JBP
The Joe Budden Podcast
Episode 928

Money, Muscles & Movement

Joe Budden Podcast Episode 928, “Money, Muscles & Movement,” released May 14, 2026. The JBP’s latest episode begins with Joe commenting on the Knicks sweeping the Sixers (19:16) before the crew recaps their Mother’s Day 2026 (30:38). Pitchfork releases a disrespectful review of Chris Brown’s new album (45:36), The Roast of Kevin Hart on Netflix (53:51), and Caitlin Clark walking out with Morgan Wallen draws mixed reactions from fans (1:27:32). Also, Swatch and Audemars Piguet are planning a collaboration watch (1:37:18), Dr. Cheyenne Bryant’s appearance on the Breakfast Club (2:05:04), Kendrick Lamar’s ‘GNX’ and other videos being reuploaded (2:11:00) leads to release week for Drake’s ‘Iceman’, Paul Pierce’s comments about women with makeup (2:37:56), and much more! Full transcript and searchable timestamps below.

Money, Muscles & Movement

In this episode

  • 19:16The JBP’s latest episode begins with Joe commenting on the Knicks sweeping the Sixers
  • 30:38Before the crew recaps their Mother’s Day 2026
  • 45:36Pitchfork releases a disrespectful review of Chris Brown’s new album
  • 53:51The Roast of Kevin Hart on Netflix
  • 1:27:32Caitlin Clark walking out with Morgan Wallen draws mixed reactions from fans
  • 1:37:18Swatch and Audemars Piguet are planning a collaboration watch
  • 2:05:04Cheyenne Bryant’s appearance on the Breakfast Club
  • 2:11:00Kendrick Lamar’s ‘GNX’ and other videos being reuploaded
  • 2:37:56Leads to release week for Drake’s ‘Iceman’, Paul Pierce’s comments about women with makeup
Video Available
Audio Available
5,597 transcript lines

Joe Budden Podcast Ep. 928 Transcript

Full transcript of Money, Muscles & Movement (1:01:26 long). Search it, or click any timestamp to jump to that moment.

  • 0:01

    The thoughts, views, and opinions

  • 0:02

    expressed by this podcast whose bullets

  • 0:04

    hosts are for entertainment purposes

  • 0:06

    only. I repeat, it is not serious. It is

  • 0:09

    not real. No one is exposing, revealing,

  • 0:13

    indicting or telling you anything about

  • 0:14

    themselves. Also, we do not encourage

  • 0:16

    you to try this at home. We are trained

  • 0:18

    professionals who do not have your best

  • 0:20

    interest at heart or our own. Enjoy the

  • 0:22

    show.

  • 0:31

    Microphone check. What is this?

  • 0:36

    JB back to business.

  • 0:41

    I guess right now we should start the

  • 0:42

    show.

  • 0:45

    >> Oh my god. Jesus. Welcome. Welcome to

  • 0:47

    the show.

  • 0:48

    >> We trying to be like each other again.

  • 0:50

    Corny calling each other like girls.

  • 0:52

    Hey, you know what I'm wearing today,

  • 0:54

    King? You know, I wear the lever. I got

  • 0:56

    this. Yeah, y'all [ __ ] is weird. I

  • 0:58

    don't speak to ish unless

  • 1:01

    I did something crazy on the internet

  • 1:03

    like my bank account leaked or some

  • 1:05

    [ __ ] That's what I called me.

  • 1:07

    >> Yo,

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    >> yo, you trying to be cool?

  • 1:10

    >> He called that support hate.

  • 1:11

    >> Yo, you know what you just did? You look

  • 1:14

    stupid. Yeah, support.

  • 1:15

    >> You good?

  • 1:15

    >> It's support.

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    >> Yeah, you What's the hate part?

  • 1:18

    >> Cuz you in your house rooting against

  • 1:19

    me. But you calling me like we friends,

  • 1:20

    [ __ ] We don't talk. I don't need you

  • 1:22

    to call me with nothing bad. I just know

  • 1:24

    you contradicting yourself, right? How?

  • 1:26

    >> If I was in my house rooting against

  • 1:27

    you, I wouldn't tell you take the dumb

  • 1:28

    [ __ ] down.

  • 1:29

    >> That's support hate.

  • 1:30

    >> No, it's not. It the hate is they about

  • 1:32

    to roast this [ __ ] over what he doing.

  • 1:33

    That's hate.

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    >> First of all, I'm being jovial with you.

  • 1:36

    >> I know. BUT IT DOESN'T MAKE SENSE.

  • 1:37

    >> WHY YOU ALWAYS GOT TO EXPLAIN TO THIS

  • 1:38

    [ __ ]

  • 1:39

    >> BECAUSE he get too he'll say something

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    about my family, my grandma. Explain to

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    you.

  • 1:45

    >> I SEE WHAT HE'S SAYING. You don't do

  • 1:46

    that. Talk to your man. Mitch don't do

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    that. But it makes

  • 1:50

    YOU LOOK AT YOUR PRIVILEGE THIS WEEKEND.

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    LOOK AT MITCH. MITCH JUST JUMPED IN FOR

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    YOU, [ __ ] LOOK AT HE'S AGREEING with

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    you. He was a teacher, [ __ ] What he

  • 1:59

    talking?

  • 2:00

    >> YOUR TEACHER JUMPED IN FOR YOU AND

  • 2:01

    HELPED YOU, [ __ ]

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    >> I was disagreeing. He was disagreeing

  • 2:03

    with it. That's a trick. That's that

  • 2:05

    support hate [ __ ] be doing. Listen, he

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    trying to act like he

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    support.

  • 2:14

    >> You can never just be what you want.

  • 2:16

    Give me the

  • 2:17

    >> but I I got him in the school.

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    HE WON'T TAKE A SHOT FOR YOU. I'M GOING

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    TO SHOW YOU real [ __ ]

  • 2:24

    I get it. I'mma put this WORK FOR YOU.

  • 2:26

    OG.

  • 2:27

    >> WHO IS THAT ON THAT DAY?

  • 2:29

    >> YOU PUT THE CHAIN OVER THERE, HUH? A

  • 2:31

    slave to the man, boy. A slave to the

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    system. Yeah. Got that chain out, little

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    I thought you would stand on your

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    square. A slave to the [ __ ] system.

  • 2:38

    Yeah. Look at you. Yeah.

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    You want it? You want it, right? You

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    know I'm more time. I'm on. I don't

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    know. YOU ON

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    the start. We have You're a support

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    hater.

  • 2:55

    >> Yeah, you sound it.

  • 2:56

    >> He know. No, he's not.

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    >> He really does.

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    >> He's not. He's not.

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    >> He is a thing, but he's not that.

  • 3:01

    >> Yeah, he's really supportive.

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    >> No, I feel y

  • 3:07

    >> He don't support hate y'all.

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    >> How he support you?

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    >> He's just like the most supportive

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    person I know.

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    >> He is.

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    >> I'm not even being funny. No, he is. I

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    want to know.

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    >> I'm curious.

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    >> But do you think he overcompensate by

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    being extra supportive? Cuz he do be a

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    little extra supportive. It's a little

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    bit too much for a man. Like

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    >> don't call me during

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    this day. So when you call me like you

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    know what yo I was overcompensating.

  • 3:37

    >> You call them you have dialogue with

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    them. You see you get that's where they

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    got you at the end of the day cuz you be

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    friends with them. Then don't got you.

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    >> I don't.

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    >> He been friends with you for over 20

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    years. Yo,

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    >> he know mad [ __ ] about you. Yo,

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    >> this is my man.

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    >> A lot of This is his man.

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    >> That's his bag.

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    >> He my man in real life.

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    >> You don't got a lot of mans.

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    >> No. No. You know that. A handful.

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    >> I don't know that.

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    >> You have more mans than anybody in here

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    put together.

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    >> I wouldn't know that either.

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    >> Yes. Don't be foolish.

  • 4:08

    >> You're not talking about one [ __ ] I

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    think my man that part might be true.

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    You're not talking about one man when

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    you say my man all the time.

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    >> Yo dog,

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    >> my man did this. Ask Cory know him. He

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    know one the same.

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    >> No, he know a bunch of that I know.

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    >> Yo fam, it's not my fault that I'm well

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    loved outside.

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    >> You are well loved, but you be reaching

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    for the love.

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    >> I don't like you go.

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    >> I think you was a male jiggler.

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    >> Yo, which one is it? I reach for the

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    love or I'M NOT WHICH ONE IS IT? Y'ALL

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    SAY WHEN I walk in the spot, I'm just

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    walking in the spot minding my business

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    and the love comes to me. Which one is

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    it? I reach for the love or I don't

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    >> You love You reach for love. You're a

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    relationship. walking the spot to make

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    sure you're relationship like you chase

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    relationships with strangers. That's why

  • 4:46

    we couldn't cover the Cheyenne Brian

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    [ __ ] a couple weeks ago cuz you chase

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    that relation. You chase relationships.

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    All right. This wild you get cloudy

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    especially with famous.

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    >> People that have money, muscles of

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    movement, you chase the relationship.

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    >> Money, muscles.

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    >> Money, muscles of movement. You chase

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    the relationship. All right. So, I'm

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    muting up now. Floor is yours.

  • 5:05

    >> I do the move now.

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    >> Tell what we couldn't disc uh release

  • 5:09

    for Shy and Brian. We couldn't talk the

  • 5:10

    other day about the Cheyenne Bryant [ __ ]

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    when the other doctor had her in scope.

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    >> Why? Because I have a relationship with

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    somebody that I don't want to ridicule

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    them because they got a book coming out

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    and I don't want to step on them

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    opportunities to get no money.

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    >> Yes.

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    >> That that's not me trying to get a

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    relationship with Cheyenne Bryant.

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    >> You just met You just met that lady an

  • 5:28

    hour ago

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    >> and y'all biged up the relationship that

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    we quote unquote fake had. Not me. Y'all

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    made me and Cheyenne Bryant's

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    relationship something bigger than it

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    was when y'all hit her in the back.

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    wasn't. All right.

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    >> I didn't do that. Y'all did that. So you

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    can't say I'm trying to chase no

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    Cheyenne Bryant. I don't give a [ __ ]

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    about no relationship with Cheyenne

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    Bryant.

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    >> That's another black woman out here

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    trying to get some paper. I don't want

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    to step on it.

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    >> Relationship. So can we talk about it

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    today?

  • 5:53

    >> Of course we could.

  • 5:54

    >> All right, then meet up.

  • 5:56

    >> Keep going though.

  • 5:57

    >> What?

  • 5:58

    >> Keep going though.

  • 5:59

    >> S.

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    >> What about her?

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    >> Chase that relationship?

  • 6:01

    >> Never.

  • 6:02

    >> How? These are people you just meet in

  • 6:04

    10 minutes and then you jump on their

  • 6:05

    clip and then

  • 6:07

    >> I'm being joial with you. I know I'm

  • 6:09

    being jovial with you. That's what I'm

  • 6:10

    telling you. My face is serious. No, but

  • 6:12

    my face. NO, WAIT. MY FACE IS SERIOUS.

  • 6:14

    >> I GOT HIM.

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    >> BUT THAT'S PART OF I'M FALL BACK. WATCH

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    THIS.

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    >> YEAH. Mute your man.

  • 6:24

    Mark

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    your ass, [ __ ]

  • 6:32

    >> Yeah, I'm [ __ ] over here. I'm talking

  • 6:34

    [ __ ] right now. You about to shoot at

  • 6:37

    me?

  • 6:37

    >> Yeah. Shoot at me. WHAT? SHOOT AT ME.

  • 6:39

    WHAT?

  • 6:42

    YOU SAID DON'T DISTRACT IT, [ __ ] HE

  • 6:44

    TOLD ABOUT A BRIAN. YOU CHASE

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    RELATIONSHIPS, PERIOD. A LOT OF US

  • 6:47

    DON'T. WE DON'T GIVE A [ __ ] ABOUT THEM.

  • 6:48

    WE SECURE OUR RELATIONSHIPS THAT WE IN,

  • 6:50

    BUT we don't meet new build

  • 6:51

    relationships. Ian and Dumb is the

  • 6:53

    EXCEPTION WITH ME. WE DON'T MEET new

  • 6:55

    build relations like you do.

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    >> We love shout.

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    >> Stop taking other people's words and

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    using them for yours. Name a

  • 7:02

    relationship I built

  • 7:04

    >> with who you don't have a relationship

  • 7:06

    with. I don't have a relation.

  • 7:10

    I don't have a relationship with you.

  • 7:13

    HAVE I EVER SMOKE? LET ME JUST

  • 7:15

    ASS

  • 7:20

    [ __ ] to say I don't think you're doing

  • 7:21

    anything inappropriate. Let me make it

  • 7:22

    clear. I don't have to do it in your

  • 7:24

    window. [ __ ] I'm telling you that when

  • 7:26

    it come to [ __ ] and you feel LIKE YOU

  • 7:27

    COULD UTILIZE THEM, you be cool with

  • 7:29

    them.

