JBP
The Joe Budden Podcast
Episode 923

Old School Music Is Always A Vibe

Joe Budden Podcast Episode 923, “Old School Music Is Always A Vibe,” released April 27, 2026. The JBP begins its latest episode with a discussion on running plays (3:50) before they share their thoughts on the new Michael Jackson biopic (31:02). The Worst Take segment returns with updates on the 2026 NBA Playoffs and the first round of the NFL Draft (1:08:08), Kehlani’s new album (1:19:01), and Drake’s ‘Iceman’ is slated for May 15th (1:25:56). Lawsuits against Stake (1:51:11) plus a defamation lawsuit from Brian McKnight (1:56:21), and Russell Brand reveals something about his sexual history (2:12:20). Also, the internet is critical of recent guest Emma Grede over her comments on women working from home (2:18:59), the latest on Diana Russini & Mike Vrabel (2:49:15), and much more! Full transcript and searchable timestamps below.

Old School Music Is Always A Vibe

In this episode

  • 3:50The JBP begins its latest episode with a discussion on running plays
  • 31:02Before they share their thoughts on the new Michael Jackson biopic
  • 1:08:08The Worst Take segment returns with updates on the 2026 NBA Playoffs and the first round of the NFL Draft
  • 1:19:01Kehlani’s new album
  • 1:25:56Drake’s ‘Iceman’ is slated for May 15th
  • 1:51:11Lawsuits against Stake
  • 1:56:21A defamation lawsuit from Brian McKnight
  • 2:12:20Russell Brand reveals something about his sexual history
  • 2:18:59The internet is critical of recent guest Emma Grede over her comments on women working from home
  • 2:49:15The latest on Diana Russini & Mike Vrabel
Video Available
Audio Available
6,316 transcript lines

Joe Budden Podcast Ep. 923 Transcript

Full transcript of Old School Music Is Always A Vibe (1:02:47 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    only. I repeat, it is not serious. It is

  • 0:09

    not real. No one is exposing, revealing,

  • 0:13

    indicting or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:31

    Microphone check. What is this?

  • 0:36

    JB back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:44

    >> You didn't use a nutcase.

  • 0:46

    >> You didn't used to coach, Joe. Are you

  • 0:47

    crazy?

  • 0:48

    >> I'm telling you, you're nuts.

  • 0:50

    >> Huh?

  • 0:50

    >> You pat rally this?

  • 0:51

    >> No. This nigga's PAT NOBODY. THIS

  • 0:53

    NIGGA'S PING.

  • 0:54

    >> I'm petting nobody you talking about,

  • 0:56

    bro. What

  • 0:58

    >> is that?

  • 1:00

    >> Yo, you are crazy, son. This Yo, this

  • 1:02

    guy is Yo, everything does not re the

  • 1:05

    moon, stars, and sun don't revolve

  • 1:07

    around you, my [ __ ]

  • 1:09

    >> You feel me?

  • 1:10

    >> We're filming. Oh, yeah.

  • 1:11

    >> Why do you think that? Why do you think

  • 1:13

    that the moon, sun, and star? Why do you

  • 1:15

    think I'm as yet? Because I'm saying you

  • 1:17

    learned something from me.

  • 1:19

    >> I don't. You take credit for everything.

  • 1:22

    I did not learn that from you. I didn't

  • 1:25

    learn how to be charismatic in hospital

  • 1:27

    from you.

  • 1:28

    >> Please don't put words in my mouth cuz

  • 1:30

    you are charismatic on your own.

  • 1:32

    >> Yo, those are

  • 1:33

    >> that is not what I'm talking about.

  • 1:34

    >> The traits that we are talking about

  • 1:36

    >> audience we talking about setting up the

  • 1:38

    play

  • 1:40

    cuz I don't want to just talk without

  • 1:43

    talking about hey if you know you know

  • 1:45

    we talking about setting up the play.

  • 1:47

    What I'm saying is my friend we ain't

  • 1:50

    going to stay on this cuz I want to

  • 1:52

    laughing at this [ __ ] about something.

  • 1:53

    I don't even know how we got here.

  • 1:55

    >> How I get in this? I don't even

  • 1:56

    remember.

  • 1:56

    >> So, listen to this. This is what we

  • 1:58

    talking about. So, if if if

  • 2:01

    >> cuz the funny thing is I don't holler,

  • 2:03

    right? But I'll tell somebody else, "Yo,

  • 2:06

    you should

  • 2:06

    >> see I ain't got time for the rig and

  • 2:07

    roll today. I want I want to say what

  • 2:11

    the fuck."

  • 2:11

    >> Look, I'll tell somebody like, "Yo, dog,

  • 2:13

    you could do this, this, this, and

  • 2:14

    this."

  • 2:15

    >> Man, something nice. SOMETHING NICE is

  • 2:17

    in that mother's

  • 2:19

    Let's get Let's get to it. Something

  • 2:21

    nice is in that Neman. And I told Joe he

  • 2:24

    wouldn't like the

  • 2:25

    >> in one of the New Jersey malls,

  • 2:27

    >> right?

  • 2:27

    >> And he says, "But then it's going to

  • 2:29

    look like I went there specifically for

  • 2:31

    >> That's not what I said. I said if you

  • 2:34

    because I'm too in love."

  • 2:36

    >> Oh.

  • 2:36

    >> So what I said was if you go

  • 2:39

    >> Yo, stop playing tough. Yo, now we

  • 2:40

    going. You said exactly what I said.

  • 2:42

    >> GET TO IT. GET TO IT.

  • 2:42

    >> SAID BECAUSE I I'm a wordssmith. I said

  • 2:46

    if you, not you, but in general, go to

  • 2:49

    that Neman's at that mall, it will be

  • 2:51

    painfully ob obvious you are there to

  • 2:54

    speak to a young lady.

  • 2:55

    >> That's not true.

  • 2:56

    >> I'm just saying what I said.

  • 2:58

    >> Oh yeah.

  • 2:58

    >> And I told you what you said. That is

  • 3:00

    what And I said that's not true because

  • 3:02

    you know people and my boy set the play

  • 3:04

    up for me.

  • 3:05

    >> Yeah. I said, "Yo, you know people

  • 3:06

    there." So you

  • 3:07

    >> And not for me, but to me,

  • 3:10

    >> yo, you know somebody there or a person

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    knows somebody there. You coming to say

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    hi to your person. It's like if a bad

  • 3:16

    chick work at a restaurant and you know

  • 3:18

    somebody else at the restaurant, your

  • 3:20

    goal might be to go see the bad chick

  • 3:22

    and let her see you, but I'm coming to

  • 3:24

    see my barks that just bartends.

  • 3:25

    >> Sure. Sure.

  • 3:26

    >> And I just so happen to be there on a

  • 3:28

    Thursday night when shorty is working.

  • 3:30

    >> What a kicky thing.

  • 3:33

    I learned that from him. And then I'm

  • 3:35

    saying I was proud of my man for drawing

  • 3:38

    that play so fast because when we used

  • 3:41

    to hang out and it would be time to run

  • 3:43

    a play, he would be dumbfounded looking

  • 3:46

    stupid in the face like, "Yo, how are we

  • 3:49

    going to how we going to bag that girl

  • 3:51

    from her dude?"

  • 3:52

    >> I don't believe that. Not for me. Yo, me

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    is used to be out trying to miss your

  • 3:57

    girl before all of that [ __ ] It should

  • 3:59

    be like, "Yo, how are we going to do

  • 4:01

    that? Her dude is right there the whole

  • 4:03

    night." I think

  • 4:05

    her man is right there all night long

  • 4:07

    and I used to set up the play. So to

  • 4:10

    hear him set up plays now I'm like my

  • 4:13

    boy is the Eric Spiter. This [ __ ] is

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    Kevin Booker.

  • 4:17

    >> This [ __ ] is you know like we don't

  • 4:21

    know though. It's cool. You wouldn't

  • 4:23

    know.

  • 4:23

    >> He survived on that cuz nobody was there

  • 4:25

    but me and him and I got such a horrible

  • 4:27

    reputation. THAT'S GOT TO STOP

  • 4:28

    HAPPENING.

  • 4:29

    >> Listen to this.

  • 4:29

    >> My horrible reputation. I set up a play

  • 4:31

    for Joe. If Joe is vocal and goes at the

  • 4:34

    target [ __ ]

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    >> I don't have to set up a play for Joe.

  • 4:37

    >> I don't He don't need no He can iso.

  • 4:39

    >> I'm not talking about ish. You keep

  • 4:40

    trying iso.

  • 4:41

    >> He keep trying to confuse the audience.

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    We not talking about your anyone's

  • 4:46

    ability to speak to a girl.

  • 4:47

    >> No,

  • 4:48

    >> that's not what's in question.

  • 4:49

    >> So, what you talking about?

  • 4:50

    >> We talking about when the situation

  • 4:52

    calls for a play to be ran. That's what

  • 4:55

    we talking about. IT'S NOT THE SAME.

  • 4:56

    >> DUDE, 23.

  • 4:57

    >> ANYBODY COULD TALK TO A GIRL. YEAH,

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    that's not true.

  • 5:01

    >> All right, cool. But we talking about

  • 5:03

    running a play when it's when it's a

  • 5:05

    little more complicated.

  • 5:06

    >> He old school. He know the old bumping

  • 5:08

    switch. He bump Excuse me. P me. Like we

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    don't We know your tricks, bro.

  • 5:12

    >> We know your tricks.

  • 5:13

    >> Old bumping.

  • 5:14

    >> And we do know his tricks.

  • 5:15

    >> I don't know.

  • 5:15

    >> We know his tricks. That's my man. I It

  • 5:18

    ain't queen [ __ ] You see you you try

  • 5:20

    >> is that a bump and switch.

  • 5:21

    >> Bump and switch. You bump somebody and

  • 5:22

    switch. I I got you. You try to

  • 5:24

    >> pick and roll. Thank you.

  • 5:26

    >> You try to act like you are this quiet

  • 5:29

    guy with so much confidence in the

  • 5:32

    world. I don't talk to That's your play.

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    The I don't talk to people, but I'm full

  • 5:36

    of confidence is your play.

  • 5:37

    >> We see right through it, man.

  • 5:39

    >> And # the restaurant.

  • 5:40

    >> That's it. We know your trick.

  • 5:42

    >> You going to go read the hashtag of the

  • 5:43

    restaurant,

  • 5:44

    >> huh?

  • 5:44

    >> IT MAKES A LOT OF SENSE.

  • 5:45

    >> It don't.

  • 5:46

    >> We got you.

  • 5:46

    >> It does. It does. Is it possible you

  • 5:48

    just really quiet? I mean, and don't

  • 5:49

    don't like the holler.

  • 5:50

    >> Then if you tell him he don't get no

  • 5:51

    [ __ ] how he act? Yo, you don't get no

  • 5:53

    girls cuz you quiet, [ __ ] You scared

  • 5:54

    the girls. You saw he GETS STUPID

  • 5:56

    DEFENSE, [ __ ] WHAT?

  • 5:57

    >> YO, HOW DID I SMASH A [ __ ] HE WENT

  • 6:00

    AFTER THE BEIGE. HE DID THAT OVER HIS

  • 6:03

    HEAD. PULL IT UP.

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    >> Listen to this.

  • 6:06

    Yo, you're equating somebody being quiet

  • 6:09

    to somebody scared of girls. They don't

  • 6:11

    correlate. [ __ ] No, it's my go. That

  • 6:14

    was my go. You call me You call me

  • 6:16

    [ __ ]

  • 6:18

    It's my goal. It's my goal. See, me not

  • 6:21

    being me being bashful or shy don't

  • 6:23

    correlate to me not getting no [ __ ]

  • 6:25

    >> How do you get because they talk to you,

  • 6:26

    right?

  • 6:26

    >> WHATEVER THE GAME,

  • 6:27

    >> YOUR GAME IS TO STAY QUIET with

  • 6:29

    confidence. They don't have to come to

  • 6:30

    you and talk to them. That's not game

  • 6:32

    because a lot of women DON'T LIKE THAT.

  • 6:34

    THAT BACKFIRES more than you think it

  • 6:35

    works. A lot of girls don't like shy.

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    You 30 something years old and you still

  • 6:40

    shy. Sit your dumb ass down. IT DON'T

  • 6:42

    WORK. I DON'T PUMP THAT. THAT'S HOW YOU

  • 6:45

    HOW YOU WHAT YOU PUMP.

  • 6:47

    OH, we getting great.

  • 6:50

    >> I'm saying, yo, how did you learn to bag

  • 6:53

    girls when they went they man?

  • 6:55

    >> Don't do that.

  • 6:56

    >> Oh, he passed the number on the paper.

  • 6:58

    He write it on the paper.

  • 6:59

    >> There was that one time though, right?

  • 7:01

    Didn't they tell the story?

  • 7:02

    >> I didn't bag that girl. I knew the girl

  • 7:04

    before the [ __ ] came to the house. I

  • 7:05

    WAS ALREADY MY CHICK.

  • 7:06

    >> OH, I WAS TALKING ABOUT THAT STORY.

