tight.
- 49:18
See, Ice wouldn't know because
- 49:21
>> I don't know.
- 49:23
>> Some of the story they told Diana Ross
- 49:26
called them expediently.
- 49:29
Hey
- 49:31
>> remove anything that Diana Ross out of
- 49:34
this movie.
- 49:35
>> Don't y'all put You better not
- 49:37
>> Don't put no Diana.
- 49:38
>> Don't put a D. Don't even say
- 49:40
>> don't put no Princess D. D Carol D Ross.
- 49:45
>> Don't put Ross from Friends. Don't put
- 49:46
nothing. Rick Ross in this movie. Rick
- 49:49
Ross.
- 49:50
>> Really? What's the reason you think? I
- 49:52
don't cuz cuz they saw it.
- 49:56
>> Cuz they saw it. This didn't tell the
- 49:58
full story.
- 49:58
>> Don't a real person want to be
- 49:59
associated with this with this [ __ ]
- 50:01
>> And like I said again, it does seem like
- 50:03
there was a theme with this movie. It
- 50:05
wasn't to tell Michael's story. It was
- 50:06
more so to tell this was to just show
- 50:10
Michael's like coming of age and finally
- 50:11
becoming my own person and getting from
- 50:13
under my father.
- 50:14
>> That's what it seemed like that was the
- 50:16
purpose of the movie. Not
- 50:17
>> the gang members the gang members and
- 50:20
beat it.
- 50:20
>> That scene was
- 50:21
>> I thought it was going to show him
- 50:22
joining the crips right then too.
- 50:24
>> See that's the thing that the fans
- 50:27
was a [ __ ]
- 50:28
>> He was and he went to the hoods and got
- 50:32
real gang members to be in the vicinity.
- 50:35
So they tried to show that using Hulu
- 50:38
gang members.
- 50:40
>> [ __ ] are idiot, bro.
- 50:42
>> Them [ __ ] look like, you know, the
- 50:45
main n they had that was doing the dance
- 50:47
with the mustache. They went and got
- 50:48
Torres from New York undercover to be
- 50:50
that like these look like the Torres.
- 50:53
>> That was he wasn't
- 50:55
>> No, it wasn't really Torres. This guy
- 50:57
looked I'm saying it was like the lugs
- 50:59
version of Torres.
- 51:06
Now these gang members
- 51:08
>> Joe hated this movie because of his
- 51:09
print shot
- 51:11
>> in the movie.
- 51:12
>> Yeah.
- 51:12
>> What was the print shot?
- 51:13
>> Some little was like don't let Prince
- 51:15
get it or something.
- 51:16
>> Oh yeah, he did.
- 51:16
>> That's what it was.
- 51:17
>> Yeah, he did. He did it. Yeah, he did
- 51:18
throw that shot at.
- 51:19
>> He threw that little shot, man.
- 51:20
>> Yeah.
- 51:20
>> No, that was a big up.
- 51:23
>> No, it wasn't said as a big up.
- 51:25
>> You talking about when they was talking
- 51:26
about song, right?
- 51:27
>> Yeah.
- 51:27
>> And he said, "Don't let Prince get that
- 51:28
song. He said he said his son said yeah
- 51:31
I can't remember exactly I don't [ __ ]
- 51:32
with him I want him getting it
- 51:35
I don't [ __ ] with him and he's the
- 51:36
biggest [ __ ] out there please don't let
- 51:38
him get this
- 51:39
>> yeah I took it like that I didn't tell
- 51:40
you like that
- 51:40
>> but how they do a movie without the so
- 51:42
Jan is not mentioned at all
- 51:44
>> no it's Latoya
- 51:47
>> I mean Latoya was around and THEN
- 51:50
JERMAINE JERMAINE I HATE WHEN I COULD
- 51:53
TELL when the executive producer came in
- 51:55
the writing room and you gonna make Joe
- 51:57
Jackson say, "Yeah, Germaine's not
- 52:01
coming on tour with us cuz he stayed
- 52:03
over there. He stayed at where he want
- 52:05
to be." He wanted to be at Mottown. So,
- 52:06
let him stay here.
- 52:07
>> He stayed there and we're on Epic. Yo,
- 52:11
casual fans, I promise y'all.
- 52:13
>> Joe Jackson did not say that.
- 52:14
>> Nobody looked for Jermaine Jackson when
- 52:17
this tour was being organized. Yo,
- 52:20
>> that's not true.