  • 7:31

    TYRESE [ __ ] ASS [ __ ]

  • 7:34

    >> WHO DO THAT MORE THAN ME?

  • 7:35

    >> YOU. You do that.

  • 7:36

    >> No, you could, [ __ ] He was HAPPY TO

  • 7:38

    SEE THE GUARD, [ __ ] I WALKED IN FOR ME

  • 7:41

    CUZ MY IMPRESS WAS AT YOUR FLIP.

  • 7:43

    TALK to him, Flip.

  • 7:44

    >> Talk to him, Flip. Stop playing with

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    him.

  • 7:47

    >> We got a great show lined up for y'all.

  • 7:50

    We going to get to it at some point.

  • 7:51

    We'll get to it.

  • 7:52

    >> We're shooting the [ __ ] We happy to see

  • 7:53

    each other. Y'all sit there. We have a

  • 7:54

    good time.

  • 7:55

    >> As long as he alive, you're a

  • 7:56

    millionaire.

  • 7:59

    >> I was a millionaire, BUT

  • 8:01

    I FEEL IT'S OKAY, BRO. BUT HE MADE YOU A

  • 8:03

    MILLIONAIRE.

  • 8:04

    >> WHO? You a millionaire when I met Joe.

  • 8:07

    >> He made you a millionaire. You got me

  • 8:09

    here when I met I MADE A MILLION BEFORE

  • 8:12

    I GOT HERE. YOU GOT TO DO A

  • 8:14

    >> BUT I MADE A MILLION.

  • 8:15

    >> YOU GOT TO BE IN THE WHEEL SOMEWHERE.

  • 8:18

    >> WHY YOU EXTRA HAPPY TODAY? WHY YOU

  • 8:20

    ACTUALLY HAPPY DURING THIS TK?

  • 8:21

    >> CHEYENNE made me happy. No, you know

  • 8:23

    what made you happy?

  • 8:24

    >> AND YOU GOT YOU GOT Hold up for a minute

  • 8:26

    cuz he said that [ __ ] last. You got to

  • 8:28

    stop pumping up them [ __ ] them $30,000

  • 8:31

    two families you got.

  • 8:33

    >> Wait, hold on. Why they

  • 8:34

    >> You got to stop. You got to stop pumping

  • 8:35

    that up.

  • 8:35

    >> Why would I do that if they worth $800?

  • 8:37

    Stop bumping that up. Why would I do

  • 8:38

    that?

  • 8:39

    >> You got a bunch of $800,000 A DAY. WHY

  • 8:41

    WOULD I WHY WOULD I We got to get them

  • 8:43

    appraised. Not the little scammer

  • 8:44

    appraiser that you be using.

  • 8:46

    >> We got to use the real appraisal. We got

  • 8:48

    to use the real you don't know nothing.

  • 8:51

    Appraisers come from the bank. I don't

  • 8:52

    hire them.

  • 8:53

    >> Oh,

  • 8:57

    not from Not from that little scammer.

  • 9:00

    NOT FROM HOLD ON. NOT FROM THE CHINESE

  • 9:02

    MAN. YOU TOOK ME TO THE LITTLE CHINESE

  • 9:04

    MAN OVER THERE in Korea Town. at the

  • 9:06

    end. Look at that.

  • 9:09

    >> [ __ ] you talking about, [ __ ] You

  • 9:11

    crazy.

  • 9:12

    >> Dish is in the lead. Even if he doesn't

  • 9:15

    know it for my man's

  • 9:18

    >> not even close.

  • 9:19

    >> We going close. We don't even need to

  • 9:20

    have this talk with him. My I was I was

  • 9:23

    aiming at Mark because if is 1A, then I

  • 9:26

    got Mark at 1B for man.

  • 9:28

    >> You got them close.

  • 9:29

    >> Yes.

  • 9:30

    >> I see. I don't have them close.

  • 9:31

    >> I think I think Mark just gets it off

  • 9:33

    more covertly.

  • 9:34

    >> He does. Like he's smoother with it.

  • 9:36

    It's just a casual conversation. You

  • 9:37

    know what it is? Yo, my man, my man. My

  • 9:39

    man, my man.

  • 9:39

    >> Mark Mark will drop a heavier name.

  • 9:43

    >> Yes.

  • 9:43

    >> Yeah,

  • 9:43

    >> that's what it is. It's got more mans.

  • 9:46

    >> Fish definitely got a wider network of

  • 9:48

    friends. It should be outside more. He's

  • 9:49

    been outside longer. But okay, then I

  • 9:51

    have the same premise.

  • 9:53

    >> Both these [ __ ]

  • 9:55

    >> accept people that don't really them at

  • 9:59

    all. They just a bunch of money. Hold

  • 10:01

    on. I would say that

  • 10:05

    I was

  • 10:07

    my man [ __ ] with this [ __ ] No, no, of

  • 10:10

    course [ __ ] [ __ ] with this what I'm

  • 10:12

    saying. We love These guys are well

  • 10:13

    loved, wellliked, and well respected.

  • 10:16

    That's a caveat. That's to the side.

  • 10:17

    That is not in this talk. We're talking

  • 10:19

    about my man's my man's my man's

  • 10:22

    >> and my man's that

  • 10:24

    >> when I say somebody's my man.

  • 10:25

    >> Oh, I get what you say about him. like

  • 10:27

    the name that he said.

  • 10:28

    >> Yeah, he like you don't really know if

  • 10:30

    that's

  • 10:30

    >> He said Denzel was his man.

  • 10:33

    He did not say

  • 10:37

    but he said DENZEL WAS HIS BEST FRIEND.

  • 10:39

    I NEVER SAID THAT THE NAME that [ __ ]

  • 10:42

    better picture.

  • 10:43

    >> He said that was his first time he was

  • 10:45

    in this

  • 10:48

    matter is Felicia Felicia Rashad. IT

  • 10:51

    ANYBODY ANY OF THEM NAMES HE BRING THEM

  • 10:53

    UP ANYTIME somebody die. Assad Shako I

  • 10:55

    just spoke to her family. I was on the

  • 10:56

    phone with a few weeks ago. He think cuz

  • 10:58

    he's in the socialist group uh black

  • 11:00

    group chat that he get to come in and

  • 11:01

    just know everybody. He don't know

  • 11:02

    these. He don't know nobody.

  • 11:04

    >> Maybe not. But when I said he my man, I

  • 11:05

    do.

  • 11:06

    >> Yeah.

  • 11:06

    >> I don't believe it.

  • 11:07

    >> And and to me, my man is different than

  • 11:09

    like that's my dear close friend or

  • 11:11

    that's my best friend. If I say that's

  • 11:12

    my man, it means we got enough of a

  • 11:13

    relationship that I'm going consider

  • 11:16

    them when I make a choice. So, so we was

  • 11:19

    talking off uh camera. It was talking

  • 11:22

    about interviewing somebody that might

  • 11:24

    or whatever and I was like, well, I

  • 11:25

    wouldn't do that to

  • 11:27

    >> that person because that's my man,

  • 11:29

    right?

  • 11:29

    >> The person we talked about, I've known

  • 11:30

    since [ __ ] grade.

  • 11:31

    >> Let me ask you a question. When you say

  • 11:33

    look, when when last time you spoke to

  • 11:34

    him?

  • 11:34

    >> That that was

  • 11:35

    >> two months ago

  • 11:36

    >> on a telephone

  • 11:38

    >> in person. No,

  • 11:39

    >> no.

  • 11:42

    That's different.

  • 11:42

    >> That's not true.

  • 11:43

    >> That means absolutely nothing.

  • 11:45

    >> I'm in a spot and I just run into

  • 11:46

    somebody that I Oh, [ __ ] We can have a

  • 11:48

    conversation. THAT'S NOT NECESSAR. I

  • 11:51

    DIDN'T I DIDN'T

  • 11:51

    >> HOW MANY answer the phone if you called?

  • 11:54

    That's different.

  • 11:55

    >> THAT'S MY MAN. THAT'S MY MAN.

  • 11:57

    >> OF COURSE HE WOULD ANSWER THE PHONE.

  • 11:58

    >> I'm tell it depends on the in-person

  • 12:00

    meeting. The Inerson meeting might not

  • 12:02

    have been random. It could have been,

  • 12:04

    yo, my what you doing? Let's go out and

  • 12:05

    get something to eat. It was somewhere

  • 12:06

    in the middle of that. It was yo, I'm

  • 12:08

    having a thing come through. It wasn't a

  • 12:09

    one-on-one meeting, but he he personally

  • 12:11

    called me.

  • 12:11

    >> You invite me to your call. That's what

  • 12:14

    I'm saying.

  • 12:14

    >> So, he did call you?

  • 12:15

    >> Yeah. We'd have a phone conversation. He

  • 12:16

    texted me and said, I mean, wait, hold

  • 12:18

    on. Listen what I'm saying. What time

  • 12:19

    did you buy?

  • 12:20

    >> If somebody TEXTS ME AND SAYS, "YO, I'M

  • 12:21

    HAVING a a thing. I want you to come

  • 12:23

    through." And then I go,

  • 12:24

    >> the phone conversation is not a

  • 12:25

    barometer cuz who [ __ ] people? No, no,

  • 12:29

    no. It's not the point. No, no, no, no,

  • 12:30

    no. Well, but that's not the point.

  • 12:33

    Nobody calls anybody. However, if I pick

  • 12:36

    up the phone and search your name and

  • 12:38

    hit

  • 12:40

    >> Will they will they answer?

  • 12:41

    >> That's that is a measuring that's a

  • 12:43

    boundary. That is when SOMEBODY INVITES

  • 12:46

    YOU TO their kickback at the crib to

  • 12:48

    watch the Super Bowl. That means

  • 12:49

    something. THAT MEANS SOMETHING. BUT

  • 12:51

    WHAT ARE WE talking about?

  • 12:52

    >> It was It means little. It means very

  • 12:54

    little. It wasn't at the crib.

  • 12:55

    >> No, he was giving an example. But yeah,

  • 12:56

    >> I'm asking you.

  • 12:57

    >> NO, BUT THE PERSON LIVES IN LA. HE'S

  • 12:58

    LIVING IN YOU. THEY LIVE IN LA. They

  • 13:01

    came to New York and invited me to the

  • 13:03

    thing they're doing in New York.

  • 13:04

    >> Nah.

  • 13:05

    >> How big of A THING?

  • 13:06

    >> 30 PEOPLE THERE.

  • 13:07

    >> OH, then it's cool.

  • 13:09

    >> That's something, bro.

  • 13:11

    >> What are we talking about?

  • 13:12

    >> Did you go?

  • 13:13

    >> No. Get the [ __ ] OUT OF HERE. EXACTLY. I

  • 13:16

    DON'T WANT TO HEAR THAT.

  • 13:17

    >> I DON'T WANT TO HEAR THAT. BUT WHY AM I

  • 13:20

    PUT YOU IN TOWN? THIS IS YOUR MAN OF MY

  • 13:23

    >> MAN. I GOT TO BE IN TOWN, YOU KNOW.

  • 13:25

    >> YO, SO IF YOU WERE MY REAL FRIEND, I

  • 13:27

    WOULDN'T HAVE HAD ANOTHER EVENT. I WOULD

  • 13:28

    HAVE HAD NOWHERE ELSE TO BE.

  • 13:30

    >> MAYBE I GOT TWO FRIENDS.

  • 13:30

    >> YO, WHEN MY BIRTHDAY COMES, I'm going to

  • 13:32

    call people that ain't in town and THEY

  • 13:34

    AIN'T GOING TO COME.

  • 13:35

    >> AND ANYBODY WHO DOESN'T COME ISN'T YOUR

  • 13:37

    FRIEND ANYMORE.

  • 13:37

    >> NO, not necessarily. NO,

  • 13:39

    >> THAT'S THE POINT. THE POINT MOST OF THEM

  • 13:41

    WILL.

  • 13:43

    Y first.

  • 13:46

    Hey, y'all want to walk to the camera?

  • 13:48

    Cuz now I'm going seem like the guy is

  • 13:49

    hating on y'all phony relationships and

  • 13:50

    I want to do

  • 13:50

    >> THEY'RE NOT PHONY RELATIONSHIPS.

  • 13:52

    >> THEY ARE PHONY RELATIONSHIP. Call him

  • 13:54

    right now.

  • 13:54

    >> I don't over CALL HIM RIGHT NOW.

  • 13:56

    >> I DON'T CALL HIM RIGHT NOW.

  • 13:58

    >> I think Mark is second in man. So I

  • 13:59

    think he that's second in man.

  • 14:03

    But I don't overstate the relationship.