  • 7:10

    I was talking ABOUT THE RESTAURANT.

  • 7:12

    >> I WAS TALKING ABOUT TALKING ABOUT THE

  • 7:14

    JOINT.

  • 7:15

    THIS IS AND THIS IS THE REASON I got mad

  • 7:17

    at that because I didn't bag that girl.

  • 7:18

    I didn't say more than five words to

  • 7:20

    that girl, but how it was presented to

  • 7:22

    them made it seem like I was shooting at

  • 7:23

    this [ __ ] girlfriend. And that's why I

  • 7:25

    got mad. We just having fun. We just

  • 7:28

    having fun. I'm chilling. Don't get

  • 7:29

    serious. Stop doing If I did something

  • 7:32

    wrong in that situation, I apologize,

  • 7:34

    [ __ ] I'm We here for a good time

  • 7:36

    today. My bad. Yo, I'm sorry if I

  • 7:39

    painted this [ __ ] like he was trying to

  • 7:40

    bag that girl he was trying to bag.

  • 7:45

    cuz I should have held it down. I should

  • 7:47

    have kept the beat. So, he's right. So,

  • 7:49

    I apologize, man. I see. I didn't say

  • 7:51

    nothing to that.

  • 7:53

    >> I can see I CAN SEE WHAT YOU'RE SAYING.

  • 7:54

    WE CERTAINLY ALL WE SAY ALL WELL,

  • 7:56

    LISTEN. ALL I'M SAYING is Joe Button

  • 8:00

    podcast male fans out there, if you with

  • 8:03

    your girl and you SEE HER,

  • 8:05

    >> PULL IT OUT

  • 8:06

    >> AND SHE'S a fan of the show.

  • 8:08

    >> Be safe.

  • 8:08

    >> DO NOT RUN UP TO him and say,

  • 8:11

    >> "Oh man,

  • 8:12

    >> hey, my girl is here and she's a huge

  • 8:14

    fan of the show. Would you like to

  • 8:19

    suicide?" It's a suicide boy. Don't do

  • 8:22

    that.

  • 8:23

    Serving her right up.

  • 8:24

    >> Yeah, don't do that. Don't dare to be

  • 8:26

    it'll be a different mean greet in

  • 8:28

    Brooklyn shop.

  • 8:29

    >> Joe but Joe Button podcast fans.

  • 8:31

    >> If y'all out and about and your girl is

  • 8:34

    over 175 and thick in the thighs, don't

  • 8:37

    go to the bathroom.

  • 8:41

    >> WHEN YOU COME BACK WHEN YOU WHEN YOU

  • 8:43

    COME BACK to your table, it just might

  • 8:45

    be these magical drinks and a steak on

  • 8:47

    your table.

  • 8:48

    >> Oh [ __ ] YOU

  • 8:55

    meal

  • 8:57

    different.

  • 8:59

    The [ __ ] pre-ordered the [ __ ]

  • 9:01

    STEAK. YOU SHOULD ALREADY BE READY.

  • 9:05

    You know the

  • 9:05

    >> little gold little gold drippings on

  • 9:07

    your steak. [ __ ] can't even afford a

  • 9:09

    tomahawk. You just got the steak on your

  • 9:11

    table. It's called Native Americans.

  • 9:14

    >> This is that Don P stuff that THEY TALK

  • 9:16

    ABOUT.

  • 9:17

    HEY YO, LISTEN TO WATCH is watch that

  • 9:20

    new Desi Banks get skit [ __ ] with like

  • 9:22

    that's how ish is you know what I'm

  • 9:23

    saying if your girl get around him

  • 9:25

    >> she may get a little bit if things may

  • 9:27

    get a little craziest part has never

  • 9:30

    seen me outside who

  • 9:32

    >> you [ __ ] you ain't no owl you too fat

  • 9:34

    to sit on a perch

  • 9:37

    I lost weight after you seen me outside

  • 9:40

    looking good

  • 9:40

    >> let me ask you look amazing you've never

  • 9:42

    seen me outside

  • 9:42

    >> so much thank you Mark thank you

  • 9:43

    everybody but my my thing with you is

  • 9:45

    that Listen, stop acting like you got it

  • 9:48

    like that. I don't have that. And then

  • 9:50

    when you go home, wifey checking you.

  • 9:52

    That's what it is. That's what all this

  • 9:53

    clean up is, [ __ ] HEY YO, JAN, COME

  • 9:55

    [ __ ] WE KNOW, [ __ ] GIVE HIM THE

  • 9:56

    BROOM, CORY. GIVE HIM THE MOP. WHAT YOU

  • 9:58

    WANT? SO CLOSE. STOP ACTING LIKE YOU GOT

  • 9:59

    IT LIKE THAT. FROM NOW ON, don't talk

  • 10:01

    that big dick, [ __ ]

  • 10:03

    >> WE SOFT. YOU SCARED OF HIS DICK. [ __ ]

  • 10:06

    up, [ __ ] EVERY TWO.

  • 10:06

    >> NO. NO. NO. NO. BUT THE FUNNY PART, THIS

  • 10:09

    [ __ ] JUST CED A PLEA ABOUT YO DOG. YO,

  • 10:12

    YO YO.

  • 10:22

    5 MINUTES AGO SAT HERE AND SAID, "YO,

  • 10:24

    DOG, SOMEBODY SUBSCRIBES TO PATREON NOW.

  • 10:27

    Y

  • 10:44

    COME ON.

  • 10:47

    HOW MANY JOBS YOU GOT IN MARYLAND,

  • 10:48

    [ __ ] ONE. THAT'S not work anymore,

  • 10:50

    [ __ ] I have one. You talk about,

  • 10:52

    [ __ ] The house is fixed already,

  • 10:53

    [ __ ] It's not FIXED. YOU HAD A [ __ ]

  • 10:56

    SPEND A NIGHT THERE, [ __ ] 4 MONTHS.

  • 10:57

    IT'S FIXED, [ __ ] IT'S NOT DONE THOUGH.

  • 10:59

    >> WHAT YOU GOING BACK OUT THERE, DUDE?

  • 11:00

    >> The house should be done.

  • 11:01

    >> It's done. Y

  • 11:02

    >> It's done, man.

  • 11:03

    >> Two [ __ ] that don't know nothing about

  • 11:04

    house. Should be done.

  • 11:07

    >> Okay.

  • 11:09

    >> How much content you shooting?

  • 11:12

    >> You in a NEW BUSINESS. OTHER CONTENT,

  • 11:15

    >> BOY.

  • 11:16

    >> I mean,

  • 11:17

    >> I You don't want to play this game with

  • 11:18

    me boy?

  • 11:19

    >> Bro, has the strap on him today,

  • 11:23

    bro? Why you Why you whing IT TODAY?

  • 11:25

    >> I'M NOT. THIS [ __ ]

  • 11:27

    FIGHTING BACK.

  • 11:28

    >> HE HE IS FIGHTING BACK. HE HE IS

  • 11:30

    FIGHTING BACK.

  • 11:30

    >> ALL THESE [ __ ] YO, BRO.

  • 11:32

    >> He has a water gun. He don't run his

  • 11:33

    house.

  • 11:33

    >> They're going to start bowling in a

  • 11:34

    minute.

  • 11:34

    >> Flip. I I bet you won't say I run my

  • 11:37

    house.

  • 11:38

    >> I RUN MY HOUSE

  • 11:38

    >> UNEQUIVOCABLY, [ __ ] I RUN MY HOUSE,

  • 11:40

    HOLE, [ __ ] BUT YOU SAT HERE AND

  • 11:42

    STARTED I BRO YOU GOOD. You got it.

  • 11:46

    >> Release that footage. You'll be UP UNDER

  • 11:48

    THE BED.

  • 11:48

    >> RELEASE IT. [ __ ]

  • 11:51

    DIRTY. You got it. I don't do no trick.

  • 11:54

    >> This [ __ ] on speed dial. [ __ ] you got

  • 11:55

    to check in during the lunch break.

  • 11:56

    During the chicken nuggets break, during

  • 11:58

    the mother bathroom break. I don't check

  • 12:00

    in. [ __ ] SHE KNOW WHAT IT IS.

  • 12:01

    >> UNEQUIVOCALLY,

  • 12:02

    >> [ __ ] I SPEAK. I SPEAK, [ __ ] SITTING

  • 12:04

    HERE SPEAKING. I don't know what the

  • 12:05

    [ __ ] he's doing. HE I GET TOO. I AIN'T

  • 12:08

    JOKING ON YOU. I GET YOU, TOO.

  • 12:09

    >> I DON'T WANT NO SMOKE. I'm mind my own

  • 12:11

    business

  • 12:12

    >> cuz you

  • 12:12

    >> what? Go ahead.

  • 12:15

    >> But before you shoot, he really was

  • 12:17

    shooting at this.

  • 12:18

    >> Yeah, he was. Was it?

  • 12:20

    >> All right. Yeah, he was

  • 12:21

    >> [ __ ] Put a B in on the

  • 12:22

    >> I put the P in the word.

  • 12:24

    >> He was just talking fast. No. Yeah. So,

  • 12:26

    but I know you want to shoot at Mark.

  • 12:28

    Anyway, I know you want to shoot and I

  • 12:30

    like I wasn't shooting at you. Oh, okay.

  • 12:32

    Okay. Okay.

  • 12:33

    >> But I know you want to shoot at Mark.

  • 12:39

    NO, let me tell you what he does. Yo,

  • 12:41

    the will be just silently researching

  • 12:43

    some [ __ ] and he'll get something that

  • 12:45

    he think is just a home run and he'll

  • 12:47

    put in his pocket

  • 12:49

    >> and if you come in and be like, "Hey,

  • 12:50

    Flip, what's up?" If yo, what's up? A

  • 12:52

    little too strong. Yo, [ __ ] I'm ready.

  • 12:53

    What's up? I got THIS IN MY POCKET. I'LL

  • 12:55

    HEAR YOU OUT. LIKE, YO, YOU JUST BE

  • 12:56

    LOOKING. That's cool. Yeah. Yeah.

  • 12:58

    >> I think it's important though in closing

  • 13:00

    for me cuz we have to talk the show. I

  • 13:01

    think it's important and I do respect

  • 13:02

    the fact that you are the man in your

  • 13:04

    household. I just know that sometimes

  • 13:06

    Get back on.

  • 13:07

    >> Let me just finish. I just know

  • 13:08

    sometimes you come in with different

  • 13:09

    tones and tunes. One minute you singing

  • 13:12

    at alto, the next day you s like it be

  • 13:15

    different. Like

  • 13:15

    >> they not that far apart.

  • 13:17

    >> Whatever. Same [ __ ] Same [ __ ] Which

  • 13:20

    one? Which one is the fall one?

  • 13:22

    >> Tener at least from alto to tenor, my

  • 13:25

    [ __ ] Alto soprano.

  • 13:27

    >> You sing different tunes, boy.

  • 13:29

    >> All right.

  • 13:29

    >> Andy hit you with some music knowledge.

  • 13:30

    Take that music.

  • 13:33

    >> Are you hyping your man?

  • 13:34

    >> Musicality. You want to shoot that show?

  • 13:36

    That's my man.

  • 13:36

    >> You want to shoot that park?

  • 13:39

    >> What's up?

  • 13:40

    >> I got something.

  • 13:41

    >> I COULD THOUGH.

  • 13:42

    >> JUST Just say white.

  • 13:46

    >> You saw he got when that was

  • 13:48

    >> Yo, y'all should y'all should have held

  • 13:49

    my man down on that cuz that was

  • 13:50

    >> They did. They did.

  • 13:51

    >> I I wanted more.

  • 13:52

    >> Okay.

  • 13:52

    >> I wanted more.

  • 13:54

    >> They killing us for holding him down.

  • 13:56

    >> They stupid, are they?

  • 13:57

    >> Look. Yes. They on the internet talking

  • 14:00

    about some Joe cosigning the WHITE

  • 14:02

    DEVIL.

  • 14:05

    YOU'RE LYING.

  • 14:06

    >> I promise you.

  • 14:08

    >> Yeah.

  • 14:09

    >> Kicking my ass. I don't care. [ __ ] the

  • 14:11

    [ __ ]

  • 14:12

    >> Oh [ __ ]

  • 14:13

    >> Oh man.

  • 14:15

    >> That was Yeah.

  • 14:17

    >> What you going freeze? What's up free?

  • 14:26

    >> THAT [ __ ] FREEZING LIKE THAT.

  • 14:29

    >> I just got I just got to look at my man.

  • 14:31

    Make sure he good.

  • 14:33

    >> All right.

  • 14:34

    stupid.

  • 14:34

    >> Get my man involved in this chilling

  • 14:37

    [ __ ] You know, you know when he got his

  • 14:38

    jewelry on, he on my son came fully

  • 14:41

    loaded.

  • 14:42

    >> She going to watch. SHE GOING TO WATCH.

  • 14:43

    YOU GOT THE WHOLE [ __ ] ON, BOY.

  • 14:45

    >> EXACTLY. OH, I thought you took it off.

  • 14:48

    You had that on.

  • 14:48

    >> I didn't have it on.