- 52:20
>> Not one, not a soul. You see what you
- 52:24
see? Not not
- 52:25
>> I like this idea. Is Michael going to be
- 52:28
there?
- 52:28
>> Yeah. I mean, that's the main thing.
- 52:30
>> All right. Cuz without this, all that
- 52:32
talking go out the window. Like, is
- 52:34
Michael going to be there? I don't even
- 52:35
like how they burnt Mike's hair in the
- 52:37
[ __ ] This was just like a If you know
- 52:39
Michael Jackson's story, which I do,
- 52:42
this is like a spoof slap in the face to
- 52:46
>> the the real he was.
- 52:48
>> Yeah.
- 52:48
>> It was the most service level [ __ ] I
- 52:50
ever seen in my life.
- 52:51
>> Yes, it it wasn't deep. It was a money
- 52:52
grab. It looks like a money grab. I
- 52:54
agree with Paris. But but Mike's story
- 52:56
is deep.
- 52:57
>> Yeah.
- 52:58
>> Mike story is one of the deepest.
- 53:00
>> That's why I say when you walk into
- 53:02
>> any segment of his story is deep.
- 53:04
>> Word.
- 53:04
>> This is like the Times Square 2000's
- 53:07
version of Michael Jackson story. This
- 53:10
is the Marshall's version of this is
- 53:12
this is it.
- 53:13
>> There's some stuff missing. But I think
- 53:15
when I see a family make a film about
- 53:17
somebody whose life is complicated and
- 53:19
messy and interesting and brilliant, I
- 53:21
always expect it to look like that. So I
- 53:22
guess I I just my expectations were so
- 53:24
managed coming.
- 53:25
>> Is it is it possible that the family
- 53:26
protected Joe?
- 53:28
>> Yes, it felt like it.
- 53:29
>> You know what I'm saying? I'm just
- 53:30
saying a little bit.
- 53:31
>> I mean said all kinds of about Joe and
- 53:33
and that stuff wasn't in there. So you
- 53:35
know I mean all kinds of [ __ ]
- 53:36
>> cuz I know you were saying like they
- 53:37
didn't really they cut out they didn't
- 53:39
really show how Joe was on his ass. And
- 53:40
if the family has to say so in this it's
- 53:43
like we don't we don't want that part
- 53:45
out there that bad.
- 53:46
>> Yeah. And that that might have been a
- 53:47
tugof-war between um the different
- 53:50
siblings and that might have been part
- 53:52
of what Janet didn't want to be a part
- 53:53
of. I don't want to speculate about
- 53:54
Janet so much, but I know they all had
- 53:56
very different experiences with Joe and
- 53:58
I I've seen Latoya say and she's told me
- 54:00
directly like some of her experiences
- 54:02
with Joe and some of her allegations and
- 54:03
then I've heard Michael say things. I've
- 54:06
talked to Marlin. He said different and
- 54:08
so I think they wanted to just show look
- 54:09
this dude was rough
- 54:10
>> and clearly but we're not going to go
- 54:13
into all these different directions. The
- 54:14
movie is not about the
- 54:15
>> It's not about that person. But see, I
- 54:17
thought some of it was some of the stuff
- 54:18
y'all think was basic. I thought was
- 54:20
subtle. Like when when he first starts,
- 54:22
as you said, cleaning the house with
- 54:24
Mike, he also called him big nose.
- 54:26
>> Yeah.
- 54:27
>> And so calling him big nose to me was
- 54:29
like the okay, this is deep in my head
- 54:31
that I got nose.
- 54:33
>> Right. So by the time he's at the the
- 54:34
the the doctor saying, "Well, I need it
- 54:36
to be symmetrical." It's showing the
- 54:38
delusion that he has. And then when when
- 54:40
Joe walks up to him and he says, "It's
- 54:41
for my septum." It's like they're
- 54:44
showing Michael has a has a a self-hate
- 54:48
>> and he's constantly trying to convince
- 54:49
the world that there's a real reason for
- 54:51
it and the nose keeps getting smaller
- 54:52
and there's always a new excuse for it.
- 54:54
The nose strip that came on like around
- 54:55
an hour and a half in. So to me it
- 54:57
wasn't that they didn't deal with it.
- 54:58
They just expect they expected a lot.
- 55:01
They expected a little bit more of the
- 55:02
viewer which I'm okay with.