  • 14:04

    But I say I don't I don't pretend that

  • 14:07

    we best friends and we tight. I'm saying

  • 14:09

    that's somebody. Why you still trying to

  • 14:11

    help him? He'll turn on [ __ ]

  • 14:12

    >> HOW YOU PUT ME IN IT?

  • 14:13

    >> WE GOT HIM ON. NO,

  • 14:14

    >> you'll turn on this.

  • 14:16

    >> You'll turn on [ __ ] you cool with. I

  • 14:18

    NEVER HE CAN'T GET ME.

  • 14:19

    >> Don't worry.

  • 14:20

    >> He do that to y'all [ __ ] He can't get

  • 14:22

    me. This hit me. I'm good, [ __ ] You

  • 14:24

    thought you did the My man beat out.

  • 14:26

    That don't mean nothing, [ __ ] DON'T

  • 14:26

    DEFEND ME, [ __ ] I didn't need none of

  • 14:28

    y'all defend ME, [ __ ] I'M DONE THOUGH.

  • 14:30

    WHAT THE WRONG YOU [ __ ] What just

  • 14:33

    happened? There we go. I'll take these

  • 14:36

    off. All right.

  • 14:39

    Some more

  • 14:42

    [ __ ] MIC CHECK 1212. MIC check 1212.

  • 14:47

    Look, start raining.

  • 14:53

    >> I'm sweeping

  • 14:57

    y'all.

  • 15:02

    >> New York.

  • 15:02

    >> Hey, New York.

  • 15:04

    >> It's such a beautiful DAY IN NEW YORK

  • 15:05

    CITY. MIKE CHECK.

  • 15:06

    >> WE'RE not in New York City.

  • 15:07

    >> I'm so happy to be in

  • 15:11

    New York City.

  • 15:13

    Oh,

  • 15:15

    >> and it's always sunny in Philadelphia.

  • 15:20

    >> So glad to be here. I want to GET

  • 15:22

    >> BIG JERSEY. BIG JERSEY. SHOUT TO THE

  • 15:24

    FIVE BARRELS. HEY,

  • 15:27

    WHATEVER YOU PLAYED IT FOR, we played it

  • 15:29

    for. I played it for Queens.

  • 15:38

    >> Last night

  • 15:40

    four.

  • 15:42

    I know about

  • 15:50

    different

  • 16:02

    >> FROM THE WEB. IT'S THE NETWORK.

  • 16:07

    >> WOW. WOW. You guys all right?

  • 16:10

    >> Even better.

  • 16:13

    No, my son. I'm not far from

  • 16:15

    >> Give my son a tissue.

  • 16:17

    You should not be that. Give myself a

  • 16:19

    tissue gang.

  • 16:20

    >> I knew coming in here sitting like that.

  • 16:22

    >> Baby, why? Baby, why you not wiping my

  • 16:24

    forehead while I'm sitting here

  • 16:25

    sweating?

  • 16:27

    >> Why my paper from you sitting right

  • 16:30

    there?

  • 16:31

    >> All right. What's the name of

  • 16:36

    what's 12? That's why. All right. 12.

  • 16:38

    That's why. All right.

  • 16:39

    >> A little bit closer. YEAH, SHE WOULDN'T

  • 16:41

    DO THAT [ __ ] on 24.

  • 16:43

    >> [ __ ] you doing?

  • 16:44

    >> What happened?

  • 16:46

    >> I should have got the towel and wip. I

  • 16:48

    know. I know.

  • 16:49

    >> Oh [ __ ]

  • 16:50

    >> Look at the two losers. The losing team.

  • 16:53

    >> Yo, both y'all [ __ ] lost.

  • 16:54

    >> Mass's brown is wet.

  • 16:55

    >> Yeah, I know. I know. I know. I know

  • 16:57

    that [ __ ] master though.

  • 16:58

    >> Why y'all laugh at his slave jokes? This

  • 16:59

    [ __ ] is trash. He's white. He's

  • 17:01

    misapproprian. He's not black.

  • 17:02

    >> I'm not black.

  • 17:03

    >> He's not blue. Are you hot?

  • 17:04

    >> Okay.

  • 17:04

    >> Chris Brown is the blackest [ __ ] that

  • 17:06

    you know, [ __ ] And you're not black.

  • 17:07

    >> Lots of stuff going on today, guys.

  • 17:09

    Let's get to it. HOW'S EVERYBODY'S

  • 17:11

    MOTHER'S DAY?

  • 17:11

    >> OH [ __ ]

  • 17:13

    It wasn't great.

  • 17:14

    >> It wasn't on the board. I figured it

  • 17:15

    might I forgot.

  • 17:16

    >> We should do an intro to the show. Maybe

  • 17:18

    >> I'm sorry. I was trying to stop.

  • 17:20

    >> That's true. What episode is this?

  • 17:21

    >> 928.

  • 17:22

    >> Oh, that was great.

  • 17:26

    >> You said 928.

  • 17:27

    >> Welcome to episode 928 of the Joe Button

  • 17:29

    podcast brought to you

  • 17:32

    brought to you by power by fueled by

  • 17:34

    price. Price fix gang. Yeah, I'm your

  • 17:36

    humble grateful gracious extremely

  • 17:38

    happy to be here. Host Joe Button here

  • 17:40

    with some really amazing people. To my

  • 17:41

    right,

  • 17:42

    >> Queens get the money. Queens Flip is in

  • 17:45

    the building.

  • 17:45

    >> In the building,

  • 17:46

    >> next to him,

  • 17:49

    >> Mark is here.

  • 17:51

    >> Our good brother Philly's finest Dr.

  • 17:53

    Mark Lamar Hill is in the building. Next

  • 17:55

    to him, Mr. Thousand Doors and Up. Big

  • 17:58

    issues in the building. Next to him, the

  • 18:00

    freeziest of them all. Big freeze.

  • 18:02

    Crushed ice is here today. Next to him,

  • 18:05

    we got Elmyra's finest. Big Parks in the

  • 18:08

    building. White Po is in the building.

  • 18:10

    Cory and Love Ass is here. Uh, my baby

  • 18:12

    is here. Erikson is here. Tanner and

  • 18:14

    Savannah are here by remote. And last,

  • 18:16

    but certainly not least, each and every

  • 18:18

    one of you guys are here. And shout out

  • 18:20

    to any Sixers that might be listening

  • 18:22

    since you guys got nothing but time on

  • 18:23

    your hands.

  • 18:24

    >> Oh [ __ ]

  • 18:25

    >> God damn, bro.

  • 18:27

    >> Wow.

  • 18:28

    >> Yeah.

  • 18:29

    >> He's not done.

  • 18:30

    >> No, he's done.

  • 18:32

    >> He's a sore. This is just getting. So,

  • 18:33

    we're going to get in hour two. We can

  • 18:35

    start the podcast. We have a great show.

  • 18:37

    In hour two,

  • 18:37

    >> this y'all don't deserve nothing. Like,

  • 18:39

    >> yeah, I don't even know how to act.

  • 18:40

    >> Yeah, it's a second round win. Y'all

  • 18:42

    won.

  • 18:44

    >> Be gracious. You like Philadelphia.

  • 18:46

    >> Yeah, we we in the building New York is

  • 18:48

    you down there with New York now.

  • 18:49

    >> No, it's Lakers got wiped out last

  • 18:52

    night too.

  • 18:53

    >> He sneaking under the M.

  • 18:54

    >> I mean, but I mean, it's different.

  • 18:55

    What's the followup team? You

  • 18:57

    >> said it's different.

  • 18:57

    >> If Tyrese Maxi wasn't there, nobody

  • 18:59

    would have thought y'all was going to

  • 19:00

    win. If y'all had a healthy I mean if

  • 19:03

    y'all had a injured VJ Edgecom nobody

  • 19:06

    thought y'all was going to win.

  • 19:07

    >> We had a half injured Embiid

  • 19:10

    who you said y'all played better

  • 19:11

    without.

  • 19:12

    >> Yeah but the problem is he's in the

  • 19:14

    game.

  • 19:16

    >> I rather just not play

  • 19:17

    >> succeeded in a ground invasion to the

  • 19:20

    levels like we saw yesterday.

  • 19:22

    >> Ground invasion.

  • 19:22

    >> I mean we were there last year. We were

  • 19:24

    there for game six and it was an

  • 19:26

    invasion and it was uncomfortable for

  • 19:28

    Philly fans. I looked into their eyes.

  • 19:30

    They didn't know I was sympathetic, but

  • 19:31

    I looked into their eyes and said, "Man,

  • 19:33

    I feel bad for you suckers." What

  • 19:35

    happened yesterday in the city of

  • 19:36

    Philadelphia is going to be studied

  • 19:39

    because I don't know if we've ever seen

  • 19:42

    anything like this. I know that the

  • 19:44

    Philly fans not going to want to admit

  • 19:46

    this. They're going to say, "Well, it's

  • 19:48

    the Sixers. We didn't believe in the

  • 19:49

    Sixers. It's not the Eagles. COME BACK

  • 19:52

    DURING FOOTBALL SEASON, GIRL." This is a

  • 19:55

    black eye for the city of Philadelphia.

  • 19:59

    Let me say something, man. I I sadly

  • 20:01

    agree. I agree.

  • 20:02

    >> It is embarrassing. I I I have floor

  • 20:04

    seats to the game. Somebody offered to

  • 20:06

    buy mine.

  • 20:07

    >> A New Yorker.

  • 20:08

    >> Mhm.

  • 20:08

    >> With a much bigger upcharge. I said no.

  • 20:11

    >> Wow.

  • 20:12

    >> Out of pride for my city.

  • 20:14

    >> Respect. Respect.

  • 20:15

    >> You should have took that money.

  • 20:15

    >> No. [ __ ] that. Could have paid that.

  • 20:17

    >> I could pay for some of these bets I

  • 20:19

    love. But no, but like you can't do

  • 20:20

    that, man. It's embarrassing to walk

  • 20:22

    into an arena and hear that many New

  • 20:25

    York. I'm at home listen watching the

  • 20:26

    game and I heard the cheer. Oh [ __ ] we

  • 20:28

    scored. And it was the [ __ ] who scored.

  • 20:30

    That's how many people were in the

  • 20:31

    audience. True. Yo, it's embarrassing.

  • 20:33

    Yo, three pointers.

  • 20:35

    >> Yeah. And we too big of a sports center,

  • 20:37

    sports city for that to look like that.

  • 20:40

    It wouldn't happen with the Eagles. It

  • 20:41

    wouldn't happen with the Phillies. But

  • 20:42

    this [ __ ] is crazy. Y'all just got to

  • 20:43

    get banned from the [ __ ] from the

  • 20:46

    stadium.

  • 20:46

    >> Only reason it wouldn't happen in Philly

  • 20:47

    with the Eagles cuz y'all be throwing

  • 20:50

    batteries and [ __ ] Y'ALL CAN'T DO THAT.

  • 20:53

    >> Y'ALL CAN'T DO THAT. THAT'S WHAT HAPPEN.

  • 20:55

    >> Do me a favor. I don't want to hear

  • 20:56

    nothing about Philly for a second.

  • 20:58

    >> Cheese,

  • 20:58

    >> [ __ ] You just played a Philly clip.

  • 21:00

    >> I didn't play Freeway. I didn't play

  • 21:03

    Pety Crack, The Roots, Eve.

  • 21:06

    >> I didn't play none of that [ __ ] And I

  • 21:08

    love all that music. I ain't play that

  • 21:09

    today.

  • 21:09

    >> I don't want to hear nothing about

  • 21:11

    Philadelphia, Eagles, any other bird.

  • 21:14

    >> Yeah. Jill Scott. I don't want to hear

  • 21:15

    none of that [ __ ] today. I ain't going

  • 21:17

    to lie to you. Y I can't I can't not

  • 21:18

    today. I can't stomach it.

  • 21:19

    >> Oh, I can't wait for this. Why y'all to

  • 21:21

    lose? I hope y'all lose

  • 21:22

    >> cuz the one game I try to root for y'all

  • 21:24

    bum asses so I could go to game five. My

  • 21:27

    baby done went to Gucci, bought a little

  • 21:28

    outfit that we got. We're going to

  • 21:30

    return it. Don't get crazy.

  • 21:31

    >> Oh [ __ ]

  • 21:32

    >> We're going to return it. But we bought

  • 21:33

    a little outfit to go to the game

  • 21:36

    >> and I'm in the store saying

  • 21:38

    >> yo the way they looked. Yo, I just don't

  • 21:41

    I don't think it's going to be a game.

  • 21:43

    Then the game aired.

  • 21:46

    >> First six minutes.

  • 21:48

    >> Over. Over.

  • 21:49

    >> Oh, it ain't no game over game. She was

  • 21:51

    doing that for the quarter.

