JBP
The Joe Budden Podcast
Episode 927

Sex Cult Pick Me

Joe Budden Podcast Episode 927, “Sex Cult Pick Me,” released May 11, 2026. The JBP’s latest episode kicks off with a review of the Cult of NatureBoy on Hulu (2:47) before turning to new music including Chris Brown’s album ‘BROWN’ (28:18), AZ, Mack Kean, and others. The crew then gives their thoughts on the NBA’s second round of the playoffs so far (54:59), the Rick Ross & French Montana Verzuz (1:08:50), and Joe doubles down on his thoughts about Bow Wow which leads to a debate with Ish (1:36:06). Also, legendary engineer Young Guru is done taking the humble route (1:47:29), Austin Rivers and Draymond Green beef leads to Green’s comments about Charles Barkley (2:04:20), Stefon Diggs is found not guilty (2:28:08), Marc speaks on the Hantavirus (2:46:51), and much more! Full transcript and searchable timestamps below.

Sex Cult Pick Me

In this episode

  • 2:47The JBP’s latest episode kicks off with a review of the Cult of NatureBoy on Hulu
  • 28:18Before turning to new music including Chris Brown’s album ‘BROWN’
  • 54:59The crew then gives their thoughts on the NBA’s second round of the playoffs so far
  • 1:08:50The Rick Ross & French Montana Verzuz
  • 1:36:06Joe doubles down on his thoughts about Bow Wow which leads to a debate with Ish
  • 1:47:29Legendary engineer Young Guru is done taking the humble route
  • 2:04:20Austin Rivers and Draymond Green beef leads to Green’s comments about Charles Barkley
  • 2:28:08Stefon Diggs is found not guilty
  • 2:46:51Marc speaks on the Hantavirus
Video Available
Audio Available
6,232 transcript lines

Joe Budden Podcast Ep. 927 Transcript

Full transcript of Sex Cult Pick Me (59:09 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    [music] only. I repeat, it is not

  • 0:08

    serious. It is not real. No one is

  • 0:11

    exposing, revealing, indicting or

  • 0:14

    telling you anything about themselves.

  • 0:15

    Also, we do not encourage you to try

  • 0:17

    this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:24

    [music]

  • 0:29

    >> [music]

  • 0:31

    >> Microphone check. What is this?

  • 0:36

    [music]

  • 0:37

    Back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:44

    >> Yeah, I'm back now. Yeah. What's up?

  • 0:46

    Hey,

  • 0:46

    >> I didn't know you went nowhere, but it's

  • 0:48

    all right.

  • 0:48

    >> We going to have it out today, [ __ ]

  • 0:50

    >> We not. We are. We going to have it out

  • 0:52

    today. I can tell. No, we not. I can

  • 0:53

    tell you in one of your little your

  • 0:55

    little moods.

  • 0:56

    >> Pastel battle happening.

  • 0:57

    >> I'm not moody, bro.

  • 0:58

    >> On your ass today.

  • 0:59

    >> Pastel battle happening.

  • 1:00

    >> Who's having a pastel battle?

  • 1:02

    >> Y'all two your shirts.

  • 1:03

    >> Y. Oh [ __ ]

  • 1:04

    >> Y'all need a little Easter vibes.

  • 1:06

    >> Oh [ __ ] Who wore better?

  • 1:07

    >> I said [laughter] Easter.

  • 1:09

    >> I only tried to put some [ __ ] on cuz I

  • 1:10

    know Mona do the fit checks today.

  • 1:13

    >> I'm so glad that y'all.

  • 1:14

    >> I ain't want to come in here like on

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    some Mark. Yeah. One of them. I wanted

  • 1:18

    to come in here. You know

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    >> Mark won't even participate. He refuses.

  • 1:22

    Mark, you don't do the fit check?

  • 1:24

    >> No, I do the fit check for Mona.

  • 1:26

    >> Well, what I change is wouldn't change

  • 1:28

    every week. It's a different t-shirt.

  • 1:30

    >> So,

  • 1:30

    >> yeah, but the t-shirt be a statement.

  • 1:32

    >> Yeah.

  • 1:32

    >> Okay, I'll do that.

  • 1:34

    >> What you got on?

  • 1:35

    >> Damn, that was easy.

  • 1:36

    >> It's a wu tank. Protect your neck.

  • 1:38

    >> What's the What's the uh

  • 1:39

    >> Yeah. Yeah. Come on.

  • 1:39

    >> Yeah. Symbolism behind the fight. What's

  • 1:41

    the fight? [laughter]

  • 1:43

    >> What happened to

  • 1:45

    anti-Clan [ __ ]

  • 1:46

    >> Whose neck Whose neck got injured?

  • 1:48

    >> Cuz I just ran out of ran out of shirt.

  • 1:50

    [laughter]

  • 1:50

    It's laundry day. That [ __ ] don't run

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    out of gray jeans.

  • 1:54

    >> I [laughter] don't

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    >> gray jeans and that [ __ ] bag, boy.

  • 1:57

    >> Yo, I I bought some I bought some new

  • 1:59

    colors for the spring.

  • 2:00

    >> Light gray.

  • 2:01

    >> Light gray. [laughter]

  • 2:03

    >> Light gray, gray.

  • 2:04

    >> Light gray, one blue.

  • 2:06

    >> So much easier.

  • 2:08

    >> It's like living in a cult. You don't

  • 2:09

    have to change nothing. It's just

  • 2:10

    everyday same thing.

  • 2:11

    >> Y'all wore the same [ __ ] every day.

  • 2:13

    >> Yeah. Black rayon shirts, Chinese

  • 2:15

    collar, black black pants, and uh boots.

  • 2:19

    >> You changed the hats. the same.

  • 2:21

    >> Y has some pretty cool hats, but every

  • 2:22

    like 10 years we change them. You said

  • 2:24

    Tarbouch.

  • 2:24

    >> Like a tar.

  • 2:25

    >> That's the name of the hat.

  • 2:26

    >> I don't know. Carbonation had them wiped

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    down on the outfits.

  • 2:29

    >> What's the Chinese collar like what they

  • 2:31

    had on in rush hour?

  • 2:33

    >> Um I guess it's like you know like the

  • 2:35

    round collar like the band joint.

  • 2:36

    >> Yeah. Yeah.

  • 2:37

    >> That [ __ ] just was making [ __ ] up.

  • 2:39

    [laughter]

  • 2:40

    A little bit of this and a little bit of

  • 2:41

    that. [clears throat]

  • 2:42

    >> It's crazy.

  • 2:43

    >> You know, walking through Atlanta in all

  • 2:45

    black in the winter time. I mean in the

  • 2:46

    summer time was tough. That was the

  • 2:47

    hardest part I could imagine.

  • 2:49

    >> Yeah.

  • 2:49

    >> Yeah. Mona killed me last part to not

  • 2:52

    come in here and talk about that Nature

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    Boy doc.

  • 2:55

    >> Yes.

  • 2:55

    >> But I told you I would wait for you.

  • 2:57

    >> Yes.

  • 2:58

    >> And I waited.

  • 2:59

    >> Yeah. I don't know if it went like that,

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    but whatever.

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    >> No, I did wait. We ain't touch it.

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    >> I feel like I watched it first.

  • 3:06

    >> No, you saw it. You saw it and then you

  • 3:08

    told me to watch it and I watched it.

  • 3:09

    >> Yes. And I wanted to make sure to give

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    the people at home time to watch it cuz

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    it's three parts.

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    >> I got four.

  • 3:15

    >> Four parts.

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    >> Four parts. cuz I thought it was three

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    and after the third homeboy didn't go to

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    jail. They didn't finalize it. I was

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    like, "All right, dog. What the [ __ ] is

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    this? Don't show me nothing where

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    there's no conclusion."

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    >> Extra episode. He went to court.

  • 3:28

    >> They got him in court.

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    >> It's so good.

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    >> Nature Boy is the dude that was on I

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    found out about him cuz around 18

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    somewhere around there, people were on

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    Instagram saying, "Oh, the kid that fed

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    the deer and shit."

  • 3:40

    >> That fed the deer.

  • 3:40

    >> No, that's brother Nature.

  • 3:41

    >> Oh, man.

  • 3:42

    >> And then he was saying nature boy. I'm

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    thinking Ric Flair. I'm like a little

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    boy. I thought that was your nickname

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    when you was walking through the hall.

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    [laughter]

  • 3:51

    >> Good shot. That's a good shot. That's

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    one. That's one. [laughter] In 2018,

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    there was a dude on Instagram that was

  • 3:58

    going live and people by then the cat

  • 4:00

    was out the bag and people were saying,

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    "Yo, this dude is running the sex cult

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    like on live."

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    >> So, I used to go in there.

  • 4:07

    >> Oh, see, I was so confused. But I would

  • 4:09

    have watched this dog. [laughter] Wait,

  • 4:12

    >> the last sentence to me.

  • 4:14

    >> No, I didn't. Dude is watching. Dude is

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    running a sex cult. So I go in there.

  • 4:19

    >> Yeah.

  • 4:20

    >> Yeah. Like

  • 4:20

    >> I want to skip the line. [laughter] What

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    you talking about, bro?

  • 4:23

    >> Yeah. Like real activism. Like, hey,

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    attention needs to be on this. Oh, this

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    is

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    >> I thought you meant LIKE [laughter]

  • 4:34

    ME.

  • 4:36

    >> All right. [laughter]

  • 4:40

    I see where we are.

  • 4:42

    This [laughter] might be one of them

  • 4:43

    days. Sex cold pikman. He's a sex cold

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    picnic.

  • 4:46

    >> That's crazy.

  • 4:47

    >> A sex cold pikman.

  • 4:50

    >> Wow. That was crazy. That is

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    disrespectful.

  • 4:53

    >> Insulting. [laughter]

  • 4:55

    >> That's nuts.

  • 4:56

    >> So anyway, yeah, I used to be in there.

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    So, and sure enough, all the comics by

  • 5:00

    this time they was on to him like,

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    "Arest this guy, arrest this guy." And

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    then in like a few weeks later did get

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    arrested.

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    >> What What was he saying like on the

  • 5:08

    lives?

  • 5:10

    >> Well, that's the thing. When I used to

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    go in there, he wouldn't really be

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    saying nothing. It would be more like

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    you could tell he had a bunch of people

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    that was just listening to him,

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    following him and him, following him.

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    And he was in Costa Rica, wherever the

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    [ __ ] he was.

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    >> He um and then he did a lot of his

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    recruiting on social media. So that was

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    his base to do anything. If they're

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    picking fresh fruit and they're eating

  • 5:32

    fresh fruit, they doing that on live.

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    You know what I mean? If they're bathing

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    in the fresh water, they're doing that

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    on live. Because I know it looks strange

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    to y'all, but that's appealing to some

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    people to live off the earth and

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    >> that's the

  • 5:45

    but that's the thing. It's more

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    >> crazy. The hook and the sex call is

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    crazy.

  • 5:49

    >> I [laughter] need to see the hook.

  • 5:51

    >> It's more than one hook.

  • 5:52

    >> Triggering more.

  • 5:55

    >> I ain't seen a hook in years. [laughter]

  • 5:58

    >> You know, sometimes it got to be a line

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    and you got to draw [laughter] every now

  • 6:03

    and again.

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    Um, no, but it it was a it wasn't just

  • 6:07

    that as a hook. It was a beautiful woman

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    talking about how she needs a husband.

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    He would have um any of the men on there

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    speaking about how they need wives or

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    multiple wives. So, it was like he was

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    like grifting on another level because

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    you know, cults are ran by the people's

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    funds. So, the more people come, the

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    better that he's doing. You know what I

  • 6:26

    mean? But what happened was like church

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    >> most cults and like what clout does to

  • 6:31

    mo I didn't I don't have nothing to do

  • 6:32

    with that.

  • 6:33

    >> Yeah. the religious people and your

  • 6:34

    grandparents going to [ __ ] you up.

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    >> I mean, for real, lock the doors, pull

  • 6:37

    your wallets out, [laughter] you can't

  • 6:40

    believe it.

  • 6:40

    >> Just kidding. Um, that's a joke. Um, but

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    no, like even if

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    you know how the tension go gets to your

  • 6:50

    head, it got so far that he started to

  • 6:52

    abuse people online too, men and women.

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    Verbal abuse, all kind of [ __ ] That

  • 6:56

    [ __ ] crazy.