- 55:04
>> But to your point, you you shouldn't
- 55:06
expect that much from the viewer if
- 55:07
you're going to do a A&E Lifetime style
- 55:09
movie. You got to kind of pick your pick
- 55:11
your struggle here. But but I I thought
- 55:13
they hit that. I didn't like I wanted
- 55:15
more of the creative stuff. There was
- 55:17
such a creative tension between Quincy
- 55:18
Jones and Michael Jackson from
- 55:20
offthe-wall to to bad in terms of the
- 55:23
tugof-war over who was going to have
- 55:24
most control over. None of that was
- 55:26
there cuz Quincy just disappeared. I
- 55:27
mean he was I don't know none of that.
- 55:29
>> There was more tension between Barry
- 55:30
Gordy and in in the movie and and Quincy
- 55:33
than Michael and Quincy which I thought
- 55:35
was weird given given I mean Quincy said
- 55:37
by
- 55:38
>> it was weird.
- 55:39
>> That that was weird to me. There there
- 55:40
were things like that that I didn't
- 55:41
like. Um but
- 55:43
>> again, I didn't go and expected much.
- 55:45
>> Go see this movie is what we're saying.
- 55:48
>> I was entertained. I will say that. I
- 55:49
was entertained.
- 55:50
>> As was I. And listen, I laughed halfway
- 55:52
through because I was laughing at Mark
- 55:54
earlier. But as the music is playing cuz
- 55:56
I went hoping to walk out. I did walk
- 55:59
out, but I walked but I walked out when
- 56:01
he started doing the robot during human
- 56:02
nature at the end. So it was the end.
- 56:04
But but like but that's my that was your
- 56:06
breaking point.
- 56:08
Enough was enough at this point with cuz
- 56:10
I saw my this is not
- 56:15
but but in the movie I'm like yo I
- 56:17
wanted to walk out sooner but this music
- 56:18
is so good that
- 56:20
>> it's Michael Jackson music
- 56:22
walk out on Michael Jackson music.
- 56:24
>> It was pretty cool the way they
- 56:25
motifized his hits into like the score.
- 56:29
You know what I'm saying? Broke up
- 56:30
little pieces of the melody. That was
- 56:32
that was that was
- 56:32
>> I thought that was really dope. I this
- 56:34
and again I thought there were some
- 56:35
tender moments. I thought young Michael
- 56:37
Jackson I I was really compelled by
- 56:38
that. Um like watching him looking for
- 56:41
>> He ain't get another acting gig.
- 56:43
>> [ __ ]
- 56:43
>> You won't you won't see him again.
- 56:45
>> He might not get another performance.
- 56:46
>> If we ain't seeing Jonathan Major, they
- 56:48
better not put this little raggedy kid
- 56:50
on the [ __ ] team. Shout out to that
- 56:52
young man. He I thought he
- 56:53
>> No. No. Shout out to the young man in
- 56:54
real life.
- 56:55
>> Yeah, I thought I actually thought he
- 56:56
did a great job.
- 56:56
>> But as Michael Jackson, we could put him
- 56:58
in the sewer with the Ninja Turtles.
- 57:00
>> We won't be Mike no more.
- 57:01
>> We could put him
- 57:02
>> I mean he he didn't buy it. You know
- 57:03
what I mean? as in terms of the
- 57:04
performance aspects, but again like I
- 57:06
thought he tapped into something that's
- 57:07
hard to tap into as a young kid. Um, in
- 57:09
terms of the emotions and [ __ ] like that
- 57:11
when Michael I felt that kid looking for
- 57:13
something. I felt that kid looking for
- 57:15
love, looking for a father. That huggy
- 57:17
gave Bar and Mark out
- 57:19
>> that [ __ ] was one of the most beautiful
- 57:20
things I saw in the whole movie.
- 57:21
Honestly, that huggy gave Barry Gordon
- 57:23
studio was real. I could feel that. Um,
- 57:25
like I just I just thought I thought
- 57:26
they did a good job. Even when when
- 57:28
Michael came back as the bigger Michael
- 57:30
and he was trying to get them to play
- 57:31
Twister.
- 57:32
>> Yo fam, that was another one.
- 57:35
>> No, when they was he was playing Twister
- 57:37
with Bubbles. Bubbles. OKAY, THAT WAS
- 57:38
RIDICULOUS.
- 57:39
>> NO, you're cheating. YOU CAN'T DO THAT.
- 57:41
>> THAT WAS RIDICULOUS. THAT was
- 57:42
ridiculous. But anyway, shout out to
- 57:44
everybody in the film. Shout out to
- 57:46
Coleman Domingo who did an amazing job.