  • 21:56

    >> Uh

  • 21:58

    broke broke a playoff record for threes

  • 22:01

    made in a quarter. Tied a playoff record

  • 22:04

    for most threes made in a half. Tied the

  • 22:07

    playoff record for most threes made in a

  • 22:10

    game. Shot 58% from three was something

  • 22:13

    absolutely unheard of. 51% from the

  • 22:16

    field I think in the first quarter or

  • 22:19

    the first half. I don't remember. They

  • 22:21

    only took 10 twos.

  • 22:22

    >> Yeah,

  • 22:24

    >> first half. It was embarrassing. Might

  • 22:25

    have been a half.

  • 22:26

    >> It was bad out there. Do you still stand

  • 22:29

    by Tyrese Maxi being a better player

  • 22:32

    than a captain Jaylen Brunson?

  • 22:34

    >> Yeah, come on.

  • 22:35

    >> So, you don't hear from Philadelphiaians

  • 22:36

    today, so I'm going to I'm going to

  • 22:37

    honor your request.

  • 22:39

    >> Yo, VJ Edgecomb, what's good? You're 20

  • 22:43

    years old, was 19 when the season

  • 22:44

    started. I got nothing bad to say about

  • 22:46

    you. Your future is extremely bright.

  • 22:49

    Unfortunately for you, playoff lights

  • 22:50

    are brighter.

  • 22:51

    >> No lights was different.

  • 22:52

    >> Yeah,

  • 22:52

    >> playoff lights are brighter. Tyrese

  • 22:54

    Maxi, regular season stats real good.

  • 22:57

    You got a bright future ahead of you. I

  • 22:59

    think the team should build around you.

  • 23:00

    Playoff lights are bright. It's

  • 23:02

    different when one team is playing you

  • 23:04

    back to back to back to back and it's

  • 23:06

    game planning for just you. It does get

  • 23:08

    tough. Captain Brunson could have told

  • 23:10

    him that. It's a IQ thing. Joel Embiid,

  • 23:13

    three years left. just signed an

  • 23:15

    extension 60 million per.

  • 23:18

    >> Yeah.

  • 23:20

    >> Yeah. It's going to be tough. It's going

  • 23:21

    to be tough. As for the Knicks, I'm not

  • 23:23

    celebrating beating the Philadelphia

  • 23:25

    76ers. Like I said before that series

  • 23:27

    started, we're supposed to do that.

  • 23:30

    There's no celebration to be had. They

  • 23:32

    weren't our peers. Uh we're celebrating

  • 23:35

    the fashion in which it was done.

  • 23:38

    Uh, only three other teams in the

  • 23:41

    history of the league have clinched

  • 23:43

    playoff serieses by 30 points or more.

  • 23:47

    All three of those teams went on to win

  • 23:49

    the championship. I'm not saying that

  • 23:50

    that is our fate, but the fashion in

  • 23:53

    which they put belt to ass foot in ass

  • 23:57

    is something to be admired.

  • 23:59

    It's something to be revered.

  • 24:01

    >> Y, something to feel good about if you

  • 24:04

    are a Nick fan. If you are a Nick fan,

  • 24:07

    young or old, this is probably some of

  • 24:09

    the best Nick basketball you have ever

  • 24:11

    watched in your entire life.

  • 24:13

    >> Yeah. Yeah.

  • 24:15

    >> That point cat point cat and offball

  • 24:19

    Brunson

  • 24:20

    going to be a lot to deal with. We did

  • 24:23

    that without OG word.

  • 24:26

    >> The bench produced.

  • 24:27

    >> Oh boy.

  • 24:29

    >> It was just bad out there, man. So, I'm

  • 24:31

    super sad that I won't be going to game

  • 24:32

    five, but boy, boy does it feel good. I

  • 24:36

    don't know about that either. Um, but

  • 24:37

    boy does it feel good for your team to

  • 24:39

    win in the fashion in which we've won

  • 24:42

    the last

  • 24:43

    >> division rival especially.

  • 24:44

    >> In in all seriousness,

  • 24:46

    the Knicks looked really really uh

  • 24:49

    impressive in this series. I mean, we

  • 24:51

    got thoroughly outplayed. It was belt to

  • 24:52

    ass every game. Um, that last game I

  • 24:56

    didn't love that the Sixers kind of gave

  • 24:57

    up so soon. Not just because of my my

  • 24:59

    prize picks, but because that fourth

  • 25:02

    quarter Maxi killed me.

  • 25:05

    >> But um

  • 25:07

    >> but y'all just y'all just look like a

  • 25:09

    different team than last year. You know,

  • 25:10

    the offense is much better at Brunson

  • 25:12

    playing off the ball. Y'all y'all are

  • 25:14

    playing defensive defensively much

  • 25:16

    better than I expected. Um the Sixers

  • 25:18

    didn't play y'all particularly well. I

  • 25:19

    think there are things that could have

  • 25:20

    been done to not make that a 50-point

  • 25:22

    loss, particularly to our our drop

  • 25:23

    coverage on Anyway, defensively we

  • 25:25

    didn't play very well. We didn't go over

  • 25:26

    screens enough. There's a lot of [ __ ] we

  • 25:28

    didn't do, but y we y'all were just a

  • 25:29

    much better team.

  • 25:30

    >> We had no answer for that.

  • 25:31

    >> No answer for anything. No answer.

  • 25:32

    >> And you're not going to shoot 90% for

  • 25:34

    the first 10 threes most of the time.

  • 25:35

    But even if you shot 30% 40% for we

  • 25:37

    still would have gotten blown out. Y'all

  • 25:38

    just were a better team.

  • 25:39

    >> The culture needs a reset, man. Since

  • 25:41

    the year Joel Embiid was drafted, the

  • 25:44

    Sixers have had 15 first round picks and

  • 25:47

    only three of them are still on the

  • 25:49

    team. They've had six second round

  • 25:51

    exits, two first round exits, no Eastern

  • 25:53

    Conference final appearances. They had

  • 25:56

    three brutal, heartbreaking game, seven

  • 25:58

    losses in the second round. James Harden

  • 26:00

    quit. Ben Simmons quit. Marco Folz

  • 26:03

    couldn't even shoot in his rookie season

  • 26:05

    after whoever knows what happened.

  • 26:06

    Tobias Harris quit. Jimmy Butler walked

  • 26:09

    away after the team didn't prioritize

  • 26:11

    him. Muel Bridges got traded on draft

  • 26:13

    night. Paul George had a 25game

  • 26:15

    suspension and screwed up the deadline.

  • 26:18

    Then he got hurt every which way. Joel

  • 26:20

    Embidas had the unluckiest injuries I've

  • 26:22

    ever seen in my life. Brian Kangelo made

  • 26:24

    a burner account to talk about Joel and

  • 26:26

    be behind his back getting brought in

  • 26:29

    after was kicked out.

  • 26:31

    >> I mean, you just can't make up the level

  • 26:34

    of ineptitude of this organization every

  • 26:36

    time.

  • 26:36

    >> Shut the [ __ ] up, [ __ ] I don't want to

  • 26:38

    hear from no Philly people today.

  • 26:40

    >> I don't want to hear from no Philly

  • 26:41

    people out of here. Respect us as the

  • 26:45

    people that are responsible for putting

  • 26:47

    the most recent banners up in your

  • 26:48

    building. That's our building, man. Like

  • 26:50

    I said, that's Madison Square Garden.

  • 26:53

    >> South.

  • 26:53

    >> What banners did you put up?

  • 26:56

    >> Uh, no. The two Villainova Championship

  • 26:58

    banners that you're lucky enough to look

  • 26:59

    up and glance at.

  • 27:01

    >> Those are Nick players that put those

  • 27:03

    recent banners up. You cool? Yeah. Yeah.

  • 27:05

    >> You talking about NCAA?

  • 27:07

    >> I'm talking about banners building the

  • 27:09

    opposite.

  • 27:10

    >> That's our building. We can take them

  • 27:11

    down. You know,

  • 27:12

    >> that's our building. We can take We can

  • 27:14

    take them down building.

  • 27:15

    >> And you got the nerve to wear a shirt

  • 27:16

    with Michael Jordan on it.

  • 27:19

    that's never made it to the Eastern

  • 27:21

    Conference.

  • 27:21

    >> No, no, no. This shirt, this shirt is a

  • 27:23

    reminder to Knicks fans, don't get too

  • 27:25

    cocky, cuz whenever y'all get like this,

  • 27:26

    somebody shuts y'all down.

  • 27:28

    >> Yeah, but

  • 27:28

    >> Jordan shut y'all down in the ' 90s and

  • 27:30

    y'all going to lose.

  • 27:30

    >> We getting cocky about the work that has

  • 27:32

    been done, not the work left to do.

  • 27:33

    >> Before this camera started, you said to

  • 27:35

    me, "Bring on OKC."

  • 27:37

    >> Oh, yeah.

  • 27:38

    >> Y'all got a team in between OKC. So, I'm

  • 27:40

    saying don't get confident.

  • 27:42

    >> Don't get confident. Don't get cocky.

  • 27:44

    >> Play the next round.

  • 27:45

    >> Come on. Hey. Hey, I'm I'm looking for

  • 27:47

    the lightning and the thunder. Stop

  • 27:49

    playing with me. Yeah,

  • 27:51

    >> that's what you think you want. Looking

  • 27:52

    for the Cavs.

  • 27:53

    >> Yeah,

  • 27:54

    >> that's what I'm saying. They Yeah, it's

  • 27:56

    true. We have a We

  • 27:57

    >> have a series.

  • 27:58

    >> That's who you want.

  • 27:58

    >> We have a series. Hey, Cleveland fans

  • 28:00

    and Piston fans, I ain't going to hold

  • 28:02

    you.

  • 28:03

    >> I text Jared Jack as soon as we won. I

  • 28:06

    was like, "Yep, going to ahead and get

  • 28:08

    some rest. We're going to go rest now.

  • 28:11

    Uh, good luck." You talking about I

  • 28:14

    can't I can't even say what he said. I

  • 28:16

    was like

  • 28:17

    focus. You're still playing. Boy Donovan

  • 28:20

    Mitchell dancing out there. But listen,

  • 28:22

    this is a music podcast. This is a music

  • 28:24

    podcast. So we'll get we'll get the

  • 28:26

    music. Congrats to all Nick fans out

  • 28:27

    there, man. Welld deserved. Shout out to

  • 28:29

    the Knicks. Shout out to Jaylen Brunson,

  • 28:31

    Rick Brunson. Shout out to the whole

  • 28:32

    Nick staff, Mike Brown, everybody. Man,

  • 28:34

    >> I owe you money. So he sent me his Vinmo

  • 28:36

    in the second quarter.

  • 28:39

    >> Game four. I'm saying I hate like that

  • 28:42

    too where you make a bet and then they

  • 28:44

    send the cash app request for the money

  • 28:45

    that they want. I hate [ __ ] like that.

  • 28:47

    >> It's like come on

  • 28:49

    >> in the second quarter don't do that.

  • 28:51

    >> So So I can give you your money on cash

  • 28:52

    app right now.

  • 28:53

    >> You know if they don't send it to you

  • 28:55

    they might not get it.

  • 28:57

    >> Oh then that's not a gentleman's bet.

  • 28:59

    I'm talking about amongst

  • 29:00

    >> with integrity. Yeah. I ain't never

  • 29:01

    going to sniff nobody no bet. I I I can

  • 29:03

    see the cash app now or you can have it

  • 29:05

    in cash when I get to the bank. You want

  • 29:06

    the cash app right now? He's going to

  • 29:08

    bring you pennies or something if you

  • 29:09

    don't take the cash.

  • 29:10

    >> LAST YEAR I GAVE HIM $5,000 IN ONES.

  • 29:11

    >> He gave me five cash liquid last year.

  • 29:15

    Ones he'll use. He

  • 29:16

    >> That's what I say. You want the cash,

  • 29:18

    I'll give it to you. I can just cash at

  • 29:19

    you.

  • 29:19

    >> I won't. I slowed down.

  • 29:20

    >> Oh, that's true. You don't even go to

  • 29:22

    You don't You don't sp that you need

  • 29:23

    cash for. I'm not I'm not even looking.

  • 29:26

    I'm not even looking. I'm not even

  • 29:31

    at right now. I'm not even looking.

  • 29:34

    >> She not She's not laughing at all. I

  • 29:37

    wasn't even funny. I was just like,

  • 29:39

    >> you know, the worst part. Yo,

  • 29:40

    >> I love y'all. Yo,

  • 29:42

    >> in talking to you when we talking

  • 29:43

    before, I'm like, yo, it ain't going to

  • 29:45

    look like a Nick's home game again.

  • 29:47

    >> Philly not going to let it happen. How

  • 29:49

    could they stop it?

  • 29:50

    >> That's the fam.