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    >> Oh, he was bugging on. By the time I

  • 6:59

    discovered him, it was already so much

  • 7:02

    about him that it was already over for

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    him going [clears throat] lie. They had

  • 7:05

    gotten kicked out of most places that

  • 7:07

    they lived cuz they lived in Costa Rica.

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    They lived in Atlanta. I think that was

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    the last place.

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    >> Atlanta was the last place. They lived

  • 7:14

    in Hawaii. These docs don't never really

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    make it clear how these people are

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    moving around the way that they do.

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    >> That's what I'm wondering. You saying

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    Costa Rica, Hawaii. No, that didn't

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    spell it. That didn't spell it

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    >> with the money

  • 7:25

    >> cuz it it wasn't but 16 moving around,

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    >> right? But

  • 7:29

    >> pardon me. It wasn't a whole bunch of

  • 7:30

    people. So when they say, "Hey, these

  • 7:32

    people are going to come here and all of

  • 7:34

    your belongings."

  • 7:35

    >> Mhm.

  • 7:35

    >> All your money goes into the pot to take

  • 7:37

    care of everybody and he going to take a

  • 7:39

    little bit for him.

  • 7:40

    >> But then they done moved to they had

  • 7:42

    shops set up where they moved. It was

  • 7:44

    shop set up in Hawaii. They had food,

  • 7:46

    shelter. Same in Costa Rica. They moved

  • 7:49

    to Atlanta. Just anytime it was a raid,

  • 7:51

    I think they lived in Dallas once. Like

  • 7:53

    anytime it was a raid, they picked up

  • 7:56

    and set up shop somewhere else. No, they

  • 7:58

    didn't explain where all that money is

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    coming from. Every time I watch the [ __ ]

  • 8:01

    [ __ ] with black people, they never they

  • 8:03

    never explain it to me. THE WHITE DOCKS,

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    THEY tell me where these white people is

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    getting the money cuz we we

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    >> the number one thing is from the people.

  • 8:10

    The people send money. So if this

  • 8:12

    exactly if this [ __ ] is [ __ ] me up

  • 8:15

    with if this [laughter] if these people

  • 8:17

    are watching if these people are

  • 8:19

    watching the cult and they love them

  • 8:21

    right he's presenting like we're

  • 8:23

    fighting persecution they're kicking us

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    out of Costa Rica cuz they won't let us

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    be us and practice what we want to

  • 8:28

    practice. So all those people that wish

  • 8:30

    they were there, they're sending 20

  • 8:31

    bucks cuz for the fight the powers I

  • 8:33

    support your cause and that's why social

  • 8:35

    media was a need for

  • 8:36

    >> it's another way too. At least in my

  • 8:37

    experience they also we also hit the

  • 8:40

    street. We also used to hit the street

  • 8:42

    and make and and bring money.

  • 8:43

    >> I'm saying with Nature Boy, what street

  • 8:44

    they hitting? They in the middle of the

  • 8:45

    jungle. [laughter]

  • 8:49

    >> They might not hit.

  • 8:52

    Yeah.

  • 8:52

    >> Nature Boy and them wasn't no hit in no

  • 8:54

    street type of situation. Like I know

  • 8:56

    Mark and them y'all sold books there on

  • 8:57

    52nd Street. Yeah, books.

  • 8:59

    >> You got your [laughter] That's how we

  • 9:00

    made all that money. Books. Lots of

  • 9:03

    books.

  • 9:04

    >> Seriously, Mark, what y'all selling ass?

  • 9:06

    >> I wanted drugs. What the [ __ ] you

  • 9:07

    talking about?

  • 9:08

    >> Hey, what's [laughter]

  • 9:09

    happening in the I said

  • 9:13

    I ass [laughter]

  • 9:17

    [ __ ] was coming home was [laughter]

  • 9:19

    coming home short every day. IT WAS

  • 9:20

    NOBODY MIND THAT

  • 9:23

    THEY got they ass whooped

  • 9:26

    to get their ass whooped. They hit that

  • 9:27

    corner. That's something called turn in.

  • 9:28

    Yeah. You you every week you have to

  • 9:30

    turn in a certain amount of money. What

  • 9:31

    they say is here sell the books and you

  • 9:33

    got to turn it in and you get your ass

  • 9:34

    beat if you don't turn the money in.

  • 9:36

    They don't care how you turn the money

  • 9:37

    in.

  • 9:38

    >> What kind of ass beaten

  • 9:40

    >> like belt?

  • 9:41

    >> This is deja.

  • 9:41

    >> No, it's a bunch of we trigger more.

  • 9:45

    >> So we turn So we I would give the books.

  • 9:46

    >> I wasn't sure if it was like a spaking

  • 9:47

    situation. Robin steel on my never make

  • 9:51

    my quota [laughter] my

  • 9:54

    >> so I would give the books away and then

  • 9:56

    sell bootleg tapes then we would sell

  • 9:58

    you know other people sold drugs other

  • 9:59

    people did other things and you just you

  • 10:01

    did whatever you had to do

  • 10:02

    >> incense oils whatever incense oils WORK

  • 10:04

    NOBODY DID THAT WASN'T REALLY ON THE

  • 10:06

    LIST BUT

  • 10:07

    >> allegedly somebody sold some

  • 10:09

    >> speak for yourself [laughter]

  • 10:10

    >> I ain't no wear lotion oil

  • 10:14

    >> oh [ __ ] you KNOW WHAT THAT MIGHT BE PART

  • 10:16

    OF IT TOO

  • 10:17

    >> you traumatized Yeah, it might be it.

  • 10:19

    >> Bro, we have a real cult expert. At any

  • 10:21

    time we could just ask him cult [ __ ]

  • 10:23

    Isn't that cool?

  • 10:23

    >> That's amazing.

  • 10:24

    >> How many times do you have a friend that

  • 10:25

    was in a [ __ ] cult for a couple

  • 10:26

    years?

  • 10:27

    >> This nigga's a freak. He's a doctor and

  • 10:29

    he was in a cult.

  • 10:30

    >> Yeah, [laughter] he think it's cool cuz

  • 10:31

    [ __ ] flavor flavor was in there.

  • 10:33

    >> 21 Savage was in there.

  • 10:35

    >> Whoa.

  • 10:36

    >> Ain't that ain't that cult snitching?

  • 10:38

    He says it got some lit

  • 10:43

    some

  • 10:45

    man from great diggers. He's still

  • 10:46

    recruiting.

  • 10:49

    >> Y'all ain't more lit than Scientology.

  • 10:51

    They got all the stars.

  • 10:52

    >> That's true.

  • 10:54

    >> Cruz, my boy.

  • 10:55

    >> Got one more wipe down. But

  • 10:57

    >> but no, I got I want to watch this. BUT

  • 10:59

    [laughter] LET ME ASK WHAT WHAT WAS he

  • 11:01

    what are they rated for? What did he do

  • 11:02

    that was illegal?

  • 11:05

    >> Sex trafficking. Charie,

  • 11:07

    >> where did the accusation come from?

  • 11:08

    >> It was sexual I'm sorry. Are you

  • 11:10

    >> No, go ahead. You can talk.

  • 11:11

    >> It was um I believe it was like sexual

  • 11:13

    assault. It was physical abuse,

  • 11:16

    >> right? A lot of those girls said that

  • 11:17

    they were like if they didn't I they

  • 11:20

    were coerced into having sex, you know,

  • 11:22

    and um because one thing I will say,

  • 11:25

    >> no, no, no, no, no. Slow down. Cuz early

  • 11:27

    on there was none of that. The cult was

  • 11:29

    tightknit. No, nobody would rat, which

  • 11:32

    is why he was

  • 11:34

    >> so so in whatever neighborhood he would

  • 11:36

    move into, the neighborhood

  • 11:39

    >> would we see the movement of the house.

  • 11:40

    So something's up with this house.

  • 11:42

    >> We would wellness check. We sending the

  • 11:43

    cops over there. They send the cops over

  • 11:45

    there. Nobody would say a word. So they

  • 11:47

    would get to continue operating. One

  • 11:49

    time they got locked up and they was

  • 11:51

    going to let them go if they just signed

  • 11:53

    all of their names on the passport. Give

  • 11:55

    hand us your passport. Let's just sign

  • 11:57

    your names and everybody can go. He was

  • 11:58

    like, "Nah, nope. Now I'm willing to

  • 12:00

    die.

  • 12:00

    >> But Joe, people left too though. So you

  • 12:02

    figure, you know, ain't going to go home

  • 12:04

    and be quiet. The white dude left. On

  • 12:06

    top of on top of you got to think rule

  • 12:09

    number two is don't talk to nobody. So

  • 12:12

    when you cut your family off, what do

  • 12:13

    your family do? They contact

  • 12:14

    authorities. It wasn't just the

  • 12:16

    neighbors. These are people being

  • 12:17

    affected by these going missing. Your

  • 12:20

    mom, your dad on top of [laughter] on

  • 12:22

    top of the fact that the guy that

  • 12:23

    escaped because I didn't believe that

  • 12:25

    for one second. And that white boy that

  • 12:26

    came with a guy from Portugal that came

  • 12:28

    from Canada. He talking about I went

  • 12:30

    because what happened was they didn't

  • 12:31

    get arrested. They were riding in Costa

  • 12:32

    Rica just taking a ride. The Costa Rican

  • 12:34

    officials came and they wanted to see

  • 12:36

    everybody's paperwork. At the time they

  • 12:38

    were 6 months into him telling them we

  • 12:40

    don't redo our passports. We don't

  • 12:41

    resign that [ __ ] We not connected to

  • 12:43

    that. They don't own us like that.

  • 12:44

    >> So it's a van full of people that for 6

  • 12:47

    months haven't had, you know, any new

  • 12:48

    paperwork. So they wanted to see

  • 12:50

    everybody's [ __ ] and this [ __ ] wants to

  • 12:51

    make that a whole call. So they whooped

  • 12:53

    their asses and took them off that van

  • 12:55

    and figured out who they were. But the

  • 12:57

    Canadian goes in the back and says, "I

  • 13:00

    went back there and they just told me

  • 13:01

    you're free to go.

  • 13:04

    >> You went back there and gave that [ __ ]

  • 13:05

    up and said I want to go

  • 13:08

    [laughter] nigga." Yeah.

  • 13:10

    >> He says after they bought that ping pong

  • 13:12

    table with his mother card.

  • 13:14

    >> Yes. No, that's true.

  • 13:16

    >> But I agreed with the white boy when I

  • 13:18

    was watching it. Like again, if a coat

  • 13:21

    dude tried to recruit me and I was like

  • 13:24

    somehow,

  • 13:26

    "All right, let me come see what's going

  • 13:27

    on." And I get there, they wouldn't have

  • 13:30

    got you. They could have got you.

  • 13:31

    >> This [ __ ] is a cult's worst

  • 13:34

    >> fear. This [ __ ] is the one to come in

  • 13:36

    the cult, get to getting everybody

  • 13:37

    grouped together, trying to do different

  • 13:38

    [ __ ] You rapping in the cafeteria. [ __ ]

  • 13:40

    that.

  • 13:41

    >> I'm my own cult.

  • 13:42

    >> Yeah, exact [laughter]

  • 13:45

    I'm

  • 13:45

    >> What do you say?

  • 13:46

    >> I'm my own cult. I couldn't get down

  • 13:48

    cults, gangs, frats, anything where it

  • 13:51

    was a bunch of moving parts and people.

  • 13:54

    I wasn't with that [ __ ]

  • 13:54

    >> And a bunch of rules. That's all it is.

  • 13:57

    A bunch of rules.

  • 13:58

    >> Oh yeah. And rules, initiations, all

  • 14:00

    that. I was going to be a blood one day.

  • 14:02

    What I got to do?

  • 14:03

    >> Hey, come over here like and fight these

  • 14:04

    20 going to beat you up for a minute.

  • 14:06

    Wait, huh? Why would I agree to that? I

  • 14:08

    don't I don't agree to that. I'm not a

  • 14:09

    blood. I don't agree with that. But

  • 14:11

    yeah, if they call me, I [laughter]

  • 14:13

    would be like a white boy.