  • 14:50

    >> Got a date tonight.

  • 14:51

    >> A date?

  • 14:52

    >> A FaceTime date with my the love of my

  • 14:54

    life.

  • 14:54

    >> Oh, got you.

  • 14:55

    >> You playing different Okay. You play

  • 14:57

    different.

  • 14:57

    >> I'm playing like y'all play.

  • 14:58

    >> I'm playing like y'all play.

  • 14:59

    >> That's fair.

  • 15:01

    >> Why you playing like y'all play? What?

  • 15:03

    >> I look like he slit

  • 15:06

    about your wife being on Patreon. I was

  • 15:08

    like, that's the only [ __ ] to do.

  • 15:11

    >> You guys like that don't look like this.

  • 15:13

    Listen, my wife could be on Patreon,

  • 15:14

    right? That's what's up.

  • 15:16

    >> Salute,

  • 15:18

    Mark. Mark,

  • 15:20

    you use this podcast.

  • 15:23

    >> Come on, you use this.

  • 15:27

    >> Exactly.

  • 15:28

    >> Come on in. What? I do research, too. We

  • 15:30

    know more.

  • 15:31

    Any guest that came up see dying to

  • 15:34

    shoot at each other.

  • 15:35

    >> We know we know Mark's backing him down.

  • 15:36

    I got [ __ ]

  • 15:38

    >> We know Mark

  • 15:41

    go already.

  • 15:42

    >> Oh, that's true.

  • 15:44

    >> [ __ ] on me.

  • 15:46

    >> Yo, my [ __ ] you shouldn't talk.

  • 15:48

    >> I'm not talking. I don't I love all

  • 15:50

    y'all. I'm out of the way.

  • 15:51

    >> Mark Lamont Hill.

  • 15:52

    >> Why you bringing me into this? This

  • 15:54

    >> involve yourself. I'm going to let you

  • 15:55

    know this right now. I love you, bro.

  • 15:58

    >> Love you, too.

  • 15:59

    >> Just please chill.

  • 16:00

    >> I see your tricks. I see the people that

  • 16:02

    you just call colleagues or collects or

  • 16:04

    whatever the [ __ ] you call them.

  • 16:05

    >> Collect like whatever it is, [ __ ] We

  • 16:07

    know your tricks, bro. Professor. Hello,

  • 16:09

    professor. Hey, we see you, boy. That

  • 16:12

    professor [ __ ] can't work anymore.

  • 16:13

    You're not teaching anybody up here. I

  • 16:15

    make the difference. You're not teaching

  • 16:16

    us. Actually, YOU MAKING FUN OF US.

  • 16:18

    >> NO, NEVER. YO, you got your music queued

  • 16:20

    up.

  • 16:23

    >> I can't do nothing cuz my girl know me

  • 16:26

    too well now.

  • 16:27

    >> Like, I can't even I'll be still trying

  • 16:28

    to get [ __ ] off. Like I I went out last

  • 16:31

    night on Thursday.

  • 16:32

    >> Oh, you got the bracelet on from last

  • 16:34

    night.

  • 16:37

    >> And I went out last Thursday.

  • 16:39

    >> You told

  • 16:43

    >> I don't know him to go out uh before

  • 16:45

    work night.

  • 16:45

    >> Mhm.

  • 16:46

    >> He said every time you go out before

  • 16:47

    work day.

  • 16:48

    >> No, but you going to Jersey and early.

  • 16:50

    Jersey and early.

  • 16:52

    >> Yeah, but just going out on a Thursday.

  • 16:54

    She like, "What's up with you, man?

  • 16:55

    What's up? See something new out there.

  • 17:01

    That's kind of like No,

  • 17:04

    >> that wasn't me.

  • 17:05

    >> No, no, it's nothing new. They just

  • 17:09

    changed the work the work schedule of

  • 17:11

    the lineup is. Oh,

  • 17:12

    >> that [ __ ] work at all.

  • 17:14

    >> No, it didn't sound good.

  • 17:16

    >> That didn't sound cool.

  • 17:17

    >> So, we got this rule. No comments under

  • 17:20

    Instagram pages. You could you could

  • 17:22

    like

  • 17:23

    >> Sure.

  • 17:23

    >> That's a good rule.

  • 17:25

    >> No comments under Instagram pages. You

  • 17:28

    shouldn't, but I try to break it

  • 17:30

    sometimes and hope that she don't see

  • 17:31

    it.

  • 17:32

    >> What's What kind of comments do you

  • 17:33

    leave? Is it like fire is like a money

  • 17:35

    bag your dumb ass eyes?

  • 17:37

    >> You didn't put You didn't put the eyes.

  • 17:40

    >> You didn't put fire, did you?

  • 17:41

    >> You been my girl 7 years, [ __ ]

  • 17:42

    >> You didn't put the fire. You didn't put

  • 17:43

    fire, did you?

  • 17:44

    >> You know, we've had the fire discussion.

  • 17:46

    >> Fire's too much.

  • 17:46

    >> Fire. Fire. Fire is a lot. Fire's too

  • 17:48

    much.

  • 17:48

    >> As is like finding something obscure in

  • 17:50

    the photo to comment on.

  • 17:52

    >> All right, let's let's unpack that one.

  • 17:54

    >> You could put fire under some food. You

  • 17:56

    could put fire under

  • 17:57

    >> some music. Yeah, for me an achievement,

  • 17:59

    I wouldn't look at it like no type of

  • 18:01

    way.

  • 18:04

    Somebody post their PhD

  • 18:06

    fire,

  • 18:07

    >> but if it's her in a bikini, you can't

  • 18:09

    put fire.

  • 18:09

    >> You can't put fire if the picture is

  • 18:11

    just fire. No,

  • 18:12

    >> THAT'S WHY YOU CAN'T PUT IT.

  • 18:14

    >> That's exactly WHY.

  • 18:15

    >> LET IT BURN IN YOUR BRAIN.

  • 18:16

    >> EXACTLY.

  • 18:17

    >> But wait a second. But you're not

  • 18:19

    actually cuz our conversation was she

  • 18:20

    like she doesn't. She got this. Anyway,

  • 18:24

    this is where it gets tricky. I'm sorry

  • 18:25

    to interrupt you. Now it's never just a

  • 18:27

    post. There's six slides. You might put

  • 18:29

    fire under the third slide,

  • 18:32

    >> but then there's a bikini under the

  • 18:33

    fifth slide. And now you're [ __ ]

  • 18:35

    >> Well, no. Here's the thing. Got jammed

  • 18:36

    up.

  • 18:36

    >> And this is what our fight this is what

  • 18:38

    our discussion was about. I'm not in

  • 18:41

    under comments or in DMs

  • 18:44

    putting fire like manually. If the story

  • 18:48

    is up there and it's sliding and I see

  • 18:50

    something dope,

  • 18:50

    >> I don't think that's

  • 18:51

    >> then I hit the fire thing. If it's dope

  • 18:53

    and that's it. That's better, but still

  • 18:56

    don't.

  • 18:56

    >> No, it depends on what's in the story.

  • 18:58

    >> And it's not better.

  • 19:00

    >> Like cuz the world don't see that you

  • 19:02

    did it, so it's less embarrassing.

  • 19:03

    >> No, listen. It could have started off

  • 19:04

    somebody posting the mountains

  • 19:07

    >> in the water and it's a nice rain fly

  • 19:10

    when you sliding across. Now it's shorty

  • 19:13

    with the head back, ass out pose. And

  • 19:16

    you put the fire under the scenic thing.

  • 19:18

    >> Is that fire?

  • 19:20

    >> The pose?

  • 19:21

    >> Yes, that pose is fire.

  • 19:22

    >> All of it fire.

  • 19:24

    That's the first thing I say. If you get

  • 19:26

    you fire, was it fire? Let's start

  • 19:28

    there. But anyway, because you know that

  • 19:31

    does that work.

  • 19:33

    >> You get that off.

  • 19:34

    >> Well, no, it's not getting that off.

  • 19:35

    It's just we can talk like that. But was

  • 19:37

    it fire? And it's just like, "No, this

  • 19:38

    [ __ ] been photoshopping. She catfishing

  • 19:39

    you and you stupid. All of the towels

  • 19:41

    are bent."

  • 19:42

    >> That's another conversation. Even if you

  • 19:43

    photoshopping and catfishing, is it does

  • 19:45

    the is the end result still fire?

  • 19:50

    >> And that's what I said. She says,

  • 19:52

    "You're embarrassing. You are

  • 19:54

    embarrassing. You can't tell that this

  • 19:56

    girl is not this girl and she's

  • 19:58

    facetuning and photoshopping." So when

  • 20:01

    you think we care, we don't care.

  • 20:03

    >> No, they think we we should care because

  • 20:06

    of how it makes them look.

  • 20:07

    >> So let's say they all natural. Let's say

  • 20:09

    the girl's all natural and she

  • 20:10

    >> if your girl or your husband I mean if

  • 20:13

    your girl or your wife or whatever was

  • 20:14

    just lusting after some flavor flave and

  • 20:18

    I don't think flavor flavor is

  • 20:19

    unattractive dude when he when he's

  • 20:21

    sober

  • 20:22

    >> uh but lusting after somebody that you

  • 20:25

    just thought was a dun

  • 20:27

    you would

  • 20:29

    say no you said she dude I'm like but

  • 20:31

    that hairline is fake and that's an

  • 20:32

    implant

  • 20:33

    >> my girl lusting after the finest n I'm

  • 20:36

    going to still feel the same Hey, ain't

  • 20:38

    like I'mma give her a pass cuz she

  • 20:40

    lusting over the fly [ __ ] versus

  • 20:42

    [ __ ]

  • 20:42

    >> Well, lusting. We being dramatic. I'm

  • 20:44

    talking about just a fire emoji on this

  • 20:46

    >> publicly. Publicly.

  • 20:47

    >> But anyway, I'm veering off of I'm

  • 20:49

    veering off of what my main fight was.

  • 20:51

    My main fight was so I break the little

  • 20:53

    no comment rule sometime with one person

  • 20:56

    maybe.

  • 20:57

    >> But is it the same person every time?

  • 20:59

    >> According to her.

  • 21:01

    >> Yeah, it's the same person.

  • 21:03

    >> According according to her I'm sure they

  • 21:04

    GOT LIKE A WORKOUT GIRL. Like I support

  • 21:07

    the

  • 21:08

    >> You think that's better?

  • 21:08

    >> You're not making it better.

  • 21:09

    >> That's not better.

  • 21:10

    >> I think you saying it's better. You're

  • 21:11

    not making it better.

  • 21:11

    >> You said anyway. A pull up and push-up

  • 21:13

    [ __ ]

  • 21:15

    >> Anyway, so they so they be playing like

  • 21:18

    fly music in the P.

  • 21:20

    >> Yeah. All right, man. You got some

  • 21:21

    Surely you have some music.

  • 21:23

    >> So I So in ONE

  • 21:28

    mix

  • 21:30

    heard that blend before

  • 21:33

    pump it up, [ __ ]

  • 21:34

    >> HEY YO, DOG. What's the comment? You are

  • 21:36

    the be like, "Girl, what you know about

  • 21:38

    that?"

  • 21:39

    >> 100%.

  • 21:40

    >> You ain't up ON THAT OLD SCHOOL.

  • 21:42

    >> WHAT' you say? That [ __ ] room.

  • 21:44

    >> So

  • 21:46

    months ago, maybe I said something like

  • 21:52

    obviously some dumb ass, you know. No,

  • 21:56

    it was a comment I left and went on

  • 21:57

    about my day and never thought twice

  • 21:59

    about ages ago. You won't tell us the

  • 22:01

    ages ago. They say that is the problem.

  • 22:04

    The comment was something like, "What

  • 22:06

    did I say?"

  • 22:08

    Old school music is always a vibe.

  • 22:17

    >> That's Uncle.

  • 22:30

    I can promise you I WASN'T RUNNING TO

  • 22:32

    PLAY. I REALLY JUST LIKE THE SONG. The

  • 22:35

    song choice. It was good to hear. Last

  • 22:38

    week I'm hanging up the phone with my

  • 22:41

    girl. She said, "Uhoh."

  • 22:45

    And one last thing before we g

  • 22:49

    you better stop leaving them comments

  • 22:52

    that you think I'm not seeing because

  • 22:55

    you trying to get your flirt on and I

  • 22:58

    know you. know your little

  • 23:01

    old school music line that you trying to

  • 23:04

    run. You can you can get that [ __ ] the

  • 23:07

    [ __ ]

  • 23:09

    and if I see it again

  • 23:10

    >> and if I see it one more time that's

  • 23:13

    your ass. I said you

  • 23:16

    said yes you [ __ ] You look dumb as hell

  • 23:20

    and you thirsty.

  • 23:21

    >> Yeah, she got she done right.