  • 29:52

    >> We put a ban on selling tickets. They

  • 29:54

    literally wouldn't sell tickets to uh

  • 29:55

    New Yorkers.

  • 29:56

    >> Mark, if you think everybody in Philly

  • 29:58

    didn't need some money, you out your

  • 30:00

    mind. You

  • 30:01

    >> I thought we shrink the I KNEW THAT. I

  • 30:03

    JUST WANT to minimize it. You rich then?

  • 30:05

    I thought this [ __ ] would look a little

  • 30:06

    a little different. It look worse.

  • 30:08

    >> However rich he is,

  • 30:10

    >> let it be a thousand less. A thousand

  • 30:12

    less.

  • 30:12

    >> I just sent you your money. Did I get

  • 30:14

    it? I didn't say [ __ ] you.

  • 30:16

    >> I didn't get a notification.

  • 30:17

    >> You'll see. I also don't have somebody

  • 30:19

    to offer them front row seats at the

  • 30:21

    right price.

  • 30:22

    >> I mean, that's true. [ __ ] If they offer

  • 30:24

    me at the right price, but

  • 30:26

    >> All right. Come on. What do we want to

  • 30:27

    talk about? What do we want to talk

  • 30:28

    about? What is on you guys' hearts,

  • 30:31

    minds, spirits, and souls? I mean,

  • 30:33

    >> I'm in a good mood. Hopefully, y'all are

  • 30:35

    too. I'm in a good mood for sure.

  • 30:37

    >> What needs our attention?

  • 30:38

    >> How's everyone's Mother's Day? We can

  • 30:39

    start with that.

  • 30:40

    >> Yeah. Yeah. It was good. It was amazing.

  • 30:43

    >> Talk about it. Sorry.

  • 30:44

    >> Well, I spent time with my mom

  • 30:46

    >> and mom to school.

  • 30:47

    >> Yeah, my mom. Well, it's been a long

  • 30:49

    time since my brother and I with my mom

  • 30:51

    together.

  • 30:53

    >> No, not Yeah, I got a brother. Yeah,

  • 30:54

    Theo. Wait, what's your brother's name?

  • 30:56

    Theodore. I had a brother. Two years and

  • 30:58

    two days apart.

  • 30:59

    >> So, we went spent time with my mom and

  • 31:01

    [ __ ] That was nice.

  • 31:03

    >> Theater and Trevor. I see the vision

  • 31:04

    your mom had for y'all.

  • 31:06

    >> My father gives us that name. You never

  • 31:07

    talk about

  • 31:07

    >> I see the vision.

  • 31:09

    >> I didn't know he had a brother.

  • 31:11

    >> You talking [ __ ] about my brother Daryl.

  • 31:12

    You got a whole Theo.

  • 31:13

    >> Theater and Trevor.

  • 31:14

    >> Theo. Not Theo.

  • 31:15

    >> Theo. I'm sorry.

  • 31:16

    >> Theo. Yeah.

  • 31:16

    >> Theo and Trevor.

  • 31:17

    >> Yeah. Shout out to Theo. Yeah. Um Yeah.

  • 31:19

    I mean, you know. Is he in America?

  • 31:20

    >> He is here. He's here, [ __ ] He lives

  • 31:22

    in Brooklyn. Watch your [ __ ] mouth.

  • 31:23

    Talking about my brother, [ __ ]

  • 31:27

    >> My brother was a correction officer.

  • 31:28

    Watch your [ __ ] mouth in America.

  • 31:31

    Yeah, he be turning up. Um, shout out to

  • 31:34

    Theo. And then, um, I'm going to go

  • 31:35

    spend time with my wife and my children.

  • 31:36

    You know, you know, and you got more

  • 31:39

    questions.

  • 31:40

    >> Well, no. What? He stop What? You know

  • 31:42

    how that should be on on the island.

  • 31:43

    That's his business. You know what I'm

  • 31:45

    saying? You don't know about a job,

  • 31:47

    [ __ ] You know what I'm saying? You

  • 31:48

    Well, actually, you do. We know. But

  • 31:51

    yeah, it was great. Great Mother's Day

  • 31:52

    to see my family happy, to see my mom

  • 31:55

    smile, to see my wife smile, to have

  • 31:57

    everybody together, my mother-in-law. It

  • 31:59

    was great. What'd you get her? I can't

  • 32:01

    say.

  • 32:02

    >> All right. Where'd you get your wife?

  • 32:03

    >> I can't say.

  • 32:05

    >> Do you do gifts?

  • 32:06

    >> Yes.

  • 32:06

    >> All right. Got it. Then that's it.

  • 32:07

    That's piece. Yes. Mark, how about you?

  • 32:09

    What's up?

  • 32:09

    >> It was lowkey. Real real real low key. I

  • 32:11

    didn't make it down to Philly uh for my

  • 32:13

    mom uh went called the nurses. Checked

  • 32:15

    us.

  • 32:19

    >> I trust I trust the system. I trust the

  • 32:21

    process.

  • 32:23

    >> Yo, when do you process?

  • 32:30

    Dupist.

  • 32:35

    >> No, no, no. I I uh I checked on her. Uh

  • 32:38

    she's doing well. Uh it was my brother's

  • 32:41

    turn.

  • 32:42

    >> Um

  • 32:43

    >> yo,

  • 32:45

    I'll slap you for your mother, [ __ ]

  • 32:47

    Watch your

  • 32:49

    >> I will slap you for your mother.

  • 32:51

    >> I'll follow up. Yo,

  • 32:54

    >> what's wrong with you? Sure. So, so I he

  • 32:57

    had the pleasure of spending that day

  • 32:58

    with my my mother

  • 33:00

    >> um after the he went to the game and

  • 33:01

    then took my got my mom and uh

  • 33:04

    >> and I I spent some time my mother-in-law

  • 33:06

    and my wife uh and then she and I went

  • 33:08

    out to dinner. Uh I took her out later

  • 33:11

    that night and I got her some some

  • 33:12

    jewelry that uh for for Mother's Day.

  • 33:15

    >> You got a reservation somewhere?

  • 33:17

    >> Yeah, we went up to uh the spot next to

  • 33:19

    Blue and Hudson. What's it called?

  • 33:21

    >> Drift.

  • 33:22

    >> Drift.

  • 33:22

    >> Drift.

  • 33:27

    Oh, we got plenty of room.

  • 33:31

    I'm trying to not do it right now, but

  • 33:33

    this is the spot to do it cuz I went I

  • 33:35

    went uh we went to uh we went to Blue uh

  • 33:37

    for brunch

  • 33:39

    >> and for brunch drift was packed.

  • 33:42

    >> Yes.

  • 33:43

    >> Like and a lot of them were sitting

  • 33:44

    outside so you could see the people that

  • 33:46

    were sitting down.

  • 33:50

    >> Dusty

  • 33:51

    Dusty. It definitely was like Ralph.

  • 33:53

    Yeah. Yeah. Oh [ __ ] Drip being right

  • 33:57

    next to Blue is [ __ ]

  • 34:00

    >> cuz [ __ ] was stepping in in and blue.

  • 34:02

    Uh shout out to Sierra. Shout out to

  • 34:04

    that whole hospitality team over there.

  • 34:06

    Uh

  • 34:07

    >> in in blue they get to stepping on it.

  • 34:09

    So holiday out in drift. It was

  • 34:13

    >> very clear separation

  • 34:16

    in in clientele.

  • 34:18

    >> Look at Mark face.

  • 34:19

    >> Yeah.

  • 34:20

    >> But they charge you like it's not. See,

  • 34:22

    I never been because my status.

  • 34:26

    >> We We had been to blue so many times. We

  • 34:28

    want to do something.

  • 34:29

    >> Try something different. Trying house

  • 34:30

    across the street.

  • 34:31

    >> I I want to do like that's like [ __ ]

  • 34:33

    roof Chris is next door to drip.

  • 34:34

    >> I just assumed that it would be like on

  • 34:38

    >> because it's right there.

  • 34:38

    >> It's right next door.

  • 34:40

    >> I get it. You're not from here. Farborg

  • 34:42

    is right there.

  • 34:42

    >> Yeah. We I just picked one I had been to

  • 34:45

    No, we don't have a reservation. Let me

  • 34:47

    just

  • 34:48

    >> You reserved a drift?

  • 34:50

    >> Yeah.

  • 34:50

    >> Oh [ __ ] Look at the reviews.

  • 34:52

    >> You got to call your people. CALL YOUR

  • 34:54

    MAN. Call your man.

  • 34:56

    >> That's where all the lotionist people

  • 34:57

    was at.

  • 35:01

    >> I walked in there cuz I tried to call to

  • 35:03

    change the reservation. They was like,

  • 35:04

    "Oh, no. It's Mother's Day. We can't

  • 35:05

    make any adjustments to the

  • 35:06

    reservation."

  • 35:07

    >> You know what's also a good indicator?

  • 35:09

    You know what's also a good indicator

  • 35:10

    for us?

  • 35:13

    >> If you don't see one black,

  • 35:16

    cuz it wasn't no blacks to drift.

  • 35:19

    Really, [ __ ] Drive by drift one time

  • 35:23

    on a holiday.

  • 35:24

    >> Who was in there?

  • 35:25

    >> There was only two tables in there.

  • 35:26

    >> No, they ain't said me. I can't tell you

  • 35:28

    who was in there. I can't tell you was

  • 35:29

    in there. I don't know what what they

  • 35:31

    look like.

  • 35:32

    >> I don't know. I don't see color.

  • 35:35

    >> Oh, y

  • 35:39

    different groups.

  • 35:40

    >> The ones that do

  • 35:43

    the ones that do the nails. It's the

  • 35:44

    >> All right.

  • 35:45

    >> ones that do the long [ __ ] was [ __ ]

  • 35:51

    YO,

  • 35:52

    >> THAT'S WHY.

  • 35:53

    >> OKAY, that made

  • 35:54

    >> it. It wasn't like that when I got

  • 35:55

    there. It was just It was just kind of

  • 35:56

    empty. And it was

  • 35:57

    >> But you had gyro.

  • 35:59

    >> The food is not that different than Next

  • 36:01

    Door.

  • 36:01

    >> You said he had a gyro.

  • 36:03

    >> I'm talking about the the style. The

  • 36:05

    taste was different.

  • 36:07

    >> Yeah. It didn't It was It [ __ ] on the

  • 36:10

    restaurant.

  • 36:10

    >> Shout out the drift.

  • 36:11

    >> Don't go again.

  • 36:12

    >> Uh you ain't got to worry about that.

  • 36:14

    >> Jab the drift though.

  • 36:15

    >> It tastes like trash.

  • 36:16

    >> It was It It was fine. It just wasn't

  • 36:18

    like good.

  • 36:20

    >> I never been.

  • 36:22

    It was okay though.

  • 36:23

    >> IT WAS FINE. IT WASN'T GREAT, BUT IT

  • 36:24

    WASN'T BAD. IT WASN'T TERRIBLE.

  • 36:27

    >> But you won't go again, though.

  • 36:28

    >> I would not go again.

  • 36:29

    >> I never been.

  • 36:29

    >> That's enough. You

  • 36:30

    >> I would not go again. My wife likes what

  • 36:31

    she had. I I you know,

  • 36:33

    >> I believe you never been cuz you're not

  • 36:35

    getting my dish.

  • 36:35

    >> I had the lobster booya base

  • 36:37

    >> and the uh and then like a sushi thing.

  • 36:40

    >> All right. And what she had?

  • 36:41

    >> She had some some kind of steak. Then at

  • 36:44

    the table they see I don't eat steak so

  • 36:46

    I don't know what they what I don't know

  • 36:47

    all the different kinds like that but

  • 36:48

    she she liked it

  • 36:49

    >> just loses man points every you don't

  • 36:51

    eat steak

  • 36:52

    >> I don't eat I haven't eaten beef since

  • 36:53

    90 got

  • 36:57

    >> sorry you don't look at men like less

  • 36:58

    than men when they don't eat steak

  • 37:01

    I don't eat steak

  • 37:03

    yes

  • 37:05

    >> I don't know if they did

  • 37:07

    >> they said I'll take the brand no

  • 37:13

    >> oh [ __ ] That was Sorry about that.

  • 37:18

    >> All right. All right. Our bad.

  • 37:21

    >> Freeze. What you did?

  • 37:22

    >> Oh, wait. We No, we skip. We skip this.

  • 37:24

    I ain't do nothing. Uh,

  • 37:26

    >> Mother's Day dinner. My girl on mom's.

  • 37:28

    >> Oh, that's nice. Do much.

  • 37:30

    >> Yeah, but what about your mom?

  • 37:30

    >> You call your mom.

  • 37:32

    >> What about your mom?

  • 37:32

    >> I was supposed to go down south. I

  • 37:33

    didn't get a chance to go.

  • 37:36

    >> But that's peace.