  • 14:14

    >> That's so funny. I'm not a blood. I

  • 14:17

    don't agree with that. I don't agree

  • 14:18

    with getting beat the [ __ ]

  • 14:19

    >> I don't agree with some of this [ __ ] So

  • 14:21

    when white boy went to the cult, if I

  • 14:22

    would have went there and just snooped

  • 14:23

    around seeing what was going on. All

  • 14:24

    right. You want all my money and you're

  • 14:25

    going to take a little bit and I got to

  • 14:27

    come to this ass and pick fruit and

  • 14:28

    stand in the heat and stand there. And

  • 14:30

    when you and shorty walk by and say,

  • 14:31

    "Who am I?" What? What was that? Who am

  • 14:34

    I? The king of

  • 14:37

    >> And who am I the queen of? I'm not

  • 14:39

    standing here saying on this [ __ ]

  • 14:41

    wearing feathers and grass. No.

  • 14:43

    [laughter]

  • 14:44

    No. I'm leaving. I'M LEAVING. I'M

  • 14:46

    DROPPING OUT OF THIS THIS PARTY. I'M OUT

  • 14:48

    OF HERE.

  • 14:48

    >> And that's the thing about culture. I

  • 14:50

    don't know how they kept on. So many

  • 14:51

    people saw that, right? And they were

  • 14:53

    impressed by that. He set them up on the

  • 14:56

    steps. He got him in the the queen, the

  • 14:58

    chief is what she called herself,

  • 15:00

    standing at the top of the steps. THEY

  • 15:02

    RECITING SOMETHING.

  • 15:03

    >> WAIT, THAT WAS SOMEBODY ELSE JOINED THE

  • 15:05

    QUEEN,

  • 15:06

    >> RIGHT?

  • 15:06

    >> WAIT. SEE, and that's the difference

  • 15:07

    between No, no. That's what happens in

  • 15:10

    black cult. That happens to every

  • 15:14

    Please. Please. Every cult they start

  • 15:16

    with you. They start. It doesn't matter

  • 15:19

    what it doesn't matter what the every

  • 15:21

    cult they start with you. They want

  • 15:23

    everything about you. They want you to

  • 15:24

    cut off all your people. Then they want

  • 15:26

    your money and [ __ ] They then they want

  • 15:28

    all your time. They have you

  • 15:29

    volunteering, working for them and [ __ ]

  • 15:31

    They already took the money you had. Now

  • 15:32

    you about to make money for us. Then it

  • 15:34

    goes to your wife and then it goes to

  • 15:36

    your kid. Every cult the same.

  • 15:38

    >> Where did this become a sex cult? They

  • 15:39

    was out there and wearing [laughter]

  • 15:40

    grass and feathers.

  • 15:43

    >> I don't know why.

  • 15:44

    >> By the time they got to Hawaii, it was

  • 15:46

    >> they was just eating fish and picking

  • 15:47

    mangoes and [ __ ] grass.

  • 15:49

    >> I don't know if it's cuz late.

  • 15:52

    [laughter]

  • 15:52

    >> And we do have to wrap up our cult talk

  • 15:54

    at some point.

  • 15:55

    >> Why? Cuz we have to start.

  • 15:56

    >> I don't know if [laughter] I don't know

  • 15:58

    if it was a sex call or not, but all

  • 16:00

    cults are freaky like that. They get

  • 16:01

    that control and they just get horny.

  • 16:03

    It's just like that. I think that's the

  • 16:04

    whole plan because it's about control.

  • 16:06

    It's not a sexual thing. It's just the

  • 16:08

    fact that I can take your wife from you.

  • 16:10

    >> That's the whole thing. I've been

  • 16:12

    wanting to start a call for a while. Me

  • 16:13

    and Mark have been talking about it.

  • 16:15

    [laughter]

  • 16:15

    >> We're almost there.

  • 16:16

    >> You'd be lucky if I we let y'all in.

  • 16:18

    Suckers.

  • 16:19

    >> Who?

  • 16:20

    >> Well, I like being unlucky sometimes.

  • 16:22

    I'll pass.

  • 16:22

    >> Whatever. [ __ ] you the first one going

  • 16:24

    to fall in line. At the end of the day,

  • 16:26

    >> people that get in, it's not about what

  • 16:27

    you look like or what you have. It's

  • 16:29

    about where you are. You fresh out of

  • 16:30

    college, don't know where to go. just I

  • 16:32

    don't know 20 years 20 year divorce

  • 16:35

    child prodigy can't figure out your way

  • 16:37

    to get prodigy. You want to you know

  • 16:39

    what I mean? You need some camaraderie.

  • 16:42

    >> We should buy your [ __ ]

  • 16:43

    >> I had him already. I think you should

  • 16:45

    buy

  • 16:45

    >> I pulled him in. Like if he joined this

  • 16:47

    I'll take him.

  • 16:48

    >> If he didn't join this pod, he might

  • 16:49

    have went down a dark road.

  • 16:50

    >> I wanted to be a blood.

  • 16:52

    >> Oh my.

  • 16:53

    >> I was thinking about being a blood.

  • 16:54

    >> Get out of here.

  • 16:54

    >> I'm too old now.

  • 16:55

    >> Tracks for both of y'all. You

  • 16:57

    >> track out of here like that if you want

  • 17:00

    my coat. Can you believe

  • 17:01

    >> I'm not in your cult that's why we bump

  • 17:03

    heads so much

  • 17:05

    >> but you are in

  • 17:05

    >> because you don't know that you're in

  • 17:06

    the cult.

  • 17:07

    >> Yeah that's that's the problem.

  • 17:08

    >> Yeah. Yeah. He acting like me in the

  • 17:09

    cult.

  • 17:10

    >> That's where he get.

  • 17:11

    >> Yeah. Be yourself in my cult.

  • 17:13

    >> The chief.

  • 17:14

    >> Yeah. He's he be trying to He wanted

  • 17:16

    lead position in my cult.

  • 17:18

    >> I really don't. Yes.

  • 17:19

    >> No. Y'all mad at me that I don't.

  • 17:21

    >> No, man. You're a spokesman of the cult

  • 17:24

    cuz you look good. But the leader is

  • 17:25

    Joeyish.

  • 17:26

    >> He can't talk in my car.

  • 17:28

    >> Damn. He would be one of the first

  • 17:29

    voiceless people in my cult.

  • 17:30

    >> I know. He'd definitely be the first

  • 17:32

    person to your beat.

  • 17:32

    >> [ __ ] who am I?

  • 17:35

    [laughter]

  • 17:36

    >> Take out them sugar.

  • 17:39

    >> Daddy, what do you make call you daddy?

  • 17:41

    >> [ __ ] No. No. No. No. Come on.

  • 17:43

    >> I like Daddy Joe.

  • 17:44

    >> Is it sex cult or what? I'm down with

  • 17:47

    the sex cult [ __ ]

  • 17:49

    >> We know. [laughter]

  • 17:50

    We We know. We know. Mona,

  • 17:52

    >> y'all all got to get

  • 17:54

    >> Yeah. Yeah. Please push the mic away.

  • 17:56

    It's time. You passed your word quotota

  • 17:58

    for the for the early. [laughter]

  • 18:00

    Yeah, I seen what you said on L'Oreal

  • 18:02

    podcast.

  • 18:04

    I seen it all, girl. Yeah. So, now that

  • 18:06

    you know,

  • 18:08

    >> mute it up.

  • 18:11

    [laughter]

  • 18:11

    >> Huh?

  • 18:13

    >> She'll get over it. Or she won't.

  • 18:15

    >> She Yeah. Or she won't. Hey, she got to

  • 18:18

    get to the back of the line of people

  • 18:19

    mad at me. You heard me? [music]

  • 18:22

    >> Take Take a number.

  • 18:26

    Yeah. Speaking of songs being freaky in

  • 18:28

    the 90s, we never did find out what

  • 18:30

    SWB's reign is about.

  • 18:34

    >> Yes, we did.

  • 18:35

    >> We know.

  • 18:38

    [applause]

  • 18:40

    >> What's it about?

  • 18:43

    >> What?

  • 18:56

    And again, you're going to get sick of

  • 18:57

    me, but I was listening to Fold It Again

  • 18:59

    the other day. [laughter]

  • 19:02

    >> And uh

  • 19:07

    >> I can't tell if the song is really about

  • 19:09

    clothes or not.

  • 19:13

    That's the That's the beauty of poetry,

  • 19:14

    Joe.

  • 19:16

    >> I think a lot of that song is about her

  • 19:18

    getting folded and her leaving the door

  • 19:19

    open so her dude that she having trouble

  • 19:21

    with could come back and [ __ ] good one

  • 19:23

    last time.

  • 19:24

    >> I ain't think it was about sex.

  • 19:26

    >> No sex.

  • 19:28

    >> No, it's sex in there.

  • 19:29

    >> I I didn't think it was about sex. I

  • 19:31

    thought it was about basically I folded

  • 19:32

    your clothes. Hurry up and come back

  • 19:34

    home. I'm going to give you one last

  • 19:35

    chance.

  • 19:36

    >> That's what it sound like. Yeah.

  • 19:36

    >> Yeah. And that's how I took it.

  • 19:37

    >> No, I think they told my [ __ ]

  • 19:40

    >> Okay. like folding her up, right?

  • 19:42

    >> Yeah.

  • 19:43

    >> Yeah.

  • 19:43

    >> Uh where's this ice? All right. All

  • 19:46

    right. The applause ran out. I ran

  • 19:48

    [laughter] I ran out. I ran out of

  • 19:49

    applause. We talked too much. Uh let's

  • 19:51

    see who's next. Here we go. Here.

  • 19:53

    >> Who is that?

  • 19:56

    >> [ __ ] [ __ ]

  • 19:57

    >> And Mona. Mona. Fresh back from the D.

  • 20:01

    >> Fresh back from the D. Detroit. What up?

  • 20:03

    >> What up?

  • 20:03

    >> What up? What up? What up? What up?

  • 20:05

    >> What episode is this?

  • 20:05

    >> 927.

  • 20:06

    >> Welcome to episode 927 of the Joe Button

  • 20:09

    podcast. Brought to you by fueled by

  • 20:11

    powered by prize pics prize piss gang.

  • 20:14

    I'm your humble grateful gracious

  • 20:16

    extremely happy to be here host Joe

  • 20:18

    button here with some really amazing

  • 20:19

    people to my right don't call her white

  • 20:23

    girl Philly's finest big deona Mona is

  • 20:26

    in the building Mona how you doing? I'm

  • 20:28

    doing amazing things. I've seen your

  • 20:29

    interview.

  • 20:31

    >> What interview did you see, Joey? Did I

  • 20:33

    speak so highly of you?

  • 20:36

    >> Like I always do. Talk about this

  • 20:38

    beautiful thing that you built this

  • 20:40

    platform, this humongous platform. Only

  • 20:42

    the biggest platform ever.

  • 20:44

    >> You did. I felt warm.

  • 20:45

    >> I mean, you did. I felt warm. You do

  • 20:47

    speak highly about stuff.

  • 20:48

    >> I'm about to start going places saying

  • 20:50

    it's stinky here. [laughter]

  • 20:53

    >> Try me. I get [ __ ] back in different

  • 20:56

    ways. [laughter]

  • 20:57

    I will go on a I smell Park's feet tour

  • 21:00

    for five months.

  • 21:01

    >> I think I clean my shits pretty well.

  • 21:03

    >> No, but the thing about it is you're

  • 21:04

    never going to bust back. You the

  • 21:05

    perfect one to

  • 21:06

    >> right. Yeah, you're right.

  • 21:07

    >> I could be like, "Yeah, Park's cool as

  • 21:08

    [ __ ] but I can smell his feet through

  • 21:09

    his Converse." [laughter]

  • 21:12

    >> Joking. Never you, Parks. I would do

  • 21:13

    that with this one.

  • 21:14

    >> Our other Philly representative, our

  • 21:17

    good brother, Dr. Mark Lamont Hill, is

  • 21:19

    in the building. Mark, how you doing,

  • 21:20

    man?

  • 21:20

    >> Hanging in there, man. Rough week. Rough

  • 21:22

    week.

  • 21:23

    >> I got I found that dentist they yanked

  • 21:25

    them teeth out.

  • 21:26

    >> Oh. M

  • 21:27

    >> plural.

  • 21:28

    >> Oh, really? One and they put an implant

  • 21:29

    in the other one.

  • 21:30

    >> You [clears throat] got money?

  • 21:31

    >> [ __ ] I don't know. I got stitches right

  • 21:33

    now. That [ __ ] was,

  • 21:34

    >> you know, poor people just leave a hole

  • 21:35

    there. They take a two out.

  • 21:37

    >> Got to be better than the cult dentist.

  • 21:39

    [laughter]

  • 21:41

    >> He was the cult dentist.

  • 21:46

    >> He went mouth. [laughter] Oh [ __ ]

  • 21:48

    >> Oh my god.