- 57:48
He was smoking him. Um he did a great
- 57:52
job.
- 57:52
>> They knew they better put a real actor
- 57:54
around them young kids. And if y'all if
- 57:57
y'all want to keep supporting film
- 57:58
whether you love it or hate it or in the
- 58:00
middle just support this film. Go out
- 58:01
and check it out cuz we can't get more
- 58:02
films made if we don't go out and
- 58:03
support.
- 58:05
>> Yeah, that was the greatest news I got
- 58:06
going to the movie theaters is that Ipic
- 58:09
is not closing unfortunately. Hey, make
- 58:10
some noise. Make some noise.
- 58:13
>> Make some noise.
- 58:14
>> You threw some bread down.
- 58:15
>> No, no, no. But someone did. Like I knew
- 58:18
they would.
- 58:18
>> You should have. Like I knew they would.
- 58:20
No, I know.
- 58:20
>> How many seats did you buy?
- 58:21
>> [ __ ]
- 58:22
>> Yesterday?
- 58:22
>> Yeah.
- 58:23
>> Uh, six. And
- 58:24
>> how many people went with you? Nobody
- 58:26
shut up. Just make making sure somebody
- 58:29
you played your part.
- 58:30
>> Yeah. Say Joe bought six seats that sat
- 58:32
to sit by to make sure no one was
- 58:33
sitting near him
- 58:33
>> and still sat next to somebody.
- 58:35
>> Did you?
- 58:36
>> I started I started next to someone then
- 58:37
I saw some seats open. I was like
- 58:38
>> cuz it was it was
- 58:40
>> I picked that thing
- 58:40
>> because it was the smaller theater. So
- 58:44
that means that the two seats I'm always
- 58:46
in over here like was just over here and
- 58:49
I bought the center ones and that was in
- 58:50
the center but it only let me buy the
- 58:52
[ __ ] It was a mess. I sat in the center
- 58:55
and some thug sat next to me.
- 58:57
>> I had Yeah, I I saw it in the hood. So,
- 58:58
I was I was a lot of people there
- 59:01
>> and it wasn't a thug. Some kept getting
- 59:02
up to do [ __ ] was queen.
- 59:06
>> How dare he?
- 59:09
This [ __ ] was so considerate the whole
- 59:11
movie. Came back. She had popcorn and
- 59:13
everything.
- 59:21
YO, STOP SAYING THAT YOU SEEN ME DO
- 59:22
THAT. I NEVER DID THAT. ANYWAYS,
- 59:26
uh time to pay some bills. It's time for
- 59:28
my favorite part of the show.
- 59:34
>> Your phone was on 6%. It's on 1%.
- 59:38
>> Living dangerous.
- 59:39
>> Your phone's on 1% at noon.
- 59:42
>> Yeah,
- 59:42
>> my [ __ ] do that a lot.
- 59:43
>> Yeah, I didn't uh get to charge this
- 59:46
overnight.
- 59:46
>> You don't plug it in the car.
- 59:47
>> You don't plug your phone in.
- 59:48
>> I took a Uber here.
- 59:50
>> You don't plug that in.
- 59:51
>> The question still remains the same.
- 59:52
What about I I didn't have no access to
- 59:54
one in this particular Uber.
- 59:55
>> What about when you go to bed?
- 59:56
>> At home though?
- 59:57
>> Normally at night I over I charge but
- 59:58
last night I sometimes forget.
- 1:00:00
>> Yeah. I was out so late watching this
- 1:00:02
movie for work that I didn't get a
- 1:00:03
chance to to do it.
- 1:00:05
>> So you phone dying too
- 1:00:06
>> often.
- 1:00:07
>> Yeah.
- 1:00:07
>> This [ __ ] phone always die. Is phone
- 1:00:09
die mid combo and he won't call you
- 1:00:11
back.
- 1:00:12
>> That's just ish.
- 1:00:14
>> I don't be charging my [ __ ] So
- 1:00:16
>> yeah. So I
- 1:00:17
>> you see every time he see me when he say
- 1:00:18
yo yo let me get your charger. I feel
- 1:00:19
like that's another one of those things
- 1:00:21
that men can't do. Your phone shouldn't
- 1:00:23
hit below 10%.
- 1:00:24
>> I also don't like to unless you're at
- 1:00:26
home. I let my [ __ ] go dead at home.