  • 37:37

    >> So, you did the same thing I did. Okay.

  • 37:39

    Yeah.

  • 37:39

    >> Yo, what the [ __ ] Yo.

  • 37:44

    He going to swing on me. I ain't saying

  • 37:46

    nothing. That two [ __ ]

  • 37:48

    >> Yo, go see your mother.

  • 37:50

    >> Go see your mom. Yo,

  • 37:51

    >> what are you talking about?

  • 37:52

    >> Go see your mom. Go see your mom. I'm

  • 37:54

    going with your girl. They live in

  • 37:56

    different states. Did you spend time

  • 37:57

    with your spend time with your mother,

  • 37:58

    too?

  • 38:01

    >> I didn't see my mom either. I'm going to

  • 38:02

    see her this week.

  • 38:02

    >> I didn't see my mother. But we keep

  • 38:04

    trying to save them. We don't care.

  • 38:06

    >> I'm trying to save

  • 38:08

    your mom. Yo,

  • 38:09

    >> you saw When last you saw your mom?

  • 38:10

    Couple of months ago. like 7 years ago.

  • 38:15

    >> Are you crazy?

  • 38:17

    >> You kids like mama?

  • 38:21

    >> Right around the pandemic went down

  • 38:23

    there. Yo, you good mama?

  • 38:26

    >> Nope. Nope.

  • 38:28

    >> N like nah. Absolutely not.

  • 38:31

    >> Y'all are terrible.

  • 38:32

    >> I'm glad you got it.

  • 38:32

    >> This is terrible. But can you share a

  • 38:34

    gift that you got?

  • 38:36

    >> No.

  • 38:38

    >> All right. No, no pressure for me.

  • 38:40

    Freeze out. Freeze. How was your

  • 38:41

    mother's day?

  • 38:41

    >> Uh my mother's day was good. I took mom

  • 38:43

    shopping

  • 38:45

    uh during the week cuz I know I wasn't

  • 38:47

    going to see her actually on Sunday.

  • 38:48

    >> Killing market is

  • 38:50

    >> No. No. They know what they know what

  • 38:52

    you mean.

  • 38:52

    >> They did what we had to do. And then um

  • 38:54

    for for Mother's Day, me and me and my

  • 38:56

    lady, we went out cuz we went out

  • 38:57

    Saturday. We had a birthday party to go

  • 38:59

    to. So we slept in late, went out,

  • 39:01

    caught a brunch, and then was back on

  • 39:03

    parent duty. So that's it.

  • 39:04

    >> That's dope. That's dope. Sound like a

  • 39:06

    real good Mother's Day.

  • 39:07

    >> Bless. Yeah, it was good.

  • 39:08

    >> Parks. You didn't see your mom's on?

  • 39:09

    >> I didn't. I had a cookout for the

  • 39:10

    in-laws. I'm going to see my mom's uh

  • 39:12

    Wednesday. So, I'll make up for

  • 39:13

    Wednesday.

  • 39:14

    >> We talking about your mom.

  • 39:15

    >> I know. I said I said I'm going to see

  • 39:16

    her Wednesday.

  • 39:19

    >> No, it must have been.

  • 39:20

    >> And when you're married, your in-laws

  • 39:21

    are like it gets tricky. Look at when

  • 39:24

    you're married.

  • 39:27

    Hey, what's position?

  • 39:31

    Yeah, you just shoot in the ass.

  • 39:37

    >> No, but in when you like your in-laws be

  • 39:39

    like it's like having two moms. So like

  • 39:41

    a lot of times I don't feel like I

  • 39:42

    sometimes you got to like alternate like

  • 39:43

    you got split holiday.

  • 39:44

    >> Yeah, that's what I'm saying. You got to

  • 39:45

    split the holidays. No, I get I

  • 39:46

    understand. Yeah,

  • 39:48

    >> it's it's it's a blessing when you get

  • 39:49

    them all together at once.

  • 39:50

    >> Yeah,

  • 39:51

    >> that be that'd be a pain in the ass. And

  • 39:52

    then they get older, it's real hard.

  • 39:54

    >> Why you so quiet? Come on. Oh, we having

  • 39:56

    a classic, [ __ ]

  • 39:57

    >> No, I'm digging. I'm digging. I'm going

  • 39:58

    to sleep. No, no, no, no. I just got a

  • 40:00

    text from Jr. My fault.

  • 40:02

    >> Everything okay?

  • 40:03

    >> In a little bit just now.

  • 40:05

    >> Oh, shout out. Oh, let me say happy

  • 40:06

    birthday to my baby. It was Trey's

  • 40:08

    birthday.

  • 40:10

    Happy birthday, Trey. I love you. I

  • 40:12

    cannot believe I have a 25-year-old.

  • 40:14

    That is great. That is absolutely crazy.

  • 40:16

    Wow.

  • 40:17

    >> Sure enough, right on his birthday, God

  • 40:19

    got a great sense of humor cuz I told

  • 40:20

    him when he was 14,

  • 40:23

    yo dog at 25

  • 40:26

    cutting you off.

  • 40:28

    >> You've been saying this [ __ ] forever,

  • 40:29

    too.

  • 40:30

    >> But he was 14, he might have went and

  • 40:31

    told his mom on me, so I got yelled at.

  • 40:33

    Then at 16, I said it again. I know it

  • 40:36

    seemed far away. He told me, "Shut up,

  • 40:37

    old [ __ ] I don't give a fuck."

  • 40:40

    >> Told him again at 18. Had to talk again

  • 40:42

    at 21.

  • 40:45

    Now you're 25. Guess who called me? You

  • 40:47

    guessed it.

  • 40:49

    Redacted Financial from wherever you got

  • 40:51

    his car from. I ain't going to say the

  • 40:52

    place.

  • 40:53

    >> He called me right up. Hey,

  • 40:56

    just wanted to let you know. Is now good

  • 40:58

    time.

  • 40:59

    Just want to let you know uh your car

  • 41:02

    cuz it's his car.

  • 41:03

    >> Right. Right.

  • 41:04

    >> Yeah. Six about 6 months left on the

  • 41:06

    lease. Just want to let you know about

  • 41:08

    33,000 miles over the aotted mileage.

  • 41:12

    Godamn.

  • 41:14

    DID HE DO THAT WITH THE LAST JOINT?

  • 41:15

    >> YES, HE DONE it with all of them.

  • 41:18

    >> 33,00

  • 41:19

    >> 33,000 miles over the over the [ __ ] a

  • 41:21

    lot of mileage. Said, "So, we can take

  • 41:24

    you out of that car early and put you in

  • 41:26

    something new if you lock in with us for

  • 41:28

    the same number." I said, "Listen, big

  • 41:29

    dog, I'm going to come check you out on

  • 41:32

    Thursday or something cuz I could tell

  • 41:34

    he was happy to be talking to Joe but I

  • 41:35

    didn't call my son."

  • 41:38

    >> The big dog.

  • 41:39

    >> Big dog.

  • 41:40

    >> Happy birthday.

  • 41:43

    Today is that day. I've been preparing

  • 41:45

    you for this day, so it shouldn't come

  • 41:47

    as a shot.

  • 41:49

    >> You still strong.

  • 41:50

    >> You ain't that [ __ ] You ain't staying

  • 41:52

    strong [ __ ]

  • 41:52

    >> Hey, I told him I told him to call. Let

  • 41:54

    him sweat a little bit.

  • 41:54

    >> I told him the call I just got. You know

  • 41:56

    what I'm saying? You talking about All

  • 41:57

    right. How much I got to come up with?

  • 42:01

    >> Yeah. What we What we doing? Huh?

  • 42:04

    >> He can't come up with that.

  • 42:05

    >> No. What we doing? No. No. How much you

  • 42:07

    got and then what I got to [ __ ] is he

  • 42:08

    talking about how much I You 25. You

  • 42:11

    want a hand paper?

  • 42:12

    >> You got to come up with it.

  • 42:14

    >> Stop. Joe, knock it off. Joe, stop. Let

  • 42:17

    him sweat. I'm with Joe. Look, I THINK

  • 42:19

    YOU JOE GOING TO FOLD.

  • 42:21

    >> You not with Let him sweat out here.

  • 42:24

    >> Hold up. Let me ask first. Is this

  • 42:25

    something Is is it something nice nice

  • 42:27

    that he's in?

  • 42:28

    >> He didn't. I think he's in a nice car.

  • 42:30

    It's a nice It's nice. It's nice.

  • 42:31

    >> Yeah. I I would

  • 42:34

    >> cuz that's what I'm saying. I would I

  • 42:35

    would help him with a car, but it would

  • 42:36

    might 25 might not be dog at 30,000 mi

  • 42:40

    over your aotment.

  • 42:41

    >> Yes, with another car.

  • 42:42

    >> You got to keep that car.

  • 42:44

    >> You have to keep the car.

  • 42:45

    >> Oh, you saying just buy it?

  • 42:46

    >> Yes.

  • 42:47

    >> Yes.

  • 42:47

    >> And he But he who's responsible for buy

  • 42:50

    it.

  • 42:50

    >> Do you know how much they charge you per

  • 42:52

    mile?

  • 42:52

    >> Yo, Ice Man is All right. All right.

  • 42:54

    Don't worry about it.

  • 42:55

    >> No, it it don't be 10. It be 25 cent 50

  • 42:58

    cent.

  • 42:58

    >> Oh, and this one is 10.

  • 42:59

    >> I'm not buying that fuckish cuz he buy

  • 43:03

    it. Yo, that [ __ ] ain't always 10 cent.

  • 43:05

    Trust me.

  • 43:06

    >> If you go sometimes 25 cent I seen get

  • 43:09

    Do you know how much more than that?

  • 43:11

    >> Do you know how much it is on this?

  • 43:12

    >> No, I told you I'mma see homeboy Julio

  • 43:14

    Thursday, [ __ ] I'mma go in there.

  • 43:16

    >> Yo, you got to go in there and speak. I

  • 43:18

    going to hold you. Let Let him sweat a

  • 43:20

    little bit. Let him

  • 43:21

    >> just pay and then take care of me. Yo,

  • 43:25

    >> all right.

  • 43:27

    >> It depend on what the car is.

  • 43:29

    >> On your 25th birthday.

  • 43:30

    >> Yeah.

  • 43:30

    >> Yeah, man. He's 25 and he lives in New

  • 43:33

    Jersey and got a rich daddy.

  • 43:35

    >> Shut your ass up.

  • 43:37

    >> He a good kid that ain't got no

  • 43:39

    >> Shut your ass. Give him a car,

  • 43:42

    >> bro.

  • 43:42

    >> You know what I'm saying when I say

  • 43:43

    kids, bro. You got a good son. He ain't

  • 43:46

    out here like these other that can't be

  • 43:48

    it.

  • 43:49

    >> Hey yo, dog. Y'all [ __ ] sound nuts.

  • 43:51

    >> Yeah, y'all sound absolutely crazy.

  • 43:53

    >> We got a great show. We got a great show

  • 43:55

    for y'all, man. Great show with these

  • 43:56

    [ __ ] I can't speak for anybody else

  • 43:59

    now that I've had some more time to sit

  • 44:01

    with this Chris Brown album.

  • 44:03

    >> They're going to say I'm glazing again,

  • 44:04

    but so so

  • 44:06

    >> No, it got better.

  • 44:06

    >> I like the album.

  • 44:07

    >> See, for me, it got worse.

  • 44:09

    >> It got worse.

  • 44:09

    >> But I like I liked it a lot more than

  • 44:11

    you did the first time. And before I

  • 44:14

    would have given it like just just let's

  • 44:15

    just say A minus. Now I would give it

  • 44:17

    like a B+. Like a probably like a B. I

  • 44:19

    mean cuz I got to hear all the tracks.

  • 44:22

    >> Mhm. Um, there's nothing I don't like,

  • 44:25

    but outside of the ones that I loved

  • 44:27

    early on, some of them are just Chris

  • 44:29

    Brown doesn't to me have this. I don't

  • 44:32

    always see a lot of artistic growth from

  • 44:34

    album to album. So, it was good, but it

  • 44:36

    wasn't it wasn't like a home run the way

  • 44:38

    I when I got hyped listening to the

  • 44:40

    first minute of every song then the day

  • 44:42

    after. Like say it's a good album, but I

  • 44:44

    thought it was an excellent album and I

  • 44:45

    think it's just a good album, which is

  • 44:46

    fine.

  • 44:47

    >> I've been going back to it personally.

  • 44:48

    That Deonte Hitchcock album's got me.

  • 44:50

    That's all I've been playing is the

  • 44:51

    Chris Brown album.

  • 44:53

    >> You haven't listened to anything else.

  • 44:55

    >> Parks got me listening to some other

  • 44:56

    [ __ ]

  • 44:57

    >> Yeah, that Deontay Hitchcock album is

  • 44:58

    fantastic.