  • 23:24

    So then I stood on that that's that's

  • 23:26

    not

  • 23:27

    >> what flirting blue match I know you I

  • 23:29

    know you like the back of my hand I seen

  • 23:32

    all that [ __ ] you getting off in that

  • 23:33

    phone [ __ ] that that's your flirt

  • 23:35

    >> you said the same her probably 10 years

  • 23:37

    ago

  • 23:39

    right you know want a fool or the music

  • 23:42

    laughing at how my girl got me dead

  • 23:45

    right you're an idiot

  • 23:50

    old school music always a vibe

  • 23:53

    >> always a vibe

  • 23:53

    >> [ __ ] You a drunk [ __ ] girl.

  • 23:56

    >> All she had to do is hit you back.

  • 23:58

    >> No. And I wasn't. And I wasn't.

  • 24:00

    >> Listen. Cuz then I turned into ish on

  • 24:02

    her too. Cuz then I turned into ish on

  • 24:04

    her cuz she was playing like Yeah. I

  • 24:06

    see. And

  • 24:08

    >> you told me what the turning into ish

  • 24:10

    entails.

  • 24:11

    >> This is the thing. In a minute there

  • 24:14

    ain't going to be no intro music.

  • 24:16

    >> This is the thing.

  • 24:17

    >> If your girl has seen you being

  • 24:19

    survived, if your girl

  • 24:23

    If your girl has seen you being what

  • 24:26

    they would deem, not guy brain,

  • 24:29

    >> what they would deem as thirsty or, you

  • 24:32

    know,

  • 24:32

    >> inappropriate.

  • 24:33

    >> Mhm.

  • 24:34

    >> Once or twice or maybe seen one joint of

  • 24:38

    yours that don't fit with the rest of

  • 24:40

    the roster.

  • 24:42

    >> They start talking to you like that's

  • 24:44

    just your character, like you thirsty.

  • 24:46

    >> Yeah. No.

  • 24:47

    >> Yeah.

  • 24:48

    >> You a thirsty ass. Look at you. Look at

  • 24:50

    you. In fairness, if you talk to a girl

  • 24:52

    doing some dumb ass [ __ ] like that, you

  • 24:53

    would be on her ass, too. Cuz I would.

  • 24:55

    >> So, if I saw her saying some dumb ass,

  • 24:58

    >> so when I say I turned into it, she's

  • 24:59

    like, "Yeah, I read the DM. You DM you."

  • 25:03

    >> Well, if you read the DMs, you seen the

  • 25:05

    dub then. Stop [ __ ] playing. You call

  • 25:07

    me thirsty again. Stop playing. You have

  • 25:09

    no idea how many I Yeah. Yeah. I had to

  • 25:11

    pop it on. Yeah. I pop it.

  • 25:13

    >> How'd it go?

  • 25:13

    >> You won that ROUND FOR SURE.

  • 25:18

    THIS IS AN ICE.

  • 25:19

    >> I was only fighting the thirsty

  • 25:20

    accusation. That's what she had me

  • 25:23

    right. It's not

  • 25:25

    a place some some

  • 25:26

    >> ask a question. What?

  • 25:28

    >> How does that How did you get ish on

  • 25:30

    her?

  • 25:31

    >> That's what I would do

  • 25:33

    >> when somebody questions your uh

  • 25:37

    >> Yeah.

  • 25:37

    >> your ump you did with Dr. Cheyenne. You

  • 25:40

    you saying very fast. Yo, y'all know who

  • 25:42

    I am. You know what the [ __ ] I do? You

  • 25:44

    know that you do that a lot.

  • 25:45

    >> Like a lot. I did that with Cheyenne.

  • 25:47

    >> Yes.

  • 25:47

    >> Yes.

  • 25:49

    >> You forgot.

  • 25:50

    >> Get your memory together, [ __ ]

  • 25:52

    >> YES. MORE THAN ONE.

  • 25:53

    >> YOU did that big.

  • 25:54

    >> That was a long ass episode in fairness.

  • 25:56

    >> Yeah, it was like this [ __ ] though.

  • 25:58

    >> Yeah.

  • 25:59

    >> Get me full. Yo, let me let y'all know

  • 26:00

    who I am.

  • 26:01

    >> Yeah, you did. Remember that.

  • 26:02

    >> I do this. I do this, [ __ ]

  • 26:04

    >> He did it when I sat down.

  • 26:05

    >> He really He really just be talking to

  • 26:07

    Ammani.

  • 26:10

    >> I'm talking to you. That's my

  • 26:12

    >> He just be really letting Ammani know.

  • 26:15

    Hey dog, if you just chill out, I'm

  • 26:16

    going to throw it back in the water.

  • 26:19

    >> Okay, that's it.

  • 26:20

    >> If you just if you just be cool. All

  • 26:22

    right. All right.

  • 26:24

    I know you I'm letting you eat. I'M

  • 26:26

    LETTING YOU EAT.

  • 26:28

    >> WHY [ __ ] DON'T DIE?

  • 26:29

    >> THEY DON'T UNDERSTAND. Sometime

  • 26:32

    we ain't doing that to my [ __ ] That's

  • 26:34

    that what's going on.

  • 26:35

    >> Cuz you don't eat my be letting him eat

  • 26:36

    sometimes. So you know what I'm saying?

  • 26:37

    So he ain't doing that.

  • 26:38

    >> I'm not trying to eat.

  • 26:39

    >> Yes, you do. His plate is full. Yes, you

  • 26:41

    do. You trying to eat a lot.

  • 26:43

    You go right behind the [ __ ] too. No.

  • 26:45

    >> All right, I'm playing.

  • 26:48

    I'm playing some old school.

  • 26:50

    >> The lady in a [ __ ]

  • 26:53

    >> Listen, [ __ ] How [ __ ] you up today?

  • 26:55

    Yo,

  • 26:56

    >> I was quiet thinking I had

  • 26:57

    >> Oh my god. Boy, you lucky.

  • 26:59

    >> Get it. Get it.

  • 27:01

    >> You're lucky.

  • 27:03

    >> We hit these drops right quick.

  • 27:08

    >> No.

  • 27:10

    Another daddy.

  • 27:22

    >> Who is that?

  • 27:26

    >> I'M FROM THE WOMEN ERA. IT'S THE

  • 27:28

    NETWORK.

  • 27:30

    >> What episode is this?

  • 27:32

    >> 9:23.

  • 27:32

    >> Welcome to episode 923 of the Joe Button

  • 27:35

    Podcast. I'm your humble, healthy,

  • 27:38

    happy, grateful, extremely uh extremely

  • 27:42

    delighted to be here. Host your Button

  • 27:44

    here with a few really amazing people.

  • 27:45

    To my right, Queens get the money.

  • 27:47

    Queens Flip is in the building. To his

  • 27:49

    right, our good brother Dr. Mark Lamont

  • 27:51

    Hill is in the building. To his right,

  • 27:54

    Mr. Thousand Doors and up. Our good

  • 27:56

    brother is here to his right. Love the

  • 27:58

    color way on the kicks in the hood. You

  • 28:00

    should absolutely smoke that Freeze.

  • 28:01

    Good uh good brother Freeze is in the

  • 28:03

    building next TO HIM. HUH. BIG PARKS is

  • 28:06

    in the building next to him. You think

  • 28:08

    we done with white privilege? Po is

  • 28:10

    here, [ __ ] Our photographer got some

  • 28:12

    white privilege, [ __ ] Po is here. Cory

  • 28:14

    is here. Stop playing with Cory. Uh,

  • 28:16

    Ericson is here. Tanner Son here by

  • 28:18

    remote. Last, but certainly not least,

  • 28:20

    each and every one of you very important

  • 28:22

    people out there are here. Shout out to

  • 28:23

    the hate listeners. This episode is

  • 28:25

    brought to you by, fueled by, powered by

  • 28:27

    Prize Pick. Price Pics gang.

  • 28:30

    >> Okay, what we doing? You know what I

  • 28:31

    mean? When you when it take you a while

  • 28:32

    to get to that, I be trying to read

  • 28:33

    through it like, "Yo, they [ __ ] my son

  • 28:36

    up for real." Will you do that?

  • 28:38

    >> Do what? The private

  • 28:41

    cuz cuz Parks be holding you down.

  • 28:42

    That's why I love you. I can see why the

  • 28:43

    white privilege come [ __ ] LIKE THIS.

  • 28:45

    LOOK, BUDDY. BUDDY, YOU JUST TAKE A

  • 28:48

    WHILE. YOU BE SEEING it too. But why

  • 28:50

    scare you though?

  • 28:52

    >> It scared me because

  • 28:53

    >> this [ __ ] He

  • 28:57

    ain't mad. If anybody watch If anybody

  • 28:59

    probably watches that [ __ ] he about to

  • 29:00

    watch more than me. So it scared me

  • 29:02

    because I don't know if we you know we

  • 29:04

    losing some bread. I don't know what it

  • 29:06

    is [ __ ]

  • 29:06

    >> You guys are watching.

  • 29:07

    >> I want my [ __ ] to stay the same.

  • 29:08

    >> Hey, we are you. Oh, your [ __ ] is Come

  • 29:11

    on.

  • 29:12

    >> Come on. You know, you know.

  • 29:13

    >> I'm out of here anyway. No, I'm out of

  • 29:15

    here. I'm out of here.

  • 29:17

    >> I don't want you to leave, but your [ __ ]

  • 29:19

    is ain't the same. You know that. Come

  • 29:20

    on. You know that we don't do contracts

  • 29:22

    on here. If there's anybody to know, you

  • 29:24

    know. You know already.

  • 29:26

    >> No. I had 11 months of [ __ ] living

  • 29:29

    hiring accountability members your [ __ ]

  • 29:31

    I can't when your day come we just come

  • 29:33

    over just come talk to me. Uh what was

  • 29:36

    we talking about

  • 29:38

    >> and you know us and we're in good

  • 29:40

    standards with Prize just so shout

  • 29:43

    we are all the way to the good my ass

  • 29:46

    lately but shout out to Josh.

  • 29:48

    >> Yeah.

  • 29:50

    >> They saw that lick you.

  • 29:51

    >> I know. Yeah. They said nope.

  • 29:53

    >> Yeah. Stop. Yeah. We'll put a stop to

  • 29:55

    that. I might be a little hooked. I

  • 29:56

    might be a little hooked. I didn't hit

  • 29:57

    about five times now.

  • 29:58

    >> Have you ass?

  • 30:00

    >> TAKE THAT, ANONYMOUS ex user.

  • 30:06

    >> All right, good. No, prize piece is

  • 30:07

    great. How y'all doing, man? What's up?

  • 30:08

    What's popping? Good, man. Great.

  • 30:10

    >> Y'all look good. Y'all look refreshed.

  • 30:12

    >> I apologize to you brothers for the just

  • 30:14

    how out of it I was the other day.

  • 30:16

    >> You were a mess.

  • 30:17

    >> Yuck.

  • 30:19

    Oh my god. Remember that voice?

  • 30:21

    >> I um

  • 30:22

    >> I'm not in it this month, Mark. You

  • 30:24

    ain't got to worry about me. I'm

  • 30:26

    chilling. They say remember bonus.

  • 30:28

    >> No, he said remember that voters.

  • 30:30

    >> Oh, I thought he said

  • 30:31

    >> remember that vote.

  • 30:32

    >> I'm not in it this month.

  • 30:33

    >> Yeah.

  • 30:34

    >> Bonus.

  • 30:34

    >> That's what I thought he said.

  • 30:36

    >> No. Y'all know how many bonuses y'all

  • 30:39

    supposed to get a year. God damn.

  • 30:41

    >> This a summer bonus. I mean, I should

  • 30:44

    mention it.

  • 30:46

    >> Oh my god. How y'all doing? What's up?

  • 30:48

    >> Doing good, man. Weekend coming in, man.

  • 30:50

    You know, we excited. Everybody excited,

  • 30:52

    man.

  • 30:52

    >> It's nice outside today. It's beautiful

  • 30:54

    outside. We're excited, man.

  • 30:56

    >> Happy to be happy to be here at work.

  • 30:59

    >> Well, let's work. We want to start. Uh,

  • 31:02

    well, you say rested. I didn't get as

  • 31:03

    much rest as I wanted cuz I went to see

  • 31:05

    Michael Jackson last night.

  • 31:06

    >> So, so did I.

  • 31:08

    >> You were beest. Y'all went together.

  • 31:10

    >> It was not in my behest. Some gay.

  • 31:11

    >> Oh, it was. You beested.

  • 31:13

    >> Different theaters.

  • 31:14

    >> Okay.

  • 31:15

    >> Different.

  • 31:15

    >> Otherwise, it'd be gay.

  • 31:16

    >> It' be a little gay. Yeah. A lot.

  • 31:18

    >> I made sure.

  • 31:18

    >> Especially the mic. Yeah. No.

  • 31:22

    Well, so what happened was Joe Joe went

  • 31:24

    on a group chat. First of all, remember

  • 31:26

    >> the last episode where Joe Button said,

  • 31:28

    "I'm not going to see that [ __ ] I have

  • 31:29

    no interest in seeing that [ __ ]

  • 31:30

    >> I'll see it on DVD."

  • 31:31

    >> I took that to mean naively that that

  • 31:34

    meant he wasn't going to see it.

  • 31:36

    >> Crazy me. Turns out he goes to see it

  • 31:38

    before all of us.