  • 21:50

    >> Cut it out, fellas.

  • 21:52

    >> Leave it to dark

  • 21:55

    to [clears throat] darken the room.

  • 21:57

    Never too far. [laughter]

  • 21:59

    >> Never too many.

  • 22:00

    >> Even too far is funny

  • 22:03

    >> in this in this context.

  • 22:06

    >> Anyway, I'm glad you're here with us

  • 22:07

    even though you're in pain.

  • 22:08

    >> Yeah, man. We good. Yo, y'all got any

  • 22:10

    pain meds.

  • 22:12

    >> Depends who's asking.

  • 22:14

    >> I meant I'm not wearing a wire. I meant

  • 22:15

    like I depends who's listening.

  • 22:16

    [laughter]

  • 22:17

    >> We got a whole cat.

  • 22:18

    >> Does it need to say my name on the

  • 22:20

    bottle?

  • 22:20

    >> I don't care who that is.

  • 22:22

    >> Does it need to be in a bottle?

  • 22:24

    [laughter] And it don't need to be IB

  • 22:25

    cigarette cellophane.

  • 22:27

    >> I'll see y'all on the break.

  • 22:28

    >> Yeah,

  • 22:28

    >> I got some payment man. [ __ ] I still

  • 22:30

    got some last payment you gave me.

  • 22:32

    >> Damn. [laughter]

  • 22:34

    We had first a good

  • 22:35

    >> They was. They good. Like they taste

  • 22:38

    good.

  • 22:38

    >> Oh, they work.

  • 22:39

    >> No, they they good. They know what you

  • 22:42

    mean. And they work.

  • 22:43

    >> Couple for myself.

  • 22:45

    >> Next to Mark. Come on, man. Mr. Thousand

  • 22:48

    Doors and Up. Mr. Pastel himself.

  • 22:52

    [laughter] Big is in the building. Ish.

  • 22:54

    How you doing? Our current part of the

  • 22:55

    month.

  • 22:55

    >> I'm good. How about you?

  • 22:57

    >> Shane again.

  • 22:58

    >> [ __ ] I'mma put it on.

  • 22:59

    >> Put it on now. [ __ ] don't disrespect

  • 23:02

    the ners.

  • 23:04

    >> No. Let me tell

  • 23:06

    >> voters. Listen to your boys.

  • 23:08

    >> Two pods in a row.

  • 23:09

    >> Listen to your boys.

  • 23:10

    >> It's important that you chain issue.

  • 23:12

    >> Please, y'all.

  • 23:13

    >> Oh my god.

  • 23:14

    >> No. No. No. I want you to rock it.

  • 23:15

    >> No. I'm aware it. I forgot I put it in

  • 23:18

    uh so I wouldn't leave it at home. I

  • 23:19

    mean, let's just kill all the good

  • 23:20

    equity that me and parks build up in the

  • 23:22

    chain, right? Let's just do whatever we

  • 23:23

    got in the junk drawer somewhere, right?

  • 23:25

    >> We took it so you in the closet.

  • 23:30

    >> You [laughter]

  • 23:31

    already know. I mean,

  • 23:33

    >> what would be wrong with that if I was

  • 23:37

    [laughter]

  • 23:39

    wrong if I was in?

  • 23:41

    >> It's octails.

  • 23:44

    [laughter]

  • 23:45

    >> I'm sorry.

  • 23:46

    >> You would be mad as I own the closet.

  • 23:49

    I wouldn't be in anybody's closet.

  • 23:51

    >> But if you was, you be in it tight.

  • 23:52

    >> No, I wouldn't. Joe, let's let's move

  • 23:54

    along. Yo,

  • 23:56

    >> tight

  • 23:57

    [laughter]

  • 23:58

    in a tight closet.

  • 23:59

    >> Introduce Freeze.

  • 24:00

    >> Oh, man. M Mr. Take it further himself.

  • 24:03

    >> Mr. Fenty panties. [laughter] Mr. Finny

  • 24:07

    Draws. Draw

  • 24:10

    >> Mr. Fy Fenty Briefs himself. [laughter]

  • 24:14

    panties.

  • 24:15

    >> Wait, Mark. What the?

  • 24:16

    >> No. Fenty pant. What's the name?

  • 24:18

    >> Draws. He wears Fenty Fenty panties.

  • 24:20

    >> Draws.

  • 24:21

    >> They're panties. If they're panty draws,

  • 24:23

    I'm I'm not trying to judge you. I just

  • 24:24

    want to Why? Cuz they're so

  • 24:26

    >> They were comfortable.

  • 24:28

    >> He wears Fenty briefs and Joe calls them

  • 24:30

    panties. Is that what happened?

  • 24:32

    >> Yeah. Yes. Okay.

  • 24:33

    >> ASAP. Rocky sent him some drawers. No.

  • 24:36

    >> Wait. [laughter]

  • 24:37

    >> He ran to the mailbox.

  • 24:38

    >> Wait. He sent He sent you drawers.

  • 24:40

    >> No.

  • 24:42

    Is that Robbie?

  • 24:44

    My lady bought me. My lady bought him

  • 24:47

    autograph.

  • 24:49

    That's what he does. [laughter]

  • 24:50

    >> Oh, you you've BEEN HERE LONG ENOUGH. I

  • 24:52

    REALLY KNOW ROCKY sign with his name on

  • 24:55

    his [ __ ] He projected jealous cuz he

  • 24:58

    was over here Google that Rocky.

  • 25:00

    [laughter]

  • 25:02

    >> That's all it is.

  • 25:03

    >> That was his Google.

  • 25:04

    >> No, that was you. I see that in your

  • 25:05

    ear. Oh my god. That was you.

  • 25:07

    >> That was just twinkling. In the third

  • 25:10

    hour, the only statement in the third

  • 25:12

    hour that's goog I'm just telling you.

  • 25:14

    I'm just telling you what happened.

  • 25:15

    >> Now's back to panties, [ __ ] Now's back

  • 25:17

    [laughter] to panties, bro.

  • 25:19

    >> We start in the hallway with

  • 25:21

    >> Elmy. You want to SEE IT GET BIG?

  • 25:24

    [screaming]

  • 25:25

    >> YOU WANT YOU WANT TO SEE IT get big

  • 25:30

    like y'all almost had this hallway

  • 25:32

    talking like a private group chat. Do

  • 25:34

    y'all want to see something?

  • 25:35

    >> No, I'm just saying. But please, I just

  • 25:37

    got to make sure. This [ __ ] is crazy.

  • 25:39

    >> It's absolutely

  • 25:40

    >> We can fix whatever you thinking.

  • 25:41

    >> No, we'll fix it.

  • 25:42

    >> Oh, okay.

  • 25:43

    >> We'll fix it.

  • 25:43

    >> All right, we'll fix it.

  • 25:44

    >> Are we talking about pulling out gas?

  • 25:46

    >> Yeah.

  • 25:47

    >> I like this box.

  • 25:49

    >> We We're straighten some of that couch

  • 25:50

    up quick.

  • 25:52

    >> What is he talking about?

  • 25:55

    >> Sound disgusting. I don't think he lets

  • 25:59

    out. He really want to see everybody.

  • 26:02

    >> That's really what it is. Told you he

  • 26:03

    WAS OUT THE CLOSET [laughter]

  • 26:05

    TO BE OUT THE CLOSET. Meat watching ass

  • 26:07

    [ __ ] There's nothing wrong showing

  • 26:09

    each other.

  • 26:09

    >> That's how he KNOW [laughter]

  • 26:13

    me watcher. Yo, that's

  • 26:16

    >> it's cool, right? Okay.

  • 26:19

    >> Meat watcher.

  • 26:19

    >> Okay. Me watch.

  • 26:20

    >> Oh,

  • 26:22

    this is me. It's just not fun.

  • 26:24

    >> Whenever you got to break it down

  • 26:25

    though, it's like

  • 26:27

    >> Yeah. Um Myra's finest [laughter] was

  • 26:30

    popping.

  • 26:30

    >> Big Parks is in the building. Sorry to

  • 26:32

    interrupt that little uh

  • 26:34

    >> It was a lot. That that game [laughter]

  • 26:35

    that gay

  • 26:40

    >> white Po is here. Uh Big Cory is here.

  • 26:44

    Still in love. Cory new addition head

  • 26:46

    ass [ __ ] Cory wearing pink [ __ ]

  • 26:48

    >> Damn. He different.

  • 26:50

    >> Damn Cory. [laughter]

  • 26:51

    Cory.

  • 26:53

    >> He act so different since he came from

  • 26:54

    that tropical island. Man,

  • 26:56

    >> he's changed.

  • 26:57

    >> [ __ ] threw on the foreign fitted polo.

  • 26:59

    >> I want to do that to you.

  • 27:01

    >> I don't even know this [ __ ]

  • 27:03

    [laughter] I ain't never known you own

  • 27:05

    no light colors.

  • 27:06

    >> That's how I know he in love. He down

  • 27:07

    there in the gym on our off days.

  • 27:09

    [laughter]

  • 27:11

    >> That's how you know something is when

  • 27:12

    [ __ ] start doing extra like going

  • 27:14

    without the trainer like

  • 27:15

    >> Hey, wait. That That be one of two

  • 27:17

    reasons.

  • 27:17

    >> You got to trade for the [ __ ]

  • 27:19

    >> Yeah. [laughter]

  • 27:21

    >> That lady is wearing Cory out. Look at

  • 27:24

    that. Lady is wearing poor a He ain't

  • 27:27

    used to this frequency.

  • 27:29

    >> Are you [laughter] being worn out, Cory?

  • 27:30

    >> Yeah. Look at him. You are a little more

  • 27:32

    quiet.

  • 27:33

    >> He's so happy to be able to sit and pod

  • 27:35

    in a chair and not move and not be Yo,

  • 27:39

    I'm getting reports on you too when you

  • 27:41

    out in the in the street uh and there's

  • 27:43

    people around. I'm getting reports of

  • 27:45

    how long you on the phone.

  • 27:46

    >> I would not want to be going through the

  • 27:47

    >> You wanted them people

  • 27:51

    that

  • 27:53

    >> Cory Bright Chafy doing so much.

  • 27:56

    [laughter]

  • 27:58

    >> We too old for the honeymoon phase.

  • 27:59

    >> [ __ ]

  • 28:00

    >> [ __ ]

  • 28:01

    Cory's so happy to be just relaxing.

  • 28:03

    Look. [laughter]

  • 28:05

    >> Oh, Erikson is here. Tanner and Savon

  • 28:06

    are here by remote last, but certainly

  • 28:08

    not least, each and every one of you

  • 28:09

    very important people out there are

  • 28:11

    here. How's everybody doing?

  • 28:14

    >> Great. Feeling good.

  • 28:15

    >> All hearts and minds. Who's ready to get

  • 28:16

    to it? Who's ready to have some fun?

  • 28:18

    >> Let's get to it.

  • 28:18

    >> Who heard all 27 songs of Chris Brown?

  • 28:23

    >> Multiple times.

  • 28:24

    >> Mad times. I listen to the album. I I I

  • 28:26

    skipped a I had like do like the little

  • 28:28

    minute intros each. On a scale of 9 to

  • 28:30

    10,

  • 28:31

    >> what is it? [laughter]

  • 28:32

    I'm I'm going to say this. What is it?

  • 28:34

    Is it a nine or a 10?

  • 28:36

    >> I'm I'm not a Chris Brown. I'm not a

  • 28:37

    Chris Brown fan.

  • 28:39

    >> OH, YOU MUTE UP. GO TO STARBUCKS.

  • 28:42

    >> I'm not a Chris Brown fan the way y'all

  • 28:43

    are is what I'm saying.

  • 28:45

    >> That's all I was about to say. Y'all

  • 28:46

    y'all through the roof with it.

  • 28:47

    >> Um, so I didn't have like I didn't

  • 28:48

    expect this to be a classic. I didn't

  • 28:49

    expect it to be trash. I just wanted to

  • 28:50

    know what it was going to be.

  • 28:51

    >> I didn't expect it to be a classic

  • 28:52

    either.

  • 28:53

    >> On one on my first listen, I love it. I

  • 28:56

    actually love it. I like the songs. I

  • 28:57

    love the production. Uh I I was it

  • 29:00

    exceeded my expectations.

  • 29:02

    >> Might be a quick uh prisoner of the

  • 29:04

    moment hot take, but uh this might be

  • 29:07

    his best intro.