  • 44:59

    >> You gave me like three things to listen

  • 45:00

    to last week on. Yeah. Yeah.

  • 45:03

    >> That's interesting that this album got

  • 45:04

    worse for you, Mark.

  • 45:05

    >> Yeah, but I think I just inflated it too

  • 45:07

    much. It's still a good album. I just

  • 45:08

    >> No, it got better for me.

  • 45:09

    >> Yeah, but you didn't think it was a good

  • 45:10

    album at first.

  • 45:11

    >> It was just right. Yeah, it was regular.

  • 45:12

    >> That's what we probably in the same spot

  • 45:13

    and just

  • 45:14

    >> Yeah, I understand. Just started a

  • 45:15

    different

  • 45:17

    >> and Freeze. You absolutely right. This

  • 45:19

    album does not stop at track 20. Colors

  • 45:21

    is crazy. Skin to skin is crazy. Skin to

  • 45:23

    skin is crazy. That's the only record to

  • 45:26

    skin is nuts.

  • 45:27

    >> That's my only skip right now is theme

  • 45:28

    song.

  • 45:29

    >> I'm not mad at Song.

  • 45:30

    >> It's the only one I don't like.

  • 45:31

    >> Let me just get a couple of these off

  • 45:33

    right quick. This is not Poliola. Nobody

  • 45:35

    has paid me.

  • 45:37

    >> Yeah, I don't know, man. I I

  • 45:40

    saw what Pitchfork said. That's

  • 45:43

    Pitchfork. But even before they said

  • 45:44

    that, Chris Brown kind of took to

  • 45:46

    Instagram to defend his project.

  • 45:50

    Come on, man. I didn't even like to see

  • 45:52

    that. He ain't got to defend nothing.

  • 45:53

    The [ __ ] did it ain't for it ain't for.

  • 45:56

    But he right what he said though. But he

  • 45:58

    right. He was like, "Yo, y'all did this

  • 46:00

    with the last three albums. We've seen

  • 46:02

    this." And then y'all come right around

  • 46:03

    and say, "Oh, it grew on me. It grew on

  • 46:04

    me." So, shouts to everybody that

  • 46:06

    listen. Like, he didn't he didn't take

  • 46:08

    any like adversarial stance to it. He

  • 46:10

    was just like, "We've been here before."

  • 46:13

    1.3 is just rage bait. Like, come on.

  • 46:15

    I'm not the biggest fan of this album,

  • 46:16

    but 1.3 is shut.

  • 46:18

    >> They gave it 1.3 out of 10

  • 46:20

    >> out of 10. No, that's insane.

  • 46:21

    >> That's insane.

  • 46:22

    >> As soon as I saw it, I said, "Okay,

  • 46:24

    y'all are pulling the complex while they

  • 46:26

    move."

  • 46:27

    >> Okay. Yeah.

  • 46:28

    >> Looking to get him to respond. You want

  • 46:30

    him to go on Instagram and start writing

  • 46:32

    on the black screen and tagging y'all

  • 46:34

    and crashing out as as y'all call it.

  • 46:37

    >> First thing I said was, "I hope he don't

  • 46:39

    take the bait."

  • 46:40

    >> Word.

  • 46:41

    >> Cuz this is this is clear.

  • 46:42

    >> Yeah. So then the internet does what

  • 46:43

    they do and the dude who wrote the art

  • 46:46

    uh wrote the article

  • 46:47

    >> went and looked up his old tweets and

  • 46:49

    all this and he's a Chris Brown hater.

  • 46:50

    >> Okay.

  • 46:51

    >> So it's a hit piece.

  • 46:52

    >> Got it.

  • 46:52

    >> And now it made all the sense in the

  • 46:53

    world.

  • 46:54

    >> Pitchfork Ben sus to me but 1.3 like

  • 46:56

    come on man. You

  • 46:57

    >> got your credibility in in the foot. I'm

  • 46:59

    never looking to you for review again.

  • 47:01

    >> They gave the

  • 47:03

    >> like I could see giving unfavorable

  • 47:05

    review but 1.3 is like

  • 47:07

    >> is it just an album full of fart sounds

  • 47:09

    or something?

  • 47:11

    >> Yeah.

  • 47:12

    3 was designed to make people do this.

  • 47:15

    >> I don't even think that's a credible. I

  • 47:16

    mean, I did music reviews for years. I

  • 47:18

    don't think I've ever given an album

  • 47:19

    lower than four or five. And those were

  • 47:21

    really bad out. I mean, one to me

  • 47:23

    doesn't it's like when the source gives

  • 47:24

    us by one mic, it's like how I I don't

  • 47:26

    think you can make a to

  • 47:27

    >> if an album is worth 1.3 out of 10 or

  • 47:30

    one mic or whatever your rating system

  • 47:32

    is, you shouldn't probably be reviewing.

  • 47:33

    That's what I'm saying. And not just

  • 47:34

    that, let me just to further add on that

  • 47:36

    this was just a a piece to make people

  • 47:39

    react.

  • 47:39

    >> Yes. The tagline says, "Chris Brown's

  • 47:43

    soulless, hit chasing new album doesn't

  • 47:45

    justify his return to the public eye."

  • 47:48

    >> Wait, what?

  • 47:48

    >> What return?

  • 47:49

    >> I have problems with like six things.

  • 47:51

    >> Not just that.

  • 47:52

    >> No, that sounds personal.

  • 47:53

    >> Oh, wait. It gets gets better.

  • 47:54

    >> This is not his return to the public

  • 47:55

    eye. First of all, I don't really hear

  • 47:57

    this as hit chasing

  • 47:58

    >> at all.

  • 47:59

    >> No, that's some that's

  • 48:00

    >> this is somebody that did not listen to

  • 48:02

    the album and just said,

  • 48:04

    >> "All right, it's too long." I saw that

  • 48:06

    27 tracks. I'm not I'm not listening to

  • 48:07

    it and I don't like him. And let me just

  • 48:10

    say that it's not soulless because he's

  • 48:12

    using effects on his voice. Like

  • 48:14

    >> not just that, some people said, "Yo, I

  • 48:16

    I'm not feeling it cuz I can't identify

  • 48:18

    the hits."

  • 48:20

    >> He didn't try to make hits and I'm

  • 48:22

    People want him to go hit. You know what

  • 48:24

    I mean? So for homeboy to say he's hit

  • 48:26

    chasing, that don't even make sense.

  • 48:30

    >> That's what he wanted to do. Like it was

  • 48:31

    >> I'm going to add some more

  • 48:32

    >> bucket list. When they tweeted the link

  • 48:34

    to the article,

  • 48:36

    >> the tweet says, "This album is a real

  • 48:38

    piece of shit."

  • 48:39

    >> All right.

  • 48:40

    >> All right. We done.

  • 48:40

    >> I just want to point out I'm just trying

  • 48:42

    to show you wanted us to do first. I'm

  • 48:44

    just trying to also point destroy the

  • 48:46

    credibility of it.

  • 48:47

    >> Yeah. Yeah. I feel you. I'm telling you.

  • 48:49

    I Honey pack and all that [ __ ] in the

  • 48:51

    beginning is cool with the singles. It

  • 48:52

    depends and falling and all that. Uh but

  • 48:56

    once you get to [ __ ] for the moment, you

  • 48:58

    letting that [ __ ] rock skinto skin and

  • 49:00

    that's that. I couldn't even take my

  • 49:03

    favorites on this album and put it in

  • 49:04

    like my little playlist I'll be making

  • 49:06

    because this [ __ ] is the playlist. It's

  • 49:10

    the playlist. Got something in the

  • 49:11

    water.

  • 49:13

    Hey,

  • 49:16

    I got you. I got you. And then we got

  • 49:18

    prize piece. Don't move. DON'T DON'T

  • 49:20

    TOUCH THAT DOWN. And I'm done there. I'm

  • 49:22

    done. I'm done glazing for now. But I'm

  • 49:25

    not Great project, man. Between Chris

  • 49:27

    Brown and Kaani, that's just where I've

  • 49:30

    been.

  • 49:30

    >> I like it. I know everybody's super

  • 49:32

    excited for Ice Man this Friday. U Givon

  • 49:35

    is also dropping this Friday. Tone Stith

  • 49:38

    is dropping this Friday. So, we got good

  • 49:40

    music on the way.

  • 49:41

    >> Oh, yeah. There's another one of them,

  • 49:43

    too.

  • 49:43

    >> He got a bunch of those.

  • 49:45

    >> They right there.

  • 49:46

    >> Residuals kind of singles on this

  • 49:48

    project. Maybe not the singles that's

  • 49:50

    just going to jump out at you, but it's

  • 49:53

    a bunch of them on here.

  • 49:53

    >> It requires you to listen to the album.

  • 49:57

    Now y'all,

  • 49:58

    >> that [ __ ] said on God, but

  • 50:01

    the time is demon.

  • 50:02

    >> Yeah, y'all

  • 50:04

    so much for journalistic integrity with

  • 50:06

    that.

  • 50:07

    >> I can't respect that.

  • 50:08

    >> Yeah, I can't respect that.

  • 50:10

    >> Yeah, it's not a 1.3. I mean, it's just

  • 50:12

    not saw it and laughed at it. What do

  • 50:14

    you give it? You say you give it a

  • 50:15

    >> pitchfork. Pitchfork is still complex.

  • 50:17

    It's still BuzzFeed.

  • 50:19

    >> Uh I forgot who bought them. I feel like

  • 50:21

    kind of recently.

  • 50:22

    >> Well, Byron Allen

  • 50:23

    >> Byron Allen bought Byron Allen bought

  • 50:24

    BuzzFeed recently. Applause. Round of

  • 50:27

    applause.

  • 50:28

    >> Round of applause.

  • 50:29

    >> No.

  • 50:30

    >> All right. Sure. Support the Byron

  • 50:32

    Allen.

  • 50:34

    >> All right.

  • 50:34

    >> All right. And Pitchfork. Pitchfork is

  • 50:36

    owned by says Kai Nast.

  • 50:38

    >> Oh,

  • 50:38

    >> yeah.

  • 50:39

    >> So,

  • 50:41

    mass media company.

  • 50:42

    >> Yeah.

  • 50:44

    >> Oh, Vogue, the New Yorker, Vampire, GQ,

  • 50:47

    all of them.

  • 50:47

    >> Yeah.

  • 50:48

    >> No, we got to use Upn.

  • 50:50

    >> Mhm. They big.

  • 50:52

    >> I'm aware of who they are. Very weird.

  • 50:56

    >> I'm sure you look you had a mini skirt

  • 50:58

    on for him at one point in time.

  • 51:01

    >> Oh [ __ ]

  • 51:02

    >> Hey

  • 51:04

    doing it for Cheyenne.

  • 51:07

    >> So we got some Listen, great show lined

  • 51:09

    up.

  • 51:12

    >> But we was talking about something I

  • 51:14

    thought though before we got in. Oh,

  • 51:15

    Pear

  • 51:19

    squashed it.

  • 51:26

    that quick.

  • 51:29

    >> The game the game, man. Sorry,

  • 51:32

    [ __ ]

  • 51:32

    >> What time is it?

  • 51:35

    Coming up. [ __ ] man. I'm about to kill

  • 51:37

    I'm about to kill it again. What time is

  • 51:39

    it? Now it's time for my favorite part

  • 51:42

    of the man. Mini skirts. [ __ ]

  • 51:47

    the Hawaiian.

  • 51:48

    >> Could you blame me?

  • 51:49

    >> No.

  • 51:50

    >> No.

  • 51:52

    Time for my favorite.

  • 51:56

    Shut your ass up.

  • 51:57

    >> Now it's time for my favorite part of

  • 51:59

    the show. Pri.

  • 52:02

    >> All right, the regular season is wrapped

  • 52:04

    and the NBA playoffs are finally here. I

  • 52:08

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  • 52:09

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  • 52:14

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    should be unable to pick a Philadelphia

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    76er because they are no longer in the

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    NBA playoffs. Live player picks are

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    picks made after a game is already in

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    progress. Check out Prize Pick social

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    pages for more info. And now it's time

  • 52:59

    for Did you hit last week?

  • 53:02

    >> I don't even know.

  • 53:03

    >> Oh.

  • 53:04

    >> Oh, yeah. Yeah. Yeah. Yes, I did. Uh,

  • 53:06

    flex. I hit on the flex.

  • 53:09

    >> So, not a power play.

  • 53:10

    >> No.

  • 53:11

    >> Some [ __ ] ain't really getting money

  • 53:12

    from you. Why you say that?

  • 53:14

    >> Cuz how how much you want in the flex?

  • 53:15

    >> Flexes get paper.

  • 53:16

    >> Yeah.