  • 31:39

    >> Yeah. No, first I saw first and

  • 31:42

    >> Okay. Well, money don't count. He's a

  • 31:44

    super fan. He like I expect he loves

  • 31:45

    Michael Jackson.

  • 31:46

    >> He might be in it somewhere.

  • 31:46

    >> Yeah, he might be. Well,

  • 31:50

    That was the part that ended.

  • 31:51

    >> Oh [ __ ]

  • 31:52

    >> So, um, so I saw Joe on the group chat

  • 31:54

    like, "Yo, I seen the movie and I you

  • 31:56

    had your thoughts on it and I was like,

  • 31:57

    "What?" And then I heard you say you saw

  • 31:59

    it

  • 31:59

    >> and you said you were going to see it.

  • 32:00

    >> I said, "Fuck it. I'm going to go see

  • 32:01

    that."

  • 32:02

    >> So, I was like, "We going to talk about

  • 32:02

    it. I want to be the only motherfucker."

  • 32:04

    >> I was in the group chat and encouraged

  • 32:06

    my brothers to go see this movie, right?

  • 32:08

    >> Yes.

  • 32:08

    >> Yeah.

  • 32:09

    >> Antoine Fuqua,

  • 32:11

    great black uh, black director, black

  • 32:14

    excellence. I encourage my entire group

  • 32:16

    chat to go see this film.

  • 32:17

    >> That's a fact.

  • 32:20

    Okay. So, when do we get our money back?

  • 32:22

    >> Well, let me start. Let me start. Let me

  • 32:24

    start cuz I have a different take.

  • 32:25

    >> You saw it first.

  • 32:26

    >> Yeah.

  • 32:26

    >> Not just that. I I didn't hate this

  • 32:27

    movie the way everybody else did. I

  • 32:29

    heard it was I absolutely enjoyed the

  • 32:31

    movie. Now, I want to start. I'm not the

  • 32:34

    super Michael Jackson fan. I didn't

  • 32:37

    watch every doc and all of this. So,

  • 32:39

    there's stuff that I learned in this

  • 32:40

    movie that I didn't know. I don't watch

  • 32:42

    documentaries. I don't do all of that

  • 32:43

    [ __ ] I'm This is from the common fan

  • 32:46

    who just saw the movie.

  • 32:50

    What did I learn? What did I learn? I

  • 32:51

    did not know that I didn't know nothing

  • 32:53

    about Don King being involved with none

  • 32:55

    of that [ __ ] I didn't know that the

  • 32:56

    final tour that he did with his

  • 32:58

    brothers, he basically just did that as

  • 32:59

    a gift to them. Like, yo, I'm not with

  • 33:01

    y'all no more. Here, take that. I didn't

  • 33:03

    know that though.

  • 33:04

    >> I didn't know.

  • 33:04

    >> You didn't know much about Michael

  • 33:06

    Jackson.

  • 33:06

    >> I knew the music, bro. That's what I'm

  • 33:07

    saying. And And I saw the uh the the

  • 33:09

    Jackson.

  • 33:10

    >> What part of the island your family is

  • 33:11

    from again?

  • 33:12

    >> I watched the the Jackson um American

  • 33:14

    dream, man. But I saw that

  • 33:16

    >> Jamaica. He's Jamaican.

  • 33:18

    >> Yeah, he's half Jamaican. Yes.

  • 33:19

    >> Yes, I'm half Jamaican.

  • 33:21

    >> Okay.

  • 33:22

    >> But yeah, I I'm not I'm not story. Oh,

  • 33:25

    go ahead. I'M NOT I'M NOT SAYING I'm

  • 33:28

    just telling you from my perspective.

  • 33:30

    Just think every time I ask that

  • 33:32

    question that I'm on

  • 33:35

    ask you on [ __ ]

  • 33:35

    >> WHAT DO Y'ALL THINK I'M SAYING?

  • 33:38

    WHAT'S THAT DO ANYTHING? Everything got

  • 33:40

    to do with Michael Jackson.

  • 33:42

    >> Everything. And that's why we think

  • 33:43

    you're think you're on bull. But it's

  • 33:46

    not a bull statement. The n from the

  • 33:48

    islands just be in their own vibe in

  • 33:51

    their own.

  • 33:54

    I'M NOT FROM THE ISLAND FROM NEW YORK.

  • 33:57

    >> New York,

  • 33:58

    >> RIGHT?

  • 34:02

    >> You trying to set me up. You wanted TO

  • 34:03

    BLAME ME. THAT'S WHERE YOU FROM.

  • 34:04

    >> I'M NOT SHOOTING. I ain't no matter what

  • 34:06

    you say.

  • 34:07

    >> I'm not. Go ahead. Freeze.

  • 34:10

    I'm not I'm not I know

  • 34:14

    that that that was that was my take. It

  • 34:15

    was just like I I enjoyed

  • 34:17

    >> you thought he wanted to go into over

  • 34:18

    with his brothers.

  • 34:20

    >> No story.

  • 34:23

    >> Yo, knowing all you know is that just

  • 34:25

    about music right after Thriller.

  • 34:29

    >> No, no, no. What I'm saying is that I

  • 34:31

    didn't realize that pop like the theme

  • 34:33

    of this story of this movie I I knew

  • 34:36

    before I even went to go see it that it

  • 34:37

    only covered a certain part of Mike's

  • 34:38

    life. It wasn't the full I saw a lot of

  • 34:40

    people mad at that. Like it ended too

  • 34:42

    early. I knew it would only went up to a

  • 34:44

    certain point.

  • 34:45

    >> Were you surprised to know his dad was

  • 34:46

    rough on him?

  • 34:47

    >> No. [ __ ]

  • 34:50

    >> I never went through that.

  • 34:53

    Turns out he's a bit of an [ __ ]

  • 34:58

    Leave him alone. WE GOT TO DO THAT. YOU

  • 35:01

    DON'T KNOW YOU.

  • 35:04

    FREEZE.

  • 35:04

    >> It's cool, bro. I'm not let him talk. He

  • 35:07

    was really intense.

  • 35:09

    >> Joe Jackson.

  • 35:12

    >> Oh, he started.

  • 35:16

    >> He got the switch.

  • 35:17

    >> You know, those were real gang members

  • 35:19

    and be

  • 35:22

    I will say this, Ice. Now, let me agree

  • 35:24

    with you. I I went in part cuz of Joe.

  • 35:27

    >> If y'all like it, hurry up with the

  • 35:30

    That's why I'm trying to get my [ __ ] out

  • 35:31

    the way. Get out of my way.

  • 35:32

    >> I want to get my [ __ ] out.

  • 35:33

    >> I've been working on this all night.

  • 35:35

    I've been I'm in the middle. So, I'll

  • 35:36

    I'll Are you in transition? Yeah.

  • 35:38

    >> Really?

  • 35:39

    >> You transition? Okay. I told you this

  • 35:41

    your year.

  • 35:43

    >> I I I came in I didn't read the reviews,

  • 35:45

    but I knew of them and I knew the right

  • 35:47

    like right to middle rankings and all of

  • 35:48

    that stuff. And so I was like, um, this

  • 35:51

    is going to be um this is going to be

  • 35:53

    terrible, but I didn't know exactly why

  • 35:55

    it would be terrible. So, I went in and

  • 35:56

    I I didn't read the reviews cuz I didn't

  • 35:58

    want to have too much influence.

  • 35:59

    >> Mhm.

  • 36:00

    >> I went in with a certain expectation and

  • 36:03

    I was actually surprised. I kept waiting

  • 36:04

    for the shoe to drop for it to be awful.

  • 36:05

    There were some scenes that I thought

  • 36:07

    >> there were some

  • 36:07

    >> there were some scenes, right? Gang

  • 36:10

    members, monkeys. There was a few things

  • 36:11

    where I was like, "This is too much."

  • 36:13

    >> But I went in in general expected with a

  • 36:16

    low expectation. I walked out like, "Yo,

  • 36:17

    I'm enjoying this. This is good." Oh,

  • 36:19

    wait. I'm enjoying this music. Oh, I

  • 36:20

    like this story cuz I DIDN'T GO IN.

  • 36:23

    >> I LET ME TELL YOU WHY.

  • 36:25

    >> I LIKE THE FINISH, [ __ ]

  • 36:26

    >> LET ME TELL YOU WHY. THANK YOU, FLIP.

  • 36:27

    >> I'M ON EDGE.

  • 36:28

    >> YOU DON'T NEED TO TELL ME WHY YOU ENJOY

  • 36:29

    MICHAEL JACKSON MUSIC.

  • 36:31

    >> NO, NO, NO. THAT'S WHY I GOT THE music

  • 36:33

    story of the movie.

  • 36:35

    >> I didn't I I'm a I went in knowing a

  • 36:38

    decent amount about Michael Jackson. So,

  • 36:39

    I didn't come in expecting to learn

  • 36:40

    anything. I I felt inspired by the story

  • 36:42

    of like independence and him growing to

  • 36:44

    be to do his own thing. He's shaking off

  • 36:45

    his dad, all that [ __ ]

  • 36:46

    >> That was the thing. That's what I was

  • 36:47

    trying to say. That was you could tell

  • 36:48

    the movie was

  • 36:49

    >> shaking off his dad.

  • 36:50

    >> If it was I'm going to say last thing

  • 36:52

    I'll say, if this was on Netflix or if

  • 36:55

    this was maybe even on a network, we'd

  • 36:57

    be praising it, right? I think because

  • 36:58

    it's a cinematic release, the the

  • 37:01

    expectation was higher, but just as an

  • 37:03

    entertaining movie,

  • 37:04

    >> I I I thought the kid did a good job

  • 37:06

    playing Michael Jackson, which I didn't

  • 37:07

    expect. I thought the costumes and

  • 37:09

    makeup

  • 37:09

    >> as in who? Jafar.

  • 37:10

    >> Jafar. I thought Jafar did a good job. I

  • 37:11

    thought the costumes and makeup were

  • 37:12

    solid. There were some mistakes like an

  • 37:15

    act, you know, wrong hairstyle for the

  • 37:16

    wrong year. Little little nerd mistakes.

  • 37:19

    >> But I thought the [ __ ] was honestly I

  • 37:22

    expected to be giving I thought I was

  • 37:23

    going to come here giving it a C minus

  • 37:24

    and I would give it a B.

  • 37:26

    >> I would stick with the C. For me

  • 37:27

    personally, I thought it was it was

  • 37:29

    entertaining. It was entertaining, but

  • 37:30

    it was it was I guess kind of cheesy

  • 37:33

    maybe.

  • 37:33

    >> Yes,

  • 37:34

    >> it was a little cheesy. It felt like it

  • 37:36

    could have easily have lived on Hulu or

  • 37:38

    Netflix, but with a nicer budget cuz it

  • 37:40

    looked expensive. Yeah, but

  • 37:42

    >> Tuby

  • 37:46

    Red stick

  • 37:49

    could have been on magic.

  • 37:51

    >> I thought it was it like I didn't like

  • 37:53

    the way that they obsessed on all this

  • 37:55

    very strange about Michael, which I get

  • 37:57

    you have to address it, I guess, on some

  • 37:59

    level, like the the surgeries and the

  • 38:01

    vitiligo and all that [ __ ]

  • 38:02

    >> Yeah.

  • 38:03

    >> But they dwelled on it in a weird way to

  • 38:06

    me where they didn't really talk about

  • 38:07

    his artistry enough for me, I think.

  • 38:10

    Right.

  • 38:11

    >> It was like sensationalized artistry,

  • 38:13

    which I He's a pop star, so that part

  • 38:16

    should be kind of like left unsaid, but

  • 38:17

    he was more than that.

  • 38:18

    >> Yeah.

  • 38:19

    >> And they didn't really tap into that for

  • 38:21

    me. That's true.

  • 38:22

    >> And that's part of why that's part of

  • 38:24

    why this movie was absolute trash for

  • 38:26

    me. But but I enjoyed it.

  • 38:30

    >> I enjoyed it. There was some funny.

  • 38:32

    >> Like I told y'all, I was the only person

  • 38:34

    in that theater howling, laughing from

  • 38:38

    the from the onset. I was laughing not

  • 38:40

    from the onset. Once the monkey came in

  • 38:41

    the in the movie came out, I was like,

  • 38:44

    "All right."

  • 38:45

    >> Well, because Well, because the movie

  • 38:47

    starts,

  • 38:49

    >> this is Michael. First of all, this is

  • 38:50

    Michael Jackson. This is him.

  • 38:53

    >> Yes.

  • 38:54

    >> The movie starts with a really bad vocal

  • 38:59

    of a Michael Jackson song. It was almost

  • 39:01

    like hurt my ears. Whoever that was

  • 39:03

    singing that just on the opening.

  • 39:05

    >> Yeah.

  • 39:07

    >> Got me. I'm already laughing. This is

  • 39:08

    all right.

  • 39:09

    >> You talking about when they're in the

  • 39:10

    living room practicing

  • 39:11

    >> before they before the movie even

  • 39:14

    starts.

  • 39:14

    >> Yeah.

  • 39:15

    >> Yeah. I guess that's what that was.

  • 39:16

    That's them singing in the living room.