  • 29:09

    >> Oh, that's you bugging.

  • 29:10

    >> Might be the best one.

  • 29:11

    >> You're going crazy.

  • 29:11

    >> The album intro.

  • 29:12

    >> Yeah, that intro was amazing.

  • 29:15

    >> And it was a nice long instrumental. I I

  • 29:17

    [ __ ] love it.

  • 29:17

    >> [ __ ] me up. At first I thought I had I

  • 29:19

    thought they sent me the damn

  • 29:20

    instrumental album. I'm like, "Yo, man,

  • 29:21

    what the [ __ ] is this?" [laughter] I was

  • 29:22

    LIKE, "WAIT A MINUTE, MY [ __ ] YO,

  • 29:24

    >> where's the words?" The

  • 29:26

    >> intro is fire.

  • 29:27

    This ain't his first best intro.

  • 29:30

    >> This ain't his second best intro.

  • 29:32

    >> It's up there.

  • 29:33

    >> And like I said, it could be prison of

  • 29:35

    the moment right now. It is.

  • 29:36

    >> But just the vulnerability, the [ __ ]

  • 29:38

    the way you talking on this one.

  • 29:39

    >> Yo,

  • 29:40

    >> he don't he don't Yeah,

  • 29:41

    >> I like I like all this music,

  • 29:43

    instrumental musicality front. I like

  • 29:46

    not

  • 29:47

    >> I absolutely loved it and I'm letting it

  • 29:49

    rock right now.

  • 29:50

    >> I don't like it for album intro

  • 29:52

    personally. Then I'm going to find what

  • 29:54

    I think his best [music] intro is.

  • 29:56

    >> I mean, he got be clear. It was for me.

  • 29:58

    It was X.

  • 29:59

    >> That's the one I'm going to.

  • 30:00

    >> It was It was always

  • 30:01

    >> That's the one I'm going to,

  • 30:02

    >> but I'm just saying the content of like

  • 30:05

    the words.

  • 30:05

    >> Oh, see, this is beautiful. I love the

  • 30:06

    switch.

  • 30:07

    >> This shit's amazing. [music]

  • 30:08

    >> This is This is Come on. Come on. Let's

  • 30:10

    go Brown.

  • 30:10

    >> Chris really him. [music]

  • 30:13

    >> Leave him alone. GET OFF HIS DICK.

  • 30:15

    THAT'S WHAT HE SHOULD have named this

  • 30:16

    song. Get off my dick, but he couldn't.

  • 30:19

    >> It's Chris Brown.

  • 30:20

    He probably tried to name it that and

  • 30:22

    somebody was like, "Oh,

  • 30:23

    >> yeah. Chill out. Chill out.

  • 30:24

    >> You got to change that."

  • 30:24

    >> Next best thing.

  • 30:25

    >> I think that song is fire. Great way to

  • 30:27

    start a project. We got to do this just

  • 30:29

    cuz I said that stupid [ __ ] Hold on.

  • 30:31

    >> Not stupid, but you know.

  • 30:32

    >> Come on now.

  • 30:33

    >> I'm talking about subject matter wise.

  • 30:34

    >> Come on now.

  • 30:35

    >> Subject matter wise.

  • 30:36

    >> Yeah, but you was here for this X album.

  • 30:38

    You know that you know better than that,

  • 30:40

    man.

  • 30:40

    >> This is This is it right here.

  • 30:41

    >> Come on. Yeah. The rest of y'all mute

  • 30:44

    up. Y'all ain't Chris Brown fans.

  • 30:45

    [music]

  • 30:46

    >> Hey, nah, we letting this rock. I'm

  • 30:49

    sorry. I'm sorry.

  • 30:52

    >> This is cousin right here. Make some

  • 30:53

    noise. Virginia,

  • 30:55

    let's go. Yeah. Mark, this ain't J. You

  • 30:57

    up [ __ ]

  • 31:01

    >> I know.

  • 31:01

    >> I know. But we we we on a new album.

  • 31:04

    >> I would never

  • 31:06

    listen his most mature album.

  • 31:10

    >> So, to your point about his message on

  • 31:11

    this on this intro, this to me by far is

  • 31:14

    his most mature adult album. So now the

  • 31:18

    album cover makes a little more sense

  • 31:20

    with him doing the famous R&B Luther

  • 31:22

    Vandross Teddy Pendergrass Pose the

  • 31:25

    Brown even the font on the brown like

  • 31:27

    this album

  • 31:29

    >> very adult.

  • 31:30

    >> It's grown.

  • 31:31

    >> It's a It's a grown Chris Brown album.

  • 31:33

    >> I need to hear these songs on his Usher

  • 31:35

    tour. I need to see how cuz Usher music

  • 31:37

    is grown like grown grown. I need to see

  • 31:39

    how Chris Brown grown sounds in and out

  • 31:42

    of that Usher set. Uh, but off first

  • 31:45

    listen, uh, Leave Me Alone, obvious

  • 31:50

    fire. It depends. I absolutely loved

  • 31:52

    when they put it out.

  • 31:53

    >> Fallen, I like a lot more in flow of the

  • 31:56

    album cuz it don't sound like such a

  • 31:58

    curveball.

  • 32:00

    >> Uh, Hate Me. Well, I didn't want to

  • 32:02

    sound like a bro record. I love all this

  • 32:04

    [ __ ]

  • 32:05

    >> Even Call Your Name, the song I swore I

  • 32:07

    was skipping with Sexy Red. I I love

  • 32:10

    that song.

  • 32:11

    >> Yo, same. I was ready to say I'm taking

  • 32:13

    her off soon as I saw it.

  • 32:15

    >> Nah. [snorts]

  • 32:16

    >> Nah. Play it.

  • 32:17

    >> Nah.

  • 32:20

    >> I feel the same way about the uh NBA

  • 32:22

    Young Boy song.

  • 32:24

    >> That one I knew I was going to like. I

  • 32:26

    I'm I know what Young Boy does. So, I

  • 32:28

    kind of knew where I was going to feel

  • 32:29

    how I was going to feel about that

  • 32:30

    record.

  • 32:30

    >> Well, I don't want to hear NBA Young

  • 32:32

    Boy's part on the record, but the song I

  • 32:34

    love if it's

  • 32:35

    >> Y'all not going to make me play uh y'all

  • 32:37

    want to hear the raps sexy gorilla.

  • 32:40

    >> All right. Little bit. Little bit. Oh my

  • 32:42

    god. I'm I'm

  • 32:43

    >> You know what it was before you get to

  • 32:45

    it? Pleasant surprise.

  • 32:46

    >> I ain't like sexy. The the second half

  • 32:48

    of her verse when she got into like the

  • 32:49

    little sing flow.

  • 32:50

    >> Yeah.

  • 32:50

    >> I was like, "All right, she saved it

  • 32:51

    now. Now she can stay on the record."

  • 32:53

    Then Glow killed it.

  • 32:54

    >> That's Yeah, I agree. All right. Here we

  • 32:57

    go. [music]

  • 32:59

    [screaming]

  • 33:01

    >> All right. They not having as much fun

  • 33:03

    AS WE ARE. CLEARLY, THEY DON'T GET IT.

  • 33:05

    THEY DON'T GET IT. WE HAVING A BLAST.

  • 33:07

    GET UP AND ASS

  • 33:10

    OUT. IT'S SOMETHING Red B.

  • 33:13

    [laughter] Oh, we got to bring it back.

  • 33:15

    >> BRING THAT [ __ ] THE [ __ ] BACK.

  • 33:18

    >> ALL RIGHT. That That [laughter] was fun.

  • 33:19

    That was a lot of fun.

  • 33:20

    >> I'm telling you, bro.

  • 33:21

    >> That was a lot of fun.

  • 33:22

    >> You going to hear it?

  • 33:23

    >> Yeah, I like No, I said I like that

  • 33:25

    song. I like that song. I just don't

  • 33:26

    want to [clears throat]

  • 33:27

    >> You killed it at Jana part is lit. You

  • 33:29

    making me like it,

  • 33:30

    >> bro. You said that [ __ ] four times on

  • 33:32

    the way.

  • 33:32

    >> Wait till you outside and they start

  • 33:34

    Hey, just wait. I'm telling you.

  • 33:37

    >> Oh, man.

  • 33:41

    Oh my god. Yo,

  • 33:43

    >> have to close it. [laughter]

  • 33:45

    >> I'm such a fan, right? Look at me.

  • 33:50

    >> Last I like when artists that you love

  • 33:52

    come out and it's like an event. It's

  • 33:54

    like an event for you. This is and they

  • 33:56

    give you [ __ ] that you know they could

  • 33:57

    do. Like, you know what I'm saying? It

  • 33:59

    become an event, but when it's one up

  • 34:00

    there, you like, "Haha, this this what

  • 34:02

    I've been waiting for."

  • 34:03

    >> I love that he ain't on here hopping all

  • 34:05

    around with sounds. M

  • 34:07

    >> like I know it's 27 songs for some

  • 34:08

    people that can be a little lengthy

  • 34:10

    pause but this ain't for them

  • 34:12

    >> sonically how it sounds from one to I

  • 34:17

    don't want to talk about anything after

  • 34:19

    21 too

  • 34:20

    >> I I'm cool I'm cool getting too sad it's

  • 34:24

    it's a little too slow it's a little too

  • 34:27

    let's change the world

  • 34:29

    >> oh no you bugging it's personal is after

  • 34:31

    21 [clears throat] uh

  • 34:32

    >> let me see let me see

  • 34:34

    Yeah. And uh

  • 34:36

    >> [ __ ]

  • 34:36

    >> Yep.

  • 34:38

    And I always holy blindfold even when it

  • 34:40

    drops. So I just think Yeah. Uh from one

  • 34:43

    to body goals with tank which is 20.

  • 34:46

    >> It's just really consistent. Uh perfect

  • 34:48

    timing with Friday. Great.

  • 34:50

    >> That actually slow jams with lucky day

  • 34:52

    into perfect timing with Friday. Like

  • 34:54

    how they how they whoever [ __ ]

  • 34:57

    >> sequence this

  • 34:57

    >> sequence this like this is just a good

  • 35:00

    job.

  • 35:00

    >> It's a flow.

  • 35:00

    >> It's a good job and a good flow. It

  • 35:02

    plays like a playlist, which is what you

  • 35:04

    want if you're going to put all these

  • 35:05

    [ __ ] songs on here. You're going on

  • 35:07

    tour. You want to hear how some of these

  • 35:08

    sound

  • 35:09

    >> and he's shooting at a high clip again.

  • 35:11

    Like that's why I I get the short

  • 35:13

    attention span people who be like 20

  • 35:15

    just looking at 27 songs is too much.

  • 35:18

    But when if I'm shooting 85 90% on 27

  • 35:23

    songs, I'm not mad at that.

  • 35:25

    [clears throat] Excuse me. And that's

  • 35:26

    what he's been doing since Heartbreak.

  • 35:28

    >> I'mma give you the long album.

  • 35:30

    >> All right. You might like like four,

  • 35:32

    five, six records. It's never more than

  • 35:34

    10. I don't know another artist that can

  • 35:37

    give you 30, 40, 50 songs and I'm only

  • 35:41

    skipping 10.

  • 35:44

    >> That's impressive.

  • 35:46

    >> Repeatedly.

  • 35:46

    >> Yeah. Usually when I see 27 songs, I'm

  • 35:48

    pissed off.

  • 35:49

    >> Yeah.

  • 35:49

    >> Cuz I feel like I'm about to get a bunch

  • 35:50

    of trash. I'm going to be waiting

  • 35:51

    through a bunch of stuff.

  • 35:52

    >> I saw 27 songs said this [ __ ] was short.

  • 35:55

    >> Damn.

  • 35:55

    >> Yeah. I ain't going to lie. When it got

  • 35:57

    to the end, I was like, that was kind of

  • 35:59

    fast. Yeah, that was a little fast. He's

  • 36:01

    gotten I spoke we spoke to conditioning

  • 36:03

    artists on the last on the last part. He

  • 36:07

    >> has his fan base conditioned to long

  • 36:10

    project.

  • 36:10

    >> That's true. And and

  • 36:12

    >> good songs on the project.

  • 36:13

    >> Ice is right. But this is some new age

  • 36:16

    where this ain't but 90 minutes of music

  • 36:19

    still. That's a lot of music.

  • 36:21

    >> I was shocked to see the intro. That's

  • 36:22

    not That's not new age.

  • 36:24

    >> That's new age.