- 1:00:27
>> You got to let it die.
- 1:00:28
>> At home, you do what you want.
- 1:00:29
>> Why you do that?
- 1:00:30
>> Sometimes you got to let it die, right?
- 1:00:33
>> You got to let it die sometime.
- 1:00:35
>> I don't get it.
- 1:00:36
>> Certain hours.
- 1:00:38
>> You trying to say you make sure you
- 1:00:39
don't get no phone calls you don't want.
- 1:00:42
>> So I get phone calls during the pop.
- 1:00:44
>> Listen, listen. Tomato tomato, bro. I
- 1:00:46
don't know when when you get
- 1:00:47
>> that's not what
- 1:00:48
>> Never mind.
- 1:00:49
>> Stop doing it for your man.
- 1:00:50
>> I don't even know what that means.
- 1:00:54
>> Flip side when he shoot.
- 1:00:55
>> It's all right. Tag team.
- 1:00:57
>> When flip shoot at y'all. I'm on his
- 1:00:58
side.
- 1:00:58
>> Don't I feel weak? You need a [ __ ] help
- 1:01:00
to help.
- 1:01:00
>> I want to help. You just be saying
- 1:01:01
Captain Pom Pom. It's just a
- 1:01:03
coincidence.
- 1:01:04
>> I'm helping. I'm a help, right? But
- 1:01:05
don't ask why I help him.
- 1:01:07
>> As a strong man, don't you feel weak
- 1:01:09
that you have to depend on this [ __ ]
- 1:01:10
coming to save you? A lot of times I
- 1:01:12
guess who need
- 1:01:14
a question. Mark always jump in and save
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ever since that flat earth fight they
- 1:01:18
had.
- 1:01:18
>> I guess you trying to push a narrative
- 1:01:20
to your flunkies. I know it's cool. I
- 1:01:22
don't need no.
- 1:01:24
So what was happening before Mark?
- 1:01:26
>> I just got here.
- 1:01:27
>> What? What was happening before Mark?
- 1:01:28
>> When I was airing everybody else,
- 1:01:30
>> [ __ ] I knew you talking about I didn't
- 1:01:32
know you thought the earth was flat
- 1:01:33
before Mark got here.
- 1:01:35
>> I didn't need no help. I'm talking about
- 1:01:37
I didn't need no help before Mark got
- 1:01:38
here.
- 1:01:39
>> We wasn't talking about flat earth.
- 1:01:41
>> We talked about everything else. And I
- 1:01:43
love you a lot more than Mark. So when
- 1:01:44
you be saying stupid [ __ ] let it rock,
- 1:01:46
[ __ ] You my man. Mark wanted. He But
- 1:01:49
then he felt bad. So now he catered to
- 1:01:50
you like one of them Sally Struggles
- 1:01:51
kids for 69 cent a month
- 1:01:53
>> again. Again pushing your I don't need
- 1:01:55
nobody to hold me.
- 1:01:56
>> Look out. Y'all had a a riff sense.
- 1:01:58
Y'all had a tiff since me and Mark
- 1:02:00
argued over capitalism and every other
- 1:02:02
thing.
- 1:02:05
>> That was no argument. Keep pushing your
- 1:02:06
argument. It was a gentle debate. It was
- 1:02:09
very gentle. Very flat earth was so we
- 1:02:12
had an argument over flat earth.
- 1:02:15
>> We had a you had an argument over flat
- 1:02:16
earth WAS DEBATING GENTLY. OH, I let you
- 1:02:20
get the [ __ ] out of here.
- 1:02:21
>> So say tricky words. You done swallowed
- 1:02:23
your tongue.
- 1:02:24
>> [ __ ] talking about [ __ ]
- 1:02:26
>> Let me tell you something. You know that
- 1:02:27
I'm ready. I'm ready for THAT [ __ ] AND
- 1:02:29
I'M READY FOR YOU.
- 1:02:30
>> YOU ALWAYS end Mark. [ __ ] WE'LL LOOK AT
- 1:02:33
MARK LIKE SOME TYPE OF GUY LIKE YOU.
- 1:02:35
[ __ ] WE'LL END THIS I don't ass kiss
- 1:02:39
[ __ ] THAT'S YOUR TAP DANCING.
- 1:02:41
>> SAY IT AGAIN. WE'LL END Mark [ __ ] in
- 1:02:42
front of you,
- 1:02:43
>> [ __ ] Look, you want us to end them.
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