  • 39:18

    So that was

  • 39:18

    >> Yeah, that was a bad So then it opened

  • 39:20

    up.

  • 39:20

    >> I assume that was intentional to show

  • 39:22

    like oh he became great.

  • 39:23

    >> So which is hard when you say he has

  • 39:24

    perfect pitch and he's a natural. I

  • 39:26

    can't imagine Michael ever sounded that

  • 39:28

    bad. He

  • 39:28

    >> I'm sure he did. Everyone does at some

  • 39:30

    point. But yes, carry on. Sorry. So they

  • 39:32

    open up with them singing in the living

  • 39:35

    room and

  • 39:38

    Jafar did a great job

  • 39:41

    even though well he did a great job and

  • 39:44

    he looks a little like Michael because

  • 39:46

    he's Germaine's son. Yeah. And that made

  • 39:49

    me look at Germaine and Jafar weird

  • 39:52

    because [ __ ] I feel like Germaine

  • 39:53

    wanted to be Michael. So now here go

  • 39:56

    your son trying to be Michael and you

  • 39:58

    executive produced all this [ __ ] and you

  • 40:00

    executive produced the other one that we

  • 40:02

    love the the one that came out in '92,

  • 40:05

    >> the American Dream.

  • 40:06

    >> The American Dream. He was on there like

  • 40:07

    why Jermaine always on the back end of

  • 40:10

    >> they all listed at they were all listed

  • 40:12

    as EPs on this one.

  • 40:13

    >> They all they all didn't dress like

  • 40:15

    Jermaine dressed at the premiere. But

  • 40:17

    anyway, young young Michael Jackson

  • 40:19

    >> so stupid.

  • 40:20

    >> Six-year-old Michael Jackson. Was he

  • 40:23

    six seven five?

  • 40:26

    >> Who casted that little mother?

  • 40:30

    >> Who the [ __ ] casted him?

  • 40:33

    He looked like

  • 40:36

    that [ __ ] looked like my older brother

  • 40:38

    when we was young. He looked like young

  • 40:39

    Peter Guns.

  • 40:41

    He looked like he looked didn't look

  • 40:44

    nothing like m young Michael Jackson to

  • 40:46

    me. Number one, he didn't move like him.

  • 40:48

    He didn't sound like him. He didn't act

  • 40:49

    like him. He was atrocious through the

  • 40:53

    first 45 minutes of this movie.

  • 40:54

    >> In fairness, I I thought even Jafar

  • 40:57

    didn't necessarily move like Mike, but

  • 40:58

    nobody moves like Mike. So, like, it's a

  • 41:00

    little

  • 41:00

    >> No, no, no, no, no. This [ __ ] didn't

  • 41:02

    move like a Mike impersonator in Time

  • 41:04

    Square. That little young six-year-old

  • 41:06

    Mike, he was atrocious. Sorry. I know

  • 41:09

    he's a kid. He was bad. Hey, do you Hey,

  • 41:14

    whoever casted this, do you know why

  • 41:17

    Jason Weaver played young Michael

  • 41:20

    Jackson before? Come on. Jason Weaver

  • 41:23

    could really sing. Could really move.

  • 41:26

    Michael Jackson was a

  • 41:28

    >> phenom.

  • 41:29

    >> Fish child prodigy.

  • 41:31

    >> See what you did there? That was a good

  • 41:33

    one.

  • 41:33

    >> Michael Jackson was so for this little

  • 41:36

    kid that he was a absolute.

  • 41:39

    >> I disagree. That that little guy you was

  • 41:40

    going to disagree, but you already gave

  • 41:42

    your opinion. I my opinion that little

  • 41:44

    [ __ ] stunk.

  • 41:46

    >> Wait, as a as an actor or just the

  • 41:47

    performance parts

  • 41:49

    >> as whatever they asked him to do.

  • 41:52

    >> I'm saying cuz I thought

  • 41:53

    >> his acting wasn't bad.

  • 41:54

    >> That's what I'm saying. Like he was he

  • 41:55

    was I agree with you on the music part.

  • 41:56

    But there was a lot of tender [ __ ] like

  • 41:58

    when he was hugging uh Barry Gordy when

  • 42:00

    he like all the sadness of him wanting

  • 42:01

    his dad and and HAVING THAT WEIRD

  • 42:03

    >> OH, THAT WAS ONE OF MY FAVORITE parts to

  • 42:05

    laugh at.

  • 42:06

    >> You're a TERRIBLE I kind of understand.

  • 42:08

    That was one of my favorite parts to

  • 42:09

    laugh at.

  • 42:11

    >> Yo,

  • 42:13

    >> this movie didn't do nothing. Like, if

  • 42:16

    you were Ice or somebody that didn't

  • 42:18

    know much about Michael Jackson going to

  • 42:19

    this movie, you don't know nothing about

  • 42:21

    Michael Jackson still. Michael Jackson

  • 42:23

    is

  • 42:25

    >> Crimella Crim and this movie didn't

  • 42:28

    present him that way. It didn't tell a

  • 42:30

    story. It didn't say just how in it

  • 42:32

    didn't tell you that people was fainting

  • 42:34

    all around the world. them little crowds

  • 42:37

    that they put on whatever Hulu set that

  • 42:39

    they was in that they built

  • 42:42

    >> it wasn't never going to look like what

  • 42:44

    Michael Jackson was out here doing their

  • 42:47

    storytelling they didn't tell any story

  • 42:49

    they did tell

  • 42:51

    me just talk please let me just talk

  • 42:53

    please the stories they had

  • 42:57

    >> moments in Mike's life that they wanted

  • 43:00

    to highlight

  • 43:01

    >> so it went from 68 you young to Jackson

  • 43:05

    five we working and we doing talent

  • 43:06

    shows that the very next time it jumps

  • 43:08

    to 78 or some [ __ ] you want to be

  • 43:10

    starting something is out. NO, NO, NO,

  • 43:14

    NO. And then they jump from that to the

  • 43:18

    nose job. THEY JUST POPPED UP and they

  • 43:20

    in front of the mirror with bandages on

  • 43:21

    nose. Wait, no. You can't. These are

  • 43:23

    things you uh two hours. It was two

  • 43:26

    hours. These are things that you can't

  • 43:28

    quickly

  • 43:29

    >> just gloss over. They just fast

  • 43:31

    forwarded through this whole [ __ ] If

  • 43:33

    this were a musical, then I don't have

  • 43:35

    no beef.

  • 43:36

    >> I will also say too in regards to the

  • 43:37

    vitiligo, the nose job, all that stuff,

  • 43:40

    it didn't really it just said that it

  • 43:42

    happened and it didn't really discuss

  • 43:44

    enough for me why it happened. You know

  • 43:47

    what I'm saying?

  • 43:48

    >> See, at

  • 43:51

    another hour to the movie,

  • 43:53

    >> the [ __ ] go to the movie too long.

  • 43:55

    >> Not if not if

  • 43:56

    >> not if it's good.

  • 43:57

    >> Not if it's [ __ ] won't really be if

  • 43:59

    it's

  • 43:59

    >> Listen, they talking about they talking

  • 44:00

    about it being a part two to it. My girl

  • 44:02

    went to see it last night and came out.

  • 44:04

    I think there's going to be a part two.

  • 44:05

    I laugh

  • 44:09

    set you up for a part.

  • 44:10

    >> The way it ends if you live through

  • 44:12

    this,

  • 44:14

    >> bro. Every

  • 44:17

    Hold on. Hold on.

  • 44:18

    >> How how we talking about a There's a

  • 44:21

    crop of people that don't that didn't

  • 44:22

    live through this [ __ ] that's in their

  • 44:24

    20s.

  • 44:24

    >> A lot of them.

  • 44:25

    >> Yeah.

  • 44:25

    >> Like there's a lot of people you heard

  • 44:27

    Michael Jackson. You don't really know

  • 44:29

    the Michael Jackson.

  • 44:30

    >> But to Joe's point, no. But to Joe's

  • 44:32

    point, even if you're 20 something years

  • 44:34

    old and you heard of Michael Jackson and

  • 44:36

    you don't know the story, when you walk

  • 44:37

    out the movie theater, you still don't

  • 44:39

    know the story or you don't know his

  • 44:41

    >> Can I just finish slamming this before?

  • 44:45

    >> Loren Tate was in this movie for 6

  • 44:47

    minutes.

  • 44:48

    >> Yeah.

  • 44:50

    >> Loren Tate was in this movie for 6

  • 44:52

    minutes. There was a portion of this

  • 44:53

    movie where I thought the script had to

  • 44:54

    be maybe 22 pages with the words that

  • 44:56

    was the sing that was it was just music

  • 44:58

    singing singing quick quick scene jump

  • 45:01

    cut to a year music music. Yo, Lorenz

  • 45:04

    Tate was playing Barry Gordy. Check this

  • 45:06

    out. I don't never want to see Barry

  • 45:08

    Gordy not be 75 years old. I ain't going

  • 45:12

    to hold you. When I when I hear the name

  • 45:14

    Barry Gordy and I see him in a movie,

  • 45:16

    don't show me him young

  • 45:19

    up.

  • 45:22

    Yo, this [ __ ]

  • 45:23

    >> I don't care.

  • 45:24

    >> We got you. We got you, champ.

  • 45:26

    >> Bubbles.

  • 45:28

    >> This is a good I'm with you.

  • 45:30

    >> The CGI bubbles that he brought his

  • 45:33

    whole family out

  • 45:35

    >> to look at.

  • 45:36

    >> That that bubbles was a mess. The

  • 45:38

    giraffe CGI, all the CGI in the movie.

  • 45:40

    >> Yeah, it was pretty bad.

  • 45:41

    >> The CGI was horrible. My favorite the my

  • 45:43

    biggest laugh in the in the movie was

  • 45:44

    they're in the studio and they showed

  • 45:46

    Quincy at the board and I was like,

  • 45:47

    "Damn, they showed Bruce Sweden who's

  • 45:49

    this legendary engineer who did all all

  • 45:51

    of his shit." Yeah.

  • 45:52

    >> But then they they showed him and I was

  • 45:53

    like, "Oh [ __ ] Bruce Sweden. That's

  • 45:54

    dope." They they included him. They

  • 45:55

    didn't say his name, which is a little

  • 45:56

    disrespectful, but whatever. But then

  • 45:58

    they continued to zoom out and Bubbles

  • 46:00

    is at the [ __ ] board. I [ __ ]

  • 46:02

    hollered.

  • 46:03

    >> I know you.

  • 46:05

    >> What?

  • 46:06

    >> That was a mess.

  • 46:06

    >> Why is Bubbles at the board?

  • 46:08

    >> That's That's some engineer nerd [ __ ]

  • 46:10

    though, yo. HE CAN'T EVEN FADE. HE TOOK

  • 46:13

    IT UP.

  • 46:14

    >> And then you can't really appreciate

  • 46:16

    Mike greatness without knowing. I

  • 46:18

    watched this movie and was laughing at

  • 46:21

    they cut out every time Joe Jackson was

  • 46:23

    about to get in his bag.

  • 46:25

    >> They cut it right out.

  • 46:27

    >> They cut it right out. I don't know

  • 46:29

    what's the [ __ ] story there. It's part

  • 46:31

    of Mike's greatness. It's part of every

  • 46:34

    part Mark talking about how he escaped

  • 46:37

    from his dad. When did he do that in the

  • 46:38

    movie? That that was your dad. I had him

  • 46:41

    at every turn.

  • 46:42

    >> Remember when his dad just popped out

  • 46:43

    after

  • 46:47

    >> standing right there holding the paper

  • 46:50

    going frame

  • 46:51

    >> and poor along. Poor along. Just

  • 46:53

    >> another one.

  • 46:54

    >> Just standing there.

  • 46:55

    >> Tell the truth.

  • 46:56

    >> Standing there not helping, just not

  • 46:57

    doing nothing. Hey, in the beginning of

  • 47:00

    the movie when Mike that song up, they

  • 47:03

    cut it out. But Joe beat the dog [ __ ]

  • 47:05

    out of Michael Jackson when he [ __ ]

  • 47:07

    Hey, they show him give a little pow

  • 47:09

    pow. He he about to he cleaned that

  • 47:12

    house up with that young Michael Jackson

  • 47:14

    about yo when they told him yo stop

  • 47:16

    moving in the booth.

  • 47:18

    >> You ain't seen the look going to boo.

  • 47:20

    He was going he was GOING TO THE BOO.

  • 47:22

    HEY WAIT AND THEN HE GO HE GOING TO TURN

  • 47:24

    TO Barry Gordy. He in there hanging out

  • 47:25

    with BARRY GORDY JOE JACKSON LOOKING

  • 47:27

    like where is my he

  • 47:31

    thanks for everything Joe ask me

  • 47:32

    anytime. And when he turned around, oh

  • 47:35

    wait, BARRY GORDY ALMOST GOT [ __ ]

  • 47:38

    MICHAEL,

  • 47:39

    >> you know, anything you need me. I said,

  • 47:42

    oh, they cut it out

  • 47:43

    >> right here. Jackson got the hallway.