  • 53:17

    >> All right. Well, it's loser picks for

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    the week is uh we're going with James

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    Harden for more than 18 and a half

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    points. Cade Cunningham for more than

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    four and a half free throws made, Duncan

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    that prize pick app right this second

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    official partner of the NBA. Yeah.

  • 53:51

    >> All right. Who had a chance to see the

  • 53:53

    Kevin Hart Roast?

  • 53:54

    >> I did. I did.

  • 53:56

    >> Kevin Hart Roast was live on Netflix.

  • 53:59

    Shout on Netflix. Yeah. Yep.

  • 54:02

    >> Mini skirt. Mini skirts everywhere.

  • 54:05

    >> Hey,

  • 54:07

    mini.

  • 54:11

    >> Uh yeah, the Kevin Har was live on

  • 54:13

    Netflix. If you tuned in, you were able

  • 54:15

    to rewind it and start it from scratch.

  • 54:16

    But uh I caught the entire thing. Uh

  • 54:19

    interested to hear thoughts before I get

  • 54:22

    Yeah. Actually, no.

  • 54:27

    Some people out there are against

  • 54:30

    bringing white people to the cookout.

  • 54:33

    >> Not mad at y'all.

  • 54:37

    >> I'm one of them.

  • 54:38

    >> You against bringing white people to the

  • 54:40

    cookout?

  • 54:40

    >> Yes.

  • 54:42

    >> Go ahead.

  • 54:42

    >> So, let's put those people to the side

  • 54:44

    for a second.

  • 54:45

    >> Some people ain't mad at white people

  • 54:47

    coming to the cookout, but one harsh

  • 54:48

    reality we got to deal with is some

  • 54:50

    black people don't have good plus one

  • 54:54

    credit with you.

  • 54:54

    >> Yes. So, you could bring the wrong white

  • 54:57

    person to the cookout.

  • 54:59

    >> That's how I feel about Kill Tony being

  • 55:01

    invited to this event.

  • 55:03

    >> Yeah,

  • 55:04

    >> that's how I feel about Tony Hanklich,

  • 55:06

    Hanklitch, whatever his name is or Kill

  • 55:08

    Tony.

  • 55:09

    >> And it hurts because he's funny. He's a

  • 55:12

    funny racist.

  • 55:13

    >> He had a funny set, but he I don't

  • 55:17

    >> He's funny.

  • 55:18

    >> Yeah,

  • 55:18

    >> which is that's the thing that gets you

  • 55:21

    caught between a rock and a hard place.

  • 55:22

    He is funny, but he's a racist piece of

  • 55:26

    [ __ ] And when it's a Joe Rogan event or

  • 55:29

    a Tom Brady roast or a white person

  • 55:31

    roast, I have no problem cuz I know how

  • 55:34

    a lot of y'all really feel about us. So,

  • 55:35

    if that's where y'all want to get your

  • 55:36

    [ __ ] off, go right ahead. That's y'all's

  • 55:38

    space.

  • 55:39

    >> At a black event

  • 55:42

    >> with black excellence such as Kevin

  • 55:44

    Hart, why the [ __ ] do I need to see Kill

  • 55:46

    Tony? I don't I don't get it. I don't

  • 55:48

    get it.

  • 55:48

    >> Why Why does Why is this a black event?

  • 55:51

    Well, it's because they're honoring

  • 55:53

    Kevin Hart.

  • 55:54

    >> That's a good point.

  • 55:54

    >> It's not a black event, though. That's

  • 55:56

    what I immediately

  • 55:58

    >> An event for black people. An event

  • 55:59

    honoring a black person. Okay.

  • 56:01

    >> I do think that's an important

  • 56:02

    distinction though.

  • 56:02

    >> Yeah, it is. That was a good point.

  • 56:05

    >> Yeah. And I think Kev's comedy world

  • 56:07

    >> is more complex than that. You know, I

  • 56:10

    think he he he celebrates black

  • 56:11

    comedians. His whole crew, Plastic Cup

  • 56:13

    Boy, shout out to them. Are great all

  • 56:14

    black comedians.

  • 56:15

    >> Shout out to Naim who we had up here.

  • 56:17

    Shout out to Spanking the You know how

  • 56:19

    we feel about the guy. We love the guys,

  • 56:20

    >> but he also rocks with white comedian.

  • 56:22

    He's he's he's a he's a comedy legend.

  • 56:24

    So, he's he's in the mix with all those

  • 56:25

    people. And also, there's a roast

  • 56:27

    culture, especially at at Comedy Central

  • 56:28

    and at Netflix, that you're going to see

  • 56:30

    the Nikki Glazers, you're going to see

  • 56:31

    the Jeff Rosses. You're going to see

  • 56:32

    those people. So, I

  • 56:33

    >> Jeff Ross killed.

  • 56:34

    >> He did.

  • 56:35

    >> Jeff Ross killed.

  • 56:36

    >> I think he's an executive producer on

  • 56:37

    the show, too. So, he should be. And in

  • 56:39

    every roast he roast master,

  • 56:42

    >> but like you said, a couple of them

  • 56:43

    picks I was like, I don't know. And then

  • 56:46

    some of it wasn't who was telling the

  • 56:48

    joke. It was also who was writing the

  • 56:49

    joke because you know some of these the

  • 56:52

    non- comedian celebrities that's up

  • 56:53

    there there's writers that are making

  • 56:55

    these jokes for them

  • 56:56

    >> and it was like some of them went

  • 56:58

    >> it's like they made extra effort to make

  • 57:00

    the joke as wild and cringey as possible

  • 57:03

    and sometimes it worked and to me

  • 57:04

    sometimes a couple times it didn't

  • 57:05

    >> a lot of times it didn't the the the

  • 57:07

    kill Tony the kill Tony uh uh George

  • 57:11

    Floyd joke

  • 57:14

    >> was horrible and I felt like Kev smiling

  • 57:17

    during it was horrible. Even if that's

  • 57:19

    him with his game face on.

  • 57:21

    >> Yeah,

  • 57:21

    >> he has to keep that game. What do you do

  • 57:23

    in that moment?

  • 57:23

    >> He has to like I'm watching him get

  • 57:25

    killed.

  • 57:26

    >> He has to keep the game.

  • 57:26

    >> But in that moment and

  • 57:28

    >> there's nothing you can do in the

  • 57:29

    moment. The action the act Oh, please.

  • 57:31

    I'm going to give you a do

  • 57:33

    >> what? Yeah, that's what you do.

  • 57:35

    >> You can make it look like

  • 57:37

    >> you're not okay with that joke. The same

  • 57:39

    way if you're in the You made it look

  • 57:42

    like that when The Rock was talking

  • 57:43

    about screwing your wife as a bit. It

  • 57:46

    was a very uncomfortable bit. I thought

  • 57:47

    that bit was cringey, too. But I didn't

  • 57:49

    put it on the rock cuz he didn't write

  • 57:50

    that.

  • 57:51

    >> The Tony and the George Floyd [ __ ]

  • 57:54

    Actually, before he said the George

  • 57:55

    Floyd [ __ ] I was tight because they

  • 57:58

    said Tony looks like, this was during

  • 58:00

    somebody else's roast. I forgot. Maybe

  • 58:01

    it was Pete. I don't remember. Tony

  • 58:04

    looks like uh at the slave master that

  • 58:07

    makes his slaves do musicals.

  • 58:11

    That's funny. Everybody laughed. and he

  • 58:14

    felt the need to get up and act that out

  • 58:16

    and turn around

  • 58:18

    >> to where all the black people were

  • 58:19

    sitting lying behind him and do the the

  • 58:22

    musical conduct.

  • 58:24

    >> Somebody needs to slap the [ __ ] out of

  • 58:26

    him. That's not okay. And while we honor

  • 58:28

    the black person, that's not it's not

  • 58:29

    okay. I get it. It's comedy. We can say

  • 58:31

    what we want. Oh, it's edgy. It's a

  • 58:33

    roast. Everybody got to get him the [ __ ]

  • 58:34

    out of here. No. No. Do that [ __ ] in in

  • 58:37

    in in what's that part of Texas? AUSTIN.

  • 58:40

    DO THAT [ __ ] IN AUSTIN AT Joe Joe

  • 58:42

    Rogan's Comedy Club. Not here. Not now.

  • 58:44

    Get the [ __ ] out of here. And he's

  • 58:46

    funny.

  • 58:46

    >> No, he's fun. He is funny.

  • 58:48

    >> But one battle after another Lizo joke

  • 58:50

    was very funny.

  • 58:50

    >> Who?

  • 58:51

    >> One battle after another. Lizo the

  • 58:52

    stairs.

  • 58:53

    >> That [ __ ] was funny.

  • 58:54

    >> That [ __ ] was funny.

  • 58:54

    >> That was funny.

  • 58:55

    >> Yeah. He said, "Shout out to Regina

  • 58:56

    Bell. One uh Regina Bell." Lizo,

  • 59:00

    >> not Regina Hall.

  • 59:01

    >> Regina Bell. I am a old

  • 59:03

    >> He says, "Shout out to Regina Hall for

  • 59:05

    winning the award for one battle after

  • 59:07

    another." That's how Lizo feels when she

  • 59:08

    looks at the stairs. That was hilarious.

  • 59:11

    >> Bro, I think I thought all of the jokes

  • 59:13

    I'm sorry is I thought all of the jokes

  • 59:15

    about uh Cheryl

  • 59:18

    >> her husband husband

  • 59:19

    >> I love those. So

  • 59:21

    I love those I loved every joke about

  • 59:24

    Cheryl's husband committing su suicide.

  • 59:26

    >> I had to look up to see when it

  • 59:28

    happened.

  • 59:28

    >> It's been like 30 years. And then once I

  • 59:30

    saw that it was in in 1990 I'm like all

  • 59:33

    right. and um Shane Gillis who who

  • 59:35

    killed as the host.

  • 59:36

    >> I didn't like him as host.

  • 59:38

    >> I liked him as the host, but he kept

  • 59:39

    saying, "Yo, I spoke to her."

  • 59:42

    >> No, see, I think that matters. I think

  • 59:44

    if you spoke to the person, even the

  • 59:46

    racial jokes, if you spoke to the

  • 59:47

    person, I think that

  • 59:50

    comedians, they teeter the line. The

  • 59:52

    really good ones, they teeter the line.

  • 59:54

    But you can overstep that line, my that

  • 59:57

    George Floyd joke is overstepping the

  • 59:59

    line. I mean, it was in poor taste. the

  • 1:00:01

    country was in an uproar over that [ __ ]

  • 1:00:03

    That [ __ ] wasn't funny. Um, there's a a

  • 1:00:06

    lot of that. Uh, they they really

  • 1:00:08

    tackled a bunch of political [ __ ] in

  • 1:00:10

    there.

  • 1:00:10

    >> They did.

  • 1:00:11

    >> It was a bunch of homosexual [ __ ] in

  • 1:00:12

    there. [ __ ] in there.

  • 1:00:15

    There was a bunch of [ __ ] in there. See,

  • 1:00:17

    but I enjoyed the old school, hey, we g

  • 1:00:23

    aspect. So, I I want to differentiate

  • 1:00:26

    between that and the jokes that I was

  • 1:00:28

    uncomfortable with. And then I read the

  • 1:00:30

    jokes that that were cut out. So, okay,

  • 1:00:32

    now we back to the BAFTA awards where

  • 1:00:34

    okay, y'all did cut something out and

  • 1:00:36

    y'all left the George Floyd joke in that

  • 1:00:38

    was that was that that this is what they

  • 1:00:40

    >> I didn't love the P. Davidson Charlie

  • 1:00:42

    Kirk.

  • 1:00:43

    >> Well, that's what I was going to say. It

  • 1:00:44

    was not funny.

  • 1:00:45

    >> People might see it. I don't see it this

  • 1:00:47

    way. I don't. But people might see it as

  • 1:00:48

    we gave you like we gave you one of

  • 1:00:50

    these one of these. And so, cuz that

  • 1:00:53

    room got dead solid, no pun intended,

  • 1:00:55

    with the Charlie Kirk [ __ ] That was a

  • 1:00:57

    good joke. It was it was it was a good

  • 1:00:59

    joke. But but there's

  • 1:01:01

    >> it was clever. But I wouldn't make that

  • 1:01:02

    joke.

  • 1:01:03

    >> Yeah.

  • 1:01:03

    >> I wouldn't make it.

  • 1:01:04

    >> But I'm just saying like you could they

  • 1:01:06

    gave both sides of the same the same way

  • 1:01:09

    you could say that was a good Charlie

  • 1:01:10

    Kirk joke because it might not affect as

  • 1:01:13

    much. Somebody could have said that was

  • 1:01:15

    a good George Floy. It just don't affect

  • 1:01:17

    us. I mean it affect

  • 1:01:18

    >> I started with I had a problem with that

  • 1:01:21

    joke also. But we give the wrong

  • 1:01:23

    impression when you because you go you

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