  • 36:25

    >> That's not new age.

  • 36:26

    >> Not 90. My first album was 70 minutes of

  • 36:29

    music.

  • 36:30

    >> Okay.

  • 36:31

    >> Most albums in that time were 70 minutes

  • 36:34

    of music

  • 36:35

    >> from 2004 on. Yeah.

  • 36:37

    >> Well, that's where I'm getting new age

  • 36:38

    from.

  • 36:38

    >> Okay.

  • 36:39

    >> That's a today type of thing where if

  • 36:41

    you see 70 minutes, that's damn near a

  • 36:43

    double disc. 90 minutes is like 90

  • 36:45

    minutes 27 songs when 12 and 13 and 14

  • 36:48

    songs were 70 minutes. I don't think

  • 36:50

    that's that's some attention span today.

  • 36:52

    These [ __ ] [ __ ]

  • 36:54

    >> to me. Anyway,

  • 36:57

    >> I agree with that.

  • 36:59

    >> Now, uh what's his long long album?

  • 37:02

    >> Heartbreak. Heartbreak. Heartbreak was

  • 37:04

    40.

  • 37:04

    >> Heartbreak. Once I got to 40,

  • 37:06

    >> I was like, "All right."

  • 37:07

    >> And [laughter] then and then came back

  • 37:08

    with the deluxe with 12 extra.

  • 37:11

    >> Yeah.

  • 37:12

    >> Heartbreak's such a good album.

  • 37:13

    >> Heartbreak is amazing.

  • 37:14

    >> It's such a good album.

  • 37:15

    >> Heartbreak is the logic behind that

  • 37:17

    behind saying I'm going to make a 45 46

  • 37:20

    song album instead say I'm going to make

  • 37:21

    three three albums or two albums.

  • 37:22

    >> I'm him. Well, yeah, I remember from

  • 37:25

    from some talks with some people that

  • 37:27

    worked with him, he he told the label,

  • 37:29

    "I want to put out 100 songs at once."

  • 37:31

    >> And they said, "Nigga, [clears throat]

  • 37:32

    are you crazy?

  • 37:33

    >> Out of here." So, he did

  • 37:36

    >> um there was a mixtape called uh Before

  • 37:38

    the Party, which I want to say was like

  • 37:40

    35, 36. Then Heartbreak, like he was

  • 37:44

    found a way to get his 100 songs out.

  • 37:46

    >> Just mixtape before the album. There was

  • 37:48

    a leaked version of Heartbreak, which

  • 37:49

    had 45 or something on there. Once that

  • 37:52

    leaked, all right, scrap that. I'm doing

  • 37:54

    all new records, but those are out. So,

  • 37:56

    you could say leaked, however you want.

  • 37:58

    You know what I mean?

  • 37:59

    >> Most artists want to get to the end of a

  • 38:00

    deal. So, they want to get as many

  • 38:01

    albums out. That's why I'm

  • 38:03

    >> he not in the deal.

  • 38:04

    >> Yeah.

  • 38:06

    >> License in the deal as RCA.

  • 38:07

    >> Licensed to RCA.

  • 38:08

    >> License distribution.

  • 38:10

    >> Okay. It ain't it ain't the same as what

  • 38:12

    it was before.

  • 38:13

    >> I see what you're saying. So, he doesn't

  • 38:14

    need to get to the end of a Got it. So,

  • 38:16

    if I want to put my shout out, I can put

  • 38:18

    >> And I'm running my And I sold early part

  • 38:20

    of my catalog. If I'm running it back up

  • 38:22

    again, the easiest way to do that is

  • 38:24

    with a lot of music

  • 38:26

    >> on one album

  • 38:27

    >> or multiple albums.

  • 38:28

    >> Just mad [ __ ]

  • 38:28

    >> Yeah. Mad music.

  • 38:30

    >> You got to think from Heartbreak to now,

  • 38:31

    he probably he has hundreds of songs out

  • 38:33

    and that's only

  • 38:34

    >> what Heartbreak, uh, Indigo Breezy,

  • 38:37

    11-11. That's five albums. And we're

  • 38:39

    talking hundreds over over 100, probably

  • 38:41

    150 songs.

  • 38:45

    Boy back.

  • 38:46

    >> He really him. He back. He

  • 38:48

    >> did it again. Did it again.

  • 38:49

    >> I'm pleased. Are there any more of these

  • 38:51

    songs that y'all want me to play or

  • 38:53

    highlight? Because I do this all day.

  • 38:54

    Don't play with me. [laughter]

  • 38:56

    >> I just going to have you play the whole

  • 38:57

    [ __ ]

  • 38:59

    >> Well, we don't have to do all of that.

  • 39:01

    >> The Sway Lee record is crazy on this.

  • 39:03

    >> See, I disagree with you. Like, yo, you

  • 39:06

    like the the consistency and the sound.

  • 39:08

    I wanted him to jump around a little bit

  • 39:09

    more. I wanted him to, you know what I

  • 39:12

    mean, throw a little bit more in there.

  • 39:14

    >> See, I don't like that the jump around.

  • 39:17

    That makes it not feel like a album when

  • 39:19

    you all over the place. That's That's

  • 39:20

    where playlisty.

  • 39:21

    >> I mean, when you got 30 songs, my [ __ ]

  • 39:23

    >> maybe Sway Lee wasn't on the song. I'm

  • 39:25

    sorry.

  • 39:25

    >> It's him.

  • 39:27

    >> There's a song I thought that Sway Lee

  • 39:28

    was on. Damn, [laughter] they killing

  • 39:30

    this [ __ ]

  • 39:30

    >> I think he's talking about um Wait,

  • 39:33

    >> not it's not you, it's me. Uh, it's one

  • 39:36

    of them in there. I'm been just

  • 39:38

    listening. off the names all the way,

  • 39:40

    but um there's one where it's him

  • 39:41

    sounding a little higher like in voice.

  • 39:44

    >> I'm telling you, he left earth around

  • 39:46

    the middle of this [ __ ]

  • 39:46

    >> He did. He did.

  • 39:47

    >> He He left.

  • 39:48

    >> He absolutely did.

  • 39:49

    >> Around the middle. He did. He did. He

  • 39:50

    did his thing. I don't really have

  • 39:51

    nothing else to say cuz I love this

  • 39:53

    whole [ __ ] So,

  • 39:54

    >> I love it. There you go. Buy it. Buy it.

  • 39:57

    [laughter] It's good. It's in your

  • 39:58

    phone.

  • 39:59

    >> And the tour getting ready to start. So,

  • 40:01

    you you know what it is.

  • 40:02

    >> You think you're going to go crazy with

  • 40:03

    these songs on the tour with Usher?

  • 40:04

    >> I was worried. I was wondering about

  • 40:06

    that. I don't I don't think so. I don't

  • 40:08

    think so either.

  • 40:08

    >> Yeah.

  • 40:09

    >> If I'm splitting.

  • 40:09

    >> Well, what does go crazy mean? I think

  • 40:11

    you will hear some of these songs. Some

  • 40:13

    very few.

  • 40:14

    >> Well, this is the problem with Chris

  • 40:15

    Brown and his shows and his tours. He

  • 40:18

    has so much music. It becomes a problem

  • 40:20

    of

  • 40:21

    >> how how do I how do I how do I cut my

  • 40:23

    set list down? So, a couple years ago,

  • 40:26

    he started to do where they put three

  • 40:28

    songs on the board and you let the fans

  • 40:30

    kind of pick.

  • 40:31

    >> Yeah.

  • 40:32

    >> All right. We going to do this one. No,

  • 40:33

    no, no, no. before but it was you let

  • 40:35

    you want y'all want to hear this one

  • 40:37

    judging by the loudest response. Okay,

  • 40:38

    that's where we go. Then he said we was

  • 40:41

    doing something called like uh was some

  • 40:43

    AI like which were the most popular

  • 40:45

    songs in certain areas. We we'll do that

  • 40:47

    record with now you just dropped another

  • 40:50

    27 track album

  • 40:52

    >> and you're on a tour splitting with

  • 40:54

    somebody. So I think this one might be

  • 40:56

    reserved to more of the hits hits. I

  • 40:58

    might sprinkle in a song or two off of

  • 41:00

    here. Not a song or two, but maybe no

  • 41:02

    more than four.

  • 41:02

    >> You getting more than four songs on

  • 41:03

    >> You say You say more than four. I don't

  • 41:05

    think I don't think so.

  • 41:06

    >> 100% you getting more. He just went on

  • 41:08

    tour and I think he did hours and when

  • 41:11

    he wasn't on stage, a DJ was out there

  • 41:13

    playing the songs that he

  • 41:15

    >> But that speaks to my point is I have so

  • 41:16

    much to do.

  • 41:19

    I'm going back and forth with Usher. So

  • 41:21

    Usher going to be smacking you with the

  • 41:23

    >> I got to go run Usher. I got to come

  • 41:25

    back this close and then don't run it. I

  • 41:28

    think I'm saying.

  • 41:28

    >> Yeah, that's the point of the run.

  • 41:30

    That's the whole point of this show.

  • 41:31

    >> Go back to his entire point,

  • 41:33

    >> guys. Go back to his previous tours.

  • 41:36

    >> Mhm.

  • 41:36

    >> He'll give you five, maybe six.

  • 41:39

    >> We know you was there.

  • 41:40

    >> So what? Well, well, listen to an expert

  • 41:42

    then.

  • 41:44

    >> Excited.

  • 41:45

    Listen to an expert then. But I'm trying

  • 41:48

    to explain something.

  • 41:48

    >> We know the AI [ __ ]

  • 41:49

    >> No, I'm not talking about AI [ __ ] I'm

  • 41:50

    trying to tell y if y'all would just be

  • 41:52

    quiet and listen for two seconds.

  • 41:53

    >> Excuse me.

  • 41:55

    >> No, I'm not being sassy. I'm just

  • 41:56

    playing with playing with my friends.

  • 41:57

    I'm sure. No.

  • 41:58

    >> Um,

  • 42:00

    >> what was I saying? Y'all done [ __ ]

  • 42:01

    made me forget that. You were saying he

  • 42:02

    back on the old on the old tour he used

  • 42:05

    to put songs on the screen.

  • 42:06

    >> No, not before that. Um, oh yeah, the

  • 42:08

    old the old tours will come out around

  • 42:10

    the album. Shut up, Joe. You're trying

  • 42:11

    to throw me off. [laughter]

  • 42:12

    >> The old tours will come out around the

  • 42:14

    albums. And even in then, he would only

  • 42:16

    give you like from Heartbreak on, he's

  • 42:18

    only giving you five maybe six joints

  • 42:21

    off of the album. With a long album,

  • 42:24

    that's not a lot of songs off of your

  • 42:25

    album. because I got so many hits. I

  • 42:28

    know y'all want to hear.

  • 42:29

    >> Mhm. [clears throat]

  • 42:30

    >> 11-11. He did damn near the whole [ __ ]

  • 42:32

    >> He didn't do damn near the whole album.

  • 42:33

    [laughter]

  • 42:34

    >> That [ __ ] did mad songs off 11-11 and

  • 42:37

    then he came back and he had a whole

  • 42:38

    bunch of [ __ ] on his board.

  • 42:40

    >> Talking to the set manager, bro.

  • 42:41

    >> I was there.

  • 42:42

    >> I mean, he but

  • 42:45

    we went we went but um

  • 42:46

    >> but Ice is the fan. You

  • 42:48

    >> he works there.

  • 42:49

    >> Yeah.

  • 42:49

    >> Like you just related to

  • 42:51

    >> We getting our news from Ice.

  • 42:52

    >> This [ __ ] don't jump in and repeat what

  • 42:54

    I said.

  • 42:54

    >> I didn't. And I

  • 42:56

    My brain worked well enough. I don't got

  • 42:57

    to repeat what nobody said. Stop

  • 43:00

    repeating what people say.

  • 43:00

    >> I didn't repeat him. I was given I was

  • 43:02

    given the opposite perspective.

  • 43:04

    >> I was given the opposite perspective

  • 43:06

    advice. Ignore this [ __ ]

  • 43:08

    >> You see what he on [laughter]

  • 43:10

    him?

  • 43:12

    >> Even on 111 he did like six, seven

  • 43:14

    records which is did a lot of 11 but the

  • 43:17

    gun

  • 43:18

    >> and it was short. I wonder why.