  • 47:46

    >> Joe Jackson cleaned that hallway.

  • 47:50

    Young Michael,

  • 47:52

    >> I thought they were pretty nice on Joe

  • 47:54

    Jackson honestly.

  • 47:54

    >> Wait, Mike was so helpless. He went to

  • 47:57

    the label. He said, "Hey,

  • 47:59

    >> I need you."

  • 48:01

    And they was looking LIKE THE [ __ ]

  • 48:02

    >> YEAH. WAIT, WAIT, WAIT. WHO? WHO? Fire

  • 48:05

    who?

  • 48:05

    >> Boy. When Joe got when Joe got that

  • 48:07

    facts.

  • 48:10

    >> When Joe got that facts. Hey, they cut

  • 48:12

    it out the movie.

  • 48:14

    >> Clean some more. In the kitchen. The

  • 48:16

    refrigerator. But when he got his hands

  • 48:18

    on Mike,

  • 48:20

    >> he cleaned the [ __ ] house with Michael

  • 48:21

    Jackson. I ain't going to tell you. Mike

  • 48:23

    overcame so much and they didn't show

  • 48:25

    it.

  • 48:26

    >> Fail is cuz you ain't see it. The [ __ ]

  • 48:28

    held the facts in his hand for a good

  • 48:30

    eight hours.

  • 48:32

    >> Have you seen you in different places?

  • 48:34

    My son was UP. MY SON WAS DOWN. THIS

  • 48:36

    [ __ ] still

  • 48:39

    was like,

  • 48:40

    >> "What kind of son does this?"

  • 48:41

    >> I was going to frame this.

  • 48:43

    >> What kind of son fire me?

  • 48:45

    >> You fired me through facts. You couldn't

  • 48:46

    even say it to my face.

  • 48:48

    >> No, I need my face. I couldn't believe

  • 48:51

    I couldn't believe I was laughing so

  • 48:53

    hard in this movie just knowing that

  • 48:56

    they invited real Jackson's to watch

  • 48:59

    this.

  • 49:01

    >> Then the stupid movie come on. They want

  • 49:03

    to keep showing me Latoya.

  • 49:06

    >> What was Janet? Janet said

  • 49:08

    >> if you don't remove me and my image and

  • 49:11

    likeness from this y'all got going on.

  • 49:14

    So now we got to act like Michael and

  • 49:15

    Tori was tight.

  • 49:18

    See, Ice wouldn't know because

  • 49:21

    >> I don't know.

  • 49:23

    >> Some of the story they told Diana Ross

  • 49:26

    called them expediently.

  • 49:29

    Hey

  • 49:31

    >> remove anything that Diana Ross out of

  • 49:34

    this movie.

  • 49:35

    >> Don't y'all put You better not

  • 49:37

    >> Don't put no Diana.

  • 49:38

    >> Don't put a D. Don't even say

  • 49:40

    >> don't put no Princess D. D Carol D Ross.

  • 49:45

    >> Don't put Ross from Friends. Don't put

  • 49:46

    nothing. Rick Ross in this movie. Rick

  • 49:49

    Ross.

  • 49:50

    >> Really? What's the reason you think? I

  • 49:52

    don't cuz cuz they saw it.

  • 49:56

    >> Cuz they saw it. This didn't tell the

  • 49:58

    full story.

  • 49:58

    >> Don't a real person want to be

  • 49:59

    associated with this with this [ __ ]

  • 50:01

    >> And like I said again, it does seem like

  • 50:03

    there was a theme with this movie. It

  • 50:05

    wasn't to tell Michael's story. It was

  • 50:06

    more so to tell this was to just show

  • 50:10

    Michael's like coming of age and finally

  • 50:11

    becoming my own person and getting from

  • 50:13

    under my father.

  • 50:14

    >> That's what it seemed like that was the

  • 50:16

    purpose of the movie. Not

  • 50:17

    >> the gang members the gang members and

  • 50:20

    beat it.

  • 50:20

    >> That scene was

  • 50:21

    >> I thought it was going to show him

  • 50:22

    joining the crips right then too.

  • 50:24

    >> See that's the thing that the fans

  • 50:27

    was a [ __ ]

  • 50:28

    >> He was and he went to the hoods and got

  • 50:32

    real gang members to be in the vicinity.

  • 50:35

    So they tried to show that using Hulu

  • 50:38

    gang members.

  • 50:40

    >> [ __ ] are idiot, bro.

  • 50:42

    >> Them [ __ ] look like, you know, the

  • 50:45

    main n they had that was doing the dance

  • 50:47

    with the mustache. They went and got

  • 50:48

    Torres from New York undercover to be

  • 50:50

    that like these look like the Torres.

  • 50:53

    >> That was he wasn't

  • 50:55

    >> No, it wasn't really Torres. This guy

  • 50:57

    looked I'm saying it was like the lugs

  • 50:59

    version of Torres.

  • 51:06

    Now these gang members

  • 51:08

    >> Joe hated this movie because of his

  • 51:09

    print shot

  • 51:11

    >> in the movie.

  • 51:12

    >> Yeah.

  • 51:12

    >> What was the print shot?

  • 51:13

    >> Some little was like don't let Prince

  • 51:15

    get it or something.

  • 51:16

    >> Oh yeah, he did.

  • 51:16

    >> That's what it was.

  • 51:17

    >> Yeah, he did. He did it. Yeah, he did

  • 51:18

    throw that shot at.

  • 51:19

    >> He threw that little shot, man.

  • 51:20

    >> Yeah.

  • 51:20

    >> No, that was a big up.

  • 51:23

    >> No, it wasn't said as a big up.

  • 51:25

    >> You talking about when they was talking

  • 51:26

    about song, right?

  • 51:27

    >> Yeah.

  • 51:27

    >> And he said, "Don't let Prince get that

  • 51:28

    song. He said he said his son said yeah

  • 51:31

    I can't remember exactly I don't [ __ ]

  • 51:32

    with him I want him getting it

  • 51:35

    I don't [ __ ] with him and he's the

  • 51:36

    biggest [ __ ] out there please don't let

  • 51:38

    him get this

  • 51:39

    >> yeah I took it like that I didn't tell

  • 51:40

    you like that

  • 51:40

    >> but how they do a movie without the so

  • 51:42

    Jan is not mentioned at all

  • 51:44

    >> no it's Latoya

  • 51:47

    >> I mean Latoya was around and THEN

  • 51:50

    JERMAINE JERMAINE I HATE WHEN I COULD

  • 51:53

    TELL when the executive producer came in

  • 51:55

    the writing room and you gonna make Joe

  • 51:57

    Jackson say, "Yeah, Germaine's not

  • 52:01

    coming on tour with us cuz he stayed

  • 52:03

    over there. He stayed at where he want

  • 52:05

    to be." He wanted to be at Mottown. So,

  • 52:06

    let him stay here.

  • 52:07

    >> He stayed there and we're on Epic. Yo,

  • 52:11

    casual fans, I promise y'all.

  • 52:13

    >> Joe Jackson did not say that.

  • 52:14

    >> Nobody looked for Jermaine Jackson when

  • 52:17

    this tour was being organized. Yo,

  • 52:20

    >> that's not true.

  • 52:20

    >> Not one, not a soul. You see what you

  • 52:24

    see? Not not

  • 52:25

    >> I like this idea. Is Michael going to be

  • 52:28

    there?

  • 52:28

    >> Yeah. I mean, that's the main thing.

  • 52:30

    >> All right. Cuz without this, all that

  • 52:32

    talking go out the window. Like, is

  • 52:34

    Michael going to be there? I don't even

  • 52:35

    like how they burnt Mike's hair in the

  • 52:37

    [ __ ] This was just like a If you know

  • 52:39

    Michael Jackson's story, which I do,

  • 52:42

    this is like a spoof slap in the face to

  • 52:46

    >> the the real he was.

  • 52:48

    >> Yeah.

  • 52:48

    >> It was the most service level [ __ ] I

  • 52:50

    ever seen in my life.

  • 52:51

    >> Yes, it it wasn't deep. It was a money

  • 52:52

    grab. It looks like a money grab. I

  • 52:54

    agree with Paris. But but Mike's story

  • 52:56

    is deep.

  • 52:57

    >> Yeah.

  • 52:58

    >> Mike story is one of the deepest.

  • 53:00

    >> That's why I say when you walk into

  • 53:02

    >> any segment of his story is deep.

  • 53:04

    >> Word.

  • 53:04

    >> This is like the Times Square 2000's

  • 53:07

    version of Michael Jackson story. This

  • 53:10

    is the Marshall's version of this is

  • 53:12

    this is it.

  • 53:13

    >> There's some stuff missing. But I think

  • 53:15

    when I see a family make a film about

  • 53:17

    somebody whose life is complicated and

  • 53:19

    messy and interesting and brilliant, I

  • 53:21

    always expect it to look like that. So I

  • 53:22

    guess I I just my expectations were so

  • 53:24

    managed coming.

  • 53:25

    >> Is it is it possible that the family

  • 53:26

    protected Joe?

  • 53:28

    >> Yes, it felt like it.

  • 53:29

    >> You know what I'm saying? I'm just

  • 53:30

    saying a little bit.

  • 53:31

    >> I mean said all kinds of about Joe and

  • 53:33

    and that stuff wasn't in there. So you

  • 53:35

    know I mean all kinds of [ __ ]

  • 53:36

    >> cuz I know you were saying like they

  • 53:37

    didn't really they cut out they didn't

  • 53:39

    really show how Joe was on his ass. And

  • 53:40

    if the family has to say so in this it's

  • 53:43

    like we don't we don't want that part

  • 53:45

    out there that bad.

  • 53:46

    >> Yeah. And that that might have been a

  • 53:47

    tugof-war between um the different

  • 53:50

    siblings and that might have been part

  • 53:52

    of what Janet didn't want to be a part

  • 53:53

    of. I don't want to speculate about

  • 53:54

    Janet so much, but I know they all had

  • 53:56

    very different experiences with Joe and

  • 53:58

    I I've seen Latoya say and she's told me

  • 54:00

    directly like some of her experiences

  • 54:02

    with Joe and some of her allegations and

  • 54:03

    then I've heard Michael say things. I've

  • 54:06

    talked to Marlin. He said different and

  • 54:08

    so I think they wanted to just show look

  • 54:09

    this dude was rough

  • 54:10

    >> and clearly but we're not going to go

  • 54:13

    into all these different directions. The

  • 54:14

    movie is not about the

  • 54:15

    >> It's not about that person. But see, I

  • 54:17

    thought some of it was some of the stuff

  • 54:18

    y'all think was basic. I thought was

  • 54:20

    subtle. Like when when he first starts,

  • 54:22

    as you said, cleaning the house with

  • 54:24

    Mike, he also called him big nose.

  • 54:26

    >> Yeah.

  • 54:27

    >> And so calling him big nose to me was

  • 54:29

    like the okay, this is deep in my head

  • 54:31

    that I got nose.

  • 54:33

    >> Right. So by the time he's at the the

  • 54:34

    the the doctor saying, "Well, I need it

  • 54:36

    to be symmetrical." It's showing the

  • 54:38

    delusion that he has. And then when when

  • 54:40

    Joe walks up to him and he says, "It's

  • 54:41

    for my septum." It's like they're

  • 54:44

    showing Michael has a has a a self-hate

  • 54:48

    >> and he's constantly trying to convince

  • 54:49

    the world that there's a real reason for

  • 54:51

    it and the nose keeps getting smaller

  • 54:52

    and there's always a new excuse for it.

  • 54:54

    The nose strip that came on like around

  • 54:55

    an hour and a half in. So to me it

  • 54:57

    wasn't that they didn't deal with it.

  • 54:58

    They just expect they expected a lot.

  • 55:01

    They expected a little bit more of the

  • 55:02

    viewer which I'm okay with.

  • 55:04

    >> But to your point, you you shouldn't

  • 55:06

    expect that much from the viewer if

  • 55:07

    you're going to do a A&E Lifetime style

  • 55:09

    movie. You got to kind of pick your pick

  • 55:11

    your struggle here. But but I I thought

  • 55:13

    they hit that. I didn't like I wanted

  • 55:15

    more of the creative stuff. There was

  • 55:17

    such a creative tension between Quincy

  • 55:18

    Jones and Michael Jackson from

  • 55:20

    offthe-wall to to bad in terms of the

  • 55:23

    tugof-war over who was going to have

  • 55:24

    most control over. None of that was

  • 55:26

    there cuz Quincy just disappeared. I

  • 55:27

    mean he was I don't know none of that.

  • 55:29

    >> There was more tension between Barry

  • 55:30

    Gordy and in in the movie and and Quincy

  • 55:33

    than Michael and Quincy which I thought

  • 55:35

    was weird given given I mean Quincy said

  • 55:37

    by

  • 55:38

    >> it was weird.

  • 55:39

    >> That that was weird to me. There there

  • 55:40

    were things like that that I didn't

  • 55:41

    like. Um but

  • 55:43

    >> again, I didn't go and expected much.

  • 55:45

    >> Go see this movie is what we're saying.

  • 55:48

    >> I was entertained. I will say that. I

  • 55:49

    was entertained.

  • 55:50

    >> As was I. And listen, I laughed halfway

  • 55:52

    through because I was laughing at Mark

  • 55:54

    earlier. But as the music is playing cuz

  • 55:56

    I went hoping to walk out. I did walk

  • 55:59

    out, but I walked but I walked out when

  • 56:01

    he started doing the robot during human

  • 56:02

    nature at the end. So it was the end.

  • 56:04

    But but like but that's my that was your

  • 56:06

    breaking point.

  • 56:08

    Enough was enough at this point with cuz

  • 56:10

    I saw my this is not

  • 56:15

    but but in the movie I'm like yo I

  • 56:17

    wanted to walk out sooner but this music

  • 56:18

    is so good that

  • 56:20

    >> it's Michael Jackson music

  • 56:22

    walk out on Michael Jackson music.

  • 56:24

    >> It was pretty cool the way they

  • 56:25

    motifized his hits into like the score.

  • 56:29

    You know what I'm saying? Broke up

  • 56:30

    little pieces of the melody. That was

  • 56:32

    that was that was

  • 56:32

    >> I thought that was really dope. I this

  • 56:34

    and again I thought there were some

  • 56:35

    tender moments. I thought young Michael

  • 56:37

    Jackson I I was really compelled by

  • 56:38

    that. Um like watching him looking for

  • 56:41

    >> He ain't get another acting gig.

  • 56:43

    >> [ __ ]

  • 56:43

    >> You won't you won't see him again.

  • 56:45

    >> He might not get another performance.

  • 56:46

    >> If we ain't seeing Jonathan Major, they

  • 56:48

    better not put this little raggedy kid

  • 56:50

    on the [ __ ] team. Shout out to that

  • 56:52

    young man. He I thought he

  • 56:53

    >> No. No. Shout out to the young man in

  • 56:54

    real life.

  • 56:55

    >> Yeah, I thought I actually thought he

  • 56:56

    did a great job.

  • 56:56

    >> But as Michael Jackson, we could put him

  • 56:58

    in the sewer with the Ninja Turtles.

  • 57:00

    >> We won't be Mike no more.

  • 57:01

    >> We could put him

  • 57:02

    >> I mean he he didn't buy it. You know

  • 57:03

    what I mean? as in terms of the

  • 57:04

    performance aspects, but again like I

  • 57:06

    thought he tapped into something that's

  • 57:07

    hard to tap into as a young kid. Um, in

  • 57:09

    terms of the emotions and [ __ ] like that

  • 57:11

    when Michael I felt that kid looking for

  • 57:13

    something. I felt that kid looking for

  • 57:15

    love, looking for a father. That huggy

  • 57:17

    gave Bar and Mark out

  • 57:19

    >> that [ __ ] was one of the most beautiful

  • 57:20

    things I saw in the whole movie.

  • 57:21

    Honestly, that huggy gave Barry Gordon

  • 57:23

    studio was real. I could feel that. Um,

  • 57:25

    like I just I just thought I thought

  • 57:26

    they did a good job. Even when when

  • 57:28

    Michael came back as the bigger Michael

  • 57:30

    and he was trying to get them to play

  • 57:31

    Twister.

  • 57:32

    >> Yo fam, that was another one.

  • 57:35

    >> No, when they was he was playing Twister

  • 57:37

    with Bubbles. Bubbles. OKAY, THAT WAS

  • 57:38

    RIDICULOUS.

  • 57:39

    >> NO, you're cheating. YOU CAN'T DO THAT.

  • 57:41

    >> THAT WAS RIDICULOUS. THAT was

  • 57:42

    ridiculous. But anyway, shout out to

  • 57:44

    everybody in the film. Shout out to

  • 57:46

    Coleman Domingo who did an amazing job.

  • 57:48

    He was smoking him. Um he did a great

  • 57:52

    job.

  • 57:52

    >> They knew they better put a real actor

  • 57:54

    around them young kids. And if y'all if

  • 57:57

    y'all want to keep supporting film

  • 57:58

    whether you love it or hate it or in the

  • 58:00

    middle just support this film. Go out

  • 58:01

    and check it out cuz we can't get more

  • 58:02

    films made if we don't go out and

  • 58:03

    support.

  • 58:05

    >> Yeah, that was the greatest news I got

  • 58:06

    going to the movie theaters is that Ipic

  • 58:09

    is not closing unfortunately. Hey, make

  • 58:10

    some noise. Make some noise.

  • 58:13

    >> Make some noise.

  • 58:14

    >> You threw some bread down.

  • 58:15

    >> No, no, no. But someone did. Like I knew

  • 58:18

    they would.

  • 58:18

    >> You should have. Like I knew they would.

  • 58:20

    No, I know.

  • 58:20

    >> How many seats did you buy?

  • 58:21

    >> [ __ ]

  • 58:22

    >> Yesterday?

  • 58:22

    >> Yeah.

  • 58:23

    >> Uh, six. And

  • 58:24

    >> how many people went with you? Nobody

  • 58:26

    shut up. Just make making sure somebody

  • 58:29

    you played your part.

  • 58:30

    >> Yeah. Say Joe bought six seats that sat

  • 58:32

    to sit by to make sure no one was

  • 58:33

    sitting near him

  • 58:33

    >> and still sat next to somebody.

  • 58:35

    >> Did you?

  • 58:36

    >> I started I started next to someone then

  • 58:37

    I saw some seats open. I was like

  • 58:38

    >> cuz it was it was

  • 58:40

    >> I picked that thing

  • 58:40

    >> because it was the smaller theater. So

  • 58:44

    that means that the two seats I'm always

  • 58:46

    in over here like was just over here and

  • 58:49

    I bought the center ones and that was in

  • 58:50

    the center but it only let me buy the

  • 58:52

    [ __ ] It was a mess. I sat in the center

  • 58:55

    and some thug sat next to me.

  • 58:57

    >> I had Yeah, I I saw it in the hood. So,

  • 58:58

    I was I was a lot of people there

  • 59:01

    >> and it wasn't a thug. Some kept getting

  • 59:02

    up to do [ __ ] was queen.

  • 59:06

    >> How dare he?

  • 59:09

    This [ __ ] was so considerate the whole

  • 59:11

    movie. Came back. She had popcorn and

  • 59:13

    everything.

  • 59:21

    YO, STOP SAYING THAT YOU SEEN ME DO

  • 59:22

    THAT. I NEVER DID THAT. ANYWAYS,

  • 59:26

    uh time to pay some bills. It's time for

  • 59:28

    my favorite part of the show.

  • 59:34

    >> Your phone was on 6%. It's on 1%.

  • 59:38

    >> Living dangerous.

  • 59:39

    >> Your phone's on 1% at noon.

  • 59:42

    >> Yeah,

  • 59:42

    >> my [ __ ] do that a lot.

  • 59:43

    >> Yeah, I didn't uh get to charge this

  • 59:46

    overnight.

  • 59:46

    >> You don't plug it in the car.

  • 59:47

    >> You don't plug your phone in.

  • 59:48

    >> I took a Uber here.

  • 59:50

    >> You don't plug that in.

  • 59:51

    >> The question still remains the same.

  • 59:52

    What about I I didn't have no access to

  • 59:54

    one in this particular Uber.

  • 59:55

    >> What about when you go to bed?

  • 59:56

    >> At home though?

  • 59:57

    >> Normally at night I over I charge but

  • 59:58

    last night I sometimes forget.

  • 1:00:00

    >> Yeah. I was out so late watching this

  • 1:00:02

    movie for work that I didn't get a

  • 1:00:03

    chance to to do it.

  • 1:00:05

    >> So you phone dying too

  • 1:00:06

    >> often.

  • 1:00:07

    >> Yeah.

  • 1:00:07

    >> This [ __ ] phone always die. Is phone

  • 1:00:09

    die mid combo and he won't call you

  • 1:00:11

    back.

  • 1:00:12

    >> That's just ish.

  • 1:00:14

    >> I don't be charging my [ __ ] So

  • 1:00:16

    >> yeah. So I

  • 1:00:17

    >> you see every time he see me when he say

  • 1:00:18

    yo yo let me get your charger. I feel

  • 1:00:19

    like that's another one of those things

  • 1:00:21

    that men can't do. Your phone shouldn't

  • 1:00:23

    hit below 10%.

  • 1:00:24

    >> I also don't like to unless you're at

  • 1:00:26

    home. I let my [ __ ] go dead at home.

  • 1:00:27

    >> You got to let it die.

  • 1:00:28

    >> At home, you do what you want.

  • 1:00:29

    >> Why you do that?

  • 1:00:30

    >> Sometimes you got to let it die, right?

  • 1:00:33

    >> You got to let it die sometime.

  • 1:00:35

    >> I don't get it.

  • 1:00:36

    >> Certain hours.

  • 1:00:38

    >> You trying to say you make sure you

  • 1:00:39

    don't get no phone calls you don't want.

  • 1:00:42

    >> So I get phone calls during the pop.

  • 1:00:44

    >> Listen, listen. Tomato tomato, bro. I

  • 1:00:46

    don't know when when you get

  • 1:00:47

    >> that's not what

  • 1:00:48

    >> Never mind.

  • 1:00:49

    >> Stop doing it for your man.

  • 1:00:50

    >> I don't even know what that means.

  • 1:00:54

    >> Flip side when he shoot.

  • 1:00:55

    >> It's all right. Tag team.

  • 1:00:57

    >> When flip shoot at y'all. I'm on his

  • 1:00:58

    side.

  • 1:00:58

    >> Don't I feel weak? You need a [ __ ] help

  • 1:01:00

    to help.

  • 1:01:00

    >> I want to help. You just be saying

  • 1:01:01

    Captain Pom Pom. It's just a

  • 1:01:03

    coincidence.

  • 1:01:04

    >> I'm helping. I'm a help, right? But

  • 1:01:05

    don't ask why I help him.

  • 1:01:07

    >> As a strong man, don't you feel weak

  • 1:01:09

    that you have to depend on this [ __ ]

  • 1:01:10

    coming to save you? A lot of times I

  • 1:01:12

    guess who need

  • 1:01:14

    a question. Mark always jump in and save

  • 1:01:16

    ever since that flat earth fight they

  • 1:01:18

    had.

  • 1:01:18

    >> I guess you trying to push a narrative

  • 1:01:20

    to your flunkies. I know it's cool. I

  • 1:01:22

    don't need no.

  • 1:01:24

    So what was happening before Mark?

  • 1:01:26

    >> I just got here.

  • 1:01:27

    >> What? What was happening before Mark?

  • 1:01:28

    >> When I was airing everybody else,

  • 1:01:30

    >> [ __ ] I knew you talking about I didn't

  • 1:01:32

    know you thought the earth was flat

  • 1:01:33

    before Mark got here.

  • 1:01:35

    >> I didn't need no help. I'm talking about

  • 1:01:37

    I didn't need no help before Mark got

  • 1:01:38

    here.

  • 1:01:39

    >> We wasn't talking about flat earth.

  • 1:01:41

    >> We talked about everything else. And I

  • 1:01:43

    love you a lot more than Mark. So when

  • 1:01:44

    you be saying stupid [ __ ] let it rock,

  • 1:01:46

    [ __ ] You my man. Mark wanted. He But

  • 1:01:49

    then he felt bad. So now he catered to

  • 1:01:50

    you like one of them Sally Struggles

  • 1:01:51

    kids for 69 cent a month

  • 1:01:53

    >> again. Again pushing your I don't need

  • 1:01:55

    nobody to hold me.

  • 1:01:56

    >> Look out. Y'all had a a riff sense.

  • 1:01:58

    Y'all had a tiff since me and Mark

  • 1:02:00

    argued over capitalism and every other

  • 1:02:02

    thing.

  • 1:02:05

    >> That was no argument. Keep pushing your

  • 1:02:06

    argument. It was a gentle debate. It was

  • 1:02:09

    very gentle. Very flat earth was so we

  • 1:02:12

    had an argument over flat earth.

  • 1:02:15

    >> We had a you had an argument over flat

  • 1:02:16

    earth WAS DEBATING GENTLY. OH, I let you

  • 1:02:20

    get the [ __ ] out of here.

  • 1:02:21

    >> So say tricky words. You done swallowed

  • 1:02:23

    your tongue.

  • 1:02:24

    >> [ __ ] talking about [ __ ]

  • 1:02:26

    >> Let me tell you something. You know that

  • 1:02:27

    I'm ready. I'm ready for THAT [ __ ] AND

  • 1:02:29

    I'M READY FOR YOU.

  • 1:02:30

    >> YOU ALWAYS end Mark. [ __ ] WE'LL LOOK AT

  • 1:02:33

    MARK LIKE SOME TYPE OF GUY LIKE YOU.

  • 1:02:35

    [ __ ] WE'LL END THIS I don't ass kiss

  • 1:02:39

    [ __ ] THAT'S YOUR TAP DANCING.

  • 1:02:41

    >> SAY IT AGAIN. WE'LL END Mark [ __ ] in

  • 1:02:42

    front of you,

  • 1:02:43

    >> [ __ ] Look, you want us to end them.

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