  • 43:20

    >> Thanks cuz you [ __ ] It's not all but I

  • 43:22

    just sit on his couch bro. I know

  • 43:24

    >> you can sit over there. [laughter]

  • 43:27

    >> Oh, right now.

  • 43:32

    >> What is happening?

  • 43:33

    >> Oh my god. Hey, listen. Chris Brown

  • 43:35

    album is in your phone. And if you went

  • 43:37

    to the old toy, you would let AI

  • 43:38

    sometimes pick the song. So,

  • 43:40

    >> spin the wheels. [laughter]

  • 43:43

    >> All right. What we got? What else? What

  • 43:44

    else came out?

  • 43:45

    >> Uh AZ, front of the show. Door Die 2

  • 43:47

    came out. Production is excellent. Um, I

  • 43:50

    really enjoyed the the Nas record, the J

  • 43:52

    to Kiss record. Some of the records are

  • 43:53

    kind of rehashes like you said up here

  • 43:55

    of Do or Die. They're kind of remakes,

  • 43:56

    reflips, updates. Um, but salute.

  • 43:59

    >> I loved it. Every feature was great. I

  • 44:01

    used every feature on was great.

  • 44:02

    >> Yeah.

  • 44:03

    >> I just love hearing them rap.

  • 44:04

    >> Me too. Me too. AC is one of the best,

  • 44:06

    man.

  • 44:06

    >> Boy, still got it.

  • 44:09

    >> I see you on your IG. You look at that

  • 44:13

    popped in here, boy. I almost screamed.

  • 44:15

    That's I tried to keep it cool.

  • 44:16

    >> You did. You did. You did. Very cool.

  • 44:18

    All jokes aside, you did good. Yo,

  • 44:20

    >> that's a

  • 44:22

    >> I could tell it was

  • 44:22

    >> I ALMOST

  • 44:25

    SAW right to Sugar Hill.

  • 44:27

    >> All

  • 44:29

    [laughter]

  • 44:29

    the old horses in my DM. My grandma DM

  • 44:32

    me about AZ.

  • 44:34

    >> Wait, which grandma? Which grandma?

  • 44:36

    >> You know which one. Back up.

  • 44:39

    [laughter]

  • 44:40

    >> AZ look good, too.

  • 44:42

    >> Oh, he boy look good. That ain't no

  • 44:45

    Beijing. That boy look good. There's a

  • 44:47

    lot of uh younger rappers that drop

  • 44:48

    projects. Deontay Hitchcock Cash.

  • 44:54

    We don't care about that backpack. We

  • 44:56

    talking about Mona and Jump AZ.

  • 45:00

    >> Throw that a Mona Cuban boy cuz I did

  • 45:04

    his fit check, bro. I checked his fit.

  • 45:07

    >> Did you [laughter] ain't on?

  • 45:08

    >> I sure did.

  • 45:10

    >> Checked a few things up.

  • 45:12

    >> Can Park talk about backpack stuff now?

  • 45:14

    You may [laughter]

  • 45:16

    >> Deontay Hitchcock dropped a project

  • 45:17

    that's really really really dope called

  • 45:19

    Junkie in the Sun.

  • 45:20

    >> Shout out to Deontay.

  • 45:21

    >> Suave also out of Atlanta dropped the

  • 45:23

    Prelude which I like a lot.

  • 45:25

    >> And uh Kai Cash out of the Bronx dropped

  • 45:27

    a project. And you got a little shout

  • 45:29

    out over there. You know what I mean?

  • 45:29

    Little there's a little button bar.

  • 45:30

    >> Who shouted me out?

  • 45:31

    >> Little one.

  • 45:32

    >> Uh Kai Cash.

  • 45:32

    >> Deontay Wix. No, [laughter] we're not

  • 45:35

    playing with him. Don't do that. Don't

  • 45:36

    be disappointed.

  • 45:36

    >> Deontay Hitchcock. And that's not who

  • 45:38

    he's talking about. He's talking about

  • 45:38

    Kai Cash.

  • 45:39

    >> I'm talking about Kai Cash. You remember

  • 45:40

    Kai Cash when when the um the whole Joey

  • 45:43

    Badass versus everybody?

  • 45:44

    >> Oh, the dude we like? Yes.

  • 45:46

    >> Yeah. Yes. What did he say about me? He

  • 45:47

    said some [ __ ] No, he's got a little

  • 45:48

    He's got a little He's got a little bar.

  • 45:50

    >> Was it a good bar?

  • 45:51

    >> Yeah, it's a good bar. It's just a

  • 45:52

    little metaphor. [laughter]

  • 45:54

    >> I'll switch my stance on this kid.

  • 45:57

    >> Hey, I mean such a bird. [laughter]

  • 46:01

    >> The hearts and minds of the of the

  • 46:03

    younger generation.

  • 46:05

    >> NEW KASH. [laughter]

  • 46:07

    HEY, BRAND NEW. CHECK THIS [ __ ] OUT.

  • 46:10

    >> AND MARCO PLUS. Shout out to Marco Plus.

  • 46:12

    >> YOU GOT TO HEAR this one. [laughter]

  • 46:14

    >> I really like the Suave. That's the one.

  • 46:16

    A lot.

  • 46:17

    >> That's the one. Hey, label. Get behind

  • 46:19

    that one. [laughter]

  • 46:23

    >> So easy to [laughter]

  • 46:26

    He was He was generation. He was Kai

  • 46:28

    Cash. Oh, he might be. Let me see. I

  • 46:30

    don't know.

  • 46:31

    >> You know that joke?

  • 46:32

    >> Joe. Kai Cash was generation.

  • 46:36

    >> Good. That's what I'm saying. So

  • 46:37

    >> Oh, no. Great. Yeah,

  • 46:38

    >> this is awesome.

  • 46:40

    >> I don't know.

  • 46:40

    >> I'm a bird. But you a bird, too, Mark.

  • 46:42

    >> Oh, yeah.

  • 46:43

    >> I'm a bird. I own my birdness.

  • 46:46

    >> I keep mine in the closet. [laughter]

  • 46:48

    >> Back to that.

  • 46:49

    >> I'm the biggest public bird, probably.

  • 46:53

    [laughter]

  • 46:54

    >> I'm a bird. YOU A BIRD.

  • 46:57

    SAY I'M A BIRD. [ __ ] Y'ALL WATCHING A

  • 46:59

    NOTEBOOK TOGETHER?

  • 47:01

    >> OH, these [ __ ] man.

  • 47:02

    >> Just us. Can't

  • 47:04

    >> Oh, no. I watch it with women. No, I'm

  • 47:06

    talking about being a bird.

  • 47:08

    >> Yeah,

  • 47:09

    >> that's what I'm saying.

  • 47:09

    >> Yeah. Yeah.

  • 47:10

    >> Eagle Hulk. We

  • 47:11

    >> agree. You want to Yeah, we in agree.

  • 47:14

    >> Crazy.

  • 47:14

    >> So, what is that? So, what is that leg

  • 47:16

    up move?

  • 47:17

    >> Leg up move. I don't know. [laughter]

  • 47:21

    >> You was here for the show.

  • 47:22

    >> Yeah, I know.

  • 47:23

    >> We got new uh we got new uh Tiana Taylor

  • 47:27

    and Wall.

  • 47:29

    >> Let's go. Let's go. Better roses.

  • 47:32

    >> This is the record he teased a little

  • 47:33

    while ago. This is a Ice exclusive. No,

  • 47:37

    this is out. It don't matter.

  • 47:39

    [laughter and cough]

  • 47:40

    Shout out to Tiana.

  • 47:41

    >> This is still a Ice exclusive. Let's go.

  • 47:45

    [laughter]

  • 47:46

    >> Shout out to W. Nice. Shout out to Wall.

  • 47:49

    Shout out to Tiana, right?

  • 47:51

    >> That was great. Uh, who else? Uh, in

  • 47:53

    news that nobody cares about me, Matt

  • 47:55

    Keane dropped. I absolutely love Matt

  • 47:57

    Keane. So,

  • 47:58

    >> okay. I'm not familiar.

  • 47:59

    >> Yeah. Not familiar.

  • 48:00

    >> You know, Matt is R&B. R&B. This is I'll

  • 48:03

    give you a little something off it. But

  • 48:09

    yeah, he's one of my [ __ ] uh soul for

  • 48:11

    white boys.

  • 48:12

    >> Okay.

  • 48:13

    >> And this song is called Wide Eyed, but

  • 48:14

    the album is called uh Wide Eyed as

  • 48:17

    well. Matt Keane out right now.

  • 48:18

    Available on DSPs and in your phone.

  • 48:20

    Shout out to Matt King.

  • 48:22

    >> Uh that sounds dope.

  • 48:23

    >> That's that's all I got in in new music.

  • 48:26

    >> Action dropped out a new project that's

  • 48:28

    pretty dope actually. He kind of got

  • 48:29

    back to his uh more guitary kind of beat

  • 48:34

    selection, which I'm into. You probably

  • 48:36

    There's some guitar solos ripping

  • 48:37

    through this [ __ ] Uh it's Planet Frog.

  • 48:40

    Abstract.

  • 48:41

    >> You said Planet Frog.

  • 48:42

    >> Planet Frog. That's correct. Action

  • 48:44

    brought to raps.

  • 48:45

    >> Okay.

  • 48:46

    >> But I enjoyed it.

  • 48:47

    >> Okay. I I want I want to hear those

  • 48:48

    beats.

  • 48:49

    >> You made me want to hear them. And um I

  • 48:51

    mean I guess it goes into the versus

  • 48:53

    topic, but uh French Ross and Max B

  • 48:57

    dropped the Smoking part two, which is a

  • 49:00

    if you're a French Max fan from the old

  • 49:02

    Coke Wave days, still uh Smoking is one

  • 49:05

    of those records.

  • 49:08

    >> It's like a newer um part two. Okay.

  • 49:11

    >> So, new vocals, same hook, and Ross has

  • 49:13

    a verse one in there, which they they

  • 49:15

    launched after the verses last night.

  • 49:18

    >> Oh, this is the one they played at the

  • 49:19

    end. Yeah, this

  • 49:20

    >> is the Snoop. Uh,

  • 49:21

    >> yeah, Snoop flip.

  • 49:22

    >> Yeah.

  • 49:22

    >> Yeah,

  • 49:23

    >> they sound good on it, but I'm I'm I'm

  • 49:25

    such a oldhead that that you hearing

  • 49:28

    this one. Yeah, this one of them beats

  • 49:29

    for me.

  • 49:30

    >> But see,

  • 49:31

    >> let me let Max give us a

  • 49:33

    >> This is from the old one.

  • 49:35

    >> What' you say?

  • 49:35

    >> This hook is from the original

  • 49:37

    >> cuz they did this song years ago before

  • 49:40

    Max went to jail. Um,

  • 49:42

    >> on Coke Wave,

  • 49:44

    >> baby.

  • 49:48

    Yeah, I hear that [ __ ] just think Snoop.

  • 49:50

    I hate

  • 49:50

    >> Yeah, same. Yeah, some certain classics

  • 49:53

    to me is

  • 49:54

    >> that's what I think.

  • 49:55

    >> Yeah,

  • 49:55

    >> I get it. Again, this is more of this is

  • 49:59

    for the Coke wave fans like myself.

  • 50:01

    >> I can do I'm I'm a fan, too. I just

  • 50:03

    Yeah, I'm I'm kind of with certain

  • 50:04

    classics being a little

  • 50:06

    >> untouchable. Untouchable.

  • 50:07

    >> Yeah.

  • 50:08

    >> What's my name?

  • 50:09

    >> It's crazy.

  • 50:11

    >> Yeah,

  • 50:12

    >> that should be on the list.

  • 50:13

    >> Part two.

  • 50:14

    >> Yeah,

  • 50:14

    >> that should be on the list. I want to

  • 50:16

    play a quick minute of this Suave

  • 50:18

    record. 6 minutes. It's a It's a

  • 50:19

    six-inute song. It's a story.

  • 50:22

    >> He's dope. He deserves a little bit of

  • 50:23

    shine here.

  • 50:24

    >> Okay.

  • 50:25

    >> Have at it.

  • 50:25

    >> Yeah. Yeah. Yeah.

  • 50:26

    >> Did he shout me out?

  • 50:27

    >> He didn't on this one. No.

  • 50:28

    >> All right.

  • 50:29

    >> I'm sorry.

  • 50:29

    >> It's all right. It's all right. Now,

  • 50:31

    everybody about to start shouting you

  • 50:32

    out.

  • 50:33

    >> He definitely sounds like Dot on this.

  • 50:36

    And I could tell that this song is gonna

  • 50:37

    be all the way fire.

  • 50:38

    >> Yeah. Yeah. It's a It's a long story. 6

  • 50:40

    minutes long. Um

  • 50:41

    >> from Atlanta.

  • 50:42

    >> Yeah. Yeah. Germaine Depri on the intro.

  • 50:44

    Shout out to Germaine JD.

  • 50:46

    >> Um, it's a really great project, man.

  • 50:48

    Check it out.

  • 50:48

    >> And what's his name?

  • 50:49

    >> Suave.

  • 50:49

    >> Suave.

  • 50:50

    >> Yeah.

  • 50:51

    >> All right. Shout me out on the next one.

  • 50:53

    Suave. [laughter]

  • 50:54

    >> You know what I mean? It's never too

  • 50:56

    late.

  • 50:56

    >> Shout out for shout out

  • 50:57

    >> or pay one of us.

  • 50:59

    >> Yes, that works.

  • 51:00

    >> It definitely works.

  • 51:01

    >> Bring back Poliola.

  • 51:03

    >> Polola.

  • 51:04

    >> Um, that was it. In music, Ross kept

  • 51:06

    announcing that he's dropping something

  • 51:07

    June 12th during that verse.

  • 51:09

    >> Yeah. Yeah. He has his new album. Uh,

  • 51:10

    >> they put a They put a cover out.

  • 51:11

    >> Set in Stone, I think the name of it.

  • 51:13

    something in stone.

  • 51:15

    >> But yeah, he put the album cover out.

  • 51:16

    That's dropping June 12th. His car show

  • 51:17

    the 13th. So he's doing this whole Ross

  • 51:19

    weekend thing. Dropping new music around

  • 51:21

    there.

  • 51:21

    >> Yeah. Around the uh car show, right?

  • 51:22

    >> Mhm.

  • 51:23

    >> All right. So, let's get into verses

  • 51:24

    after we pay some bills. Don't touch

  • 51:26

    that D. It's time for your favorite part

  • 51:28

    of the show. Prize mix time or us

  • 51:32

    cracking on Mona being ready to throw

  • 51:33

    that [ __ ]

  • 51:34

    >> Oh god. [laughter]

  • 51:35

    >> That was our offmic talk and now we're

  • 51:36

    here on mic. Yeah.

  • 51:38

    >> Narratives.

  • 51:40

    >> Mona's engaged. I saw I saw the video.

  • 51:42

    >> Wow. This [ __ ] Park said, "Fuck you,

  • 51:44

    [ __ ] Let's try it again." [laughter]

  • 51:47

    >> I did get engaged in Atlanta. Thank you.

  • 51:49

    Congratulations so much. I can't

  • 51:51

    remember the fella's name, but it was so

  • 51:53

    beautiful in the moment. I want to be

  • 51:54

    under Park's contract. I think Parsons

  • 51:56

    will come here and smack the [ __ ] out of

  • 51:57

    your butt and come back next week.

  • 51:59

    >> It's true.

  • 51:59

    >> It is. I know you love that [ __ ]

  • 52:02

    >> I tell my mother's friends. You know

  • 52:04

    what I mean?

  • 52:04

    >> Par could smack me. Erikson could smack

  • 52:06

    me. We would have to discuss it

  • 52:08

    afterwards, but [laughter]

  • 52:10

    >> we would they would have to go to come

  • 52:11

    to HR. Can I pinch you?

  • 52:13

    >> Yeah, you can pinch me.

  • 52:14

    >> Yay.

  • 52:15

    >> You wasn't going to be too long anyway.

  • 52:16

    >> Oh.

  • 52:18

    >> Oh my god. Your words.

  • 52:19

    >> Come on. See this [ __ ] Mind you, all

  • 52:22

    the fans all the fans are sending me

  • 52:24

    videos of the guy introducing me last

  • 52:25

    night cuz he's like, "Don't call me

  • 52:27

    white girl from the Joe Button podcast.

  • 52:29

    He's a watcher. He's a watcher.

  • 52:32

    >> He's a watcher."

  • 52:34

    Like, "Show Joe this."

  • 52:35

    >> That's right. God damn it.

  • 52:36

    >> If I know Joe Button, he doesn't give a

  • 52:38

    [ __ ] about some small black room in

  • 52:39

    Detroit. He wants his name yelled at the

  • 52:41

    Black Effect Podcast Festival.

  • 52:43

    >> Oh yeah, take that out. [laughter]

  • 52:48

    >> Hey, get that out.

  • 52:52

    >> Um, all right. So, we do have some prize

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    picks for you guys. I lost the read, but

  • 52:56

    I found it again. Here we go. Prize

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    I'll give you the is loser picks of the

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    week.

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    That's eight.

  • 53:58

    >> Ish is going with

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    >> Jared McCain for more than five and a

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    half field goal attempts. I like that

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    one. Ish. Austin Reeves for more than

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    nine and a half rebounds and assists. He

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    should have a bounce back. So, that's

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    pretty goodish.

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    Uh Denise Dennis Jenkins, that's dude

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  • 54:46

    >> Talk your

  • 54:46

    >> Speaking of NBA,

  • 54:47

    >> clear out. Clear out. [sighs] yawning.

  • 54:51

    >> Oh, there's three Philly fans here now

  • 54:52

    today too.

  • 54:53

    >> That's right.

  • 54:55

    >> Speaking of the NBA, the other night,

  • 54:58

    [laughter]

  • 54:59

    >> the other night was another playoff

  • 55:02

    contest between the New York Knicks and

  • 55:05

    the Philadelphia out of here in four

  • 55:09

    uh four.

  • 55:09

    >> Wow. Four.

  • 55:10

    >> Sweeper.

  • 55:11

    >> Yeah, the sweepers. The Philadelphia

  • 55:13

    sweepers.

  • 55:14

    >> Wow. Um, by the time you hear this

  • 55:16

    broadcast, game three will have already

  • 55:18

    been played, but who cares?

  • 55:20

    >> 2-1.

  • 55:21

    >> Who cares? Let's talk about the last

  • 55:23

    game for a second. No Joel Embiid in the

  • 55:26

    contest. No Mitchell Robinson in the

  • 55:28

    contest. And OG Anobi left the game in

  • 55:32

    the fourth with a hamstring injury that,

  • 55:35

    you know, still watching it.

  • 55:36

    >> It was a good game for a while.

  • 55:37

    >> Still watching it.

  • 55:38

    >> Well, it was a good game to the end. It

  • 55:40

    was a nailbiter.

  • 55:42

    >> What nails? My nails look beautiful.

  • 55:44

    >> Up until

  • 55:45

    >> I didn't bite a nail at all.

  • 55:47

    >> The six the Sixers without Joel Embiid

  • 55:50

    played really really well. They did.

  • 55:51

    >> I actually thought I actually thought

  • 55:52

    the ball moved much better. It did

  • 55:54

    >> and their defensive rotations were

  • 55:55

    better.

  • 55:56

    >> I'm not saying they're better team

  • 55:57

    without Embiid, but they certainly do

  • 55:58

    certain things better without him on the

  • 55:59

    floor.

  • 56:00

    >> What? You can't until y'all get a win.

  • 56:02

    I'm just shocked that you even jumping

  • 56:03

    in while I'm talking about the Knicks.

  • 56:05

    >> It's a Knicks Sixers series and it's

  • 56:07

    coming to Philly. By the time people see

  • 56:08

    this, we we'll see what happen. The part

  • 56:10

    that has me really sad, I was kind of

  • 56:12

    sad that we won the other night, and I'm

  • 56:14

    not going to beat Mark down about this,

  • 56:16

    >> but I watched the game. We won the game.

  • 56:19

    The difference between a team that has

  • 56:21

    always bounced in the second round and a

  • 56:23

    team that, you know,

  • 56:25

    >> bouncen been under the bright lights

  • 56:27

    before, has a clutch player, Jaylen

  • 56:29

    Brunson, took the game over, took it

  • 56:30

    into his hands. Nobody could stop him.

  • 56:32

    Y'all put that tall linky boy on him.

  • 56:34

    Pause. I was really sad about the win.

  • 56:37

    Not because we won, but because I have

  • 56:40

    tickets to game five. [laughter]

  • 56:45

    >> And when I keep open I keep opening my

  • 56:48

    Knicks app.

  • 56:50

    [laughter]

  • 56:51

    >> I keep opening my ticket master app on

  • 56:53

    my phone

  • 56:54

    >> to check the date of the game.

  • 56:57

    >> Why?

  • 56:58

    >> It won't give you a date. It just keeps

  • 56:59

    saying

  • 57:00

    >> TBA.

  • 57:01

    >> TBD. Yeah. TBA. TBD.

  • 57:04

    >> It's not there right now. By the time

  • 57:05

    this broadcast air,

  • 57:06

    >> it's not there. Like if I open so

  • 57:09

    >> they not even thinking that game might

  • 57:11

    not exist is what they say in game game

  • 57:13

    five until the Sixers win a game. Game

  • 57:16

    game five is like an illusion.

  • 57:18

    [laughter]

  • 57:19

    >> That's true. You think we going to get

  • 57:20

    swept?

  • 57:21

    >> You really believe that foolishness?

  • 57:22

    >> I do.

  • 57:23

    >> You think we going you like to bet?

  • 57:25

    >> Uhuh.

  • 57:25

    >> Just $5.

  • 57:27

    >> You're [clears throat] not going to bet

  • 57:28

    me $5?

  • 57:28

    >> I'm not betting on the Knicks.

  • 57:30

    [laughter]

  • 57:31

    >> I'm with that kind of hatred. I respect

  • 57:33

    that. I respect that. I just don't think

  • 57:35

    there

  • 57:35

    >> gentleman sweep

  • 57:38

    >> gentlemen he's doing it like we'll do it

  • 57:41

    we'll do it like gentlemen

  • 57:42

    >> that might be that's at the bare minimum

  • 57:44

    because they might want to win the [ __ ]

  • 57:46

    at home.

  • 57:48

    >> Oh now y'all calling shots we win at

  • 57:50

    home but outside by choice so we lose so

  • 57:52

    we can win at home.

  • 57:52

    >> Philly is home for us too though.

  • 57:54

    >> That is kind of true.

  • 57:55

    >> Yeah no more it is.

  • 57:56

    >> No it's not.

  • 57:57

    >> We pulled them shots. We call them shots

  • 57:59

    man tell you tonight.

  • 58:01

    >> We going to see. You'll see tonight.

  • 58:02

    >> We going to see. We who we

  • 58:03

    >> You'll see tonight.

  • 58:04

    >> We going to watch.

  • 58:05

    >> I don't LIKE THE KNICKS.

  • 58:06

    >> I KNOW.

  • 58:07

    >> I'M A NO, I'M A FAN OF THE GAME.

  • 58:09

    >> I feel guilty even taking your money

  • 58:11

    over this. I do. I don't want it. No,

  • 58:13

    you don't.

  • 58:14

    >> I don't need it. The economy is bad. I

  • 58:16

    feel like it was a silly bet on your

  • 58:18

    behalf. I feel like it was wasteful from

  • 58:20

    you. You paid me last year. Take the

  • 58:23

    walk. I'm offering you a walk. I don't

  • 58:25

    want the $1,000. I don't. This is a bad

  • 58:27

    This is a bad wager. It was a bad wager.

  • 58:29

    You did it with pride. You did it with

  • 58:32

    ego. You did it for the love of the

  • 58:34

    game. The Joel Embiid call Carl Anthony

  • 58:37

    Towns fight. You was right there

  • 58:39

    touching on Joel Embiid, patting him in

  • 58:41

    the back.

  • 58:43

    >> That was odd. He's like, he's odd. That

  • 58:45

    was odd. He jumped in that C knock this

  • 58:47

    [ __ ] out.

  • 58:48

    >> Cat should have just the [ __ ] up part is

  • 58:51

    Joel Embiid came back to send Boston

  • 58:54

    home

  • 58:55

    >> and now this [ __ ] is out the

  • 58:56

    game again. Boston could

  • 58:58

    >> No, if I was Boston, I'd be super tired.

  • 58:59

    >> I'd be mad. I'm not sure Boston wins

  • 59:00

    that game.

  • 59:01

    >> No, they win the series as if Joel don't

  • 59:03

    play. But I'm but I'm saying game seven

  • 59:05

    cuz he had a hip his knee and hip

  • 59:07

    injuries been bothering him since

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